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Julianne Moore Movies

Boasting talent, versatility, and one of the most distinctive heads of hair in Hollywood, Julianne Moore has proven herself equally adept in both mainstream blockbusters and smaller, more intelligent films. The daughter of a military judge and a Scottish social worker, Moore was born in Fayetteville, NC, on December 3, 1961. After attending Boston University, she began her acting career via the taxing world of soap opera. From 1985 until 1988, she was best-known for her role as Franny Hughes on As the World Turns. The part, which on occasion required her to play twins, won Moore a 1988 Daytime Emmy Award.

The actress made her entrance into the big-screen arena with a 1990 debut in the schlocktastic Tales From the Darkside: The Movie (which also featured Steve Buscemi). Two years later, after making various TV movies, Moore reappeared in feature films with supporting parts in Curtis Hanson's tale of a babysitter gone bad, The Hand That Rocks the Cradle, and the comedy The Gun in Betty Lou's Handbag. The following year, her exposure increased further thanks to roles in four different films that ranged from the half-baked thriller Body of Evidence to the sweetly quirky Benny and Joon to the big-budget smash The Fugitive to Robert Altman's epic Short Cuts. The last film gave Moore literal exposure in addition to the more figurative kind: she was required to play one scene naked from the waist down, something that predictably won the attention of critics and filmgoers.

The intermittent praise that had been afforded Moore was amplified in 1994 with her performance as Yelena in Vanya on 42nd Street. The object of adjectives ranging from "luminescent" to "radiant" to "revelatory," the actress went on to play a very different character in Todd Haynes' Safe (1995). Moore won an Independent Spirit Award nomination for her portrayal of a woman (literally) sickened by the environment around her and further proved that she was an actress of distinct versatility. The same year she again demonstrated this ability with a starring role opposite Hugh Grant in the comedy Nine Months.

Following a turn as one of Picasso's numerous lovers in Surviving Picasso (1996), a lead in the family drama The Myth of Fingerprints (she would later have a son with the film's director, Bart Freundlich), and a substantial part in The Lost World: Jurassic Park, Moore nabbed what was one of the plum roles of her career in Paul Thomas Anderson's Boogie Nights. For her portrayal of a porn actress, she won Golden Globe and Academy Award nominations.

A substantial role as an erotic artist in Ethan Coen's and Joel Coen's The Big Lebowski followed in 1998, along with a turn as Marion Crane's sister in Gus Van Sant's Psycho remake. The next year, Moore starred in a number of high-profile projects, beginning with Robert Altman's Cookie's Fortune, in which she was cast as the dim sister of a decidedly unhinged Glenn Close. A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An Ideal Husband, with a number of critics asserting that Moore was the best part of the movie. The actress then enjoyed another collaboration with director Anderson in Magnolia, an epic telling of nine interweaving stories inspired by Short Cuts and featuring an impressive cast that included Anderson regulars Philip Seymour Hoffman, Philip Baker Hall, and John C. Reilly. The same year, Moore also starred in the drama The End of the Affair, with Ralph Fiennes and Stephen Rea, and portrayed a grieving mother in A Map of the World, which premiered at the 1999 Toronto Film Festival.

2001 found the popular actress stepping into dark territory with the role of FBI Agent Clarice Starling in Ridley Scott's Hannibal, the long-awaited and eagerly anticipated follow-up to Jonathan Demme's numbingly suspenseful Silence of the Lambs. A few short months later, Moore lightened the mood substantially with her humorous turn as a bumbling government scientist in the sci-fi comedy Evolution. Increasingly comfortable alternating between big-budget features and more personal art-house films, Moore bowled over audiences with a pair of powerhouse performances in both Far From Heaven and The Hours. A detailed throwback to the forgotten Hollywood melodrama, the former featured Moore's Oscar nominated role as a housewife who enters into a controversial relationship after discovering her husband's homosexuality and provided audiences a dose of Douglas Sirk that hadn't been tasted since the mid-1950s. A variation on the themes presented in Virginia Woolf's Mrs. Dalloway, the film version of Michael Cunningham's Pulitzer prize winning novel The Hours once again found Moore Oscar nominated for her role as a repressed 1950s era housewife, this time taking a special shine to Mrs. Dalloway while pondering an escape from her stifling marriage.

