Yolande Moreau

Jacques-Remy Girerd, acclaimed director of La Prophetie Des Grenouilles, returns to write and direct this animated fantasy adventure following a young girl as she encounters the Migou, a strange creature who teaches her about a sacred tree that is essential to all life on the planet. Young Mia lives on an island that is currently being transformed into a lavish resort by an unscrupulous real estate developer. Her father Pedro is one of the laborers charged with constructing the resort, though lately the project has been beset by a series of mysterious problems. Those problems become rather serious when Pedro winds up buried in a tunnel after a massive landslide, and Mia races though the jungle to aid in the rescue mission. Along the way, Mia encounters the Migou, a race of curious, identical creatures that can take any form they please. The Migou protect a tree that is crucial to the future of all living creatures on Earth, and that tree is in danger due to the development that Mia's father has been working on. In order to protect the tree, the Migou have been disrupting the development. When word of the landslide reaches the developer responsible for the project, he travels to the island with his son Alden determined to dispense with any obstacles that impede further progress on the resort. But Alden resents everything that his father stands for, and upon meeting Mia he vows to help rescue Pedro and protect the sacred tree - the same tree that his father has vowed to chop down at all costs, an act that will undoubtedly usher in a dark era of death and decay. ~ Jason Buchanan, All Movie Guide

Absurdist duo Benoit Delepine and Gustave Kervern follow-up 2004's Aaltra with this sparse black comedy in which the recently-fired female employees at a children's clothing factory pool their funds to put a hit on their callous boss. Out of work and down on her luck, ex-con Louise (Yolande Moreau) proposes to her jobless sisters that they do something useful by ridding the world of the man who put them all in their current situation. But while security specialist Michel (Bouli Lanners) seems like the perfect candidate to carry out the hit, his ineptitude is so great that he attempts to sub-contract the job to a series of inexperienced - and highly inappropriate - assassins. Notorious Belgian actor Benoît Poelvoorde cameos as a nut-job 9/11 conspiracy theorist, and actor/director Mathieu Kassovitz turns up as an organic hotelier. ~ Jason Buchanan, All Movie Guide

Twenty acclaimed filmmakers from around the world look at love in the City of Lights in this omnibus feature. Paris, Je T'Aime features 18 short stories, each set in a different part of Paris and each featuring a different cast and director (two segments were produced by two filmmakers in collaboration). In "Faubourg Saint-Denis," Tom Tykwer directs Natalie Portman as an American actress who is the object of affection for a blind student (Melchior Belson). Christopher Doyle's "Porte de Choisy" follows a salesman (Barbet Schroeder) as he tries to pitch beauty aids in Chinatown. Nick Nolte and Ludivine Sagnier are father and daughter in "Parc Monceau" from Alfonso Cuarón. Animator Sylvain Chomet turns his eye to a pair of living, breathing mimes in "Tour Eiffel." An interracial romance in France is offered by Gurinder Chadha in "Quais de Seine." In "Le Marais" from Gus Van Sant, a man (Gaspard Ulliel) finds himself falling for a handsome gent (Elias McConnell) who works in a print shop. Isabel Coixet tells the tale of a man (Sergio Castellitto) who is making his final choice between his wife (Miranda Richardson) and his lover (Leonor Watling) in "Bastille." Juliette Binoche plays a grieving mother in Nobuhiro Suwa's "Place des Victoires," in which she's greeted by a spectral cowboy (Willem Dafoe). Richard LaGravanese's "Pigalle" finds a long-married man (Bob Hoskins) turning to a prostitute for advice on pleasing his wife (Fanny Ardant). Gérard Depardieu and Frédéric Auburtin direct Gena Rowlands and Ben Gazzara as longtime marrieds meeting for one final pre-divorce encounter in "Quartier Latin." Steve Buscemi learns a lesson about local etiquette in the Paris Metro in "Tuileries" from Joel and Ethan Coen. In "Loin du 16ème" by Walter Salles, a housekeeper (Catalina Sandino Moreno) longs for her own child as she tends to the infant of her wealthy employer. Elijah Wood stars in "Quartier de la Madeleine," a vampire tale from Vincenzo Natali. Wes Craven presents another fantasy in "Père-Lachaise," in which an engaged young man (Rufus Sewell) receives romantic advice from the spirit of Oscar Wilde (Alex Payne). A postal worker from Colorado (Margo Martindale) shares her thoughts on her visit to Paris in mangled French in Alexander Payne's witty "14th Arrondissement." Other segments include "Place des Fêtes" from Oliver Schmitz, Bruno Podalydès' "Montmartre," and "Quartier des Enfants Rouges" by Olivier Assayas, which stars Maggie Gyllenhaal. Paris, Je T'Aime received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Albert Dupontel directs, writes, and stars in freewheeling French comedy concerning a glue-huffing homeless man who earns an unexpected modicum of respect after coming into possession of a police uniform. Roland (Dupontel) was wandering the shores of the Seine when he noticed a man hurling himself into the churning waters below. Upon investigating the site from which the man leapt, the curious derelict finds that the jumper, presumably a policeman, had left behind his uniform and a suicide note. When Roland attempts to do the right thing and return the uniform to the police station, he is chased away by overzealous cops before he has the chance to explain what happened. Upon noticing a cafeteria that provides free meals to policemen, Roland decides to make the best of his situation by donning the uniform and ordering dinner. Later, when Roland meets a singing mother (Claude Perron) who is struggling to get her children back from the malevolent in-laws who object of her lifestyle and see her as unfit to parent, the uniformed drifter attempts to use his newfound badge for a good cause. ~ Jason Buchanan, All Movie Guide

