Frank Morgan Movies

The Shop Around the Corner is adapted from the Hungarian play by Nikolaus (Miklos) Laszlo. Budapest gift-shop clerk Alfred Kralik (James Stewart) and newly hired shopgirl Klara Novak (Margaret Sullavan) hate each other almost at first sight. Kralik would prefer the company of the woman with whom he is corresponding by mail but has never met. Novak likewise carries a torch for her male pen pal, whom she also has never laid eyes on. It doesn't take a PhD degree to figure out that Kralik and Novak have been writing letters to each other. The film's many subplots are carried by Frank Morgan as the kindhearted shopkeeper and by Joseph Schildkraut as a backstabbing employee whose comeuppance is sure to result in spontaneous applause from the audience. Directed with comic delicacy by Ernst Lubitsch, this was later remade in 1949 as In the Good Old Summertime, and in 1998 as You've Got Mail. It was also musicalized as the 1963 Broadway production She Loves Me. ~ Hal Erickson, All Movie Guide

Frank Morgan and Billie Burke, who'd previously costarred in MGM's Wizard of Oz, head the cast of the minor but entertaining The Ghost Comes Home. Based on a play by George Kaiser, the story revolves around one Vern Adams (Morgan), who through a series of bizarre circumstances is declared legally dead. Returning home after a two-month absence, Vern discovers that his family has already collected on his life insurance, and are far better off than they were when he was "alive". As a result, Vern hides out in his own attic, awaiting an opportunity to declare his presence without ruining his family's windfall. Billie Burke plays Mrs. Adams, while Ann Rutherford portrays their daughter Billie, whose romance with local boy Lenny Shea (John Shelton) provides an antiseptic subplot to the proceedings. ~ Hal Erickson, All Movie Guide

The Nazi Party's rise to power has disastrous consequences for a German family in this drama. Victor Roth (Frank Morgan) is a college professor teaching in Germany in 1933 who leads a peaceful and contented life with his wife Emelie (Irene Rich), son Rudi (Gene Reynolds), daughter Freya (Margaret Sullavan), and stepsons Otto (Robert Stack) and Erich (William T. Orr). However, Adolph Hitler's emergence as Germany's ruler has an unexpected impact on their lives. Fritz (Robert Young) and Martin (James Stewart) both vie for Freya's hand in marriage, but anti-Nazi activist Martin is forced to flee to Austria, while Freya is disturbed by Fritz's membership in a pro-fascist group. Victor repudiates Hitler's theories about Aryan superiority in class, and he not only loses his teaching position, but he is sentenced to a concentration camp. And while Emelie and Rudi join Freya as she tries to escape to Martin's new home in Austria, they find themselves hunted by Otto and Erich, now members of the Hitler Youth. The Mortal Storm was perhaps the most explicitly anti-Nazi film made in Hollywood prior to America's entry into WWII, and it resulted in all of MGM's product being banned in Germany. ~ Mark Deming, All Movie Guide

The third and definitive film adaptation of L. Frank Baum's 1900 children's fantasy, this musical adventure is a genuine family classic that made Judy Garland a star for her heartfelt performance as Dorothy Gale, an orphaned young girl unhappy with her drab black-and-white existence on her aunt and uncle's dusty Kansas farm. Dorothy yearns to travel "over the rainbow" to a different world, and she gets her wish when a tornado whisks her and her little dog, Toto, to the Technicolorful land of Oz. Having offended the Wicked Witch of the West (Margaret Hamilton), Dorothy is protected from the old crone's wrath by the ruby slippers that she wears. At the suggestion of Glinda, the Good Witch of the North (Billie Burke), Dorothy heads down the Yellow Brick Road to the Emerald City, where dwells the all-powerful Wizard of Oz, who might be able to help the girl return to Kansas. En route, she befriends a Scarecrow (Ray Bolger), a Tin Man (Jack Haley), and a Cowardly Lion (Bert Lahr). The Scarecrow would like to have some brains, the Tin Man craves a heart, and the Lion wants to attain courage; hoping that the Wizard will help them too, they join Dorothy on her odyssey to the Emerald City.