In the wake of arguably her most successful year to date, Moore began to dabble behind the scenes for the first time, serving as executive producer on the 2003 independent adaptation of Wallace Shawn's play Marie and Bruce, a film that she also starred in. The following year, audiences could find Moore onscreen opposite Pierce Brosnan in the romantic comedy The Laws of Attraction and in the poorly-received thriller The Forgotten. In 2005 she earned good reviews for The Prize Winner of Defiance, OH, but the film failed to catch on with audiences. She continued to work steadily starring opposite Sam Jackson in the adaptation of Richard Price's Freedomland, and starring opposite Clive Owen in Alfonso Cuaron's futuristic thriller Children of Men. She once again teamed with her director husband Bart Freundlich in the relationship comedy Trust the Man. Shortly after returning to television with a recurring role on the hit comedy series 30 Rock, the talented actress earned numerous positive reviews for her nuanced performance in The Kids Are All Right, and while she failed to earn a BAFTA Award as one half of a same sex couple attempting to help their children come to terms with being adopted, Moore's memorable performance as a frustrated housewife in 2011's Crazy, Stupid, Love. showed an actress still capable of balancing drama and comedy to striking effect. On the heels of her performance in Paul Weitz's Being Flynn the following year, it was announced that Moore would be following in the formidable footsteps of Piper Laurie in the 2013 remake of the Stephen King's Carrie starring Chloe Grace Moritz (Let Me In, Hugo). ~ Rebecca Flint Marx, Rovi
2001  
R  
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Based on the controversial sequel novel of the same name, Hannibal is the much-anticipated follow-up to the Oscar-winning The Silence of the Lambs (1991). Anthony Hopkins returns as Dr. Hannibal Lecter, one of the world's most cunning and feared serial killers, who resurfaces after a decade in hiding to toy with FBI agent Clarice Starling (Julianne Moore). As Starling's career flounders thanks to a drug bust gone wrong, Lecter attempts to elude a greedy Italian police detective (Giancarlo Giannini) who's willing to alert the authorities to his presence in Florence for a price. In the meantime, a maimed but wealthy former victim of Lecter's named Mason Verger (Gary Oldman) plots to get his revenge on the doctor in a most unusual and grisly fashion. The novel by Thomas Harris was adapted for director Ridley Scott by David Mamet and Steven Zaillian. ~ Karl Williams, Rovi

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Starring:
Anthony HopkinsJulianne Moore, (more)
 
2000  
 
Regarded by critics around the globe as Ireland's most impressive and inspired filmmaker, Crying Game and Breakfast on Pluto screen guru Neil Jordan stepped down from features in 2000 to helm the fourteen-minute Canadian short Not I. The latter is a single episode from the Beckett on Film project, a film-a-sketch whereby nineteen international filmmakers were invited to each contribute an adaptation of one of Beckett's nineteen plays, some ten years after the playwright's death. Jordan chose the play of the title, and cast the peerless American actress Julianne Moore (who had just collaborated with Jordan in The End of the Affair) in the lead. The film -- per the original work -- focuses solely on a woman in complete denial of a traumatic experience; her words, which begin as a barely coherent stream-of-consciousness ramble, ultimately unite into a harried confession. ~ Nathan Southern, Rovi

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Starring:
Julianne Moore
 
2000  
R  
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Yet another recurring character from Saturday Night Live makes the jump to the big screen in this comedy. Leon Phelps (Tim Meadows) is the host of a radio call-in show in which he dispenses advice on the fine art of seduction, for which he seems to have quite a talent -- rather surprising, seeing that he's usually broke, nearly everything he says sounds crass and obvious, and he possesses a fashion sense that would have been gauche in the mid-1970s but seems just plain freakish today. After finally going too far during a broadcast, Leon is fired, but he receives a note from one of his former flames who wants him to come back to her -- and is willing to support him in high style. This sounds just fine with Leon, except she hasn't signed her name, and now Leon has to backtrack through his numerous conquests of the past and figure out who wants him to work his love magic. Meanwhile, a group of husbands who've been cuckolded by Leon, led by Barney (Lee Evans) and Lance (Will Ferrell), are hot on his trail, eager to get revenge. The Ladies' Man also stars Tiffani Thiessen and Karyn Parsons as two of the ladies in Leon's life and Billy Dee Williams as the ultra-smooth proprietor of Lester's Straight-Up Lounge. ~ Mark Deming, Rovi

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Starring:
Tim MeadowsKaryn Parsons, (more)
 
