Gene Morgan Movies

Pudgy character actor Gene Morgan started out as a utility player in Pathe's Folly comedies in the late teens, then worked for several years at Hal Roach studios. From 1935 to 1940, Morgan was under contract to Columbia Pictures, where he was usually cast as a perplexed cop or city detective. He was fleetingly but memorably seen in such Columbia's as She Couldn't Take It (1935), Meet Nero Wolfe (1936), The Devil's Playground (1937), and Mr. Smith Goes to Washington (1939). Gene Morgan made his last appearance in Warner Bros.' Meet John Doe (1941) under the direction of another longtime Columbia contractee, Frank Capra. ~ Hal Erickson, All Movie Guide
1940  
 
In her third film for innovative director Gregory LaCava, Ginger Rogers briefly turns her back on her established screen image by playing the daughter and granddaughter of prostitutes. Determined not to pursue the "family business", Ellie May Adams (Rogers) opts for respectability, as personified by clean-limbed Ed Wallace (Joel McCrea, teamed with Rogers for the first time since 1933's Chance at Heaven). Alas, all of Ellie May's dreams of connubial bliss fly out the window when Ed is introduced to her alcoholic father Homer (Miles Mander), her round-heeled mother Mamie (Marjorie Rambeau) and her equally randy grandmother (Queenie Vassar). Briefly losing Ed's affections, Ellie May tearfully resigns herself to taking care of her family-but will she resort to the World's Oldest Profession to keep food on the table? Adapted from Victoria Lincoln's novel February Hill (Lincoln's name didn't appear on the credits due to legal entanglements), Primrose Path managed to retain a goodly portion of the novel's bite without unduly straining RKO Radio's relationship with Joe Breen's censorship office. ~ Hal Erickson, All Movie Guide

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Starring:
Ginger RogersJoel McCrea, (more)
1940  
 
In this drama, a devoted, caring physician leaves his home and moves to Alaska to escape arrest after he performs euthanasia upon his terminally ill father. In the ever-snowy reaches of northernmost Alaska, the doctor begins administering to the poverty-stricken Inuit. While he has willingly exiled himself there and cares about the people, his new nurse is another story. She hates the outpost and holds the people there in contempt. She does not try to understand their lifestyle and therefore, considers them disgusting. Unbeknownst to the good doctor, he is being hunted by a detective determined to return him to the lower 48 to stand trial for the mercy killing of his father. Unfortunately, the gumshoe is caught in a blizzard and is blinded by the snow. The doctor saves his life. The grateful detective, seeing the doctor's good work, decides that he never saw him and returns home empty handed. Meanwhile, the nurse gets a grip on her ethnocentrism and decides to stay to be with the doctor. ~ Sandra Brennan, All Movie Guide

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Starring:
Chester MorrisJane Wyatt, (more)
1940  
 
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Gene Autry rescues a young boy from a gang of kidnappers in this delightful musical-Western from Republic Pictures. Having lost their jobs with the rodeo, Gene and sidekick Frog Millhouse (Smiley Burnette) are heading west when they discover a young British stowaway, Ronnie Willoughby (Clifford Severn Jr.), who mistakenly assumes that the two cowboys represent his father's large "Rancho San Quentin." Gene, however, doesn't have the heart to tell the boy that San Quentin is no ranch at all, but the state penitentiary. Along the way, the merry little group picks up a couple of pretty hitchhikers, runaway society bride-to-be Joyce Halloway (June Storey) and her kid sister, Patsy (Mary Lee), and they, too, keep mum about "Rancho San Quentin." In fact, Joyce nobly arranges for her own family ranch to be renamed after the prison lest the boy should learn the truth. Wrongly assuming that Gene and company are kidnappers, Ronnie's father, Frederick (Lester Matthews), makes a daring escape from San Quentin but Gene manages to make it appear as if the escapee is returning from a long and arduous cattle drive. The real kidnappers turn up soon enough, of course, and after the inevitable chase, Willoughby's establishes his innocence and Gene agrees to stay on as Joyce's foreman. Gene Autry, Smiley Burnette, and girl singer Mary Lee perform no less than seven musical numbers, including the title tune, "The Singing Hills," "Give out With a Song," Headin' for the Wild Open Spaces," and "Wooing of Kitty MacFuty." A television print entitled Keep Rollin' also exists, but without many of the songs and all the Mexican cantina production numbers. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Gene AutrySmiley Burnette, (more)
1940  
 
