Andre Morell Movies

Not a remake of the landmark 1903 Edwin S. Porter film, The Great Train Robbery is a dramatization of the famous first hold-up of a moving train in 1855 England. The conspirators in this undertaking are Edward Pierce (Sean Connery), Agar (Donald Sutherland) and Clean Willy (Wayne Sleep). Pierce is the brains, Clean Willy the brawn, and safecracker Agar provides the finesse. The scheme involves stealing a shipment of gold bars intended to be used in the payroll for the Army in the Crimean War. Lesley Anne Down co-stars as Miriam, the woman on the outside who arranges Connery's getaway. When released in England, this film was titled The First Great Train Robbery, so as not to be confused with Britain's embarrassing 1963 railroad heist. Director Michael Crichton adapted the story from his own, more-clinical novel on the same subject. Filmed in Ireland, The Great Train Robbery was dedicated to the memory of its director of photography, Geoffrey Unsworth, who died shortly after the production wrapped. ~ Hal Erickson, Rovi

This handsomely-mounted historical epic concerns the birth of the Islamic faith and the story of the prophet Mohammed -- who, in accordance with the tenants of Islam, is never seen or heard (any physical depiction of the prophet is considered a heinous sin within the faith). In Mecca in the 7th century, Mohammed is visited by a vision of the Angel Gabriel, who urges him to lead the people of Mecca to cast aside the 300 idols of Kaaba and instead worship the one true God. Speaking out against the corrupt political and military leaders who rule Mecca, Mohammed and his followers struggle to worship God as they see fit, which eventually leads them into exile in Medina. However, one day God gives Mohammed a message to return to Mecca and take up arms against their oppressors -- while recruiting as many followers as they can along the way. With the help of his uncle, a brave warrior named Hamza (Anthony Quinn), Mohammed and his followers return to Mecca to liberate the city in the name of God. The Message (originally screened in the U.S. as Mohammed, Messenger of God) proved to be highly controversial during its production and initial release. Unfounded rumors had it that Mohammed would not only be depicted in the film, but that he was to be played by Charlton Heston or Peter O'Toole. This resulted in angry protests by Muslim extremists, until director Moustapha Akkad hired a staff of respected Islamic clerics as technical advisors. The advisors butted heads with Akkad, and they quit the production, which led the Moroccan government to withdraw their permission to film in their country. In time, Akkad ended up shooting on location in Libya under the sponsorship of Muammar Qaddafi, which presented a whole new set of political and practical problems for the filmmakers. Finally, when the film was scheduled to premier in the U.S., another Muslim extremist group staged a siege against the Washington D.C. chapter of the B'nai B'rith under the mistaken belief that Anthony Quinn played Mohammed in the film, threatening to blow up the building and its inhabitants unless the film's opening was cancelled. The standoff was resolved without explosion or injuries, though the film's American box office prospects never recovered from the unfortunate controversy. The Message was shot in two versions, one in English and one in Arabic (entitled Al-Ris-Alah), with different actors taking over some of the roles due to language requirements. ~ Mark Deming, Rovi

Which will be victorious; commonsense which seems sound during the day or the unsettling effects of the night? This story is adapted from an Ambrose Bierce tale. ~ Rovi

Liv Ullman portrays a female pope -- based on a long-held rumor that the papacy was held by a woman between the reigns of Leo IV and Benedict III -- in this rambling saga directed by Michael Anderson. The British version of the film has been cut, not only removing twenty-one minutes of the film but also an entire contemporary framing story. In the full version, a modern-day woman evangelist, played by Ullman, who feels an affinity to the legendary Pope Joan, pays a visit to her psychiatrist (Keir Dullea). Searching through her past lives to see whether she is the reincarnation of Pope Joan, the film then flashbacks 1000 years to pick up Joan (Ullman in an earlier incarnation of her character) undergoing a succession of trials and tribulations. Joan then meets up with and becomes the mistress of Adrian (Maximilian Schell), a monk with an artistic bent. After the death of Charlemagne when roving bands of Saxons are raping women and ransacking the countryside, Joan flees the country by cutting her hair short and dressing like a man. Together Joan and Adrian escape to Greece. In Greece, Joan's street-corner preaching draws the attention of Pope Leo IV (Trevor Howard), who is impressed by her impassioned rendering of the Gospel. Still disguised as a man, Pope Leo, clueless as to her true sex, hires her as his secretary. From there, she rises up the ladder of the Roman Catholic Church, becoming a cardinal and then Pope Leo's successor. But then she becomes pregnant by a lover from her past (Franco Nero) and Joan must hide her delicate condition from the papal authorities and the rowdy masses. ~ Paul Brenner, Rovi

Except for the omission of several passages in the original play, this 1970 adaptation of Julius Caesar faithfully retells Shakespeare's account of events surrounding the assassination of Caesar in 44 B.C. The film begins when Caesar John Gielgud is at the height of his power after conquering Pompey "the Great" in a civil war. Important senators worry that Caesar means to become king, diminish their power, and abolish their beloved Roman republic. Two senators, Cassius Richard Johnson and Brutus Jason Robards, hatch an assassination plot involving other disenchanted Roman citizens. Although a soothsayer warns Caesar of trouble ("Beware the ides of March") and his own wife reports ominous signs ("A lioness hath whelped in the streets; and graves have yawn'd, and yielded up their dead"), Caesar decides to go to the senate on the ides (March 15). Upon arrival, the conspirators greet him with daggers. In his funeral oration, Mark Antony Charlton Heston extols Caesar and incites the citizens against Brutus and the other conspirators. Brutus and Cassius flee Rome with their armies, but Antony and two other sympathizers track them down with their armies. When the tide turns against the conspirators, Brutus and Cassius commit suicide. As does Shakespeare's play, the film leaves the discerning viewer wondering who was the real villain -- Caesar, because of his ambition for power, or Brutus, because of his underhanded plot to maintain the status quo. ~ Mike Cummings, Rovi

