Ed Begley, Jr. Movies

One of the most atypical weekly series to emerge from the Aaron Spelling TV factory, 7th Heaven, created by Spelling and Brenda Hampton, has eschewed the sex-and-sin shenanigans of such series as Beverly Hills 90210 and Melrose Place in favor of honest, three-dimensional family values, with generous doses of warmth, heart, humor, and pathos. There can be no doubt that this fundamentally wholesome program has struck a universal chord. The series has not only been lavishly praised by critics, honored by such organizations as the Parents Television Council, the Academy of Religious Broadcasting, and the Anti-Defamation League, and given innumerable industry awards, but it is also one of the most successful offerings of the WB network; indeed, it was the first WB series to run more than seven seasons, and during four of those seasons, it was the network's highest-rated show. Set in the suburban L.A. community of Glen Oak, the series revolves around the Camden family, headed by Eric Camden (Stephen Collins), pastor of the town's Community Church, and Eric's homemaker wife, Annie (Catherine Hicks). In the tradition of The Waltons, loyal 7th Heaven viewers have enjoyed the rare privilege of watching the Camden children grow up before their very eyes. When the series debuted on August 26, 1996, handsome and personable Matt Camden (Barry Watson) was 17 years old; basketball-playing Mary Camden (Jessica Biel) was 13 going on 14; intellectual, inquisitive Lucy Camden (Beverley Mitchell) was 12; happy-go-lucky Simon Camden (David Gallagher) was ten; and precocious Ruthie Camden (Mackenzie Rosman) was five. By the time the series entered its eighth season, the three oldest Camden kids were married and pursuing careers, while the two youngest were seasoned veterans of the school dating scene. (Two more Camden youngsters, twin boys Sam and David, were born halfway through the 1998-1999 season). All of the Camdens, parents included, have had more than their share of setbacks and tragedies (some of them absolutely devastating) as the series has rolled forward, but somehow all of the members of the clan, from patriarch Eric on down, have been able to recover, rally, and persevere with the help and support of their family and friends -- not to mention their inner faith. And unlike so many other TV series which traffic in personal interrelationships, the characters in 7th Heaven are very much a part of the "real" world. During its lengthy WB run, the series has exposed its principals to a wide variety of contemporary issues: teen suicide, racial prejudice, substance abuse, drunken driving, homelessness, negative peer pressure, teen pregnancy, Alzheimer's disease, the Holocaust, the war in Iraq, and the crisis in the Sudan. Eminently suitable for viewers of all ages, but never a mere sop to the "kiddie" trade nor a placebo for the clean-up-TV brigades, 7th Heaven has been and will likely always remain the jewel in the WB crown. ~ All Movie Guide

Timothy Bottoms stars as the real-life John Baker in the made-for-TV A Shining Season. A champion University of New Mexico track athlete, the 25-year-old Baker is only momentarily halted when he is diagnosed with terminal cancer. His efforts to coach a losing girls' track team in his last months proves an inspiration for the sports world in general, and for a similarly doomed child in particular. Adapted by William Harrison from the book by William Buchanan, this film was first telecast the day after Christmas, 1979. ~ Hal Erickson, All Movie Guide

The fourth Airport film may be the silliest of them all, as George Kennedy returns, this time co-piloting with Alain Delon. The plane is on its way to the Moscow Olympics, has a bomb on board, and gets fired upon with missiles that necessitate flying upside-down. A look at the cast list resembles a bad episode of Fantasy Island, but it's always fun to see shameless touches like casting Mercedes McCambridge (Johnny Guitar) as the coach of the Soviet team. If you don't understand the significance of that choice, you may find this film more tedious than laughable, but fans of bad movies will have a field day, as Jimmie Walker, Charo, and -- oddly enough -- Bibi Andersson rub shoulders with high-altitude disaster. ~ Robert Firsching, All Movie Guide