This is the celebrated Blondie episode that costars Rita Hayworth, who in 1940 was still just another Columbia contract actress. Hayworth plays an old flame of Dagwood Bumstead's (Arthur Lake), who moves into the Bumstead household when wife Blondie (Penny Singleton) advertises for a boarder. Blondie (Penny Singleton) tries to be civil when she meets Rita, but her true feelings are manifested in a superimposed montage of explosions and gunshots. Innocently caught in a compromising position with Hayworth at a local movie house, Dagwood is shown the door by the heartbroken Blondie. All misunderstandings are swept away by fadeout time in this fifth installment in Columbia's Blondie series. ~ Hal Erickson, All Movie Guide

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Starring:
Penny SingletonArthur Lake, (more)
1940  
 
Though the peak productivity of Monogram's "rural romance" films was the mid-1930s, the studio continued to put together films like Tomboy well into the early 1940s. Marcia Mae Jones plays the title character, a rambunctious city girl named Pat. Sent to the country to temper her hoydenish behavior, Pat falls in love with farm boy Steve (Jackie Moran), who lives under the thumb of his tyrannical Uncle Matt (Grant Withers). The couple's budding romance is helped along by Kelly (Grant Withers), Pat's ne'er-do-well father. The film's best performance is delivered by Clara Blandick, the immortal "Auntie Em" in The Wizard of Oz. Tomboy was directed by Robert McGowan, formerly the guiding light of Hal Roach's "Our Gang" films. ~ Hal Erickson, All Movie Guide

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Starring:
Marcia Mae JonesJackie Moran, (more)
1940  
 
In this Navy drama, a young sailor finds himself interested in everything but marriage. But then he encounters a runaway orphan who sees the sailor and decides that he would do anything to make him become his father. He begins dogging the salt, who does everything he can to get rid of the troublesome kid. Eventually he can't help but care for the poor lad and so adopts him. A pretty woman comes along and soon their little family is complete. ~ Sandra Brennan, All Movie Guide

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Starring:
James DunnJean Parker, (more)
1939  
 
On the verge of superstardom, Rita Hayworth played in scores of minor dramas like Homicide Bureau, an entertaining little crime story released a scant three months before her big breakthrough, Howard Hawk's Only Angels Have Wings. She plays J.G. Bliss, a girl scientist assigned to help the city's beleaguered homicide squad. When an accused murderer, Chuck Brown (Marc Lawrence), is released for lack of evidence, J.G. and Lieutenant Jim Logan (Bruce Cabot) do their best to have the decision reversed. Jim discovers that Brown is a member of a secret society hiding behind the seemingly innocent name of "the Junk Dealer's Trade Organization," which in reality is engaged in selling scrap metal to a certain enemy power (read: Germany). But with the adoring J.G. at his side, the intrepid hero not only saves his boss, Captain Haines (Moroni Olsen), from a kidnapping, but manages to catch the entire gang of crooks, including their leader, Ed Briggs (Norman Willis). ~ Hans J. Wollstein, All Movie Guide

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Starring:
Bruce CabotRita Hayworth, (more)
1939  
 
Dorothy Lamour had been playing "sarong girls" long enough to parody her screen character in 1939's Best of the Blues. Tired of portraying jungle princesses, a temperamental Broadway star (Lamour) runs out on her manager (Jerome Cowan) and joins a Mississippi showboat under a phony name. Incredibly, none of the showboat audiences recognize this supposedly world-famous star, and she becomes the toast of the South--as well as the object of boat owner Lloyd Nolan's affections. When the truth comes out, Nolan spurns Lamour, but they're back together for the musical finale. Best of the Blues is the television title for St. Louis Blues; the change was made to avoid confusion with the 1958 biopic of W.C. Handy, also titled St. Louis Blues. ~ Hal Erickson, All Movie Guide

