Matt Moore Movies

Unjustly ignored by many books on the horror film, I Bury the Living is a bone-chilling little mood piece, almost completed dominated by Richard Boone. Expertly avoiding the obvious throughout the film, Boone gives a thoroughly credible performance of a troubled man who labors under the misapprehension that he is God. Boone plays the new chairman of a large cemetery; in his office is a map of the grounds, with black pins representing the occupied plots, and white pins representing plots that have been purchased but not yet filled. When Boone inadvertently mixes up the black and white pins, several of the plot owners suffer untimely deaths. Inevitably, Boone becomes convinced that he has the power of life and death--a conviction that doesn't completely dissipate once the secret behind the sudden deaths is revealed. ~ Hal Erickson, All Movie Guide

The MGM melodrama These Wilder Years marked the first onscreen pairing of Hollywood stars James Cagney and Barbara Stanwyck. Lonely middle-aged businessman Steve Bradford (Cagney) returns to his old town in hopes of finding the son he fathered 20 years earlier. Choosing his career over marriage and family, he got a girl pregnant and she gave the baby up for adoption. He goes to an orphanage ran by Ann Dempster (Barbara Stanwyck) to find out information about his son. They are attracted to each other, but she refuses to release the confidential files that could help him. He hires a lawyer, James Rayburn (Walter Pigeon), and proceeds to sue the adoption agency. Though he loses the case in the climactic courtroom scene, Steve ends up finding his son on his own, but he decides it's too late to forge a relationship. Instead, Ann introduces him to pregnant teenager Suzie (Betty Lou Keim), who needs his help. ~ Andrea LeVasseur, All Movie Guide

Director Robert Z. Leonard brought his 31-year association with MGM to a rousing close with The King's Thief. Set in England during the reign of Charles II (drolly portrayed by George Sanders), the film stars Edmund Purdom as Michael Dermott, who sets about to steal the crown jewels on behalf of his king. The current possessor of the gems is the wicked duke of Brampton, played with relish by a cast-against-type David Niven. Ann Blyth is a decorative heroine, while one of Michael Dermott's cohorts is played by a young, muscular Roger Moore. The plot of The King's Thief, purportedly based on fact, is merely an excuse for the nonstop swashbuckling of star Edmund Purdom. ~ Hal Erickson, All Movie Guide

Cameron Hawley's novel Executive Suite appeared around the same time as two other tales of big-business intrigue, the 1954 film A Woman's World and the 1955 Rod Serling teleplay Patterns. Elements of all three properties inevitably overlap. In Executive Suite, a furniture-store executive dies suddenly, resulting in a power play between five of his vice presidents. Julia O. Tredway (Barbara Stanwyck), daughter of the company founder and mistress of the president, must choose between solid family man McDonald Walling (William Holden), blackmail-prone Josiah Walter Dudley (Paul Douglas), ruthless Loren Phineas Shaw (Fredric March), duplicitous George Nyle Caswell (Louis Calhern), and eternal corporate bridesmaid Frederick Y. Alderson (Walter Pidgeon). Only Walling, the most honest of the bunch, refuses to campaign for the presidential chair. Despite the presence of the A-list leads and of supporting actors Shelley Winters, Dean Jagger, and Nina Foch, Executive Suite is a true ensemble effort, with everyone carrying like weight onscreen. The property was later adapted into a TV series, which owed more to Dallas than it did to the Hawley novel. ~ Hal Erickson, All Movie Guide

Greer Garson and Walter Pidgeon were together again for the last time in Scandal at Scourie. Filmed on location in Canada, the plot concerns a childless Protestant couple, the McChesneys (Garson and Pidgeon), whose lives are profoundly altered by an orphaned Catholic girl named Patsy (Donna Corcoran). Through a series of far-fetched coincidences, Patsy wanders into the McChesney home, immediately capturing the heart of Mrs. McChesney. Mr. McC, a local politician, is a bit harder to win over, but eventually his wife convinces him to adopt the child. This stirs up a tempest in a teapot, as McChesney's political enemies accuse him of using Patsy to win over his Catholic constituents, while one of Patsy's former orphanage classmates spreads a rumor (backed up by circumstantial evidence) that the little girl is a "firebug." Sentimental to a fault, Scandal at Scourie is also undeniably effective. ~ Hal Erickson, All Movie Guide

