Cathy Moriarty Movies

Cathy Moriarty guest stars as Denise Eldridge, who demands that the SVU file statutory rape charges against Justin Sharp (Jon Foster), the 21-year-old boyfriend of Denise's 15-year-old daughter Carrie (Danielle Pannabaker). It soon becomes obvious that Denise is a neurotic control freak who will do anything to keep her daughter under her thumb--even if it means falsifying evidence to frame Justin. At the precise moment when the both the SVU and the audience are sick and tired of Denise, the woman turns up murdered. Having sided with Carrie because of her miserable experiences with her own overbearing mother, Benson (Mariska Hargitay) must now face the probability that the girl (or her boyfriend) is a murderer. Glenne Headley appears in a pivotal role as a prominent children's-rights attorney. ~ Hal Erickson, All Movie Guide

In this crime thriller, Jason Chandler (Patrick Muldoon) is an FBI agent who is trying to hunt down a serial killer nicknamed "The Silencer" for his habit of cutting out the tongues of his victims. As Chandler tries to uncover the trail of "The Silencer," he is recruited for an elite FBI unit called the "Red Team," which is devoted solely to hunting down serial killers; however, the more Chandler studies their methods, the more he finds himself thinking the Red Team may be doing more harm than good. Chandler also finds himself developing a very non-professional relationship with his new partner, Stephanie Dobson (Cathy Moriarty). As Jason and Stephanie do research on The Silencer, they discover evidence that there's another unusual killer on the loose -- a multiple murderer who is targeting serial killers. Red Team was also released under the title The Crimson Code. ~ Mark Deming, All Movie Guide

Casper the Friendly Ghost and Wendy the Good Witch team up to fight an evil warlock. Shelly Duvall and Teri Garr star. ~ Jonathan Crow, All Movie Guide

In Stakeout, cop Richard Dreyfuss fell in love with Madeline Stowe, the woman he and his partner Emilio Estevez were watching during a police stakeout. Stowe's back in Another Stakeout, but her part is fleeting and unbilled. On the other hand, we get plenty of Dreyfuss and Estevez, still both as cantankerous and obnoxious as ever. This time, our two heroes are in search of a Mafia witness who has disappeared after an attempt on her life. While holed up in a judge's mansion, staking out the apartment where the woman may or may not return, the pair are subject to the comic aggravation of DA's assistant Rosie O'Donnell, who's brought her "darling" little rotweiler along for company. Another Stakeout works a little harder for its laughs than its predecessor; the best scenes go to Ms. O'Donnell and to nonplussed supporting players Dennis Farina and Marcia Strassman. ~ Hal Erickson, All Movie Guide

Director Sidney Lumet has remade the 1980 movie by his contemporary, John Cassavetes, casting Sharon Stone in the role of Gloria (portrayed in the original by Cassavetes' wife, Gena Rowlands), a street-toughened woman sliding into middle age. When the neighbors are murdered by a group of mobsters, one of which is a former boyfriend, Gloria takes the couple's seven-year-old son (Jean-Luke Figueroa) on the run. In time, she learns why the boy's parents were killed, and maybe just a little about herself. Sidney Lumet, director of '70s classics Network and Dog Day Afternoon, focuses more on the relationship between Gloria and the boy than did the original. Coincidentally, this would make the film very similar to the Brazilian Central Station, released at virtually the same time. ~ Ron Wells, All Movie Guide

The second film from writer/director James Mangold, the corruption drama Cop Land stars Sylvester Stallone as Freddy Heflin, the much-denigrated sheriff of tiny Garrison, NJ, a community which -- thanks to a technicality -- is populated almost entirely by members of the New York City Police Department. When young cop Murray "Superboy" Babitch (Michael Rapaport) becomes embroiled in a controversial shoot-out which leaves two black youths dead, he apparently commits suicide rather than face the wrath of an official investigation. In reality, however, he flees to safety back home in Garrison. In the wake of the controversial events, NYPD Internal Affairs lieutenant Moe Tilden (Robert De Niro) arrives in Garrison to uncover the truth, attempting to enlist Freddy to help watch the watchmen, including Superboy's uncle, veteran cop Ray Donlan (Harvey Keitel); coked-out Gary Figgis (Ray Liotta); and Joey Randone (Peter Berg), the husband of the woman (Annabella Sciorra) Freddy loved and lost. A rich, complex film about redemption, Cop Land's portrayal of Freddy's struggles to prove his worth mirrors Stallone's own return to thoughtful, character-driven drama after years of vacuous action roles. Like Freddy, he faces an uphill battle, fighting for respectability in the face of a superb cast including Janeane Garofalo, Cathy Moriarty, and Paul Calderon. ~ Jason Ankeny, All Movie Guide

