Kieron Moore Movies

For his initial effort from his own Norma Productions, Burt Lancaster picked a winner in Ten Tall Men. Lancaster stars as "Sergeant Mike," a two-fisted Foreign Legionnaire presiding over a lovable band of mercenaries, sneak thieves and cutthroats. While sitting in the stockade for the umpteenth time, Mike learns of a Riff plan to attack his fort. He and his men break jail and embark on their own attack of the Riffian encampment. Part of their strategy (much of which is improvised on the spot) is to kidnap Mahia (Jody Lawrence), the toothsome daughter of the Riffian sheik. Understandably, Mahia despises her captors until she realizes that the film's real villain is the covetous Caid Hussan (Gerald Mohr). This one's got everything, from a campy reenactment of a key scene in Beau Geste to the old reliable threat of a red-hot iron upon female flesh. Mari Blanchard, fully clothed for a change, shows up early in the film as a coquettish French mademoiselle who foments an all-out donnybrook among Mike and his fellow legionnaires. With the exceptions of Jody Lawrence and Gerald Mohr, no one in Ten Tall Men takes the proceedings too seriously; the film has some of the cheeky insouciance of Lancaster's subsequent swashbuckler The Crimson Pirate. ~ Hal Erickson, Rovi

Robert Aldrich (Kiss Me Deadly) directed this cloak-and-dagger yarn (based on a bestseller by Leon Uris), filmed on sumptuous locations in Greece. Set in Athens in 1941, before the Nazis overran the country, Robert Mitchum plays American war correspondent Mike Morrison, who has come into the possession of a list of 16 Greek underground leaders that he agrees to deliver to British intelligence in London for a $20,000 fee. Trying to keep him from getting there is the local Gestapo chief Conrad Heisler (Stanley Baker) and fifth columnist Tassos (Theodore Bikel). Morrison also becomes involved with a group of Greek freedom fighters -- particularly the beautiful Eleftheria (Gia Scala). But then Morrison comes down from the mountains and back to Athens, where he finds himself trailed, not only by the Nazis, but by charming widow Lisa Kyriakides (Elisabeth Muller). ~ Paul Brenner, Rovi

Adapted from the novel by John Wyndham, this intelligent British monster movie begins with a meteor shower so intensely bright that it blinds the majority of the world's population, rendering them vulnerable to attack from hordes of carnivorous plants known as "Triffidus Celestus" grown from meteor-borne spores. As the plant-monsters continue to multiply and seek human prey, the remaining sighted people join forces to combat the veggie invaders. One such survivor, an American seaman (Howard Keel) whose eyes were bandaged during the meteorite impact, battles his way through the Triffid ranks. Meanwhile, a couple (Kieron Moore and Janette Scott are trapped in a lighthouse. Good production values make this low-budget effort look more expensive than it probably was; the uncredited assistance of Freddie Francis -- who directed several scenes with a second unit -- also helps. ~ Cavett Binion, Rovi

The Key was adapted by Carl Foreman from Stella, a novel by Jan De Hartog. The time is WW2: The place, Plymouth England. Canadian tug captain David Ross (William Holden) and his British counterpart Chris Ford (Trevor Howard) pay a visit to Ford's lady friend Stella (Sophia Loren). Before the men leave, Ford is handed Stella's apartment key. It turns out that this key is harbinger of death; it has previously been held by Stella's former lovers, all tug captains, all dead. When Ford is killed in combat, Tennant comes into possession of the key, returning to Stella to commence a torrid love affair. However, she is unable to fall in love with Tennant, sensing that his demise is imminent. Eventually, she does fall for him, vowing that if he survives the war, she will never pass her key along to any other man. As a result, Tennant begins exhibiting hesitance in battle, as if determined to break the "jinx" at the expense of his fellow seamen. It would be the height of bad form to give away the ending at this point. ~ Hal Erickson, Rovi

A rather innocent and naive tale of romance, The Main Attraction features clean-cut Pat Boone trying to drop his good-boy image and not wholly succeeding. He plays Eddie, who works in an Italian café until he is fired for mixing it up with some rowdies. Hitting the pavement, he runs into Gina (Mai Zetterling) who has a ventriloquist act in a circus. Before he knows it, Eddie is helping Gina out with her act and the two also get involved romantically. But then Eddie becomes attracted to Tessa (Nancy Kwan), an equestrienne with the circus, complicating his life considerably -- especially after Tessa leaves because of some difficulties. ~ Eleanor Mannikka, Rovi

The Naked Heart was also released as Maria Chapdelaine, which also happened to be the title of its source, a novel by Louis Hemon. Adapter-director Marc Allegret has fashioned the material into a vehicle for one of his most successful discoveries, Michele Morgan. This is the story of a young woman whose romantic fantasies begin spilling over into actuality. The film's novelty value is its setting: a remote village in Northern Canada. Filmed simultaneously in French and English-language versions, The Naked Heart was produced independently on a tiny budget; while the seams begin to show towards the end, for the most part the film works. ~ Hal Erickson, Rovi

This British WW II drama takes place in the wilds of Tunis. Major Gerrard (Leo Genn) is ordered to lead a desperate mission to capture a Nazi-held farmhouse. Despite the fact that this undertaking is tantamount to committing suicide, Gerrard has no trouble rounding up volunteers. There's a bit too much of the old "stiff upper lip" in the dialogue, though the action sequences are first-rate and believable. Of interest to modern viewers is the presence in the cast of Michael Caine; he isn't billed, and barely has a line, but he's instantly recognizable. ~ Hal Erickson, Rovi

In this crime drama two brothers in the IRA become rivals when they fall in love with the same woman--their adopted step-sister. When one of the two needs to flee Ireland, the other is more than happy to oblige so he can have the girl to himself. Unfortunately, the conniving brother accidentally kills a constable during a smuggling and then tries to frame the brother planning to leave. Fortunately, by the end, the bad brother is caught and is forced to confess. ~ Sandra Brennan, Rovi

In this thriller, an imprisoned psycho killer's wife tries to start a new life. She changes her name and marries again. Her true identity is known only by her employer. The trouble begins when the killer escapes from prison. A detective pursues him and discovers that the killer is perfectly sane and is only trying to find the man who framed him. He then discovers that the woman's employer is the real murderer, and fortunately, he is killed during the final chase. ~ Sandra Brennan, Rovi