Bill Morey Movies

To paraphrase the late, great NBC programming executive Brandon Tartikoff, the television industry is comprised of two different groups of people: The "beggars," those actors, writers, directors, and producers who tirelessly and relentlessly package and pitch ideas, concepts, and premises for new TV series; and the "choosers," those elite network chieftans who make the final decisions as to what will or will not be seen on the air. With this in mind, Beggars and Choosers was the perfect title for a raunchy, ribald cable-TV satirical sitcom, set behind the walls of a major (but not too major) television network. The setting for this weekly, 60-minute series was the headquarters of the LGT network, which, though it ran a distant last to such prestigious webs as ABC, CBS, and NBC, still managed to score a few ratings successes, notably the Seinfeld clone "Peter's Pals" and the ethnic soaper "Puerto Vallarta." Like most contemporary entertainment-manufacturing concerns, LGT was a hotbed of betrayals, double-crosses, backstabbings, dark intrigues, covert conspiracies, and sexual shenanigans. Heading the huge cast of regulars and recurring characters was Brian Kerwin as youthful LGT president Brian Kerwin, who manfully kept his wits about him while swimming with sharks at the workplace and dealing with domestic problems engendered by his demanding wife Cecile (Isabella Hoffman) and his troublesome teenaged children Audrey (Keegan Connor Tracy) and Cary (Kaj-Erik Eriksen). Co-starring with Kerwin was Charlotte Ross as Lori Vopone, LGT's barracuda-like vice president of development, who would stop at literally nothing to get bigger ratings and advance her own career. Others in the cast included Tuc Watkins as the network's closeted homosexual casting executive Malcolm Laffley, who spent most of the first season trying to work up the courage to "out" himself; William McNamara as supercilious talent agent Brad Advail, who was convinced that his success hinged upon which pair of socks he wore on any given day; Christopher Kennedy as Marty Hertz, LGT's bean-counting head of business affairs; and Sheila Moore as the network's hypersensitive vice president of standards and practices. Initially, LGT was owned by the senile, semi-comatose E. L. Ludden (Bill Morey) and his scheming trophy wife Lydia (Carol Kane). During a bitter power struggle between Mr. and Mrs. Ludden, control of the network was seized by flaky dot.com billionaire Dan Falco (Beau Bridges), who shortly thereafter turned the business over to his nitwit brother Freddie (James Belushi). The gloriously uninhibited and diabolically clever Beggars and Choosers debuted over cable's Showtime network on June 19, 1999, remaining in first-run for the next two seasons. ~ Hal Erickson, All Movie Guide

As Season Six of Boy Meets World gets under way with the first episode of a two-part story, Cory still does not know how to respond to Topanga's sudden marriage proposal. The rest of Cory's friends and family members offer varying degrees of advice and comfort: Shawn's girlfriend Angela (Trina McGee-Davis) , for example, thinks that Cory and Topanga (Danielle Fishel) are too young to marry, while Cory's parents Alan (William Russ) and Amy (Betsy Randle) are in no position to say anything since they themselves had eloped. Our hero's indecision extends all the way to the wedding ceremony--at which point, guess who announces that it isn't the right time yet? Maitland Ward joins the regular cast in the role of Rachel McGuire, the new and very attractive roommate of college boys Eric (Will Friedle) and Jack (Matthew Lawrence). ~ Hal Erickson, All Movie Guide

This TV sitcom revolves around three divorced New Yorkers -- nutty Andy (Mitch Rouse), who manufactures artificial fruits and vegetables; charming nerd Phil (Peter Gallagher), who still yearns for his ex; and spiteful, misanthropic Phil (Brad Whitford), a business manager for athletes. These guys play a lot of golf and log long hours at the neighborhood restaurant, where they vacillate between cynicism and self-pity. Filmed in Los Angeles, this series premiered September 30, 1998 on ABC. ~ Bhob Stewart, All Movie Guide

In this drama, a conniving reporter learns of a hostage crisis and uses the information to further a career in television news. ~ Sandra Brennan, All Movie Guide

This light comedy is a contemporary--and wacky--version of The Hunchback of Notre Dame. In this version, a malformed young man hangs out in the bell tower of a California college campus and has to face a number of prejudices when he is brought out into the light. ~ Kristie Hassen, All Movie Guide

This lightweight and slightly ribald comedy marks the feature film debut of Elvira (Cassandra Peterson), a buxom seductress best known for hosting a popular syndicated television show that features wonderfully bad old horror movies. After losing her latest job for refusing to sleep with her new boss, Elvira tries to launch a Vegas career. Just before that scheme falls flat, she finds salvation when an aunt dies and leaves her a huge old New England mansion. When the black-clad and sexy Elvira, with her flamboyant make-up and acres of cleavage hit the town, she creates an instant scandal amongst the old folks and inspires lusty dreams in the minds of the young. ~ Sandra Brennan, All Movie Guide

