Alberto Moravia Movies
Alberto Moravia was a popular, prolific Italian writer, essayist, and short story writer. Much of his work has been adapted to the screen. Moravia, born Albert Pincherle, also wrote original screenplays either alone or in collaboration with others. ~ Sandra Brennan, All Movie Guide
- 1954
Can a good man tame a woman on the wrong side of the law? Paolo (Marcello Mastroianni) is a slightly clumsy cab driver who, not long after being issued a new vehicle, picks up an interesting fare -- a strikingly beautiful young woman, Lina (Sophia Loren), who is going to the beach with two of her boyfriends. When they arrive at the seashore, Lina invites Paolo to join them, but he soon discovers Lina is simply working her charm on him so her friends can steal his cab. Paolo takes up the matter with the police, but Lina's profoundly silly explanation of the events makes him wonder if he simply misinterpreted the whole thing. However, after meeting Lina's dignified father Stroppiani (Vittorio De Sica), Paolo discovers that both father and daughter are thieves, as is the rest of the family. As Paolo unsuccessfully tries to bring the family to justice, he finds himself falling for the beauteous Lina, and decides to marry her, certain that matrimony will bring her to the straight and narrow. Peccato Che Sia una Canaglia (released in America as Too Bad She's Bad) marked the first time Sophia Loren (then only twenty years old) was co-starred with her frequent screen partner Marcello Mastroianni; they would eventually make thirteen pictures together. ~ Mark Deming, All Movie Guide
- Starring:
- Sophia Loren, Vittorio De Sica, (more)
- 1954
La Romana (Women of Rome) is a worthwhile early starring vehicle for Gina Lollobrigida. "La Lollo" plays a young woman who is strong-armed into a modelling career by her ambitious mother. Before long, she discovers that there's a lot more money to be had if she sells her body rather than merely putting it on display. Of the many men in her life, Lollobrigida truly loves only one, but doesn't realize this until it's too late. American prints of La Romana were heavily trimmed to avoid the steamier passages, but Lollobrigida's star quality comes through loud and clear. The film was adapted by director Luigi Zampa from a novel by Alberto Moravia. ~ Hal Erickson, All Movie Guide
- Starring:
- Gina Lollobrigida, Daniel Gélin, (more)
- 1953
The ever-growing popularity of Gina Lollobrigida was a decided box-office asset when the Italian La Provinciale was distributed to the U.S. as The Wayward Wife. Lollobrigida acquits herself quite nicely in the tensely dramatic role of a much-put-upon small-town girl named Cemma. Seduced by a lad who turns out to be a relative, Cemma is tossed out of her home. Seeking security, she impulsively marries bookish science professor Franco Vagnuzzi (Gabriele Ferzetti). Bored by her marriage, Cemma doesn't realize the true value of her loving husband until it's almost too late. The original 118-minute run time was reduced for U.S. release. ~ Hal Erickson, All Movie Guide
- Starring:
- Gina Lollobrigida, Franco Interlenghi, (more)
- 1952
Alida Valli delivers one of her finest performances in the Italian Ultimo Incontro. Based on La Biondina, a 19th-century suspense novel by Marco Praga, the script has been updated to the Milan of 1951. Valli plays Lina, the faithless wife of wealthy Piero (Amadeo Nazzari). After entering into an affair with race-car driver Michele (Jean Pierre Aumont), Lina is blackmailed into selling her sexual services to others. Eventually, she is hired to satisfy the desires of -- guess who? The operatic denouement seems less hokey than it is, thanks to the combined skills of star Alida Valli and director Gianni Franciolini. ~ Hal Erickson, All Movie Guide
- Starring:
- Alida Valli, Amedeo Nazzari, (more)
- 1952
The original Italian title of The Barefoot Savage was Sensualita, an apt description of voluptuous leading-lady Eleanora Rossi-Drago. A newcomer to rural Italy, Rossi-Drago grows to dislike the tedium of working in the fields. She tries to seduce one of the owners of the farm where she works, and when the man tells her to get lost, she sets her sights on his brother. Only after she has married the brother does the farm owner realize that he's fallen in love with her. The tragedy that follows can best be described as operatic. Barefoot Savage was obviously inspired by the success of the 1949 Italian drama Bitter Rice. ~ Hal Erickson, All Movie Guide
- Starring:
- Amedeo Nazzari, Marcello Mastroianni, (more)
Often considered one of the first examples of Italian neorealism, Luchino Visconti's first film was this adaptation of James M. Cain's steamy novel The Postman Always Rings Twice, which would also be made twice in the U.S., first in 1946 with Lana Turner and John Garfield and then in 1981 with Jack Nicholson and Jessica Lange. Massimo Girotti stars as a drifter named Gino, who gets a job at a provincial inn. The handsome wanderer attempts to resist the advances of Giovanna (Clara Calamai), the estranged wife of nasty innkeeper Bragana (Juan de Landa), but he eventually gives in. Gino then allows her to talk him into killing Bragana to get the insurance money, with predictable results. Although the melodramatic story is a far cry from the post-war social statements of such later neorealist classics as Roberto Rossellini's Rome, Open City (1945) and Vittorio De Sica's Bicycle Thieves (1948), the movie began to feature some of neorealism's defining characteristics: above all, an emphasis on outdoor shooting and natural light and a relentless focus on the lives of the poor. Ossessione caused a sensation not just because of its lurid subject matter but also because Visconti's realist style makes you practically feel the heat and dirt and sweat of the film's environment. ~ Robert Firsching, All Movie Guide
- Starring:
- Clara Calamai, Massimo Girotti, (more)