Director Joel Schumacher makes like Robert Altman in the made-for-TV Amateur Night at the Dixie Bar and Grill. In the tradition of Altman's Nashville, Schumacher's film is a rambling, anecdotal study of an amateur talent show in a tawdry Southern saloon. The link between the two films is strengthened by the presence in Amateur Night of Henry Gibson, who'd played a Porter Wagoner type in Nashville. Among the contestants is country-western singer Tanya Tucker, who also contributed some of the background themes for the film's musical score. Amateur Night at the Dixie Bar and Grill was produced by Motown Industries' motion picture division. Sidebar: To improve ratings, the ad copy for this film was headlined "Disco Killer on the Loose!"--then, in smaller type, the copy explained that "killing" was merely a slang term for winning over the audience! ~ Hal Erickson, All Movie Guide

Available with a teaching guide, this is a historical documentary made in six parts showing the history of American agriculture through actual photographs, vintage footage and historical re-enactments. ~ Tana Hobart, All Movie Guide

In this drama, a college professor gets romantically involved with a student until he learns that she earns tuition working as a part-time hooker. ~ Sandra Brennan, All Movie Guide

The life and sordid, untimely death of Hogan's Heroes star Bob Crane are explored by director Paul Schrader in this biopic, which marks one of the few times the filmmaker has not scripted his own film. Auto Focus chronologically traces the meteoric rise of Crane's show business career, beginning with his early success as a jokey deejay on Los Angeles morning radio in the early '60s. A devout family man, Crane lives in Southern Californian comfort with his wife Anne (Rita Wilson) and their young children, relishing the modicum of celebrity his job provides him. His life begins to change, however, when his agent Lenny (Ron Leibman) proposes that he take a breakthrough role on the CBS POW-camp sitcom Hogan's Heroes. Initially reluctant to take the job, Crane signs on with the production and, to his and everyone else's surprise, the show becomes a smash hit. With celebrity comes a new set of friends, and Crane falls in with audio-visual guru John Carpenter (Willem Dafoe), a Sony sales rep who spends his days setting up home entertainment systems for the Hollywood elite, and his nights cruising strip clubs for anonymous sexual encounters. Already a pornography buff, Crane starts using his fame to secure him and Carpenter an endless parade of affairs, which they videotape and then obsessively review. It isn't long before Anne demands a divorce, and Crane marries his Hogan's co-star Patti Olsen (aka Sigrid Valdis, here played by Maria Bello), who's more accepting of his escapades. When the sitcom is canceled, however, Crane has trouble securing acting jobs, and recedes further and further into his life of amateur porn with Carpenter. Auto Focus premiered at the Telluride and Toronto Film Festivals before its art-house run in the fall of 2002. ~ Michael Hastings, All Movie Guide

Director Joel Schumacher inherited the Batman franchise from Tim Burton and began steering it in the campier direction of the Sixties television show with this third installment. First-time Batman/Bruce Wayne (Val Kilmer), in his only outing as the Caped Crusader, is effectively brooding as he ponders strange dreams about his parents' death and escapes his own near-demise at the hands of Two-Face (Tommy Lee Jones), a former district attorney driven insane and turned into a master criminal when a gangster throws acid in his face. Meanwhile, as sexy psychologist Chase Meridian (Nicole Kidman) tries to analyze and seduce both Bruce Wayne and Batman, Wayne Enterprises employee Edward Nygma (Jim Carrey) reacts badly to getting fired, using his self-invented mind-energy device to transform into the super-intelligent Riddler. The Riddler teams up with Two-Face to bring down Batman and drain the minds of Gotham City residents with his device, while Batman gets some much-needed help in the form of circus performer Dick Grayson (Chris O'Donnell), out for vengeance after being orphaned by Two-Face. ~ Don Kaye, All Movie Guide

In the first episode of a two-part story, the surviving Mankind convoy is weakened by an unknown but highly contagious disease. Soon all the male fighter pilots of Galactica have fallen ill, leaving the vessel--and its thousands passengers--in the hands of the the courageous but untested female crewpersons. To protect Galactica during this crisis, Cmdr. Adama (Lorne Greene) orders the conveoy into a magnetic void, which may or may not lead to the "safe harbor" of planet Kobol. ~ Hal Erickson, All Movie Guide