1999  
PG13  
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Robert Altman directed this bittersweet ensemble piece about an eccentric and entangled group of family and friends living in the Deep South. Jewel Mae "Cookie" Orcutt (Patricia Neal) is the widowed matriarch of a small-town Mississippi family, which includes her nieces Camille (Glenn Close), a pretentious would-be artist staging an amateur production of Salome at a local church, and Cora Julianne Moore), her less than enthusiastic leading lady. Willis (Charles S. Dutton), the caretaker of Cookie's rambling mansion, tries to persuade her sweet but aimless grand-niece, Emma (Liv Tyler), to move in with her, but she's more interested in her on-again, off-again romance with local cop Jason (Chris O'Donnell). Typical of Altman's work, Cookie's Fortune weaves together a number of different plot lines with relaxed grace, and features an impressive cast, including Ned Beatty, Lyle Lovett, and Courtney B. Vance. ~ Mark Deming, Rovi

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Starring:
Glenn CloseJulianne Moore, (more)
 
1999  
R  
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In this contemporary drama, Sigourney Weaver plays a woman out of her element and at the end of her rope. Alice Goodwin is a wife and mother who finds that the pressures of her life are starting to become more than she can bear. Alice works part-time as a school nurse while her husband Howard (David Strathairn) runs the family farm; they both look after their two daughters. Alice, who wasn't raised in farm country, still feels like an outsider, and she embraces a cynical, sarcastic humor as a defense mechanism. Alice's only real friends in town are Dan and Theresa Collins (Ron Lea and Julianne Moore), who live nearby and often babysit Alice's kids; Alice does the same for the Collins children as well. One day, while watching Theresa's two-year-old daughter Lizzie, Alice has to step away for a few minutes, and she returns to discover Lizzie has fallen into a pond near the house; the child falls into a coma and dies several days later. Lizzie's death puts a permanent wedge between Alice and Theresa, and most people in the community believe Alice is to blame for the girl's death. Any support she might have had is driven away when Robbie (Marc Donato), a boy who lives nearby, claims Alice molested him. Alice is sent to jail while awaiting trial, and Howard (who can't afford her $100,000 bail) must watch over their daughters and keep house by himself as he tries to keep the farm afloat. As Alice falls into a deep depression behind bars, Howard and Theresa begin edging into a romance. Based on the best-selling novel by Jane Hamilton, A Map of the World was adapted for the screen by Peter Hedges and Polly Platt and director Scott Elliott. ~ Mark Deming, Rovi

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Starring:
Sigourney WeaverJulianne Moore, (more)
 
1999  
PG13  
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A romantic and sentimental comedy set at the turn of the 19th century, An Ideal Husband delves into themes of love, passion, and betrayal among the aristocracy. Sir Robert Chiltern (Jeremy Northam), a brilliant politician and a perfect gentleman, is the ideal husband for the charming Lady Chiltern (Cate Blanchett). They have a widely envied marriage until charming Mrs. Cheveley (Julianne Moore) appears with the intention of revealing a dark secret from Chiltern's past. When his world seems to be falling apart, Chiltern turns to his lifelong friend Lord Arthur Goring (Rupert Everett), the most eligible bachelor in town. Goring soon finds himself caught up in a web of lies, temptations, and secret liaisons. Furthermore, the persistent charms of Sir Robert's sister Mabel (Minnie Driver) are becoming a serious threat to his much-cherished bachelorhood. Using political intrigue and clever wit, An Ideal Husband draws a picture of a society struggling with issues still valid today. ~ Gönül Dönmez-Colin, Rovi

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Starring:
Rupert EverettJulianne Moore, (more)
 
1999  
R  
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Based on the novel by Graham Greene, this romantic drama stars Ralph Fiennes as Maurice Bendrix, a novelist who, during World War II, had an affair with Sarah Miles (Julianne Moore), the wife of his best friend Henry (Stephen Rea). Sarah abruptly broke off the romance in 1944, but two years later, after Maurice runs into Henry, he becomes obsessed with the affair and hires a man to investigate Sarah. He reads her diary of their forbidden romance in the midst of the London Blitz and discovers that, overwhelmed with fear and guilt, she pledged to God that she would end the affair if Maurice's life were spared. Maurice is determined to reintroduce himself into Sarah's life, but she fears that being near him would be too great a temptation. The End of the Affair was previously brought to the screen in 1955 by Edward Dmytryk; this version was written for the screen and directed by Academy Award-winner Neil Jordan. ~ Mark Deming, Rovi

