Andre Morell Movies

In the 17th century, the arrogant, cruel Hugo Baskerville (David Oxley) brutalizes a servant and prepares to turn the man's daughter over to his equally depraved companions, but she escapes. When he catches up with the girl in a ruined abbey, he kills her and then is attacked and killed himself by a huge hound that is never seen. The audience then learns that this story is being told in flashback to Sherlock Holmes (Peter Cushing) and Dr. Watson (Andre Morell) by Dr. Richard Mortimer (Francis DeWolff). He was the physician and friend to the late Sir Charles Baskerville, who recently died -- apparently of fright -- on the Devonshire moors near that same ruined abbey. Holmes is very skeptical, but agrees to meet Sir Henry Baskerville (Christopher Lee), who has just arrived in London to claim the estate. Sir Henry is cold and aloof but becomes convinced he's in danger when he's almost bitten by a tarantula. Holmes insists that he not go to Baskerville Hall alone, so Holmes sends Watson to Devonshire with Sir Henry.

In Devonshire, Sir Henry and Watson learn that an escaped convict, Selden, is at large on the moor. Watson meets local Bishop Frankland (Miles Malleson), and later on the moor, Baskerville's neighbors, Stapleton (Ewen Solon) and his daughter, Cecile (Marla Landi). Watson is almost trapped in one of the many bogs that dot the moors, but he escapes. Later, leaving Sir Henry stricken with a mild heart attack at the hall, Watson ventures again onto the moors, and to his surprise, discovers Sherlock Holmes there. Holmes has been hiding and watching for developments. They hear the howl of the hound, and are too late to prevent the huge beast from killing a man they take for Sir Henry. But back at Baskerville Hall, they find Sir Henry alive and well: the dead man was the convict Selden, dressed in some old clothes of Sir Henry's. At the ruined abbey, they find evidence that a strange rite has been performed.

When Holmes visits Frankland for information, he learns that someone has stolen the bishop's tarantula. (He's an amateur naturalist.) Meanwhile, near Baskerville Hall, Sir Henry meets Cecile, and they are attracted to one another. Holmes, Mortimer and Stapleton descend into a disused tin mine in search of evidence, but a cave-in almost traps Holmes. That evening, when Sir Henry goes to meet Cecile on the moors, he learns that she actually hates him, and that the hound is now on his trail. Holmes and Watson arrive almost too late to save him, but Holmes kills the hound and reveals it's an ordinary, if large, dog in a mask. The villain is a descendant of Sir Hugo's from "the wrong side of the sheets"; he and his daughter were determined to use the legend of the Hound to kill those standing between them and Baskerville Hall.
No movie version of Sir Arthur Conan Doyle's most famous novel follows its source very closely, and this colorful Hammer film is no exception. An extra killer is added, events are compressed, and even the novel's most famous line -- "they were the tracks of an enormous hound!" -- is omitted. The film also suffers at times from a budget too low for its ambitions and by extraneous elements aimed at making it more like a Hammer movie, such as the unexplained "rite." However, the movie has a brisk pace and particularly strong characters. Lee, initially icy and arrogant -- perhaps to remind us of Sir Hugo -- thaws into a likable person romantic enough to fall in love, atypically for Lee. Andre Morell is one of the most solid and realistic Watsons ever; there's nothing whatever of the harrumphing Nigel Bruce, no comedy elements to the role at all. He's straightforward, heroic in his own right. But the triumph of the film
was the casting of Peter Cushing as Sherlock Holmes. Cushing's Holmes is vivid, dynamic and arrogant; the actor does not even attempt to make Holmes likable, but instead plays the character exactly as Doyle wrote him. It's a performance of steely integrity and terrific skill, one of the greatest Holmes performances ever. Cushing later played Holmes in a television series, and became as identified with the role in England as Basil Rathbone was in the United States. Cushing returned once again to the role late in life, in the TV movie The Masks of Death, as well as writing about Holmes for several books. ~ Bill Warren, All Movie Guide

This 1959 version of Lew Wallace's best-selling novel, which had already seen screen versions in 1907 and 1926, went on to win 11 Academy Awards. Adapted by Karl Tunberg and a raft of uncredited writers including Gore Vidal and Maxwell Anderson, the film once more recounts the tale of Jewish prince Judah Ben-Hur (Charlton Heston), who lives in Judea with his family during the time that Jesus Christ was becoming known for his "radical" teachings. Ben-Hur's childhood friend Messala (Stephen Boyd) is now an ambitious Roman tribune; when Ben-Hur refuses to help Messala round up local dissidents on behalf of the emperor, Messala pounces on the first opportunity to exact revenge on his onetime friend. Tried on a trumped-up charge of attempting to kill the provincial governor (whose head was accidentally hit by a falling tile), Ben-Hur is condemned to the Roman galleys, while his mother (Martha Scott) and sister (Cathy O'Donnell) are imprisoned. But during a sea battle, Ben-Hur saves the life of commander Quintus Arrius (Jack Hawkins), who, in gratitude, adopts Ben-Hur as his son and gives him full control over his stable of racing horses. Ben-Hur never gives up trying to find his family or exact revenge on Messala. At crucial junctures in his life, he also crosses the path of Jesus, and each time he benefits from it. The highlight of the film's 212 minutes is its now-legendary chariot race, staged largely by stunt expert Yakima Canutt. Ben-Hur's Oscar haul included Best Picture, Best Director for the legendary William Wyler, Best Actor for Heston, and Best Supporting Actor for Welsh actor Hugh Griffith as an Arab sheik. ~ Hal Erickson, All Movie Guide

