Carol Ann Beery Movies

Actress Theresa Saldana plays herself in this gut-wrenching fact-based TV movie. The film begins with Ms. Saldana being savagely attacked by a stalking fan in her own home in 1982. Sustaining multiple stab wounds, Saldana lies near death for quite some time, but eventually pulls together physically and emotionally. But that's only the first half of the story. In the second, Saldana, determined to assuage the pain of others who've suffered from violent attacks, establishes Victims for Victims. The most sobering realization vis-a-vis Victims for Victims is the fact that Theresa Saldana's assailant may very well be paroled someday--a contingency that the actress, and her organization, has been forced to counteract ever since that fateful evening in 1982. ~ Hal Erickson, All Movie Guide

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, All Movie Guide

Returning from the original American Graffiti are Debbie Dunham, Steve Bolander, John Milner, Carol/Rainbow, Terry the Toad and Laurie Bolander (Candy Clark, Ron Howard, Paul LeMat, Mackenzie Phillips, Charles Martin Smith and Cindy Williams), but Richard Dreyfuss is missing and Harrison Ford shows up in a gag cameo. The sequel brings its principles into the more radical end of the 1960s, with Steve and Laurie, now married, on the fringes of the protest movement. Debbie and Carol have been lured into the flower-power milieu by rocker Newt (Scott Glenn). And John has parlayed his love of hot rods into a drag-racing career. ~ Hal Erickson, All Movie Guide

China Seas proved that the recently imposed Hollywood production code had little if any effect on the popularity of MGM sex symbols Clark Gable and Jean Harlow. Gable plays the captain of a tramp steamer chugging between Singapore and Hong Kong. Harlow is Gable's ex-main squeeze, a "woman of the world" who books passage on the steamer at the same time that another of Gable's former loves, aristocratic Rosalind Russell, shows up. Wallace Beery plays Gable's supposedly lovable first mate, who is actually in league with a gang of pirates who plan to steal the gold shipment being carried in the hold of the steamer. Harlow tumbles to Beery's secret, but is unable to convince Gable, who is sore at Harlow for mean-mouthing Russell. Out of pique, Harlow casts her lot with the crooked Beery, but when the pirates attack the steamer, she returns to Gable's side. A subplot involves the regeneration of ship's mate Lewis Stone, who has been cashiered out of the navy for cowardice and who redeems himself during the final battle. Based on a novel by Crosbie Garstin, China Seas is a programmer at heart, but is decked out with full A-picture trappings by MGM producer Irving Thalberg. ~ Hal Erickson, All Movie Guide