Mick (Michael Raynor) and Lex (Nick Chinlund) are a pair of brothers who grew up in Harlem under circumstances that were difficult at best. Their mother Doreen (Cathy Moriarty) was a diabetic with a drinking problem and difficulty in saying no to men. While she wasn't a prostitute, she grew dependent on the little gifts her lovers would bring by, and as kids, Mick and Lex learned to accept this as the way things were. One night, Mick and Lex were taking a walk in the park when they were accosted by a cop who molested the younger Mick. Lex, older and strong as a grown man, attacked the cop, which led to a stay in a reform school. Years later, Mick is himself a policeman; while he's tried to bury the childhood incident in his past, he still shows emotional scars and is sexually dysfunctional. Lex, however, has taken the more dramatic slide. Since his stay in reform school, Lex has been in and out of trouble; today he has a combative relationship with Debbie (Rosie Perez), his girlfriend and the mother of his child and a going-nowhere job driving a bus. He also sells drugs for local dealer Lefty Louie (John Leguizamo), but has developed enough of a habit that his sales don't begin to compensate for the amount he uses himself. Mick tries to look out for his big brother, but it might be too late to save him. A Brother's Kiss was based on a play by writer/director Seth Zvi Rosenfeld, who grew up in the same neighborhood as actor Michael Raynor; Raynor and Nick Chinlund were also friends as children. ~ Mark Deming, All Movie Guide

Loosely based on the book Foxfire by Joyce Carol Oates, this film is about four high-school girls, dissimilar in every other way, who find that they are all being made to perform sexually with their biology teacher. This discovery leads them to become allies and friends. Shortly afterward, they exact revenge on their teacher at the cost of being expelled from school. Taking up residence in an abandoned house in the woods, they practice some rather sexy bonding rituals between themselves. Thanks to the efforts of their ringleader Legs to get drug rehab money for one of the girls, they find themselves on the wrong side of the law, and the chase begins. ~ Clarke Fountain, All Movie Guide

New York art dealer Arne Glimcher took his first crack at film directing with this florid, high-energy romance about two brothers who flee Cuba in the early 1950s to make it as musicians in the United States. Cynthia Cidre wrote the literate screenplay adapted from Oscar Hijuelos's Pulitzer Prize-winning novel The Mambo Kings Play Songs of Love. Cesar (Armand Assante) and Nestor Castillo (Antonio Banderas) are popular musicians on Havana's club circuit, but when they make enemies of the wrong people, they are forced to leave for New York City, the moody Nestor leaving behind his true love. In New York, the brothers work as meat-cutters during the day as Cesar tries to organize a band and make inroads into the lively New York music scene. Soon, as The Mambo Kings, they get club bookings and Cesar falls in love with a sharp-tongued cigarette girl, Lanna Lake (Cathy Moriarty), and Nestor with the beautiful Delores Fuentes (Maruschka Detmers), who wants to be a teacher. Cesar concentrates on singing and managing the band, while Nestor plays the trumpet and writes emotional songs of love. All seems to be going well until Cesar antagonizes the moneymen on the Latin nightclub circuit and they finds themselves playing bar mitzvahs. But after they're discovered by Desi Arnaz (Desi Arnaz Jr.), the group is prominently featured on I Love Lucy. Their popularity soars and they cut a successful album called "Mambo Kings Play Songs of Love." Cesar is glorying in his success, but Nestor is disappointed and longs to return to Cuba. ~ Paul Brenner, All Movie Guide

A stylish take on the woman in jeopardy and mad killer genres, White of the Eye poses the question, What would you do if you suspected your loving husband to be a serial killer? Arizonan Paul White (David Keith) is an expert at installing high-end stereo systems in the homes of wealthy citizens. He has been married to Joan (Cathy Moriarty) for ten years, having seduced her away from a violent criminal, Mike DeSantos (Alan Rosenberg). A series of brutal murders of well-to-do women has citizens of Paul and Joan's town on edge. When evidence at the scene of the second murder points to Paul, Joan tries to fend off the suspicions of police detective Charles Mendoza (Art J. Evans), even as she begins to see signs of violence in her husband that confirm the accusation. Director Donald Cammell, who co-wrote the script with his wife China, offers a fragmented narrative characterized by quick cutting; subjective, handheld camera work; and optical tricks that suggest the unraveling of Paul's mind. ~ Tom Wiener, All Movie Guide

Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s. ~ Lucia Bozzola, All Movie Guide

Comedy and drama take turns in this period piece based on a novel by Mark Childress. Peejoe (Lucas Black), short for Peter Joseph, lives in a small Alabama town in 1965, at the height of the Civil Rights movement. He becomes involved with a group of black students protesting the town's racially segregated municipal swimming pool, leading to a protest that explodes into deadly violence. But Peejoe has gotten a crash course in standing your ground and following your own path from his free-spirited Aunt Lucille (Melanie Griffith), who has killed her abusive husband and is headed for Hollywood, where she's convinced that television stardom awaits her. Crazy in Alabama marked the directorial debut of actor Antonio Banderas; his supporting cast includes Cathy Moriarty, Elizabeth Perkins, Rod Steiger, Fannie Flagg, and Meat Loaf Aday. ~ Mark Deming, All Movie Guide