Kieron Moore Movies

In this crime drama two brothers in the IRA become rivals when they fall in love with the same woman--their adopted step-sister. When one of the two needs to flee Ireland, the other is more than happy to oblige so he can have the girl to himself. Unfortunately, the conniving brother accidentally kills a constable during a smuggling and then tries to frame the brother planning to leave. Fortunately, by the end, the bad brother is caught and is forced to confess. ~ Sandra Brennan, Rovi

London psychiatrist Burgess Meredith takes on the case of schizophrenic ex-POW Kieron Moore. So long as Meredith is diligent in his approach, Moore shows signs of improvement, and a lessening of his more violent tendencies. But the moment Meredith takes too much for granted, Moore goes off the deep end, murdering his wife and committing suicide. Brought up on malpractice charges, Meredith is saved by the testimony of his loyal physician-friend John Laurie, though for a time the psychiatrist's own mental condition is as fragile as that of his late patient. While Burgess Meredith was fond of noting that he had to leave Hollywood for England to find a worthwhile film role, Mine Own Executioner suffered from a bout of Hollywood-style interference in delineating the shady background of its protagonist, which might have clarified several confusing plot points. Still, the film has a lot of "guts," especially for a late-1940s effort. ~ Hal Erickson, Rovi

Saints and Sinners is set in a remote Irish village where "appearances" take precedence over everything else. Having served two years in prison for a crime he didn't commit, Michael Kissane (Kieron Moore) returns to his home town of Kilwarra. While many of his old friends believe in Michael's innocence, he is obliged to prove that innocence before he will be fully accepted again. Christine Norden plays Blanche, the girl who promised to wait for Michael but who went back on that promise at the behest of her family. Drenched in atmosphere and local color, Saints and Sinners falters only in its depiction of a stereotypical American visitor. ~ Hal Erickson, Rovi

In this comedy, a braggart and his new bride head for a honeymoon in Italy. There they go to the small village the groom claims to have freed all by himself. Unfortunately, the villagers are most unhappy to see him. Before he can safely continue his honeymoon, he must clear his name with them. ~ Sandra Brennan, Rovi

In this action-filled crime drama, a young woman goes out to bring the criminals who robbed and murdered her father, a jeweler, by posing as a crook herself and infiltrating their gang. ~ Sandra Brennan, Rovi

In this thriller, an imprisoned psycho killer's wife tries to start a new life. She changes her name and marries again. Her true identity is known only by her employer. The trouble begins when the killer escapes from prison. A detective pursues him and discovers that the killer is perfectly sane and is only trying to find the man who framed him. He then discovers that the woman's employer is the real murderer, and fortunately, he is killed during the final chase. ~ Sandra Brennan, Rovi

The Green Scarf may be set in France, but its cast, crew, and overall tone is impeccably British. Michael Redgrave, hidden beneath a mattress of whiskers, portrays a French lawyer who takes on a seemingly hopeless case. His client, Kieron Moore, is a blind deaf-mute seaman accused of murder. Moore has already confessed to the crime, but Redgrave is sworn to give the best defense possible. At times, however, it is the dullest defense possible, despite a few random spurts of imagination. The Green Scarf was adapted from the novel The Brute by Guy des Cars. ~ Hal Erickson, Rovi

The topicality of Satellite in the Sky enabled the British-based Danzinger Bros. to release the film through Warner Bros., rather than their usual United Artists distribution channels. The story concerns the first manned space satellite, launched from England with commander Michael Hayden (Kieron Moore) at the controls. It is the mission of Hayden and his crew to test out the deadly "tritonium" bomb in outer space. Once he's left the atmosphere, Hayden discovers that he's been harboring a stowaway: reporter and anti-weapons activist Kim Hamilton (Lois Maxwell). Everyone's life is placed in peril when the bomb affixes itself to the side of the satellite. As tension mounts, the crew -- and Kim -- race against time to either remove or defuse the tick-tick-ticking weapon. Satellite in the Sky represented documentary filmmaker Paul Dickson's first fictional effort; like most other directors, Dickson was unable to curb the overacting of the venerable Donald Wolfit, here cast as the near-maniacal creator of the tritonium bomb. ~ Hal Erickson, Rovi