Bronislau Kaper's haunting musical score for A Life of Her Own (1951) was recycled in the romantic melodrama Invitation. Dorothy McGuire stars as Ellen Bowker, a wealthy young woman with a rare heart condition. Knowing that his daughter may have only a year or so to live, Ellen's father Simon Bowker (Louis Calhern) wants to make certain that her last months on earth will be happy ones. To that end, he arranges for Dan Pierce (Van Johnson) to marry the girl. More interested in Ellen's millions than in Ellen herself, Dan agrees. Eventually, of course, he genuinely falls in love with the girl. But trouble looms on the horizon when Ellen discovers the real reason behind Dan's whirlwind courtship. How can a happy ending possibly result from all this? It's best to reveal no more at this point. ~ Hal Erickson, All Movie Guide

Can it be that June Allyson is Too Young to Kiss in this bit of MGM fluff? Well, not really. Pianist Cynthia Potter (Allyson) is well into her 20s, but she's posing as a 14-year-old musical prodigy. It's part of her desperate effort to become a client of highly selective concert-promoter Eric Wainwright (Van Johnson), who is only hiring "young" performers. Wainwright falls for Cynthia's subterfuge, building a huge promotional campaign predicated upon his new protégé's "youth." He even adopts a fatherly attitude towards Cynthia, who would prefer that their relationship be a bit more intimate. Though it may seem to be a rehash of the 1943 comedy The Major and the Minor, Too Young to Kiss remains fresh and funny throughout, thanks to the script-writing know-how of Frances Goodrich and Albert Hackett. Ironically, Allyson was thirty-four when this film was shot. ~ Hal Erickson, All Movie Guide

The film traces Naples-born Caruso's ascension from adolescent choir singer to the uppermost ranks of the opera world. Caruso is brought to America, getting off to a bad start by inadvertently insulting the impresario (Carl Benton Reid) responsible for his Metropolitan debut. This complication has a happy outcome when Caruso marries his benefactor's daughter (Ann Blyth). Refusing to spare himself or to hold back his talents from his fans, Caruso's health fails him, and he dies in 1921 at the age of 47. Featuring no fewer than 27 musical numbers, Great Caruso also stars Mario Lanza as Caruso, as well as such operatic superstars as Dorothy Kirsten and Jarmila Novotna. ~ Hal Erickson, All Movie Guide

Pretty stewardess Marcy Lewis (Jane Wyman) must choose between Three Guys Named Mike in this frothy MGM concoction. There's Mike Lawrence (Van Johnson), a science student who moonlights as a bartender. There's Mike Tracy (Barry Sullivan), a wheeler-dealer ad executive. And finally, there's Mike Jamison (Howard Keel), a handsome airline pilot. Marcy's love life is counterpointed with her ever-increasing expertise on her job; the more self-assured she becomes, the more she changes her views about men. It wouldn't be cricket to reveal which "Mike" Marcy finally chooses, though the order of billing is something of a giveaway. ~ Hal Erickson, All Movie Guide

Blonde good-time girl Vivian Heldon (Jan Sterling), who lives in a cheap rooming house in a working-class section of Boston, run by the inquisitive and neurotic Mrs. Smerrling (Elsa Lanchester), goes out one night after a phone conversation with her boyfriend, proclaiming that she's got big plans and might even move to a nicer place. After putting in her shift as a waitress at a cheap dive called The Grass Skirt, she latches onto Henry Shanway (Marshall Thompson), an innocently drunk patron, who's trying to wash away his sadness over his wife's stillborn child. She uses Henry's car with him in tow to drive out to Cape Cod, then strands him on foot and meets her boyfriend -- but when she arrives, he puts a bullet into her, then strips the body, throws it into the sea, and drops the clothes and the car into a lake. Six months later, an ornithologist from the cape spots the skeleton of a human foot sticking up through the sand.

