Roger Moore Movies

The only child of a London policeman, Roger Moore started out working as a film extra to support his first love, painting, but soon found he preferred acting, and so enrolled in the Royal Academy of Dramatic Art. He began his film, radio and stage career just after World War II (his early credits are often confused with American actor Roger Moore, a minor Columbia contractee of the 1940s), and also performed with a military entertainment unit.

Though in childhood Moore had been mercilessly teased by friends and family alike for being fat, by the time he was ready to start his career, he had become an exceptionally handsome man with a toned, well-muscled body. Signed on the basis of his good looks to an MGM contract in 1954, Moore began making appearances in American films, none of which amounted to much dramatically; his biggest success of the 1950s was as star of the British-filmed TV series Ivanhoe. Signed by Warner Bros. Television for the 1959 adventure weekly The Alaskans, Moore became the latest of a long line of James Garner surrogates on Maverick, appearing during the 1960-1961 season as cousin Beau. After a few years making European films, Moore was chosen to play Simon Templar in the TV-series version of Leslie Charteris' The Saint (an earlier attempt at a Saint series with David Niven had fallen through). Moore remained with the series from 1963-1967, occasionally directing a few episodes (he was never completely comfortable as simply an actor, forever claiming that he was merely getting by on his face and physique). After another British TV series, 1971's The Persuaders, Moore was selected to replace Sean Connery in the James Bond films. His initial Bond effort was 1973's Live and Let Die, but the consensus (in which the actor heartily concurred) was that Moore didn't truly "grow" into the character until 1977's The Spy Who Loved Me.

Few of Moore's non-Bond movie appearances of the 1970s and 1980s were notably successful, save for an amusing part as a Jewish mama's boy who thinks he's Bond in Burt Reynolds' Cannonball Run (1981). Moore's last 007 film was 1985's A View to a Kill. In 1991, he was made a special representative of UNICEF, an organization with which he'd been active since the 1960s. Relegated mainly to a series of flops through the 1990s, Moore appeared in such efforts as The Quest (1996) and Spice World (1997) and gained most of his exposure that decade as a television talk show and documentary host. In early May of 2003, fans were dismayed to hear that Moore collapsed onstage during a Broadway performance of The Play That I Wrote. Rushed to a nearby hospital afer insisting on finishing his performance in the small role, reports noted that Moore's subsequent recovery seemed to be coming along smoothly. ~ Hal Erickson, All Movie Guide
1955  
 
Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. Eleanor Parker plays Ms. Farrell, while her vocal renditions, ranging from selections from Madame Butterfly to MGM's own Over the Rainbow, were dubbed by Eileen Farrell, who would be with the Met from 1960-1966. The story traces Marjorie's long, hard road to the top, her success on two continents, and her turbulent marriage to American doctor Thomas King. While touring South America, Lawrence is stricken with polio, which not only abruptly ends her career but briefly robs her of the will to live. The rest of the film is devoted to Ms. Lawrence's emergence from depression and her triumphant comeback. William Ludwig and Sonya Levien shared an Academy Award for their cinemadaptation of Marjorie Lawrence's autobiography. ~ Hal Erickson, All Movie Guide

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Starring:
Glenn FordEleanor Parker, (more)
1955  
 
Director Robert Z. Leonard brought his 31-year association with MGM to a rousing close with The King's Thief. Set in England during the reign of Charles II (drolly portrayed by George Sanders), the film stars Edmund Purdom as Michael Dermott, who sets about to steal the crown jewels on behalf of his king. The current possessor of the gems is the wicked duke of Brampton, played with relish by a cast-against-type David Niven. Ann Blyth is a decorative heroine, while one of Michael Dermott's cohorts is played by a young, muscular Roger Moore. The plot of The King's Thief, purportedly based on fact, is merely an excuse for the nonstop swashbuckling of star Edmund Purdom. ~ Hal Erickson, All Movie Guide

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Starring:
Ann BlythEdmund Purdom, (more)
1954  
 
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Loosely based on F. Scott Fitzgerald's Paradise Revisited, MGM's The Last Time I Saw Paris is a star-studded soap opera, luxuriously lensed by director Richard Brooks. In his last film as an MGM contractee, Van Johnson plays reporter Charles Wills, who while covering the VE Day celebrations in Paris, meets and falls in love with the gorgeous Helen Ellsworth (Elizabeth Taylor). Soon afterward, Charles and Helen are married. Charles supports his wife with a low-paying wire service job, devoting his evenings to writing a novel. After numerous rejections, Charles is more than willing to give up writing and live off the revenue of a Texas oil well in which he'd invested. As he squanders his newfound riches on creature comforts, he loses his literary ambitions and, slowly but surely, the love and devotion of his wife. His self-destructive behavior is halted only by a devastating tragedy. Donna Reed costars as Charles sister-in-law Marion, who carries a torch for him throughout the picture, and Eva Gabor contributes a supporting role. Since lapsing into public domain in 1982, The Last Time I Saw Paris has become a cable-TV and video-store fixture, though print quality varies sharply. ~ Hal Erickson, All Movie Guide

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Starring:
Elizabeth TaylorVan Johnson, (more)
1951  
 
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Two of the British film industry's most potent comic talents appear in One Wild Oat. Robertson Hare heads the cast as distinguished barrister Humphrey Proudfoot, whose daughter Cherrie (June Sylvaine) is about to marry. Unfortunately, Cherrie's fiancé is Fred Gilbey (Andrew Crawford), the son of notorious philanderer Alfred Gilbey (Stanley Holloway). Fearing that Fred intends to follow in Alfred's footsteps (so to speak), Proudfoot does his best to undermine the romance. Gilbey turns the tables by threatening to reveal Proudfoot's own past indiscretions (including one that Gilbey has completely fabricated). It is up to the wives of the two old antagonists to solve matters and pave the way for a happy ending. One Wild Oat was co-adapted by Vernon Sylvaine from his own stage farce. ~ Hal Erickson, All Movie Guide

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Starring:
Robertson HareStanley Holloway, (more)

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