In part one of Battlestar Galactica's pilot episode, the 12 colonies of humankind are poised to sign a peace treaty with the Cylons, a race of mechanical men with whom the colonies have waged war for the past millennium. In truth, however, the peace conference is a trap, arranged by traitorous human Baltar (John Colicos) for the purpose of wiping out humankind for good. Of all the colonies' battlestars, only the Galactica, helmed by Commander Adama (Lorne Greene) -- who, wisely, never completely trusted Baltar in the first place -- manages to escape the Cylon fleet. Led by Adama, his Viper-pilot son, Captain Apollo (Dirk Benedict), and Apollo's best friend, Lieutenant Starbuck (Dirk Benedict), the survivors of the Cylon ambush board Galactica and head for the long-lost 13th colony, which once bore the name of Earth. Originally telecast as a three-hour special, "Saga of a Star World" has since been divided into three separate episodes for syndication, and an edited 125-minute version has also been released theatrically. ~ Hal Erickson, All Movie Guide

In Part Three of Battlestar Galactica's pilot episode, the survivors of the war between the Cylons and Mankind have been lured into a trap on the planet Carillon. Thanks to some quick thinking on the part of Galactica's Cmdr. Adama (Lorne Greene), Adama's son Apollo (Richard Hatch), and Apollo's best friend Starbuck (Dirk Benedict), an escape from Carillon is successfully carried out--and in the bargain, Apollo has found happiness with his new bride Serena (Jane Seymour). But the Cylons, headed by traitorous human Baltar (John Colicos), are still determined to prevent Galactica from reaching its destination of the lost 13th colony (known centuries ago as Planet Earth). Originally telecast as a three-hour special, "Saga of a Star World" has since been divided into three separate episodes for syndication, and an edited 125-minute version has been released theatrically as Battlestar Galactica. ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Patrick MacNee guest stars as Count Iblis, a shipwrecked alien rescued by a Galactica recon mission. Claiming to be the last descendant of a long-gone alien culture, Iblis promises to grant three wishes to the Colonials -- including safe passage to the 13th Colony. All he asks in return from them is total, and unquestioning, obedience. Not surprisingly, Cmdr. Adama (Lorne Greene) is suspicious of Iblis' true motives -- but he is unable to sway the Colonials, who are more thn willing to agree to the godlike alien's terms. ~ Hal Erickson, All Movie Guide

Paul Schrader's directorial debut examines the trials of Detroit autoworkers living at the mercy of a heartless corporation and a corrupt union. Surviving from paycheck to paycheck, Checker Cab assembly linemen Zeke (Richard Pryor), Jerry (Harvey Keitel), and Smokey (Yaphet Kotto) scrape by and take pleasure in a few rounds of beer or bowling (and occasional illicit amusements). But when their money troubles pile up, Jerry and Smokey join Zeke in a desperate plan to steal cash from their local union office. Along with a piddling $600, they unexpectedly swipe evidence of union corruption. Deciding to use it for blackmail, the men discover instead how powerfully malevolent the union can be in a system that counts on petty divisiveness to keep the larger power structure intact. Inspired by stories of real-life disillusionment, Schrader and his brother/co-writer Leonard Schrader took on politically difficult issues of race and corporate labor, infusing the indictment of unions with a suggestion of post-Watergate paranoia about forces beyond the union that keep workers in their place. From the opening sequence of the assembly line to the final evocative freeze-frame, Schrader maintains an atmosphere of gritty realism, with the lead trio lending low-key dramatic force to a situation beyond their control. Too downbeat for a late '70s audience increasingly drawn to happier fare, Blue Collar flopped, yet it did earn Schrader critical accolades. Although he has reportedly since disowned the film, Blue Collar remains one of Schrader's best works, with Zeke and Jerry powered by the same sense of simmering frustration that would explode so effectively in Affliction two decades later. ~ Lucia Bozzola, All Movie Guide