Stephen Moore Movies

In mid- to late-'60s Britain, an unusual yet colorful subculture sprang up and thrived as a product of the upswing in British pop music, only to meet its doom within a few short years. Though the BBC functioned as the country's main source of news and music, its programmers offered very little airtime to rock & roll -- which left an overwhelming need unfulfilled. In response, small bands of "pirate" radio enthusiasts set up broadcasting towers on boats just outside of English boundary waters, and transmitted signals to an estimated 25 million listeners, 24 hours a day and seven days per week. Unsurprisingly, the DJs who took charge of these broadcasts could rival just about anyone in terms of flamboyance and outsized personalities. With Pirate Radio (released as The Boat That Rocked in the U.K.), writer-director Richard Curtis (Love Actually) travels back to the Swinging Sixties and takes a headfirst plunge into this colorful realm.

The story opens in 1966, aboard a rusty fishing trawler christened Radio Rock and equipped with pirate broadcasting equipment. Here, the slightly daft elitist Quentin (Bill Nighy) presides over a motley crew of joint-toking, sex-hungry disc jockeys including Dave (Nick Frost), a heavyset boob who nevertheless considers himself a hot property with women and loves to chase skirts; "The Count" (Philip Seymour Hoffman), an American DJ who aspires to be the first person to drop an F-bomb over the British airwaves; the gloom-laden Irishman Simon (Chris O'Dowd); bonked-out hipster Thick Kevin (Tom Brooke); womanizer Mark (Tom Wisdom); Angus (Rhys Darby), a New Zealander whom nobody likes; and the only female member of the group, lesbian cook Felicity (Katherine Parkinson). These misfits pull off quite a show -- enough of one that they attain the status of national idols for the youth culture -- but the super-conservative government minister Dormandy (Kenneth Branagh) detests the whole business and will do almost anything in his power to shut them down. ~ Nathan Southern, All Movie Guide

An American businessman rents a cottage in Ireland, only to find the cottage is also inhabited by leprechauns as well. Soon, the American finds himself embroiled in a fierce dispute between the leprechauns and their enemies, the fairies, that only he can help settle. ~ All Movie Guide

Economics and music are the twin focal points of this comedy/drama about a community in crisis. The small British town of Grimley has long been dominated by the coal mine where most of the men work, and the town's greatest source of pride is the Grimley Colliery Band, a brass ensemble that's won a number of nationwide competitions. Danny (Pete Postlewaite) is a retired miner in poor health who directs the band; a national championship is coming up, and Danny is determined that Grimley will walk away with a trophy. But many of his musicians have other things on their minds: word has it that the mine may soon close down, and, in a city already suffering an economic downturn, this is just short of a death sentence. Adding to the intrigue is the return of Gloria (Tara Fitzgerald), who used to live in Grimley and is back in town for a while on an assignment. While the band has traditionally been all-male, Danny considers bending the rules to allow Gloria in the band, as she's a fine fluglehorn player, but her presence is bad news for the town: she works for the government and is investigating the feasibility of closing down the mine. Ace trumpeter Andy (Ewan McGregor) also has mixed feelings about Gloria; they were once a couple, and he still has feelings for her, but he's not sure he wants to set himself up for another breakup. The real-life Grimethorpe Colliery Band performs on the soundtrack. ~ Mark Deming, All Movie Guide

In the opening episode of the British "ensemble" sitcom The Thin Blue Line, Sgt. Patricia Dawkins of the Gasforth police squad prepares to celebrate her tenth anniversary as the live-in sweetheart of Inspector Raymond Fowler. Alas, Raymond seals the doom of this relationship by his preoccupation with the upcoming birthday of Queen Elizabeth. Meanwhile, the other police officers try to deal with a potential suicide, while anal-retentive Detective Inspector Grim wrestles with the World Wide Web. "The Queen's Birthday Present" was first telecast on November 13, 1995. ~ Hal Erickson, All Movie Guide

Simon Moore's directorial debut (his also wrote the screenplay) is a brooding thriller that takes place in the melancholy British resort town of Brighton in the 1950s. Liam Neeson stars as Tony Aaron, a disreputable ex-cop who now makes a living as a sleazy private eye. With his wife Hazel (Maggie O'Neill) as bait, he arranges compromising photographs of errant husbands whose wives require proof of marital infidelities in order to obtain divorces. But one day, Aaron bursts into a hotel room to find Hazel and her client, a famed American painter, murdered; the painter's body has been mutilated, and his thumb, with which he signed his paintings, is cut off and missing. With an old crony of Aaron's, Frank (Kenneth Cranham), leading the investigation, two lead suspects are brought to the fore --Selina (Alphonsia Emmanuel), the painter's widow; and Angeline (Laura San Giacomo), the painter's mistress. And it is with Angeline, the person most likely to have killed the painter, that Aaron falls in love. But soon the tables are turned. When the victims were found to have been killed with Aaron's gunm and a neighbor leaves a suicide note claiming that Aaron is the killer, Aaron is arrested and found guilty of the killings. But right before Aaron's execution, a surprising piece of new evidence is discovered that changes everything. ~ Paul Brenner, All Movie Guide