The original 1958 BBC television production of the last of Nigel Kneale's classic Quatermass scripts -- which is best known in association with the 1967 Hammer Films adaptation by Roy Ward Baker -- runs circles around the feature-film version. As with the other Quatermass serials, Kneale's original script goes a lot deeper into meanings, motivations, and consequences of the events depicted, as well as characterization and plot developments. That's understandable, as the producers had six episodes running over 30 minutes each in which to work, instead of the 98-minute running time of the movie. The result is a storyline in which the mystery is developed as much as the horror and science-fiction elements, and is worthy of Sherlock Holmes, one might add. An excavation for a London subway turns up mysterious skeletons, that are almost -- but not quite -- human. An investigation by Dr. Roney (Cec Linder), a paleontologist, reveals that these creatures had abnormally large brain cavities, much larger than was the norm for any known prehistoric proto-human species. There are other specimens as well, large insect-like creatures, and all were clustered around what seems to be a spacecraft buried at the same time as these skeletons, possibly as long as five million years. The unearthing of the space vehicle brings into the case England's greatest rocket expert, Professor Benard Quatermass (Andre Morell), who comes to believe from the evidence that the vehicle is from Mars, as were the insect-like beings. Even as Quatermass and Roney continue to investigate, they run up against resistance from government officials eager to avoid a panic, and from Quatermass' new superior, Colonel Breen (Anthony Bushell), a weapons expert who doesn't trust intellectuals or idealistic scientists, and wants to believe that the spaceship was part of a World War II Nazi hoax intended to raise hysteria among the public. Meanwhile, hysteria seems called for, as strange and potentially deadly manifestations of telekinetic power and other paranormal phenomenon start to overtake workers at the site of the excavation. Quatermass and Roney are convinced that some potentially catastrophic forces are being tampered with, but no one in the government will listen to them until it is too late, and all hell, literally, starts to break loose. ~ Bruce Eder, All Movie Guide

The Bridge on the River Kwai opens in a Japanese prisoner-of-war camp in Burma in 1943, where a battle of wills rages between camp commander Colonel Saito (Sessue Hayakawa) and newly arrived British colonel Nicholson (Alec Guinness). Saito insists that Nicholson order his men to build a bridge over the river Kwai, which will be used to transport Japanese munitions. Nicholson refuses, despite all the various "persuasive" devices at Saito's disposal. Finally, Nicholson agrees, not so much to cooperate with his captor as to provide a morale-boosting project for the military engineers under his command. The colonel will prove that, by building a better bridge than Saito's men could build, the British soldier is a superior being even when under the thumb of the enemy. As the bridge goes up, Nicholson becomes obsessed with completing it to perfection, eventually losing sight of the fact that it will benefit the Japanese. Meanwhile, American POW Shears (William Holden), having escaped from the camp, agrees to save himself from a court martial by leading a group of British soldiers back to the camp to destroy Nicholson's bridge. Upon his return, Shears realizes that Nicholson's mania to complete his project has driven him mad. Filmed in Ceylon, Bridge on the River Kwai won seven Academy Awards, including Best Picture, Best Director for the legendary British filmmaker David Lean, and Best Actor for Guinness. It also won Best Screenplay for Pierre Boulle, the author of the novel on which the film was based, even though the actual writers were blacklisted writers Carl Foreman and Michael Wilson, who were given their Oscars under the table. ~ Hal Erickson, All Movie Guide

Victor Mature stars in this European-based crime thriller. Mature is an FBI agent on the trail of a drug smuggling operation, following his quarry all over the Continent (with accompanying pretty pictures of Portugal, Spain, France etc.) The criminal mastermind (Trevor Howard) is something of a lunatic, who has already strangled Mature's sister to death just for the hell of it. Anita Ekberg plays Howard's luscious courier; as usual, her "acting" consists to breathing heavily in a low-cut dress. The title Pickup Alley was the invention of Columbia's New York office: The film's original British title was Interpol. ~ Hal Erickson, All Movie Guide

In this desert adventure, a bandit chieftain roams the northwest deserts of India. Wherever he goes, he leaves a trail of ruin and raped women. A British major is assigned to capture the bandit and his gang. He succeeds, but soon the bandit, with the assistance of a sadistic nomad, escapes. The raiders then head for a British garrison where more bloodshed ensues as they begin slaughtering the hapless soldiers. The nomad captures the colonel and begins torturing him. The bandit, who has grown to respect his British adversary, sacrifices his own life to stop him. ~ Sandra Brennan, All Movie Guide