A CIA agent recruits a meek family man for a secret mission involving interstellar communication and copious violence in this tongue-in-cheek buddy flick from the writer/producer of The Golden Child. Insurance salesman Bob Wilson (John Ritter) is the kind of guy who stands by while suburban punks steal his kid's bike. Nick Pirandello (James Belushi) is the exact opposite -- a brash, womanizing alpha male revered within the CIA for his many successful secret missions. When a fellow agent who looks exactly like Bob gets killed just days before he's due to head up a very delicate mission, Nick recruits the reluctant Bob to help out. As Bob gets drawn deeper into a world of Russian hit men, transsexual beauties, and secret-agent hijinks, he slowly gains the self-confidence that's always escaped him. Meanwhile, he's constantly at the mercy of Nick's tongue-in-cheek humor, so he's a little skeptical when Nick reveals that the big meeting is with a group of aliens who want to share their advanced technology with humans. As it turns out, there may be something to Nick's outrageous story -- if only Bob can survive long enough to find out. The lone directorial credit for screenwriter/producer Dennis Feldman, Real Men features Barney Miller vet Barbara Barrie in a supporting role as Nick's placid, accommodating mother. ~ Brian J. Dillard, All Movie Guide

This inventive low-budget action-fantasy from producer Charles Band was released briefly as Swordkill before undergoing a title change for home video. Basically a samurai variant on Iceman, the story involves the discovery of 400-year-old Japanese warrior Yoshimita (Hiroshi Fujioka) encased in glacial ice in the hills of Motosuka, Japan. Revived at a high-tech cryogenics facility in Los Angeles by scientist Dr. Chris Welles (Janet Julian), Yoshimita is forced to acclimate himself to the modern age, but his samurai code of honor compels him to continue the quest for his long-lost bride that he began in his own time. The standard fish-out-of-water premise is helped along considerably by the appealing Fujioka, who exhibits an appropriately stoic demeanor amid a blur of computerized, MTV-styled culture shock, and some well-handled action sequences. ~ Cavett Binion, All Movie Guide

No sooner have David (Bruce Willis) and Maddie (Cybill Shepherd) been hired to handle security at SRT Industries than they're fired by Brian and Vivian Baker (Cotter Smith, Lenore Kasdorf), the brother-sister team who run the firm on behalf of their father Carl (Bill Morey). The reason for the dismissal? Someone has managed to smuggle SRT's industrial secrets to a competitor right under the detectives' noses. Maddie suspects that someone is using a professional medium to read the minds of the SRT employees in order to siphon off their secrets. She's right--but there are a couple of other flies in the ointment as well! ~ Hal Erickson, All Movie Guide

Acknowledging the excellent response to the syndicated 1983 cartoon miniseries G.I. Joe: A Real American Hero, Hasbro Toys commissioned a sequel, G.I. Joe: The Revenge of Cobra, which aired the following year. The plot is set in motion when the evil organization Cobra steals the laser core from the cannon of the G.I. Joe team. With this element, Cobra creates the Weather Dominator, wreaking havoc upon the earth's atmospheric and ecological balance. The Joes manage to neutralize the Dominator with an energy feedback, whereupon the machine's three most vital components are scattered to various parts of the world. For the balance of the story, both the Joes and the Cobras struggle to recover those precious components. Several new characters (and potentially marketable action figures) were introduced in the course of the story, notably the villainous Zartan and the Drednoks. As with the first G.I. Joe cartoon project, this one was offered as either a two-hour "movie" or as a five-part miniseries, its individual episodes bearing the titles "In the Cobra's Pit," "The Vines of Evil," "The Palace of Doom," "Battle on the Roof of the World," and "Amusement Park of Terror." Written by Ron Friedman, G.I. Joe: The Revenge of Cobra first aired in the United States from September 10 through 14, 1984. One year later, the daily G.I. Joe series proper was entered in syndication. ~ Hal Erickson, All Movie Guide

Amber Waves is the tale of two radically different personalities, united by crisis. Dennis Weaver plays a midwestern wheat harvester, coarsened by his lifelong struggle with poverty and the elements. Kurt Russell plays an obnoxious Manhattan-based male model, who has coasted through life on his charm and has never gotten his hands dirty. When Russell finds himself facially disfigured and penniless, he takes a job on Weaver's farm. Though the two men dislike each other at first, they reach a common ground when Weaver suffers a serious personal dilemma. Beautifully lensed in Alberta, Canada, Amber Waves was one of the high points of the 1979-80 TV movie season. ~ Hal Erickson, All Movie Guide

Ann Jillian plays the title character in this made-for-TV film, based on the facts but with several liberties taken as well. Roddy McDowall takes an interesting turn playing a female impersonator. ~ John Bush, All Movie Guide