Robert Morelli Movies

This Canadian black-and-white film is based on David Blackwood's stage play of the same name, and is set in a Midwestern U.S. diner in the 1950s. It is director James Purcell's first film. Eddie (Peter Outerbridge) has "Fools Die Fast" tattooed on his hands, and is enjoying his diner food and a little flirtation with Rhonda (Kate Greenhouse), his waitress. When Rhonda's boss, Vern, accuses her of stealing money from the till. Eddie reacts to this with unusual force, tying Vern up and filming everything on a home movie camera. This delicate situation grows even more tense when Vern begins to talk about Rhonda's history in porn films. ~ Clarke Fountain, All Movie Guide

A plucky seventeen-year old hockey player proves that he is good enough to play on the Canadian national team in this drama. ~ Sandra Brennan, All Movie Guide

The Big Town is Chicago, circa 1957. Matt Dillon stars as a small-town crapshooter who heads to the Windy City to seek his fortune. There he becomes the pawn of two high-rolling professional gamblers, played by Lee Grant and Bruce Dern. He later gets mixed up in a revenge scheme cooked up by Diane Lane, the embittered wife of strip-joint owner Tommy Lee Jones. Before he knows what's happened, Dillon is embroiled in two torrid romances, one with Lane and the other with "nice" girl Suzy Amis; he also nearly loses his life by ending up in the middle of a deadly feud between Dern and Jones. Based on The Arm, a novel by Clark Howard, Big Town tends towards uneveness, a result perhaps of the defection of its first director, Harold Becker. ~ Hal Erickson, All Movie Guide

Manhattan-based writer David Carradine falls victim to AIDS in As Is. Virtually abandoned by friends and family, Carradine is looked after by his gay lover, photographer Jonathan Hadary. Based on a play by William M. Hoffman, As Is wisely avoids editorial comment on the principals' lifestyle, nor does it wallow in the tragedy of the situation. As directed by Michael Lindsay-Hogg, the film never quite overcomes the staginess of its source material; its principal strength lies in the byplay between its stars. The film was produced for cable television in 1985, and telecast early in 1986. ~ Hal Erickson, All Movie Guide

One of the only survivors of a man-made plague joins forces with a team of private warriors in a bid to save what's left of the Earth in this sequel to Resident Evil, the big-screen adaptation of the popular video game. Picking up where the first film left off, Resident Evil: Apocalypse finds Alice (Milla Jovovich) still battling the living dead who are overtaking Raccoon City, inoculated with an anti-virus by the nefarious and all-powerful Umbrella Corporation (in addition to the virus itself). Alice encounters Jill Valentine (Sienna Guillory), a former member of Umbrella's internal defense team. Forming an alliance with mercenary-for-hire Carlos Olivera (Oded Fehr) and his cohorts, this tiny band of survivors seeks out Dr. Charles Ashford (Jared Harris), Umbrella's top scientist and one of the only men with the know-how to find a solution to the zombie menace; however, they discover that Ashford's cooperation comes with a price -- the scientist's daughter Angie (Sophie Vavasseur) is missing, and he'll help Alice and her partners only if Angie is returned to him safe and sound. Resident Evil: Apocalypse was the first solo directorial credit for Alexander Witt, who previously distinguished himself as a cinematographer and second-unit director. ~ Mark Deming, All Movie Guide

A gangster boss (John Vernon) is being pursued not only by the feds, but also by his girlfriend (Margot Kidder) and his old pal (Albert S. Waxman). With nowhere else to go, he heads north to Winnipeg to stay with relatives, and ends up teaching them a few things about the life of crime. ~ John Bush, All Movie Guide

While on the routines of his job, a Montreal policeman (Michael Ironside) is tormented by flashbacks and hallucinations. He eventually traces the bizarre behavior to the LSD experiments of a CIA scientist (Christopher Plummer). ~ John Bush, All Movie Guide

The 1920s-era play The Front Page was about a Chicago reporter who wants to retire and get married but is tricked by his editor into doing one last story -- which proves to be complicated. It was made into a classic film in 1931 and inspired the 1940 hit movie His Girl Friday, in which the reporter was changed into a woman. Billy Wilder also remade the original film in 1974. Switching Channels is a 1988 remake of His Girl Friday, with Kathleen Turner in the starring role, which has now morphed into that of a cable television network news anchor, Christy Colleran. She wants to marry a rich and handsome sporting goods manufacturer, Blaine Bingham (Christopher Reeve) and move out of town. But her ex-husband, John L. Sullivan IV (Burt Reynolds), who is also her producer and boss, gives her one final assignment to try to keep her around. Her reporting leads her into an investigation of a jail escape that follows a botched-up execution. Writer Jonathan Reynolds updated the original material. ~ Michael Betzold, All Movie Guide