Tom Morga Movies

Captain Jack Sparrow (Johnny Depp) returns to the screen for another round of supernatural adventures on the high seas in this spirited sequel to the 2003 Disney hit, which re-teams original director Gore Verbinski with original screenwriters Ted Elliott and Terry Rossio. As Will (Orlando Bloom) and Elizabeth (Keira Knightley) prepare to exchange vows at the altar, their wedding plans hit rough waters with the arrival of sea-bound scallywag Jack Sparrow. It seems that Sparrow owes a substantial blood debt to half-octopus sea captain Davy Jones (Bill Nighy), and that the only way for the flamboyant sea rover to elude the wrath of his otherworldly pursuer is to seek the aid of mysterious and powerful voodoo priestess Tia Dalma (Naomie Harris), whose ability to resurrect the dead and gaze into the future may provide just the advantage needed to avoid a waterlogged fate in the locker of his legendary nemesis. ~ Jason Buchanan, Rovi

A group of intrepid humans attempts to save the Earth from vicious extraterrestrials in this extremely popular science-fiction adventure. Borrowing liberally from War of the Worlds, Aliens, and every sci-fi invasion film inbetween, director Roland Emmerich and producer and co-writer Dean Devlin present a visually slick, fast-paced adventure filled with expensive special effects and large-scale action sequences. The story begins with the approach of a series of massive spaceships, which many on Earth greet with open arms, looking forward to the first contact with alien life. Unfortunately, these extraterrestrials have not come in peace, and they unleash powerful weapons that destroy most of the world's major cities. Thrown into chaos, the survivors struggle to band together and put up a last-ditch resistance in order to save the human race. As this is a Hollywood film, this effort is led by a group of scrappy Americans, including a computer genius who had foreseen the alien's evil intent (Jeff Goldblum), a hot-shot jet pilot (Will Smith), and the President of the United States (Bill Pullman). While some critics objected to the film's lack of originality and lapses in logic, the combination of grand visual spectacle and crowd-pleasing storytelling proved irresistible to audiences, resulting in an international smash hit. ~ Judd Blaise, Rovi

This psychological thriller was cowritten by Steven Pressfield, who went on to become a successful novelist with The Legend of Bagger Vance (2000) and historical fiction such as Gates of Fire and Tides of War. Linda Hamilton stars as Lauren Porter, a well-regarded professor of psychology who fears that she may be suffering from multiple personality disorder. As a young girl, she received psychological scars when her mother murdered her stepfather and then committed suicide. She approaches one of her students, Tom Beckwith (James Belushi), a former cop who has quit the force in order to study psychology, and tells him of her concerns. Although he is struggling with his own relationship with his daughter, Beckwith agrees to trail Porter, and before long she has indeed slipped into a totally different personality, that of Lena, a club-hopping swinger. When Lena gets into trouble with a man she's picked up, Beckwith intervenes and receives a brutal beating. Soon, the murder of an investigator and the death of Porter's ex-husband are laid at her feet. ~ Karl Williams, Rovi

An FBI agent stationed in Cleveland is assigned to investigate a case in Utah where a serial killer is molesting and murdering children. The agent discovers ties between the murders and a bearded, crazed religious fanatic who believes himself to be Noah and who is building a huge ark in a cave. ~ Brian Gusse, Rovi

The plot involves a peace conference between the Federation of Planets and the troublesome Klingons. The Klingons are hoping to perform a little damage control after triggering a mining disaster on one of their moons; their spokesman is the seemingly contrite General Chang (Christopher Plummer). All negotiations abruptly cease when a Klingon vessel is attacked, and Capt. Kirk (William Shatner) and Dr. McCoy (DeForest Kelley) are accused of the crime. As they stand trial for murder, Mr. Spock (Leonard Nimoy) and Vulcanian trainee Lt. Valeris (Kim Cattrall) try to locate the real culprits. It turns out that Kirk and McCoy are victims of a conspiracy to foment further hostilities between the Good Guys and the Klingons. ~ Hal Erickson, Rovi

Once again, Charles Bronson plays a renegade cop out for vigilante justice in the darkest heart of the urban jungle. This time, he is targeting an especially ruthless pimp who has been leading innocent young girls into prostitution. When the pimp kidnaps the beautiful daughter of a Japanese businessman, rapes her and forces her to begin streetwalking, the cop decides to let nothing, not even the law, stop him from bringing the slimeball to graphically violent justice. ~ Sandra Brennan, Rovi

When last we left the crew of the star ship Enterprise, they were heading home following a skirmish with the despotic Khan. The unpleasant incident had cost the life of Mr. Spock (Leonard Nimoy)--or so it seemed. Admiral Kirk (William Shatner) is informed by Spock's father Sarek (Mark Lenard) that his son is being kept alive in the thoughts of one of the crew members. It now becomes necessary to search for Spock's body, so that flesh and soul can be rejoined on Vulcan. It turns out that Spock's spirit is residing within the mind of the Vulcan's longtime shipmate, "Bones" McCoy (DeForrest Kelley). Finding the body is another matter, since the Enterprise has been consigned to the trash heap and thus is out of Kirk's jurisdiction. ~ Hal Erickson, Rovi

This is an unusual entry in the knights-in-armor genre. Set in medieval England, the film follows the exploits of a young swordsman, Talon (Lee Horsley). Working as a mercenary knight, Talon possesses a unique three-bladed sword which fires its two extra blades when he touches a button. By chance, Talon learns that he is a prince who has forgotten his royal heritage. Using his sword and his wiles, he attempts to regain control of his kingdom, which has been taken over by a sadistic tyrannical knight and an evil sorcerer. In doing so, he can save a princess who has been taken hostage by the usurpers. Comedy is interspersed with gory and licentious drama throughout the film, which was directed and written by Albert Pyun. ~ Michael Betzold, Rovi

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, Rovi