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Starring:
Ralph FiennesJulianne Moore, (more)
 
1999  
R  
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Writer/director Paul Thomas Anderson followed his critical and commercial breakthrough Boogie Nights with this wildly ambitious story of lives intertwining on a single day in California's San Fernando Valley. Earl Partridge (Jason Robards), a successful producer of television game shows, left his wife when she contracted cancer to marry the younger and more beautiful Linda (Julianne Moore). Now, Earl has cancer himself, and Linda spends her day fetching medicines and trying to deal with the imminent death of her husband, whom she has only now come to love. Earl asks his nurse Phil (Philip Seymour Hoffman) to arrange a meeting with his estranged son, Frank Mackey (Tom Cruise), known for his self-help program "Seduce and Destroy," in which he preaches the importance of male sexual prowess; he cared for his mother after Earl left her, and he has no desire to see his father again. Earl's best-known show is hosted by Jimmy Gator (Philip Baker Hall), who also learns that he is dying. Jimmy's show pits bright adults against unusually smart kids; one of Jimmy's child contestants, Stanley (Jeremy Blackman), arrives late for a taping after being left stranded by his father Rick (Michael Bowen), who is supported by his more successful son. Meanwhile, Donnie Smith (William H. Macy), who was a champ on Jimmy's show as a child, is not having as much luck as an adult; he's just lost his job and needs to pay for some expensive dental work. Jimmy wants to reconcile with his estranged and emotionally fragile daughter Claudia (Melora Walters), who despises him and who will become involved with well-meaning police officer Jim Kurring (John C. Reilly), who has been desperately lonely since his divorce three years ago. Magnolia reunites much of the cast and crew of Boogie Nights and features eight original songs by singer/songwriter Aimee Mann and a musical score by Jon Brion. ~ Mark Deming, Rovi

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Starring:
Jason Robards, Jr.Julianne Moore, (more)
 
1998  
R  
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The husband-and-wife team of Mary Cybulski and John Tintori (creators of the acclaimed short Manhattan Dinner) directed this Will Kern screenplay which he adapted from his 1992 play Hellcab about a winter's day in the life of a Windy City driver, beginning at 6am in 20 below zero degree weather. Johnny (Paul Dillon) is that rare type of cab driver who will drive anywhere and pick up anyone, and during the 14 hours compressed here into 95 minutes, he ferries about some two-dozen passengers, including a rape victim (Julianne Moore), a hyped-up drug runner, a pregnant woman, and holiday shoppers. Johnny is frustrated that he can't seem to make genuine connections with his passengers or help them. Instead, he can only observe a rear-view image mirroring the passing parade of humanity. Shown at Austin's 1998 South By Southwest Filmfest. ~ Bhob Stewart, Rovi

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Starring:
Paul DillonMichael Ironside, (more)
 
1998  
R  
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Independent film director Gus Van Sant attempts a first in American film history: a shot-by-shot remake of the classic 1960 Alfred Hitchcock film Psycho. With a few minor, modern-day changes (including filming it in color), his version is essentially the same film with a different cast and the same Bernard Hermann music. Psycho was and still is the story of Marion Crane (previously played by Janet Leigh and now by Anne Heche), an adulterous woman who steals a stack of money from her boss and hits the road hoping for financial freedom. Pulling over in an old motel for the night, she meets the creepy owner of the Bates Motel, Norman Bates (Vince Vaughn doing his best Anthony Perkins), who lives with his jealous nagging mother. Most people know the film Psycho for what happens next -- the shower scene, where Marion is brutally stabbed in the most over-analyzed scene in movie history. The money, the car, and Marion's remains are quickly sunk in a nearby swamp. As a detective (William H. Macy) and Marion's sister Lila (Julianne Moore) come looking for her, they begin to uncover the dark mysterious secret lurking in Norman Bates' life. ~ Arthur Borman, Rovi

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Starring:
Vince VaughnAnne Heche, (more)
 
