Dickie Moore Movies

A beautiful English model encounters the romantic advances of an Egyptian ruler. She's more interested in a soldier she's met. Meanwhile "His Majesty" is oblivious to the fact that there are more important things going on in his world than the affections of a lovely girl--his subjects are plotting to overthrow him! ~ All Movie Guide

25-year-old Julie Harris convincingly recreates her Broadway role of 12-year-old tomboy Frankie Addams in the 1952 screen version of Carson McCullers' play. Feeling rejected when her older brother goes off on his honeymoon without inviting her along, Frankie runs away from her middle-class southern home. She endures several other adolescent traumas, not least of which is the sudden death of her bespectacled young cousin John Henry (Brandon De Wilde). With the help of warmhearted housekeeper Berenice Sadie Brown (Ethel Waters), Frankie eventually makes an awkward transition to young womanhood. One of several Stanley Kramer productions released by Columbia in the early 1950s, The Member of the Wedding wisely used several of the original Broadway cast members. Co-starring as a drunken soldier who tries to take advantage of the vulnerable Frankie is former child actor Dick Moore, making his last screen appearance. The Member of the Wedding was remade for television in 1983 (and unofficially "reworked" into the 1991 sleeper My Girl). ~ Hal Erickson, All Movie Guide

Killer Shark was another of actor Roddy McDowall's self-produced film efforts for Monogram release. McDowall stars as Ted, the son of fisherman White (Roland Winters). Convinced that his college-bred son is too namby-pamby for the demands of his profession, White nonetheless allows Ted to accompany him on a dangerous shark-netting expedition. Proving an ineffectual seaman, the boy accidentally causes one of the crew to suffer a serious injury. Hoping to prove himself, Ted signs on with another fishing boat--only to fail again (McDowall didn't seem to be too concerned about projecting himself as a hero on-screen). Finally, Ted comes through by capturing a gang of shark thieves. Fans of director Oscar "Budd" Boetticher tend to write off Killer Shark as a training exercise. ~ Hal Erickson, All Movie Guide

In 1947, Variety Clubs International, a showbiz charitable organization, was responsible for the frothy musical Variety Girl. The organization's 1949 film effort, Monogram's Bad Boy, is a bit on the grimmer side, but not too much so. Most of the film was lensed at the VCI's Boys Club Ranch at Copperas Cove TX. In his first starring role (and second film appearance), war hero Audie Murphy plays Danny Lester, the "bad boy" of the title. A delinquent with a long rap sheet, Danny is sent to the Ranch in hopes that he can be rehabilitated. This seems to be a hopeless goal until ranch head Marshall Brown (Lloyd Nolan) digs into Danny's past to find a reason for the boy's ungovernable behavior. Jane Wyatt as Brown's wife, James Gleason as his assistant, and a coterie of talented juvenile actors lend sensitivity and credibility to this refreshingly unsentimental yarn. ~ Hal Erickson, All Movie Guide

Behind the locked doors of a mental institution resides crooked politico Judge Drake (Herbert Heyes), free from prosecution so long as he pretends to be crazy. To get the goods on Drake, private detective Ross Stewart (Richard Carlson) has himself committed to the asylum as a patient. Meanwhile, reporter Kathy Lawrence (Lucille Bremer), posing as Stewart's wife, acts as his liaison to the outside world. But when Drake figures out what's going on, he pulls strings to have Stewart meet with an "accident" during his stay at the institution. Ralf Harolde, who memorably portrayed a seedy psychiatrist in Murder My Sweet, contributes another excellent performance in Behind Locked Doors as a sympathetic attendant with Something To Hide. ~ Hal Erickson, All Movie Guide

In this melodrama, a young juvenile delinquent convinces other teens to join his gang. The gang raids a warehouse and there he ends up killing the school's most beloved teacher. The boy is tried. In court the D.A.'s adopted daughter stands up for the boy. Years before, when they were both orphans, he had done the same for her. The D.A. is unmoved an tries to prosecute to the full extent of the law. The defense, says the real blame should be upon the boy's parents. The boy is given a life sentence. Unbeknownst to the self-righteous D.A., the boy is his long-lost son. ~ Sandra Brennan, All Movie Guide

Maxwell Anderson's Broadway play Eve of St. Mark is here brought to the screen by 20th Century-Fox. William Eythe and Anne Baxter are young lovers whose plans for the future are interrupted by the pre-war military draft. Eythe is shipped to the Philippines, where he is trapped on a small and desolate island after reinforcements are called away by the attack on Pearl Harbor. Down but not out, Eythe and his buddies undergo numerous grueling and uplifting experiences. The boy is sustained by Anne's letters from home, which give the courage to persevere. The film ends with the boy's ultimate fate still unresolved, a reflection of the fact that the war was far from over in 1944. Eve of St. Mark features Vincent Price in the uncharacteristic role of a poetic Georgia private. ~ Hal Erickson, All Movie Guide

