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Maureen Moore Movies

1999  
 
The detectives and the lawyers tackle the mystery of a female patient found beaten to death in a hospital lounge. Ingredients vital to the solution are a glib "gentleman" specializing in wooing wealthy women and the effects of Alzheimer's disease on the sufferer's family. The supporting cast of this episode features such reliable veteran players as Glynnis O'Connor and Kathryn Hays. ~ Hal Erickson, Rovi

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1996  
 
Detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) find themselves traveling in illustrious company when they investigate the mysterious death of a valuable show horse. The animal was killed during an apparently unforeseen delay in Manhattan, leading Briscoe to quip that "New York is really a tough town for tourists." But it is no laughing matter when the ensuing investigation unearths a sting operation, an insurance fraud, and the disappearance of a wealthy horse owner. ~ Hal Erickson, Rovi

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1988  
PG  
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Yes, there are commies under the bed. But are there Nazis there too? Emily Crane (Kelly McGillis) is a modestly successful Life photo editor living in 1950s New York, until she is called before the Senate Un-American Activities Committee to testify about her "communist" associations. When she refuses to divulge the names of friends in her civil liberties group, she loses her employment and her friends. In desperation, she takes a job reading books for Miss Venable, a somewhat crotchety lady (Jessica Tandy) who lives in a quiet residential neighborhood. Then, while taking a break in Miss Venable's back yard, Emily overhears something from the house behind that compels her to investigate and leads her eventually to conclude that it is the headquarters of a group smuggling in ex-Nazi scientists for some mysterious purpose. Meanwhile, she is being harassed by two FBI men, on behalf of the Senate Committee, as well as by a sinister, McCarthyite, Senate investigator named Salwen (Mandy Patinkin). One of the FBI men, Cochran (Jeff Daniels), takes a liking to Emily and humors her by agreeing to investigate her suspicions. This quiet mystery is a nostalgia piece. It's '50s backgrounds are authentic and the plot device -- an innocent becoming entangled in an unbelievable conspiracy -- is closer to one of Hitchcock's masterpieces of that period (e.g., North by Northwest) than to Reservoir Dogs or Speed. The people seem to be from a simpler time, too, when the distinction between good and evil was clearer. Emily shines with idealistic integrity and the naive Cochran is so honest that he finds it impossible to deceive the target of his investigation. There is even a terrifying, "acrophobe's nightmare" scene played out in a dome high above Grand Central Station. For those tired of endless shoot-em-ups and car chases, this is the mystery to choose. ~ Michael P. Rogers, Rovi

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Starring:
Kelly McGillisJeff Daniels, (more)
 
1977  
PG  
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Marsha Mason is known as "The Goodbye Girl" because of all the live-in boyfriends who have said ta-ta to her in the past few years. A former Broadway chorus dancer, the divorced Mason lives in the Manhattan apartment of her latest lost love with her daughter Quinn Cummings. Enter arrogant actor Richard Dreyfuss, who has subleased the apartment from Mason's former boyfriend and moves in bag and baggage in the middle of the night. Dreyfuss and Mason spend the next few weeks getting in each other's way and fighting like cats and dogs. The wind is taken out of Dreyfuss' sails when he opens in a production of Richard III, which has been sabotaged by the director (Paul Benjamin), who insists that Dreyfuss portrays Richard as a hip-swinging homosexual. The play closes after one performance, and the once-overconfident Dreyfuss goes on a self-pitying drunken binge. Touched by his vulnerability, Mason begins falling in love with Dreyfuss despite her lousy track record with men. Richard Dreyfuss became the youngest ever "Best Actor" Oscar winner as a result of his performance. ~ Hal Erickson, Rovi

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Starring:
Richard DreyfussMarsha Mason, (more)
 
1960  
 
This zany film marks the screen debut of Britain's popular comedy troupe, The Crazy Gang. The story begins as the gang are busy sweeping up for the almost bankrupt circus they work for. The owner of a rival carnival endeavors to put them out of business for good. The Crazies manage to foil his evil scheme after they find a magical oil lamp containing a helpful genie. Along the way, the troupe performs a variety of specialty acts including a comic trapeze act, juggling, magic, cornball jokes, and songs, which include: "Life is a Circus", "For You, For You", and "Underneath the Arches". ~ Sandra Brennan, Rovi

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Starring:
Bud FlanaganTeddy Knox, (more)
 
1947  
 
Based on a novel by J. S. Fletcher, The Root of All Evil casts Phyllis Calvert as a grimly ambitious woman scorned. Jilted by wealthy Albert Grice (Hubert Gregg), farmer's daughter Jeckie Farnish (Calvert) vows to accumulate enough money so as to never again be dependent on any man's attentions. Suing Grice for breach of promise, Jeckie parlays her generous settlement into a sizeable fortune. She increases her riches by linking up with philandering mining-engineer Charles Mortimer (Michael Rennie). Though she and Mortimer accrue millions from oil wells, it simply isn't enough: the hard-hearted Jeckie has decided that she craves true romance after all. The moral of Root of All Evil is obvious from the first scene onward: it is up to Phyllis Calvert and her talented co-stars to wade through a sea of cliches and come up with something worth watching. ~ Hal Erickson, Rovi

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Starring:
Phyllis CalvertJohn McCallum, (more)
 
1940  
 
In this heartwarming drama, an orphaned 5-year old is sent to live with her cold-hearted aunt who keeps her around because the girl is the only one who knows the secret of her father's will. The little girl will not even tell her big sister who is in love with an American writer. ~ Sandra Brennan, Rovi

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1939  
 
Filmed in 1938, My Irish Molly was released in US in 1940 to capitalize on the popularity of Maureen O'Hara. The actress enjoys top billing in the American prints, but the film's real star is juvenile music-hall star Binkie Stuart as the titular Molly. An orphan girl, poor but plucky Molly is continually persecuted by her harridan of an aunt (Maureen Moore), who withholds the fact that the girl is an heiress. The return of emigrant Bob (Philip Reed) from New York to the Auld Sod-the better to be reunited with his sweetheart Eileen (O'Hara)--leads to Molly's rescue from her tormentor. In other words, My Irish Molly is a Shirley Temple flick without Shirley Temple. ~ Hal Erickson, Rovi

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Starring:
Maureen O'HaraBinkie Stuart, (more)