1998  
R  
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The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers (Joel Coen and Ethan Coen) pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians (made with fresh cream, please). In 1991, unemployed '60s refugee Jeff "The Dude" Lebowski (Jeff Bridges) grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude's life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug. Why? Because Jackie Treehorn (Ben Gazzara) is owed money by the wife of a certain Jeff Lebowski. However, the goons grabbed the wrong Jeff Lebowski. With the right info, they would have invaded the home of philanthropic Pasadena millionaire Jeffrey Lebowski (David Huddleston). The Dude looks up his wealthy namesake, manages to get a replacement for his rug, and meets the millionaire's sexy young wife Bunny (Tara Reid). Later, Jeffrey ("The Big") Lebowski calls in the Dude to deliver a $1 million ransom for the return of his kidnapped wife. Fine -- except that Walter intrudes and botches the ransom drop. As events unravel, the Dude gets caught up in the schemes of Lebowski's daughter, erotic artist Maude (Julianne Moore), encounters both cops and bad guys, and drifts through an elaborate bowling fantasy sequence titled Gutterballs. The soundtrack includes Bob Dylan, Yma Sumac, Moondog, Captain Beefheart, and the Sons of the Pioneers. ~ Bhob Stewart, Rovi

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Starring:
Jeff BridgesJohn Goodman, (more)
 
1998  
 
This 1998 episode of Saturday Night Live is hosted by Julianne Moore and features musical guest Backstreet Boys. ~ Skyler Miller, Rovi

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Starring:
Julianne MooreBackstreet Boys, (more)
 
1997  
R  
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While set within the milieu of the Los Angeles adult film industry, Boogie Nights is less a film about pornography than the serio-comic story of a group of misfits, losers, and lost souls who are embraced by Jack Horner (Burt Reynolds), a director who makes "adult films, exotic motion pictures." In 1977, while hanging out at a disco, Jack spots Eddie (Mark Wahlberg), the new busboy at the club, and tells him he's convinced "there's something wonderful inside those jeans waiting to get out." Jack knows his business well and his expert eye has not betrayed him; Eddie is a pornographer's dream -- good looking, remarkably endowed, and willing and able to do as many takes as might be needed. The product of a woefully dysfunctional upbringing, Eddie is not terribly bright but is very ambitious and eager to prove he has a "special something" to share with the world. Eddie changes his name to Dirk Diggler and quickly becomes the biggest star in hardcore. Working alongside "Dirk" in Jack's films are Amber Waves (Julianne Moore), a porn actress who applies her misplaced maternal instincts to anyone who needs nurturing; Rollergirl (Heather Graham), a cheerful but blank-faced high school drop-out who never removes her roller skates; Reed Rothchild (John C. Reilly), a none-too-bright actor, aspiring magician, and failing songwriter; Buck (Don Cheadle), a black actor fascinated with cowboy iconography who wants to open a stereo shop; Scotty J (Philip Seymour Hoffman), a stocky and awkward soundman infatuated with Dirk; Little Bill (William H. Macy), Jack's assistant director, who has trouble dealing with his wife's brazen infidelity; and Colonel James (Robert Ridgely), Jack's backer, who has a weakness for young girls. In the brief, late-'70s moment when porn was chic and sex films seemed poised to break into the mainstream, Dirk becomes a star and Jack a respected name. But a few years later, drugs and pride have taken their toll on Dirk and many of his friends, while the advent of the VCR radically changes the adult movie business; Jack goes from being a "filmmaker" to manufacturing and wholesaling videocassettes, a wealthy but emotionally broken man. In his second film, wunderkind director Paul Thomas Anderson juggled a broad range of characters in a manner reminiscent of Robert Altman's ensemble films, making Boogie Nights a sad but funny story of a makeshift family of damaged people and what happens before and after their brief moment in the sun. ~ Mark Deming, Rovi

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Starring:
Mark WahlbergBurt Reynolds, (more)
 
1997  
PG13  
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Just when you'd think that scientists would realize dinosaurs and humans don't mix, along comes The Lost World: Jurassic Park to prove you wrong. In this sequel, John Hammond (Richard Attenborough) summons chaos theorist and onetime colleague Ian Malcolm (Jeff Goldblum) to his home with some startling information -- while nearly everything at his Jurassic Park had been destroyed, engineers were also operating a second site, where other dinosaurs, resurrected through DNA cloning technology, had been kept in hiding. Hammond has learned the dinosaurs on the second island are alive and well and even breeding; Hammond wants Malcolm to observe and document the reptiles before Hammond's financiers can get to them. Malcolm declares he had enough of the dinosaurs the first time out, but decides to make the trip when he finds out that his girlfriend, paleontologist Sarah Harding (Julianne Moore), is already there. However, Ian and Sarah aren't the only visitors expected on the island; a camera crew led by ecological activist Nick Van Owen (Vince Vaughn) is on the way, as is Roland Tembo (Pete Postlethwaite), a world-class wild game hunter who is supposed to round up the dinosaurs and who hopes to bag a prehistoric trophy for himself in the process. This sequel to Jurassic Park boasted even more impressive special effects than the first film, though the acting and screenplay aren't always at the same level. ~ Mark Deming, Rovi