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Starring:
Dorothy LamourLloyd Nolan, (more)
1939  
 
This prison film features an inventive escape from Alcatraz. They do it by planning a phony wedding in a prison chapel. The fugitives are soon captured by a brave hero who stops them by crashing his car into their getaway plane. ~ Sandra Brennan, All Movie Guide

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Starring:
Robert LivingstonJohn Gallaudet, (more)
1938  
 
Start Cheering is Columbia Pictures' idea of a college musical: Practically everyone in the cast is past the age of 30. Charles Starrett plays a movie star who wearies of Hollywood and decides to get a college education. He enrolls incognito in a small university, much to the discomfort of his managers Walter Connolly and Jimmy Durante. Durante heads for college himself, hoping to sabotage Starrett's plans and bring him back before the cameras. While Jimmy Durante is saddled with inferior material, the film gives full head to such guest stars as bandleader Louis Prima, vaudevillian Chaz Chase (who had a cigar-eating act), radio's Professor Quiz (Dr. Craig E. Earle), and Columbia's short-subject headliners The Three Stooges (with Curly!) ~ Hal Erickson, All Movie Guide

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Starring:
Jimmy DuranteJoan Perry, (more)
1938  
 
Capitalizing on the success of MGM's Thin Man series, virtually every major studio of the 1930s came up with its own husband-and-wife detective team. Columbia's entry was There's Always a Woman, starring Melvyn Douglas and Joan Blondell. Douglas and Blondell are the married proprietors of an unsuccessful private eye. On the verge of quitting the business, Douglas is given a $300 retainer by Mary Astor for a seemingly simple trackdown job. Disinterested, Douglas turns the case over to his wife--but reenters the scene when a murder occurs. Rita Hayworth appears in a 30-second bit, cut down from a full supporting role when the picture threatened to run too long. There's Always a Woman was supposed to be the first of a Douglas/Blondell series, but that notion ended with the comparative failure of their next vehicle, There's That Woman Again (39). ~ Hal Erickson, All Movie Guide

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Starring:
Joan BlondellMelvyn Douglas, (more)
1938  
 
Choreographer Danny Dare was the directorial guiding hand behind the Columbia B The Main Event. Robert Paige stars as a dilettante detective investigating the kidnapping of boxer Gene Morgan. The abduction was carried off all too easily, and its proximity to the obligatory Big Fight is all too convenient. With the help of his gal friday Jacqueline Wells, Paige gets to the truth of the matter in record time (55 minutes, to be exact). The Main Event, like most Columbia programmers, started out as merely a title, with the details to be filled in during production. ~ Hal Erickson, All Movie Guide

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Starring:
Robert PaigeArthur Loft, (more)
1938  
 
Who Killed Gail Preston? gets off to a rousing start with a nocturnal prison break which turns out to be the prelude for a nightclub musical number, masterminded by bandleader Traynor (Robert Paige). Gail Preston (Rita Hayworth), Traynor's vocalist, is much-despised by practically everyone, so it comes as no surprise when she's bumped off in the third reel. The most likely suspect is a weaselly hanger-on (Dwight Frye) who removes himself from consideration when he takes a header from a fourth-floor roof. This leaves such disreputable types as Marc Lawrence, Arthur Loft and John Gallaudet for detective Connolly (Gene Morgan) to choose from. Set almost entirely in Columbia's standard nightclub set, Who Killed Gail Preston? is a remake of 1934's The Crime of Helene Stanley, which took place at a movie studio. ~ Hal Erickson, All Movie Guide

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Starring:
Don TerryRita Hayworth, (more)
1938  
 
Extortion was designed as a sort of trial balloon for Columbia's new contractees Scott Colton and Mary Russell. The story takes place on a college campus, where a distinctively unpopular professor is murdered. When her physics-teacher father (Thurston Hall) falls under suspicion, co-ed Betty Tisdale (Mary Russell) turns to campus newspaper editor Larry Campbell (Scott Colton). Dissatisfied with the slowness of police procedure, Betty, Larry and their fellow students conduct their own investigation, unearthing a hotbed of scholastic intrigue and double-crossing. The much-hated victim is played by Albert Von Dekker, who'd later streamline his professional monicker as Albert Dekker and go on to a distinguished film career; ironically, Dekker would himself be the victim of a spectacular demise in 1968, which may or may not have been a sex murder. ~ Hal Erickson, All Movie Guide

