Robert Morelli Movies

One of the only survivors of a man-made plague joins forces with a team of private warriors in a bid to save what's left of the Earth in this sequel to Resident Evil, the big-screen adaptation of the popular video game. Picking up where the first film left off, Resident Evil: Apocalypse finds Alice (Milla Jovovich) still battling the living dead who are overtaking Raccoon City, inoculated with an anti-virus by the nefarious and all-powerful Umbrella Corporation (in addition to the virus itself). Alice encounters Jill Valentine (Sienna Guillory), a former member of Umbrella's internal defense team. Forming an alliance with mercenary-for-hire Carlos Oliviera (Oded Fehr) and his cohorts, this tiny band of survivors seeks out Dr. Charles Ashford (Jared Harris), Umbrella's top scientist and one of the only men with the know-how to find a solution to the zombie menace; however, they discover that Ashford's cooperation comes with a price -- the scientist's daughter, Angie (Sophie Vavasseur), is missing, and he'll help Alice and her partners only if Angie is returned to him safe and sound. Resident Evil: Apocalypse was the first solo directorial credit for Alexander Witt, who previously distinguished himself as a cinematographer and second-unit director. ~ Mark Deming, Rovi

In this chilling drama, a beautiful widow's gratitude turns to naked fear when she learns that a good Samaritan has been stalking her after saving the life of her son. ~ Sandra Brennan, Rovi

Backstab an erotic, mystery thriller made in Canada, and directed by Jim Kaufman, is the story of an architect Cliff Murphy (James Brolin), who spends the night with a beautiful woman only to find his murdered boss next to him in bed. Cliff is framed for the murder, and he must prove his innocence. This average thriller, with a lackluster performance by James Brolin never really takes off. The pace is too leisurely and the courtroom finale and plot twists are not convincing. The cast also includes Meg Foster who gives a convincing performance and some beautiful color photography by Rodney Gibbons. Despite some good moments and good production values, Backstab fails to either thrill or entertain. ~ Linda Rasmussen, Rovi

A plucky seventeen-year old hockey player proves that he is good enough to play on the Canadian national team in this drama. ~ Sandra Brennan, Rovi

While on the routines of his job, a Montreal policeman (Michael Ironside) is tormented by flashbacks and hallucinations. He eventually traces the bizarre behavior to the LSD experiments of a CIA scientist (Christopher Plummer). ~ John Bush, Rovi

The 1920s-era play The Front Page was about a Chicago reporter who wants to retire and get married but is tricked by his editor into doing one last story -- which proves to be complicated. It was made into a classic film in 1931 and inspired the 1940 hit movie His Girl Friday, in which the reporter was changed into a woman. Billy Wilder also remade the original film in 1974. Switching Channels is a 1988 remake of His Girl Friday, with Kathleen Turner in the starring role, which has now morphed into that of a cable television network news anchor, Christy Colleran. She wants to marry a rich and handsome sporting goods manufacturer, Blaine Bingham (Christopher Reeve) and move out of town. But her ex-husband, John L. Sullivan IV (Burt Reynolds), who is also her producer and boss, gives her one final assignment to try to keep her around. Her reporting leads her into an investigation of a jail escape that follows a botched-up execution. Writer Jonathan Reynolds updated the original material. ~ Michael Betzold, Rovi

The Big Town is Chicago, circa 1957. Matt Dillon stars as a small-town crapshooter who heads to the Windy City to seek his fortune. There he becomes the pawn of two high-rolling professional gamblers, played by Lee Grant and Bruce Dern. He later gets mixed up in a revenge scheme cooked up by Diane Lane, the embittered wife of strip-joint owner Tommy Lee Jones. Before he knows what's happened, Dillon is embroiled in two torrid romances, one with Lane and the other with "nice" girl Suzy Amis; he also nearly loses his life by ending up in the middle of a deadly feud between Dern and Jones. Based on The Arm, a novel by Clark Howard, Big Town tends towards uneveness, a result perhaps of the defection of its first director, Harold Becker. ~ Hal Erickson, Rovi

Manhattan-based writer David Carradine falls victim to AIDS in As Is. Virtually abandoned by friends and family, Carradine is looked after by his gay lover, photographer Jonathan Hadary. Based on a play by William M. Hoffman, As Is wisely avoids editorial comment on the principals' lifestyle, nor does it wallow in the tragedy of the situation. As directed by Michael Lindsay-Hogg, the film never quite overcomes the staginess of its source material; its principal strength lies in the byplay between its stars. The film was produced for cable television in 1985, and telecast early in 1986. ~ Hal Erickson, Rovi