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Starring:
Jeff GoldblumJulianne Moore, (more)
 
1997  
R  
Add The Myth of Fingerprints to Queue 
A family is torn between their need to air out their dirty laundry and their habit of sweeping things under the rug in this emotional drama. Hal (Roy Scheider) and Lena (Blythe Danner) are a successful but emotionally frosty New England couple whose four adult children are coming home for Thanksgiving. Strapping Jake (Michael Vartan) brings along his new girlfriend Margaret (Hope Davis), but while her affection for him is obvious, he's not sure how he feels about her. Mia (Julianne Moore), an alternately reserved and sexually ravenous art gallery worker, also brings her current lover, the nervous and unstable Elliot (Brian Kerwin). Leigh (Laurel Holloman) seems happier and better adjusted than her siblings, but she still hasn't resolved her long-standing rivalry with Mia. And Warren (Noah Wyle), who hasn't seen his parents for three years, has a bitter grudge against his father and hasn't been able to get his former girlfriend Daphne (Arija Bareikis) out of his mind. Co-star Noah Wyle also served as associate producer. ~ Mark Deming, Rovi

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Starring:
Noah WyleArija Bareikis, (more)
 
1996  
R  
This unusual biography of the renowned Spanish artist Pablo Picasso is a Merchant-Ivory film. The team of director James Ivory, producer Ismail Merchant, and screenwriter Ruth Prawer Jhabvala has been responsible for many period dramas, including A Room with a View and Howard's End. The story of Picasso's remarkable misanthropy is told as experienced by his mistress Francoise Gilot (Natasha McElhone). Francoise was Picasso's lover from 1944 to 1954, and they had two children together, Claude and Paloma. The film shows Picasso (Anthony Hopkins) as a notorious womanizer, with flashbacks revealing his relationships with his wife Olga (Jane Lapotaire), the artist Dora Marr (Julianne Moore), and Marie-Therese Walter (Susannah Harker), an earthy type who sees the artist only on Sundays. Hopkins powerfully portrays Picasso as an artistic genius with an appalling habit of using and abusing women. He not only cheats on his wife but two-times his mistresses. Francoise has survived an abusive relationship with her father (Bob Peck), and she is 40 years younger than Picasso when they become lovers. The film was supposed to be based on Gilot's book Life with Picasso, but the filmmakers were unable to get the rights to it, so they settled for basing the film on Arianna Huffington's Picasso: Creator and Destroyer. The movie also uses imitations rather than Picasso's real paintings. ~ Michael Betzold, Rovi

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Starring:
Anthony HopkinsNatascha McElhone, (more)
 
1995  
R  
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Todd Haynes presents a revisionist take on the paranoia thriller with this story of a Southern California housewife who suddenly falls victim to an inexplicable, apparently incurable illness. Carol White (Julianne Moore) lives with her husband and son in suburban comfort until she collapses one day, for no apparent reason. Her condition worsens in the weeks that follow, as she suffers from coughing fits, exhaustion, and spontaneous nose bleeds, triggered by sources as disparate as car exhaust, cologne, and the sun. Failing to find any medical explanation for her maladies, her doctor refers her to a psychiatrist, who suggests that her physical ailments are psychosomatic -- a theory echoed by her callous and increasingly frustrated husband. At her wits' end, Carol withdraws to an expensive New Age retreat for sufferers of "20th century disease," where the community's guru (Peter Friedman) champions a dubious regimen of diet, climate control, introspection, and self-love. ~ Michael Hastings, Rovi

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Starring:
Julianne MoorePeter Friedman, (more)
 