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Starring:
Scott ColtonMary Russell, (more)
1938  
 
When G-Men Step In is Columbia's spin on Paramount's "FBI" B-picture series. On this occasion, the feds are after a gang of clever racketeers who've stuck their dirty thumbs in several pies, from charitable organizations to advertising agencies. The main conflict boils down to the antagonistic relationship between gangster boss Frederick Garth (Don Terry) and his G-Man brother Bruce (Robert Paige). As the plot thickens, Bruce comes to realize that Frederick has been working on the "right" side all along. The inescapable Jacqueline Wells is the girl in the case, while Horace MacMahon provides some unexpected chuckles. ~ Hal Erickson, All Movie Guide

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Starring:
Don TerryRobert Paige, (more)
1937  
 
In this romantic crime drama, a newspaper reporter and his female rival learn that a priceless Rembrandt, believed to have been destroyed years before, is still around. The mayhem begins as they compete to retrieve it from the thieves who swiped it from the elderly spinster who owns it. Fortunately, the spinster marked the back of the canvas with some distinctive indecipherable markings and the crooks are unable to fence the masterpiece. Angered, they decide to kill her. The female reporter, who moved in with the woman to save her, is also endangered when the crooks torch the old woman's house. Fortunately, the other reporter gets there in time to save the ladies and bring the crooks to justice. ~ Sandra Brennan, All Movie Guide

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Starring:
May RobsonIrene Hervey, (more)
1937  
 
James Dunn stars as Buzz Martin, a hot-air balloon ascensionist who's plenty full of hot air himself. Hired by the owners of the bank and movie theater in a tiny Pennsylvania town, Buzz stages an aerial stunt to draw customers, succeeding primarily in making a mess of things. Undaunted, our hero heads to New York, where through an unbelievable set of circumstance he establishes himself as a merchandising genius. The "venus" who "makes trouble" for Buzz along the way is pretty Kay Horner (Patricia Ellis). By 1937, James Dunn could have done this sort of picture in his sleep -- and one suspects he did. ~ Hal Erickson, All Movie Guide

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Starring:
James DunnPatricia Ellis, (more)
1937  
 
While Rita Hayworth was one of many starlets signed to one-year contracts at Columbia in 1936-37, she was one of the few who made the "cut" when option time rolled around. One of those who didn't was Patricia Farr, who starred in All-American Sweetheart before the Columbia execs showed her the door. Farr's top billing is perplexing, since the film's main characters are all male, all members of a college rowing team (an athletic endeavor utilized in no fewer than four 1930s films). The storyline of All-American Sweetheart involved the compromising of certain student rowers, courtesy of bribe-dispensing gangsters. One gets the impression that Columbia would have inserted gangsters into a movie about ping-pong. ~ Hal Erickson, All Movie Guide

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Starring:
Patricia FarrScott Colton, (more)
1937  
 
This standard crime meller from the Columbia assembly line stars Paul Kelly as police lieutenant Tony Roberts. Hoping to smash a gang of racketeers who profit by "fixing" a crooked state parole board, Tony poses as a down-and-outer and gets himself arrested. While in prison, he gains the confidence of a mob contact, bribes his way to a parole, and joins the gang on the outside, working his way up to head of the racket. He does so well on the wrong side of the law, in fact, that one wonders why he retains his police badge! Ironically, star Paul Kelly actually did spend time behind bars in the 1920s on a manslaughter rap. ~ Hal Erickson, All Movie Guide

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Starring:
Paul KellyRosalind Keith, (more)
1937  
 