Francis Palluau's directorial debut Bienvenue Chez les Rozes (Welcome to the Rozes) is a comedy about a hostage situation. Gilbert (Lorant Deutsch) and MG (Jean Dujardin) escape from prison and end up hiding out at the home of Daniel and Beatrice Roze (André Wilms and Carole Bouquet), who are celebrating their 20th wedding anniversary. MG takes everyone hostage in order to get money owed to him from the theft that put him in jail, and the Rozes do not seem to be perturbed at all by the evening's turn of events. Clemence Poesy rounds out the cast as Magali, the daughter of Daniel and Beatrice. ~ Perry Seibert, All Movie Guide

The harsh realities of prison life are parallelled with the day-to-day drone of factory work in director Bénédicte Liénard's dramatic study in compromise. Serving time in prison for an unspecified violent crime related to her employment at the factory, Joanna (Séverine Caneele) experiences the dehumanization of the penal system while her old friends on the assembly line suffer the exploitations of the working class. ~ Jason Buchanan, All Movie Guide

One woman decides to change the world by changing the lives of the people she knows in this charming and romantic comic fantasy from director Jean-Pierre Jeunet. Amelie (Audrey Tautou) is a young woman who had a decidedly unusual childhood; misdiagnosed with an unusual heart condition, Amelie didn't attend school with other children, but spent most of her time in her room, where she developed a keen imagination and an active fantasy life. Her mother Amandine (Lorella Cravotta) died in a freak accident when Amelie was eight, and her father Raphael (Rufus) had limited contact with her, since his presence seemed to throw her heart into high gear. Despite all this, Amelie has grown into a healthy and beautiful young woman who works in a cafe and has a whimsical, romantic nature. When Princess Diana dies in a car wreck in the summer of 1997, Amelie is reminded that life can be fleeting and she decides it's time for her to intervene in the lives of those around her, hoping to bring a bit of happiness to her neighbors and the regulars at the cafe. Amelie starts by bringing together two lonely people -- Georgette (Isabelle Nanty), a tobacconist with a severe case of hypochondria, and Joseph (Dominique Pinon), an especially ill-tempered customer. When Amelie finds a box of old toys in her apartment, she returns them to their former owner, Mr. Bretodeau (Maurice Benichou), sending him on a reverie of childhood. Amelie befriends Dufayel (Serge Merlin), an elderly artist living nearby whose bones are so brittle, thanks to a rare disease, that everything in his flat must be padded for his protection. And Amelie decides someone has to step into the life of Nino (Mathieu Kassovitz), a lonely adult video store clerk and part-time carnival spook-show ghost who collects pictures left behind at photo booths around Paris. Le Fabuleux Destin D'Amelie Poulain received unusually enthusiastic advance reviews prior to its French premiere in the spring of 2001, and was well received at a special free screening at that year's Cannes Film Festival. ~ Mark Deming, All Movie Guide

This is a light comedy about Amir, a young Pakistani who has been working for Jo for six years. Jo has a ready-to-wear clothes shop in the Sentier area and his business is prospering. He promised Amir that he would help him get his legal papers, but he has never kept his promise. Now he is sending Amir to his colleague Ralph in exchange for an unpaid debt from a card game. He thinks that this is a good opportunity to get rid of the illegal worker. Ralph is a fifty-year-old baby who keeps forgetting his appointments, his bank balance, and everything else that he should remember to run his life smoothly. His business is a complete disaster. A year later, Ralph's business has picked up, but Joe's is going down the drain. Thanks to whom? It is easy to answer this question if one follows Amir during his daily chores in the shop. But neither Jo nor Ralph's bother to take the time off to notice the hard work of this poor employee. Even if they did, they would not admit that a Pakistani is behind the success of the business. Secretly, Amir hopes that one day he will finally get his legal papers, if not a simple 'thank you' from his employers. The film is another effort by one of the group of French filmmakers actively involved in the fight against racial discrimination in France. ~ Gönül Dönmez-Colin, All Movie Guide

Directed by Didier Bourdon, a member of the French comedy troupe Les Inconnus, this comedy stars Bourdon and other members of the troupe. Bourdon plays one of three half-brothers who have been separated since childhood and are reunited when they come to their mother's funeral. They discover that she has left them a considerable family fortune. Each of them begins spending his share of the money on lavish things. Two days later, they are told that they are not getting the money after all because it is being donated to charitable causes. One of them also discovers that he has a young son he never knew about. With the child, the three brothers are chased by the police because they have run up debts they cannot pay. To elude the authorities, they practice various con games, steal vehicles, and wreak havoc on the French countryside. ~ Michael Betzold, All Movie Guide

Claude Berri's angry, ambitious epic, based on the 19th-century novel by Emile Zola, re-creates, as does the novel, the gut-wrenching poverty and the intense day-by-day struggles of striking French coal-miners in 1884 at the Voreux mines of France. The film centers upon the bitter toils of Maheu (Gerard Depardieu) and his family -- consisting of his iron-willed wife (Miou-Miou) and their daughter Catherine (Judith Henry), who also works in the mines. When a new miner, Etienne Lantier (Renaud), comes to Voreux to seek work, he is befriended by Maheu, who takes him on his mining crew and allows him to stay at his home. Etienne is also an organizer for a new miner's union and, as conditions in the Voreux mines worsen, Etienne convinces Maheu to organize a miner's strike. Meanwhile, Etienne is attracted to Catherine, and Catherine to him, but she doesn't act upon her feelings, taking up, instead, with Chaval (Jean-Roger Milo), a local ne'er do well. As conditions in the mines become more desperate and unsafe, and the owners propose to cut wages, Maheu at last stages a massive strike of the miners. When that happens, the owners send in armed soldiers to defend the mines. ~ Paul Brenner, All Movie Guide