Vanesa Tomasino Movies

A period comedy set in the 1980s, Jonathan Glatzer's What Goes Up tells the poignant story of a morally challenged New York reporter who connects with a group of high school outcasts while in New Hampshire covering the story of Christa McAuliffe, the first civilian astronaut. Arriving in McAullife's hometown, reporter Campbell Babbitt (Steve Coogan) is distraught to learn that an old college friend has recently committed suicide. Meanwhile, as Babbitt attempts to craft an unsung hero story about his old friend by gravitating toward the teacher's misfit students, local teacher (Molly Shannon) scrambles to cover up a looming scandal. When Babbitt discovers that the motley crew of teens is comprised of a self-absorbed seductress (Hilary Duff), a timid voyeur (Josh Peck), and a manipulative pregnant teen (Olivia Thirlby), he becomes obsessed with our need to create heroes where none exist. Over time, the roles are reversed and Babbitt learns that the traits he is currently projecting onto his fallen friend's students may in fact be traits possessed by he and other adults. Increasingly at ease around the students as he relates to them on their own terms, Babbitt gradually begins to form a fixation on the very student rumored to have had an affair with his deceased friend. ~ Jason Buchanan, All Movie Guide

This true-crime biopic explores the life of mother-and-son grifters Sante and Kenny Kimes, from Kenny's childhood apprenticeship in early-'80s Honolulu to Sante's murder trial in late-'90s New York City. Fortyish Sante Kimes (Judy Davis) uses her looks and her brazen disregard for the law to acquire whatever she wants in life, from jewels to cars to large insurance settlements. Her most frequent accomplice in these endeavors? Son Kenny (former General Hospital actor Jonathan Jackson), who spends most of his childhood serving as a bit player, then later a co-star, in his mother's schemes. When a slavery -- yes, slavery -- conviction sends Sante to prison, Kenny enjoys a more or less normal adolescence with his wealthy father (Chelcie Ross), who has long refused to marry Sante. But upon her return from the big house, the now over-the-hill Sante re-enlists her son's assistance in her amoral activities. Eventually fingered for the murder of a wealthy Manhattan matron, Sante finds herself in court, where her son's testimony may well end her lifelong crime spree once and for all. Adapted by Randy Stone and Teena Booth from Jeanne King's book Dead End: The Crime Story of the Decade: Murder, Incest and High-Tech Thievery, A Little Thing Called Murder premiered January 23, 2006, on the Lifetime cable network. It was actually the second TV movie to explore the Kimes' story, following Mary Tyler Moore's turn in the 2001 CBS offering Like Mother, Like Son: The Strange Story of Sante and Kenny Kimes. ~ Brian J. Dillard, All Movie Guide