Dorothy Moore Movies

After putting up with his wife for too long, a frustrated husband contracts her killing. His choice for the hit man turns out to be rather unstable, however. ~ John Bush, All Movie Guide

All but forgotten today, Ladies Courageous was one of the more successful wartime morale-boosters. Loretta Young heads the virtually all-female cast as Robert Harper, no-nonsense executive officer of the original 24 members of the Women's Auxiliary Ferrying Squadron. Each of the women under her command has a story to tell, and tell it they do in long, verbose flashbacks. Standing out in the supporting cast is Geraldine Fitzgerald as Vinnie Alford, who joins the WAFs for publicity purposes and nearly scuttles the program in the process. Also appearing is the tragic Diana Barrymore, whose leading role was considerably trimmed before the film was released to the public. Though not all that exciting (especially considering the subject matter), Ladies Courageous served its patriotic purpose in 1943. ~ Hal Erickson, All Movie Guide

RKO Radio's film series based on the popular radio serial Scattergood Baines rolled into 1942 with Scattergood Rides High. Guy Kibbee returns as Scattergood Baines, the grocer-sage of the small town of Coldriver. On this occasion, Baines champions the cause of orphan boy Dan Knox (Charles Lind), who has been cheated out of his family's racing stable and horse-breeding farm. Using common sense and a bit of genteel larceny, Scattergood out-slickers the crooks who've victimized Dan. He also puckishly stage-manages the romance between Dan and wealthy city gal Helen Van Pelt (Dorothy Moore). Mild comedy relief is provided by black youngsters Philip Hurlic and Paul White. ~ Hal Erickson, All Movie Guide

When the Daltons Rode is the much-embellished tale of that celebrated outlaw family, the Daltons. Broderick Crawford, Brian Donlevy, Stu Erwin and Frank Albertson play the gunslinging brothers, with Mary Gordon on hand as Ma Dalton. In the tradition of the 1939 western Jesse James, the film whitewashes the Daltons, showing them being forced into committing their crimes by duplicitous railroad interests. There's plenty of comic banter and byplay until about twenty minutes from the end; then the film becomes a nonstop marathon of action, halted only by the Daltons' fateful (and for the most part fatal) bank robbery in Coffeyville, Kansas. Randolph Scott is the nominal hero, a lawyer who befriends the boys and tries to dissuade them from their life of crime. When the Daltons Rode ends with all four brothers dead as doornails--even though the script was based on the autobiography of the surviving Dalton! ~ Hal Erickson, All Movie Guide

Free, Blonde and 21 was one of a handful of films directed by former leading man Ricardo Cortez. Two of 20th Century-Fox's busiest leading ladies, Mary Beth Hughes and Lynn Bari, head the cast of this soap opera-style yarn about life in a hotel catering to women. Hughes plays Jerry, a duplicitious wench who gets involved with gangsters ends up behind bars, while Bari plays Carol, an honest lass who is rewarded at fadeout time with a happy marriage to millionaire Dr. Mayberry (Henry Wilcoxon). Joan Davis injects a few moments of hilarity as the hotel chambermaid, while Alan Baxter is his usual steely-eyed self as a stickup man. For its original New York run, Free, Blonde and 21 was paired with Fox's The Grapes of Wrath, leading several reviewers to note that both films would have been better off with a single-feature presentation. ~ Hal Erickson, All Movie Guide

In this comedy, wealthy girls attend boarding school to learn proper etiquette. The well-mannered character of the class is disrupted when one of the proper young women plans to elope with a handsome young simpleton. Unfortunately she is outfoxed by a young teacher who elopes with the boy before she can. ~ Sandra Brennan, All Movie Guide

James Stewart and Ginger Rogers were "an item" when Vivacious Lady was filmed, and their obvious real-life affection for one another pours over onto the screen. Stewart plays Peter Morgan, a young botany professor who while on a visit to New York impulsively marries free-spirited nightclub singer Francey (Rogers). A few obstacles lie in the path of connubial bliss, however, including Peter's bitchy ex-fiancee Helen (Frances Mercer) and his stern college-dean father Peter Morgan Sr. (Charles Coburn). Hoping to break the news of his marriage gently to Helen and his father, Pete contrives to keep the union a secret, with the expected embarrassing results. Before the final fade-out, both Morgan Senior and Morgan Junior are on the outs with their respective wives, and it takes an uproariously tearful reunion on a passenger train to straighten things out. In his first outing as a producer, director George Stevens shows off his two-reel-comedy training with a number of hilarious comedy setpieces (the best is a slapsticky cat-fight between the two rivals for Pete's affections), though things tend to slow down towards the end. Stevens also finds room for several of his favorite character actors, including Grady Sutton, Franklin Pangborn and Willie Best, to do their time-honored specialties. Best of all is Beulah Bondi as James Stewart's mother (one of several such assignments), delivering a most unusual and touchingly funny performance. In short, Vivacious Lady was a guaranteed box-office smash even before the cameras began to turn. ~ Hal Erickson, All Movie Guide

When Columbia Pictures secured the movie rights to Chic Young's popular comic strip Blondie, the studio executives probably never imagined that the ensuing "Blondie" series would last for 12 years and 28 episodes! Part of the series' charm was Columbia's wisdom in casting the ideal actors for the leading roles. Penny Singleton dyed her hair blonde to step into the role of Blondie Bumstead (after Shirley Deane bowed out due to prior committments); Arthur Lake landed the role of a lifetime as sensible Blondie's bumbling hubby Dagwood (in the original strip, of course, it was Dagwood who was sensible and Blondie who was scatterbrained); and 5-year-old Larry Simms did a masterful job as the Bumstead's son Baby Dumpling (aka Alexander), literally growing up before our eyes over the next dozen years. Not as farcical as later entries, the initial Blondie film is a gentle, even-keeled situation comedy, aiming for chuckles rather than bellylaughs. It doesn't take long for poor Dagwood to get into trouble with his apoplectic boss J. C. Dithers (wonderfully played by Jonathan Hale), who fires our hero halfway through the second reel. Ruminating over his troubles in a hotel lobby, Dagwood strikes up a friendship with affable C. P. Hazlip (Gene Lockhart), never realizing that this is the same Hazlip whose account the Dithers Construction Company has been trying to land for the past several weeks! But before a happy ending can be realized, Blondie and Dagwood undergo a series of misunderstandings, culminating with Blondie tearfully storming out of the house (which has already been stripped of its furniture by the finance company!) Blondie was an immediate hit with filmgoers and fans of the strip alike, convincing Columbia that it had a winning property on its hands and spawning sequel after sequel after sequel. Available for years only in its TV version, which obliterated the opening credits in favor of a jazzier "sitcom" opening and tacked on a few minutes of "coming attractions", Blondie has recently been restored to its original form on videotape and cable TV. ~ Hal Erickson, All Movie Guide