Garland was MGM's second choice for Dorothy after Shirley Temple dropped out of the project; and Bolger was to have played the Tin Man but talked co-star Buddy Ebsen into switching roles. When Ebsen proved allergic to the chemicals used in his silver makeup, he was replaced by Haley. Gale Sondergaard was originally to have played the Wicked Witch of the West in a glamorous fashion, until the decision was made to opt for belligerent ugliness, and the Wizard was written for W.C. Fields, who reportedly turned it down because MGM couldn't meet his price. Although Victor Fleming, who also directed Gone With the Wind, was given sole directorial credit, several directors were involved in the shooting, included King Vidor, who shot the opening and closing black-and-white sequences. Harold Arlen and E.Y. Harburg's now-classic Oscar-winning song "Over the Rainbow" was nearly chopped from the picture after the first preview because it "slowed down the action." The Wizard of Oz was too expensive to post a large profit upon initial release; however, after a disappointing reissue in 1955, it was sold to network television, where its annual showings made it a classic. ~ Hal Erickson, All Movie Guide

Frank Morgan stars as vaudevillian Henry Conroy, who puts show business behind him when he inherits a dilapidated Arizona ranch. For some reason, several interested parties, most of them wielding six-guns, are bent upon chasing Henry off his supposedly worthless land. Terrified of firearms (this despite the fact that he was a trick-shot artist in vaudeville!), Henry summons up his courage to go to the rescue when his young friend Molly (Virginia Weidler) is placed in danger's path. As a bonus, he solves the murder of his half-brother, who was responsible for Henry "going Arizona" in the first place. Though technically a B picture, this MGM production boasts better production values than most of the "A" efforts from any other studio. ~ Hal Erickson, All Movie Guide

James Whale directed this screen adaptation of Marcel Pagnol's French classic Fanny. Madelon (Maureen O'Hara) is a lovely young woman who lives in a seaside community, where she has fallen in love with Marius (John Beal), a sailor. Marius is called to duty and sets sail, shortly before Madelon makes the discovery that she'd pregnant with his child. Not sure what to do, Madelon confesses her predicament to Panisse (Frank Morgan), a longtime friend who is pals with Cesar (Wallace Beery), Marius's father. To spare Madelon the shame of a child born out of wedlock, Panisse offers to marry Madelon, and she agrees, though both realize this will be a union of convenience rather than love. When Marius returns after his hitch is up, he declares his love to Madelon, but time has forced her to realize that the older but loving Panisse would be a better father for her child than Marius, who she loves but rarely ever gets to see. Port of Seven Seas was written for the screen by Preston Sturges, who came aboard for the project when William Wyler was originally slated to direct. ~ Mark Deming, All Movie Guide

Katharine Hepburn's association with RKO Radio Pictures came to an abrupt end when she refused to star in the studio's adaptation of Kate Douglas Wiggins' sentimental novel Mother Carey's Chickens. Hepburn was replaced by musical-comedy favorite Ruby Keeler, who though woefully miscast did her best to please. The story proper gets under way when Mr. Carey (Ralph Morgan) is killed in the Spanish American War, leaving his wife (Fay Bainter), his daughters Kitty (Keeler) and Nancy (Anne Shirley) and his young son Peter (Donnie Dunigan) to fend for themselves without a penny to their name. When Mrs. Carey is forced to put up the family's new house for sale, her daughters try to scare off potential buyers by claiming that the domicile is haunted. Thankfully, the Careys manage to find a source of income that will enable them to remain in their home, "ghosts" and all. Even more thankfully, the daughters find suitable mates in the form of Ralph (James Ellison) and Tom (Frank Albertson). With so much sugary sweetness, Walter Brennan's portrayal of the family's curmudgeonly benefactor comes as a decided relief. The film's sentimental theme music was later heard during the newsreel sequence of Citizen Kane, where it fit surprisingly well. Mother Carey's Chickens was remade by Disney as Summer Magic in 1963. ~ Hal Erickson, All Movie Guide