1995  
R  
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Lethal Weapon director Richard Donner helms this action-adventure yarn in which Robert Rath (Sylvester Stallone), a veteran, burned-out hit man for hire who's looking to leave his profession, meets a younger, crazier, more ambitious competitor, Miguel Bain (Antonio Banderas), who is out to best Rath and make him a target in the process. Rath signs on for one last hit, but complications ensue when he falls in love with the mark, a beautiful, mysterious woman named Electra (Julianne Moore). Bain sets out to murder Electra as well, and the chase leads the two assassins into a deadly game of wits that takes them from Seattle to Puerto Rico. Critics and audiences both turned away from this thriller, which was co-scripted by Bound writer/directors Larry and Andy Wachowski and L.A. Confidential screenwriter Brian Helgeland. ~ Don Kaye, Rovi

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Starring:
Sylvester StalloneAntonio Banderas, (more)
 
1995  
PG13  
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A single man faces the terrifying prospect of seeing his carefree life dashed by a visit from the stork in this comedy. Samuel Falkner (Hugh Grant) is a child psychiatrist who has no kids of his own and doesn't want any, which leaves him a bit shaken when his girlfriend of five years, Rebecca Taylor (Julianne Moore) announces that she's pregnant. Suddenly, Samuel is plagued by paranoid fantasies about how marriage and fatherhood will change his life, which are not at all soothed by frequent visits from Rebecca's chronically-pregnant friend Gail Dwyer (Joan Cusack) and her half-bright lummox of a husband, Marty (Tom Arnold). Too selfish to deal with Rebecca's needs, Samuel parts company with her and takes a last stab at playing the field, but when he sees an ultrasound of his soon-to-be-born son, he decides that it's time to face his responsibilities before it's too late. Nine Months also features Robin Williams in a small role as Dr. Kosevich, an ob-gyn with a weak grasp of the English language. ~ Mark Deming, Rovi

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Starring:
Hugh GrantJulianne Moore, (more)
 
1995  
PG  
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In the film Happy New Year (1987), actor Peter Falk donned old-age makeup to play a senior citizen. Eight years later, he did it again, twice, in the TV movie remake of The Sunshine Boys (1995) and this film, a comedy-drama. Falk stars as Rocky Holzcek, a cantankerous 76-year-old Polish-American baker who insists, despite relatives' protests, upon adopting his young grandson Michael when the boy's parents pass away. Twenty years later, Michael (D.B. Sweeney) is a medical student who's forced to take in his still-spry grandfather when the old man is evicted from his apartment building. Although the crusty, outspoken Rocky gets along fine with Michael's Chinese college roommates, he is less enthused about his grandson's girlfriend Beth (Julianne Moore). Eventually, Michael and Beth marry, move away and have children, while Rocky continues working as a baker, passing the age of 100. When a tragedy befalls Michael and his kids, the old man once again comes to his grandson's rescue, but even a force of nature like Rocky can't last forever. Roommates was loosely based on the real-life experiences of screenwriter Max Apple and his grandfather. ~ Karl Williams, Rovi

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Starring:
Peter FalkD.B. Sweeney, (more)
 
1994  
PG  
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In the late 1980s, noted theatrical director Andre Gregory assembled a group of friends and actors and began rehearsing a new translation of Anton Chekhov's Uncle Vanya by David Mamet, not with any specific performance in mind but as a way of exploring the beauty and precise construction of Chekhov's play. Louis Malle, a friend of Gregory's, became interested in the project and spent two weeks filming Gregory's actors as they performed Uncle Vanya without an audience in a run-down theater near New York's Times Square. In these performances, the line between theater and real life is blurred as conversations between actors -- juggling take-out cups of coffee and wearing street clothes -- slowly grow into a superb performance of Chekhov's classic, with Wallace Shawn as Vanya, Julianne Moore as Yelena, Brooke Smith as Sonya, and Larry Pine as Dr. Astrov. With a certain sad irony, this marvelously realized adaptation of a play about people wondering what they've done with their lives proved to be Louis Malle's final film; he died of cancer in 1995. ~ Mark Deming, Rovi

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Starring:
Wallace ShawnLarry Pine, (more)
 