Curry (Rod Taylor) is a veteran soldier-of-fortune hired by the president of the Congo for a three day mission. He and native Congoan Ruffo (Jim Brown) are to oversee the safe passage of a train through hostile enemy territory and bring back some uncut diamonds and a human cargo of fugitives loyal to the Congo cause. The two employ the drunken Doctor Wreid (Kenneth More) and a suspicious ex-Nazi named Henlein (Peter Carsten). The quartet, along with 40 of the Congo's best soldiers, try to maneuver the train against the rebel forces and save the beautiful missionary Claire (Yvette Mimieux) at no extra charge. The action takes place in the wake of the political unrest that swept the Congo in the 1950s. ~ Dan Pavlides, Rovi

Nigel Kneale's Quatermass TV series spawned a brief film series produced over an eleven-year period; 1967's Quatermass and the Pit, released in the US as Five Million Years to Earth, was the third and (until 1979's Quatermass Conclusion) last of the features. As with previous chapters in the Kneale saga, the film begins with a baffling scientific discovery. This time it's an alien ship, alive after 5,000,000 years, discovered during the excavation of a new subway line. The craft is able to cause psychic disturbances in individuals genetically connected to the machine; it also prompts them to see dead Martians as ghostly entitites nearby. In time, conclusions drawn from these events lead scientists to shocking conclusions about the origins of the human race.
~ Hal Erickson, Rovi

A wonderfully atmospheric outing from Hammer Films, who diverged from their often successful variations on Universal's classic monsters into the world of zombies, a genre which had yet to receive its infusion of terrifying new blood with the 1968 classic Night of the Living Dead. The plot, which owes a debt to the Bela Lugosi chiller White Zombie, involves a mad Cornish squire, who solves an annoying labor crisis in his tin mines by turning local villagers into voodoo-controlled zombies. Dr. Thompson (Brook Williams) and his daughter Alice (Jacqueline Pearce) soon discover the unpleasant nocturnal habits of the shambling undead slaves -- including their tendency to go on murderous rampages when not directly under the squire's control. At the request of Alice, Sir James Forbes (André Morell) arrives on the scene to investigate. The superb script by Peter Bryan employs an interesting subtext about the rift between the British aristocracy and the exploited working class, but the film is less a political allegory than a spooky, atmospheric horror opus that ranks among Hammer Films' finest. ~ Cavett Binion, Rovi

A woman seeks justice for herself, her family, and her people in this emotional drama. Judith (Sophia Loren) is a survivor of a Nazi concentration camp; she was once married to Gustav Schiller (Hans Verner), a German, but with the onset of WWII, he threw his support behind the ruling Nazi party, and when his marriage to Judith went sour, he turned her in as a Jew, along with their son. While Judith made it out of the camp alive, she has no idea what happened to her son. In 1947, Palestine, still under British rule, is being torn apart by fighting between Jewish and Arab forces, and Gustav, now wanted as a war criminal, has re-appeared there, leading a squadron of Arab terrorists. Aaron Stein (Peter Finch), is the head of an underground Jewish battalion called Haganah, and he needs help in ferreting out Gustav and learning what he's planning. He enlists the aid of Judith, who is just as eager as Stein to see Gustav put out of commission, as she seeks revenge for what he did to her and their child. Judith also features Jack Hawkins as Major Lawton. ~ Mark Deming, Rovi

In this British melodrama based on a French novel by Catherine Arley, Sean Connery plays Anthony Richmond, a money-hungry young man enraged that his rich, dying uncle doesn't plan to include him in his will. Instead, Charles Richmond (Ralph Richardson) plans to give his fortune to charity. Anthony recruits a young nurse, Maria (Gina Lollobrigida), for a nefarious scheme. Her job is to care for the old man and get him to marry her and change the will so she gets his fortune. Then she will give Anthony a three-million-dollar share. Maria does her job well, but she comes to actually love Charles. ~ Michael Betzold, Rovi

The "batman" referred to in the title was not of the Caped Crusader variety, but instead the former valet to John Steed. When the man in question, who after WWII worked as a humble printer's assistant, leaves behind an estate worth over half a million pounds, Steed investigates. It turns out that the dead man was linked with an unscupulous banker (Andre Morell) who will stop at nothing to corner Britain's high-tech industry. Written by Roger Marshall, "Death of a Batman" first aired in England on October 26, 1963; the episode made its American cable TV bow on March 11, 1991. ~ Hal Erickson, Rovi

Placed in command of France's Chateau de la Marre district in 1944, sadistic Nazi general Guenther Hautmann (Andrew Morell) prepares to ship all of the locals to work camps. First, however, he perversely throws the unfortunates a lavish party in a luxurious chateau, the site of a similar celebration held in 1723 by a despotic landowner. Hautmann even goes to great lengths to recreate the original party, down to the tiniest detail. But the guests who show up for the festivities are definitely not on the General's invitation list. This is one of several One Step Beyond episodes filmed in England. ~ Hal Erickson, Rovi

Captain Gort (Bernard Lee) is an airline pilot who must answer to a Court of Inquiry after the crash of a Phoenix jet. Although he passes a battery of tests, pilot error is the determined cause of the accident. Sir Hobbes (George Sanders) is the Queen's council whose relentless prosecution helps blame Gort. When a second crash occurs, Gort is defended by Captain Judd (Peter Cushing), who is convinced that mechanical malfunctions, not the pilot, caused both crashes. ~ Dan Pavlides, Rovi