John Cleese's knack for mining hilarity from the growing frustration of a dignified gentleman is fully exploited in the British comedy Clockwise. Cleese portrays Brian Stimpson, a perfectionist English headmaster who has been selected to make an important presentation before a group of his peers. When Stimpson sets out upon his journey, however, he finds himself facing a seemingly never-ending series of delays and inconveniences, which range from missing a train to becoming a fugitive from the police. The film goes no deeper than its farcical surface, but is nevertheless consistently entertaining, thanks to former Monty Python member Cleese's precisely tuned transitions from composure to complete collapse. ~ Judd Blaise, All Movie Guide

Singleton (Ian Holm) is a determined British farmer with a gaggle of holiday geese ready for market. It should be a simple task for Singleton to get his honking cargo to town, but it isn't. For starters, his drivers have gone on strike, so Singleton must take the geese himself. The hundred-mile trek to market is fraught with peril and hilarity, and by the time Singleton is halfway there, he's become a national hero. A fond hark back to the Ealing Studios comedies of yore, Singleton's Pluck is a captivating paean to the unquenchability of the human spirit, expertly realized by Ian Holm. ~ Hal Erickson, All Movie Guide

Hitchhiker's Guide to the Galaxy began as a 1978 BBC radio series by Douglas Adams, who adapted the material into a bestselling novel in 1979. This six-part BBC television miniseries - a witty and farcical science-fiction send-up -- stars Simon Jones as gormless Arthur Dent, who wakes up one morning to discover that a demolition crew is preparing to destroy his house and put in a new highway bypass. Saddened by this news, Arthur accepts the offer of his buddy Ford Prefect to head down to the local pub for a drink, but is soon greeted by Ford's wild revelation that he is in fact not a human but a space alien from a small planet just outside of Betelgeuse, who has spent many years on the planet Earth in the guise of a human actor, doing background research for a book called 'The Hitchhiker's Guide to the Galaxy.' Before Arthur can fully digest this news, a Vogon spaceship appears in the sky and blasts out the message that the entire Earth will soon be destroyed to put in an intergalactic superhighway. At the last moment, Arthur and Ford manage to board the spaceship to escape obliteration themselves. Arthur is soon ensconced in a strange space vessel festooned with all manner of confusing hardware, and jets through a series of increasingly off-the-wall adventures, where he meets such wild characters as three-armed galaxy president Zaphod Beeblebrox; Trillian, the latter's girlfriend; neurotic robot Marvin; and Veet Voojagig, a graduate student with a ballpoint pen fixation. Like Dr. Who and other BBC productions, Hitchhiker's Guide to the Galaxy took its US bow on PBS affiliate stations. ~ Hal Erickson, All Movie Guide

The New Avengers investigate when a high-ranking military officer (Michael Barrington) disappears. Our heroes come across a band of mercenaries led by rogue colonel "Mad Jack" Miller (John Castle), who intends to launch an invasion of the Middle East and thus trigger World War 3. Ah, but Miller has reckoned without the resourceful Mike Gambit (Gareth Hunt), who when the need arises can become a "one-man army." ~ Hal Erickson, All Movie Guide

Made for British television, the 1975 Three Men in a Boat is the latest filmization of the timeworn Jerome K. Jerome comic novel. The plot remains the same: a trio of Englishmen take a boat excursion along the Thames during a two-week holiday. The trio experiences several amusing misadventures especially when they meet three lovely female landlubbers. Starring in this 64-minute adaptation are Tim Curry (as Jerome K. Jerome), Michael Palin and Steven Moore. Additional (and often very esoteric) dialogue has been added by adaptor Tom Stoppard, of Rosencranz and Guildenstern are Dead fame. Previous versions of Three Men in a Boat were produced in 1933 and (most memorably) 1958. ~ Hal Erickson, All Movie Guide

This 1961 adaptation of Shakespeare's magical comedy of errors was performed entirely by puppets. Let's qualify that: the puppets are of the stop-motion variety, expertly manipulated into "humanity" by Czech animator Jiri Trnka. The adaptation is faithful to the text, while the technique allows a wider range of visual delights than any previous movie Midsummer--and an eminently convincing man-to-jackass transformation for vainglorious amateur thespian Bottom. The English-language version of this Czech animated feature was directed and adapted by Howard O. Sackler, best known for his Pulitzer Prize-winning play The Great White Hope. Richard Burton provided the narration for this version, which was issued in 1963 and is still in circulation. ~ Hal Erickson, All Movie Guide