In this musical, a youthful trombonist is thrilled when he is allowed to play with Benny Goodman's Orchestra. Afterward he becomes insufferably egotistical and tries to start his own swing band. It's his girl friend's idea, and unfortunately he fails. He then returns to his old mill job. Fortunately, he is given another chance to play with Benny and the boys. Musical numbers include: "I'm Making Believe," (Mack Gordon, James V. Monaco), as well as "Chug-Chug-Choo-Choo-Chug," "Hey Bub, Let's Have a Ball," "Ten Days with a Baby" (Gordon, Monaco), "I Found a New Baby" (Jack Palmer, Spencer Williams), "Jersey Bounce" (Robert B. Wright, Bobby Plater, Tiny Bradshaw, Edward Johnson), "Let's Dance" (Fanny Baldridge, Gregory Stone, Joseph Bonine), "The World Is Waiting for the Sunrise" (Gene Lockhart, Ernest Seitz), "Mozart's Clarinet Quintet" (performed by Goodman and strings), "No Love, No Nothing" (Leo Robin, Harry Warren), "Rachel's Dream" (Benny Goodman), and "I Yi Yi Yi Yi, I Like You Very Much" (Gordon, Warren) ~ Sandra Brennan, All Movie Guide

The Song of Bernadette is a reverent recounting of the life of St. Bernadette of Lourdes. As a teen-aged peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Jennifer Jones) experiences a vision of the Virgin Mary in a nearby grotto. At least, she believes that she did. The religious and political "experts" of the region cannot accept the word of a silly little girl, and do their best to get her to renounce her claims. Bernadette's vision becomes a political hot potato for many years, with the authorities alternately permitting and denying the true believers' access to the grotto. No matter what the higher-ups may think of Bernadette, there is little denying that the springs of Lourdes hold some sort of recuperative powers for the sick and lame. Eventually, Bernadette dies, never faltering in her conviction that she saw the Blessed Virgin; years later, she is canonized as a saint, and the Grotto of Lourdes remains standing as a permanent shrine. The 20th Century-Fox people knew that The Song of Bernadette would whip up controversy from both the religious and the agnostic. The company took some of the "curse" off the project with a now-famous opening title: "To those who believe in God, no explanation is necessary. To those who do not believe in God, no explanation is possible." Jennifer Jones' performance in The Song of Bernadette won her the Best Actress Oscar in 1943. ~ Hal Erickson, All Movie Guide

On the day of his death in 1943, the spirit of Henry Van Cleave (Don Ameche) obligingly heads for the place where so many people had previously told him to go. The immaculately dressed septuagenarian arrives at the outer offices of Hades, where he is greeted by His Excellency (Laird Cregar), the most courteous and gentlemanly Satan in screen history. His Excellency doubts that Van Cleave has sinned enough to qualify for entrance into Hades, but Henry insists that he's led the most wicked of lives, and proceeds to tell his story. Each milestone of Henry's life, it seems, has occurred on one of his birthdays. Upon reaching 15, Henry (played as a teenager by Dickie Moore) naively permits himself to get drunk with and be seduced by his family's French maid (Signe Hasso). At 21, Henry elopes with lovely Martha Strabel (Gene Tierney) stealing her away from her stuffy fiance Albert Van Cleve (Allyn Joslyn), Henry's cousin. At 31, Henry nearly loses Martha when, weary of his harmless extracurricular flirtations, she goes home to her boorish parents (Eugene Pallette and Marjorie Main). Henry's grandpa (Charles Coburn) orders the errant husband not to let so wonderful a girl as Martha get away from him. Henry once more declares his love to Martha, and she can't help but be touched by his boyish sincerity. Twenty years later, Henry, now a faithful and proper husband and father, attempts to charm a beautiful musical-comedy entertainer (Helen Walker) so that she'll forsake his young and impressionable son. But Henry's gay-90s romantic approach is out of touch with the Roaring 20s, and he ends up paying the entertainer a tidy sum to rescue his son--a fact that amuses Henry's understanding wife Martha, who now knows that her husband is hers and hers alone. Ten more years pass: Henry dances a last waltz with Martha, whose loving smile hides the fact that she knows she hasn't much longer to live. Five years later, it is "foxy grandpa" Henry who must be kept in check by his conservative son Jack (Michael Ames). Finally, it is 1943: as he quietly drinks in the loveliness of his night nurse (Doris Merrick), the bedridden Henry contentedly breathes his last. His story told, Henry once again asks to be permitted to enter Hades. But His Excellency, realizing that the only "sin" Henry has truly committed is attempting to live life to the fullest, quietly replies "If you'll forgive me, Mr. Van Cleave, we just don't want your kind down here." While he allows that Henry may have some trouble getting past the Pearly Gates, the wait will be worth it, since his loving wife Martha will be waiting for him. His Excellency cordially escorts Henry to the elevator, giving the operator a one-word instruction: "Up." A charming delight from first frame to last, Heaven Can Wait is another winner from director Ernst Lubitsch, and his first in Technicolor. Samson Raphaelson's screenplay was based on Birthdays, a play by Laslo Bus-Fekete. ~ Hal Erickson, All Movie Guide