Enter Lt. Peter Morales (Ricardo Montalban) of the Boston PD; he and his partner on this case, Det. Sharkey (Wally Maher), bring the bones to Dr. McAdoo (Bruce Bennett), of Harvard University's forensic medical laboratory. Over the next few days, McAdoo and his staff are able to determine the gender, age, and general appearance of the person to whom the bones belonged, and that this is a case of murder -- and that the victim was pregnant. Morales and Sharkey, combing through what they know about the victim and the missing persons records of six nearby states, eventually tie the skeleton up with Vivian Heldon, who disappeared on just about the same day the victim was killed, and also to Shanway's car, which he reported stolen that day. The poor slob, who is merely trying to cover up a drunken lapse from his wife (Sally Forrest), acts guilty enough and lies about just enough so that Morales is certain that he's the murderer. His investigation isn't helped by the interference of Mrs. Smerrling, who sold Vivian's belongings when she didn't return to her room, and now seems fixated, even obsessed with the details of the case and its connection to her rooming house. While the police tighten the screws on Shanway, she backtracks Vivian's phone calls and makes contact with the woman's boyfriend, James Joshua Harkley (Edmon Ryan), member of a wealthy Boston family, and a married man; she also manages to steal a vital piece of evidence. But instead of turning it over to the police, she uses it to blackmail Harkley.

Meanwhile, the district attorney sets an early trial date for Shanway, but with the opening arguments only a week away, Morales begins to develop doubts about Shanway's guilt, in addition to harboring his own sympathy for Grace Shanway, whose life is being gradually destroyed by the prosecution on her husband -- not that Morales thinks he's innocent, but there's enough that's not right about the case, including the missing murder weapon, that he's not 100-percent sure. And that's when Vivian's friend and neighbor, Jackie Elcott (Betsy Blair) reports how strangely Mrs. Smerrling is acting, and the fact that she's got a gun. But before they can question her, Harkley kills Mrs. Smerrling -- now it's a race between Morales and Harkley to see who can get to the murder weapon first. ~ Bruce Eder, All Movie Guide

Though one might have expected friction between MGM's resident "nice lady" Greer Garson and Warner Bros. notorious "bad boy" Errol Flynn, the two got along splendidly during the filming of That Forsyte Woman. Based loosely on The Man of Property, book one of John Galsworthy's Forsyte Saga, the film casts Garson as Irene Forsyte, the independently-minded wife of tradition-bound Victorian "man of property" Soames Forsyte (Flynn). Rebelling against her husband's repressed nature and preoccupation with material possessions, Irene falls in love with unconventional architect Philip Bossiney (Robert Young). When he proves to be too free-spirited even for her, Irene moves on to the Forsyte clan's black sheep, Young Jolyon (Walter Pidgeon). Soames makes a belated attempt to win his wife back, but once again proves incapable of warmth, compassion or understanding. The casting-against-type of Garson and Flynn was fascinating, even when the film itself dragged (Flynn in fact was slated to play either Bossiney or Young Jolyon, but insisted upon taking the less characteristic role of Soames). That Forstye Woman was lavishly photographed in color on MGM's standing "British" sets. ~ Hal Erickson, All Movie Guide

Spencer Tracy and James Stewart team up for this World War II adventure, based on an supposedly true incident from World War II. Stewart plays John Royer, an ex-newspaper reporter with a backhand knowledge of Malaya, and Tracy plays a criminal named Carnaghan, doing time in Alcatraz for smuggling. They are brought together for an undercover assignment -- to smuggle a large shipment of rubber out of Japanese-held territory in Malaya and deliver the tonnage to awaiting U.S. ships. Carnaghan and Royer plod through the jungles and have to deal with several unscrupulous contacts including a man calling himself The Dutchman (Sydney Greenstreet), a helpful FBI agent named Kellar (John Hodiak), and a sneaky Japanese officer by the name of Colonel Tomura (Richard Loo). ~ Paul Brenner, All Movie Guide

Small-town department store manager Sam Clayton (Gary Cooper) is a born "Good Samaritan", which in his case translates as "sucker." Much to the dismay of his wife Lu (Anne Sheridan), who'd like to save up enough cash for a new house, Sam habitually gives his money away to one "deserving" soul or other. But when Sam himself is in dire financial difficulty, none of the people to whom he's extended his generosity come to his aid. Disillusioned, he goes on a bender and disappears into the night. Thanks to Lu's not-so-gentle remonstrations, however, Sam's debtors finally own up to their obligations, and a happy ending is had by all. Producer/director Leo McCarey has a good thing going in the first few reels of Good Sam, but eventually loses control of the film, resulting in a great deal of illogical plot twists and character transformations in the final footage. Still, it's interesting to watch Gary Cooper doing what amounts to an imitation of Jimmy Stewart. Originally released a 128 minutes, Good Sam was pared down to 114 minutes for reissue. ~ Hal Erickson, All Movie Guide