1993  
PG13  
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This 1993 box-office smash partly adheres to the 1960s TV series on which it is based and partly goes off on several tangents of its own. Harrison Ford stars as Dr. Richard Kimble, convicted of murdering his wife. While being transferred to prison by bus, Kimble is involved in a spectacular bus-train collision (one of the best of its kind ever filmed). Surviving the disaster, Kimble escapes, vowing to track down the elusive professional criminal whom he holds responsible for the murder. Dogging the fugitive every foot of the way is U.S. marshal Sam Gerard (an Oscar-winning turn by Tommy Lee Jones), who announces his intention to search "every whorehouse, doghouse, and outhouse" to bring Kimble to justice. Unlike his dour TV-series counterpart Barry Morse, Jones plays the role with a sardonic sense of humor: when a cornered Kimble screams, "I didn't kill my wife," Gerard shrugs and famously replies, "I don't care." Once the premise has been established, scripters Jeb Stuart and David Twohy and director Andrew Davis pull off several audacious plot twists, ranging from Kimble's rendezvous with a sympathetic lab technician to a jaw-dropping dive into a huge waterfall. The second half of the film offers one surprise after another (including the true identity of the murderer), brilliantly avoiding the letdown that plagues many movie adaptations of old TV series. ~ Hal Erickson, Rovi

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Starring:
Harrison FordTommy Lee Jones, (more)
 
1993  
R  
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Based on stories by Raymond Carver, Short Cuts follows 22 Los Angeles residents whose lives intersect over the course of a few days. Ann and Howard Finnegan (Andie MacDowell and Bruce Davison) are preparing for their son Casey's birthday party when the boy is injured in an auto accident and falls into a coma. Meanwhile, Andy (Lyle Lovett), a baker, seethes with anger over the birthday cake that wasn't claimed, and Howard's father, Paul (Jack Lemmon), decides that a visit with his ailing grandson is a good time to discuss his infidelities. Lois (Jennifer Jason Leigh) is a new mother who watches over her baby when not making money doing phone sex, which bothers her husband, Jerry (Chris Penn), though he knows they need the money. Pilot "Stormy" Weathers (Peter Gallagher) takes a very literal approach to dividing up community property with his ex-wife (Frances McDormand). Doreen (Lily Tomlin) is trying on to hold her marriage with Earl (Tom Waits), who is a good man on the rare occasions that he's sober. Zoe (Lori Singer), a classical musician, is trying to find some way to connect with her mother, Tess (Annie Ross), a jazz singer. Dr. Ralph Wyman (Matthew Modine) and his wife, Marian (Julianne Moore) put their bickering on hold while they have dinner with another couple, Stuart and Claire Kane (Fred Ward and Anne Archer). Stuart and his pals Gordon and Vern (Buck Henry and Huey Lewis) earlier went on a fishing trip where they discovered the body of a drowned woman but decided not to report it until the end of the weekend. ~ Mark Deming, Rovi

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Starring:
Andie MacDowellBruce Davison, (more)
 
1993  
PG  
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Johnny Depp was nominated for a Golden Globe for his astonishing performance in Benny & Joon, though the entire cast is equally impressive. Benny (Aidan Quinn) runs a small car repair shop. He must also take care of his mentally ill sister Juniper, better known as Joon (Mary Stuart Masterson). After losing a bet, Benny is forced to bring another eccentric into his house: Sam (Johnny Depp), the cousin of a friend. Not inclined to conversation, Sam expresses himself by performing Charlie Chaplin and Buster Keaton routines (and brilliantly!) Not surprisingly, he immediately hits it off with Joon. As Sam and Joon fall deeper in love, Benny for the first time in life experiences the pangs of jealousy. As can be gathered by this synopsis, Benny and Joon may not strike responsive chord with everyone; those who like the film, however, are almost militant in their devotion. ~ Hal Erickson, Rovi

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Starring:
Johnny DeppMary Stuart Masterson, (more)
 
1993  
 
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Madonna plays Rebecca Carlson, a sex bomb who parades naked in front of the open windows of her houseboat at all hours while the lobstermen catch crabs. This entry in the Basic Instinct sweepstakes poses the question: If love hurts, does sex kill? The judge and jury certainly want to find out when Rebecca's latest conquest, a multi-millionaire, dies of a heart attack while making love to her. Eight million dollars was bequeathed to Rebecca in his will, and District Attorney Robert Garrett (Joe Mantegna) is convinced that Rebecca, knowing that her rich lover had a weak heart, killed him with wild sex so that she could get her mitts on the money. Rebecca's lawyer, Frank Dulaney (Willem Dafoe), thinks differently, suspecting the millionaire's private secretary Joanne Braslow (Anne Archer) of the crime, since she was dumped by the millionaire for Rebecca. Besides which, Frank is attracted to Rebecca himself and throws legal ethics out the window as he starts a sadomasochistic affair with her. ~ Paul Brenner, Rovi

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Starring:
MadonnaWillem Dafoe, (more)