Contrary to popular belief, the Nelson Eddy-Jeanette MacDonald Technicolor confection Sweethearts is not based on the 1913 Victor Herbert operetta of the same name (though most of Herbert's songs remain intact), but a Dorothy Parker-Alan Campbell brainstorm about a popular Broadway singing duo, starring in a long-running production of Sweethearts. The early portions of the film take place during a purported presentation of the Herbert piece, with Eddy and MacDonald singing their hearts out and Ray Bolger providing comic relief. We then segue into a long sequence wherein producer Frank Morgan, celebrating Sweethearts's six-year run, insists that Eddy and MacDonald attend a lavish party, where the weary performers are called upon to continue singing throughout the evening. Hoping for a few moments alone after escaping the party, Eddy and MacDonald are besieged at their apartment by friends, co-workers, hangers-on and sponging relatives. Seeking peace and quiet, the couple agrees to leave Sweethearts for the comparative calm of Hollywood. But their entourage, fearing that they'll lose their meal ticket if Eddy and MacDonald leave New York, arrange to inaugurate two profitable road companies of Sweethearts by contriving to split up the loving couple. Cleverly sidestepping the sugary sweet sentimentality that one might expect from an MGM musical of the era, the delightful Sweethearts is hampered only by its overlength. ~ Hal Erickson, All Movie Guide

In this entertaining comedy, an American expatriate lives in Paris and fancies himself a clever con artist. Getting cocky, he invites his wife and daughter to join him. The daughter is about to marry and he promises her an exquisite French chalet. Now he must quickly find one before she arrives lest he end up with egg upon his face. ~ Sandra Brennan, All Movie Guide

Baroness Orczy, author of The Scarlet Pimpernel, came up with the story upon which The Emperor's Candlesticks was based. As in Pimpernel, the theme is international intrigue, but this time the setting is pre-World War One Europe and Russia rather than Revolutionary France. William Powell and Luise Rainer are spies working for opposing empires (Russian and Austrian) who travel undetected amidst the Nobility while plotting their plots. As they waltz about various ballrooms dressed to the nines, they fall in love--resulting in wavering loyalties for both. Emperor's Candlesticks is stronger on decor than on plot, with the talented Luise Rainer once more ill-used by Hollywood. ~ Hal Erickson, All Movie Guide

In MGM's three-hour-plus The Great Ziegfeld, William Powell stars as the titular theatrical impresario, whose show business empire begins when he stage-manages a tour for legendary strongman Sandow (Nat Pendleton). With nary a penny in the bank, he charms European stage star Anna Held (Luise Rainer) to headline his "Follies", and later marries the luscious Ms. Held. From 1907 onward, Ziegfeld stages annual editions of Broadway's most fabulous revue, dedicated to "Glorifying the American Girl" but also giving ample time to develop the comic talents of Fanny Brice (played by herself), Will Rogers, Eddie Cantor and many others. Eventually, Ziegfeld abandons Ms. Held in favor of other beauties, setting the stage for the "telephone scene" which won Luise Rainer the first of her Oscars. ~ Hal Erickson, All Movie Guide

This lavish Shirley Temple starrer is set in New York, sometime in the 1850s. While lovable pickpocket "Professor" Eustace Appleby works the crowd, his talented granddaughter Dimples (Temple) dances for pennies. Dimples demands that Appleby stop his thieving ways, but every time he tries to follow the straight and narrow, he comes out the loser (most memorably when he's hoodwinked by a dapper con man played by John Carradine). While Dimples entertains at the home of society matron Mrs. Caroline Drew (Helen Westley), Appleby pilfers several valuable objects. This time he's caught with the goods, but Dimples gallantly takes the blame. Touched by this, Mrs. Drew adopts the little girl, enabling her to find success on the legitimate stage. ~ Hal Erickson, All Movie Guide

Though its title and cast suggests a lighthearted romantic comedy, Trouble for Two is actually a fairly faithful adaptation of three of Robert Louis Stevenson's "Suicide Club" stories. Robert Montgomery stars as incognito Prince Florizel, who is lured to a gathering of strange characters devoted to suicide and murder. One of the conclave members is the enigmatic Miss Vandelur (Rosalind Russell) -- who, unbeknownst to Florizel, is actually the princess he is slated to marry. It soon develops that the Suicide Club is being used as a blind by a gang of international terrorists, bent on toppling Florizel from his throne. Louis Hayward has a fascinating bit as "The Man with the Cream Tarts," whose burning desire to end his own life leads Florizel into the clutches of the villains. ~ Hal Erickson, All Movie Guide