This British WW II drama takes place in the wilds of Tunis. Major Gerrard (Leo Genn) is ordered to lead a desperate mission to capture a Nazi-held farmhouse. Despite the fact that this undertaking is tantamount to committing suicide, Gerrard has no trouble rounding up volunteers. There's a bit too much of the old "stiff upper lip" in the dialogue, though the action sequences are first-rate and believable. Of interest to modern viewers is the presence in the cast of Michael Caine; he isn't billed, and barely has a line, but he's instantly recognizable. ~ Hal Erickson, Rovi

In its promotional material for the 1959 theatrical feature Darby O'Gill and the Little People, the Disney studio went into whimsical overdrive, hoping to convince the younger viewers that the leprechauns appearing in the film were not merely normal-sized actors made small via special effects, but instead the genuine article. As part of this delightful deception, the weekly Walt Disney Presents TV anthology offered an episode in which Walt Disney explained how he personally persuaded the King of the Leprechauns to appear in his film. It all begins when actor Pat O'Brien, returning from a trip to Ireland, regales Walt Disney with stories of the "little people" of the Emerald Isle. Banking on the fact that he is himself half-Irish, Walt travels to Old Erin to see for himself. After conferring with a local "shanachie," or storyteller (played by Darby O'Gill's titular star Albert Sharpe), Disney is granted an audience with his majesty himself, King Brian (Jimmy O'Dea) -- who has quite a healthy ego for one so tiny. This episode expertly blends new footage with previews from the upcoming film, which among other actors features a young Sean Connery (who was so obscure a performer at the time that he isn't even billed in the TV Guide listings!) While the actual Darby O'Gill scenes were directed by Robert Stevenson, the new transitional scenes were helmed by Harry Keller -- who after handling retakes of Orson Welles' Touch of Evil had no trouble seamlessly matching Stevenson's distinctive style. ~ Hal Erickson, Rovi

Baby boomers who may not remember the plot particulars of Walt Disney's Darby O'Gill and the Little People nonetheless retain fond memories of Disney's publicity campaign, which included an episode of the producer's weekly TV series, wherein the actor playing leprechaun king Brian (Jimmy O'Dea) was passed off as a genuine little person. One look at Darby O'Gill itself and one is willing to believe Disney's subterfuge. The story, based on the writings of H.T. Kavanagh, involves one Darby O'Gill (Albert Sharpe) an Irish tall-tale spinner who works as a caretaker. On the night that he is replaced by a younger man (Sean Connery), Darby heads home to tell his daughter Katie (Janet Munro) that he has lost his job. En route, he stumbles into the underground leprechaun kingdom, thanks to the intervention of King Brian, who wants to save Darby the shame of telling his daughter about his job. Advised that he will never be able to leave the land of the leprechauns, Darby escapes, and Brian follows. Because he stays above ground until dawn, Brian loses his powers and becomes the property of Darby, who won't let the leprechaun go until he grants three wishes. Brian tricks Darby out of the first two wishes, but is honor-bound to grant the third: that Darby's daughter Katie be wed to the handsome new caretaker. Before this can happen, Katie is seriously injured. As she lies comatose, the Death Coach descends from the sky to gather her to the heavens. Darby rapidly alters his third wish and begs that he be taken in Katie's place. Brian saves Darby's life by tricking him into making a fourth wish, which immediately cancels the first three. The young caretaker wins Katie on his own merits, and Darby has a whole new slew of stories with which to regale the villagers. The principal drawing card of Darby O'Gill and the Little People is its special effects, the most famous of which finds a life-sized Darby O'Gill fiddling away as hundreds of tiny leprechauns dance about him. Even in this era of computerized "F/X," few films have been able to duplicate the sublimely convincing visual magic -- and the effortless charm -- of this 1959 Disney effort. ~ Hal Erickson, Rovi

This crime caper based on a legendary robbery stars Aldo Ray as Norgate, the ringleader of the thieves out to steal a bundle from the Bank of England. But it is a young Peter O'Toole as the guard Fitch who steals the show -- two years before Lawrence of Arabia would make him an internationally acclaimed star. The year is 1901 and Norgate is an avid supporter of Irish Home Rule, avid enough to plan this robbery to get the bullion needed to make his independence wishes come true. He gathers together the necessary crew of brains, brawn, and bravado, and the would-be thieves make their way through a sewer system that runs under the bank. What they do not count on is that Fitch may not be quite as dumb as he seems. ~ Eleanor Mannikka, Rovi