If Charles Quigley never became Columbia's answer to Clark Gable (which seemed to be the studio's intention), it wasn't for lack of trying. In Speed to Spare, Quigley plays champion racecar driver Tommy Morton, eternal rival to less-ethical speed king Skids Brannigan (Eddie Nugent). What no one knows is that Tommy and Skids are actually brothers, separated at birth. Driven by a filial devotion that he can't explain, Tommy tries to dissuade Skids from recklessness, only to be "repaid" when Skids tries to steal away Tommy's sweetheart Eileen (Dorothy Wilson). It takes a near-fatal crack-up for Skids to straighten up and drive right -- and to patch things up with Tommy, whom he now recognizes as his own brother. Much of the racecar action in Speed to Spare is filmed against a process screen. ~ Hal Erickson, All Movie Guide

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Starring:
Charles QuigleyDorothy Wilson, (more)
1937  
 
A remake of Frank Capra's Submarine (1928), Devil's Playground is a snappy Columbia "B plus" picture starring Richard Dix and Chester Morris. Submarine officers Dorgan (Dix) and Mason (Morris) battle on land for the affections of dance-hall girl Carmen (Dolores del Rio). She marries Dorgan but makes a play for Mason when her husband is on duty. The romantic rivalry is forgotten when Dorgan must rescue
Mason and his crew from a sunken sub. Devil's Playground was one of Columbia's bigger moneymakers of 1937. Excerpts from the underwater scenes later found their way into the Three Stooges two-reeler Three Little Sew and Sews (1939). ~ Hal Erickson, All Movie Guide

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Starring:
Richard DixDolores Del Rio, (more)
1937  
 
While not a box-office success, this drama, directed by Leo McCarey, developed a potent reputation among film critics and movie buffs for its sensitive and perceptive treatment of the problems of the elderly. When McCarey won the Oscar for Best Director the same year for The Awful Truth, he remarked that the Academy gave him the award for the wrong movie. Barkley and Lucy Cooper (Victor Moore and Beulah Bondi) are a couple in their late 60s who have fallen on hard times and have been given the bad news that the bank is foreclosing on their house. Barkley and Lucy turn to their five children for help, but none are willing or able to do much for them; their son George (Thomas Mitchell) says that Lucy can stay with him and his wife Anita (Fay Bainter), while Nellie (Minna Gombell) and her husband Harvey (Porter Hall) can take in Barkley, but neither couple have the space or the means to house them both. Living with their children and their new families proves stressful for everyone involved, and Lucy decides to take up residence in a home for older women. She and Barkley realize that this will probably mean a permanent separation for the two of them, and they try to enjoy one last outing together before they part. Remarkably, Beulah Bondi was only 46 years old when this film was made, making her less then ten years older than several of her on-screen children; make-up wizard Wally Westmore used his bag of tricks to age her the appropriate two decades for the role. ~ Mark Deming, All Movie Guide

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Starring:
Victor MooreBeulah Bondi, (more)
1937  
 
In this romantic mystery, a defense attorney attempts to get his lovely client acquitted of murder charges. As he and the heiress look into the case they fall in love. ~ Sandra Brennan, All Movie Guide

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Starring:
Richard ArlenFay Wray, (more)
1937  
 
Joan Perry plays the title role in Columbia's Counterfeit Lady. She is cast as Phyllis, a country lass with a rare talent for larceny. Managing to steal a $37,000 diamond from a swank New York jewelry shop, Phyllis is pursued by private detective Johnny (Ralph Bellamy), and by a gang of professional thieves who play for keeps. Johnny rescues the heroine from the villains, whereupon she instantly reforms in order to permit a climactic romantic clinch. So well does Joan Perry pull off the leading role in Counterfeit Lady that it seems a shame she retired from acting after becoming the wife of Columbia prexy Harry Cohn. ~ Hal Erickson, All Movie Guide

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Starring:
Ralph BellamyJoan Perry, (more)
1937  
 
In this tuneful, romantic drama, an Australian opera star (Grace Moore) wants to perform in a major U.S. festival but cannot enter the country unless she is married. To this end, she hires a handsome artist (Cary Grant) temporarily marry her. At first it is all strictly business, but in time, the artist starts falling in love. Songs include: "Our Song," "Minnie the Moocher" (this number is usually cut out in 98m televised version of the film), "Siboney," and "The Waltz Song." ~ Sandra Brennan, All Movie Guide

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Starring:
Grace MooreCary Grant, (more)

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