The Man Who Never Was is the true story of how the Allies threw the Nazis off track in planning the invasion of Sicily. The British Royal Navy exhumes the corpse of a man who died of natural causes, arranging to make it appear as though the dead man was a special services operative carrying the secret invasion plans. The elaborate ruse includes creating a fictional identity for the "spy," then faking a drowning for the corpse and having the body wash up on shore with false information. The plan is complicated by Lucy Sherwood (Gloria Grahame), the girl friend of the dead man, and Patrick O'Reilly (Stephen Boyd), a German espionage agent. The Man Who Never Was moves too slowly to maintain excitement, but it works well on a pure storytelling level. ~ Hal Erickson, All Movie Guide

Katharine Hepburn stars as Jane Hudson, an Ohio secretary on the verge of spinsterhood. Carefully saving her money, Jane takes an extended trip to Venice, half hoping to find the romance that has always eluded her. Luck of luck, she meets handsome Renato Di Rossi (Rossano Brazzi), who sweeps her off her feet. Jane's flight on Cloud Nine comes to a flaming crash when she learns that Renato is married and the father of a large family. Picking herself up and dusting herself off, Jane is determined to keep her romance alive, and hang the consequences. She ultimately does what's best for everyone, and heads back to Ohio, wistfully clutching to the memory of the happiest summer of life. Gorgeously color-photographed on location by Jack Hildyard, Summertime was an adaptation of (and vast improvement upon) Arthur Laurents' play The Time of the Cuckoo. ~ Hal Erickson, All Movie Guide

The British omnibus thriller, Three Cases of Murder includes two supernatural tales and a straight whodunit. The first segment, "The Picture," was directed by Wendy Toye, based on a short story by Roderick Wilkinson. A museum tour guide, Jarvis (Hugh Pryse), is plagued by artworks going missing, and by the mysterious repeated breaking of the protective glass over a gloomy landscape painting. Jarvis is fascinated by the dark, foreboding house in the painting. One day while he's admiring it, he bumps into a stranger (Alan Badel, who appears in all three segments). Jarvis ends up following the stranger into the world of the painting with terrifying consequences. Eddie Byrne (General Willard in Star Wars) plays the demented taxidermist, Snyder. In the second segment, "You Killed Elizabeth," written by Sidney Carroll (who co-wrote The Hustler), and directed by David Eady, lifelong friends fall in love with the same woman. George (Emrys Jones) has always stood in Edgar's (John Gregson) shadow. The two have a falling out when they realize they both love Elizabeth (Elizabeth Sellars), and when she later turns up dead, it affects the friendship in a surprising way. Badel plays the friendly bartender, Harry. The final story, "Lord Mountdrago," was based on a story by W. Somerset Maugham. Directed by George More O'Ferrall, the segment stars Orson Welles as Lord Mountdrago, the officious secretary of state for foreign affairs. Mountdrago uses his oratory powers to destroy the career of a charismatic political opponent, Owen (Badel again). Mountdrago then finds himself tormented by the vengeful Owen, who seems to have found a way to enter his dreams. Andre Morrell (Bridge on the River Kwai) plays Mountdrago's baffled psychiatrist. ~ Josh Ralske, All Movie Guide

Alan Ladd once more journeyed to England to make a film for Columbia's British counterpart (Warwick Studios), and the result was the lively swashbuckler The Black Knight. Ladd plays John, a young swordmaker who aspires to join the Knights of the Round Table. Unfortunately, he is falsely accused of cowardice and banished from his community. Thanks to the secret tutelage of one of Arthur's knights, John is able to train himself in the art of combat, and soon reemerges as the vengeance-seeking Black Knight. In this guise, he is able to bring a group of traitors to justice, rout a band of invading Saracens, and rescue his lady love Linet (Patricia Medina) from certain doom. Anthony Bushell, who was soon to completely forsake acting in favor of producing and directing, costars as King Arthur, while the villains of the piece are essayed by Peter Cushing and future Dr. Who Patrick Troughton. ~ Hal Erickson, All Movie Guide

A novel by Audrey Erskine Lindop was the source for the grim British drama Tall Headlines. The son of a middle-class family is executed for murder. The family does its best to kick over all the traces, moving to a different community under an assumed name and never speaking of their son. All of these preventative measures seem futile when the dead man's younger brother begins evincing the same antisocial traits that eventually destroyed his sibling. All suspicions seem to be confirmed when the brother's wife turns up dead. There are several plot twists that would lose their value if they were repeated in this space. An excellent all-character-actor cast includes Flora Robson and Andre Morrell as the grieving parents, Michael Denison as the brother and Mai Zetterling as the initial murder victim. ~ Hal Erickson, All Movie Guide

Three generations of a Scottish clan are chronicled in this melodramatic saga. The film starts with the death of a sickly med student in a Glasgow slum. His fiancee also dies in childbirth. Her brother, who survives, begins raising her baby girl who grows up to have an affair with a lab assistant. Her "father" disapprove and threatens to destroy the wedding. She retaliates by poisoning him and then gets married. She bears a son. Unfortunately she has never recovered from the guilt of her earlier murder and ends up taking her own life. Later her son grows up to discover a vaccine for a fatal disease. ~ Sandra Brennan, All Movie Guide