Though billed fourth in This Gun For Hire, Alan Ladd was catapulted to stardom in the role of Phillip Raven, a ruthless professional killer with a long-suppressed streak of decency. After successfully pulling off his latest murder, Raven reports to his boss, effeminate fifth columnist Willard Gates (Laird Cregar). He collects his $1000 fee, only to discover later that Gates has double-crossed him with marked bills. This was done at the behest of Gates' boss, crooked business executive Alvin Bewster (Tully Marshall), who wants no loose ends left around to connect him with a plot to sell poison gas to the Axis. As Raven ducks and dodges the police, detective Michael Crane (Robert Preston) is hot on the trail of Bewster and Gates. Crane talks his girlfriend, nightclub singer-musician Ellen Graham (Veronica Lake), into taking a job at Gates' nightclub. While on the train to the club, Ellen makes the acquaintance of the escaping Raven. Gates boards the train, spots Ellen innocently sitting next to Raven, and assumes that the two are in cahoots. Later, Gates kidnaps Ellen and spirits her away to his mansion, intending to do away with her the first chance he gets. Instead, Raven, still seeking revenge for being set up, bursts into the mansion in search of Gates. Having previously been impressed by Ellen's kindness, he rescues her, though he intends using her as hostage should the police catch up with him. As they hide out together in the rail yards, Ellen and Raven get to know each other. Learning of Raven's miserable, abusive childhood, Ellen tries to chip away his murderous veneer, hoping to reform him. But when the cops arrive, Raven reverts to his instincts, shooting his way out of his hiding place. As Crane escorts Ellen out of harm's way, Raven rushes towards a bloody showdown with Bewster and Gates. Based on Graham Greene's A Gun For Sale, This Gun For Hire was remade in 1958 as Short Cut to Hell, then again under the original title as a 1990 made-for-TV film. ~ Hal Erickson, All Movie Guide

The Great Mr. Nobody is an easygoing classified ad salesman, appropriately nicknamed Dreamy (Eddie Albert). All Dreamy wants out of life is to own a boat and drift aimlessly across the ocean in the company of his good pal Skipper (played by Alan Hale-ironically the father of Gilligan's Island's "Skipper" Alan Hale Jr.) Only one problem: Dreamy is bereft of cash, and is constantly in danger of losing his job because he continues to reserve the best of the classifieds which cross his desk for his unemployed friends. Our hero's saving grace is that he is a veritable fountain of surefire moneymaking ideas; now all he needs is someone to listen. 16-year-old Joan Leslie was obviously being groomed for bigger things when she costarred with Eddie Albert in this low-pressure B picture. ~ Hal Erickson, All Movie Guide

As part of his new contract with Warner Bros., Edward G. Robinson agreed to appear in the gangster comedy Brother Orchid on the condition that the studio permit him to play the leading role in the lavish biopic A Dispatch from Reuters. Robinson is cast as Baron Paul Julius Reiter, who in 1833 inaugurates a "pigeon post" messenger service which is soon rendered obsolete by the invention of the telegraph. Eventually adapting to the new communications process, Reuters is able to extends his links to the major capitals of Europe, achieving success by scooping his competition with a transcription of a speech by Louis Napoleon. By 1858, Reuters has expanded his operation to the English-speaking countries, seriously over-extending himself financially. Ultimately, Reuters is rescued from bankruptcy in 1865 when he broadcasts on a worldwide basis the news of President Lincoln's assassination-even before the American ambassador in England has been informed of the tragedy. Throughout the highs and lows of his career, Reuters is encouraged by his loyal and loving wife Ida (Edna Best), who continually reminds him that he is a communicator and not a grandstander. Though not as entertaining and satisfying as Robinson's previous biographical film Dr. Ehrlich's Magic Bullet, A Dispatch from Reuters' benefits immeasurably from the almost terrifying expertise of the Warners production staff and its stellar supporting cast (Eddie Albert, Gene Lockhart, Nigel Bruce, Otto Kruger et. al.) ~ Hal Erickson, All Movie Guide