Constance Moore Movies

Several second-echelon Universal contractees earn their paychecks in the two-week wonder State Police. John King stars as Sergeant Dan Prescott, a state trooper assigned to a coal-mining community. A group of gangsters have insinuated themselves into the town's labor-management confrontations, playing one side against the other for their own gain. Prescott tries to beard gangster boss Trigger Magee (Larry Blake) in his den, a gaudy roadhouse, and the results are explosive, to say the least. Predictably, the film is highlighted by a high-speed chase; not so predictably, the chase occurs in the middle of the film rather than the climax. Second-billed William Lundigan is the only member of the youthful cast to go on to a substantial starring career, though leading lady Constance Moore did pretty well for herself in future Universal productions. Comedy relief is provided by David Oliver, who'd risen from the ranks of Universal's newsreel cameramen. ~ Hal Erickson, All Movie Guide

A master blend of high comedy and tense emotional drama, A Letter of Introduction reteams Adolphe Menjou, Andrea Leeds, and Edgar Bergen & Charlie McCarthy, who'd previously costarred in the negligible Goldwyn Follies. Menjou plays John Mannering, a Barrymoresque actor who years earlier had divorced his wife and severed his relationship with his daughter Kay (Andrea Leeds). Now a grown woman, Kay aspires to an acting career, fully determined to make it on her own without her father's help. She goes so far as to change her last name to Martin, and to keep her actual relationship to Mannering a secret from the public. This set-up leads to a dizzying series of complications, including the breakup of Mannering's romance with a tootsie named Lydia Hoyt (Anne Sheridan), who falsely assumes that Kay is Mannering's mistress, and Kay's own romantic travails with vaudeville hoofer Barry Paige (George Murphy). Meanwhile, Kay's ventriloquist friend Bergen and his dummy McCarthy rise to superstardom on radio. It is, in fact, Bergen and Charlie who are instrumental in reuniting the estranged Mannering and Kay, paving the way for the film's tear-stained conclusion. Unavailable for many years, A Letter of Introduction re-emerged on the Public Domain circuit in 1975. ~ Hal Erickson, All Movie Guide

This harmless Universal musical comedy is worth having as one of the few filmed records of legendary Broadway comedian Jimmy Savo (his previous starrer, Once in a Blue Moon, is among the rarest of collector's item). The story proper is carried by Robert Wilcox and Nan Grey, cast as a pair of mismatched lovers who share a common interest in horse racing. Hero and heroine get mixed up in a shady get-rich-quick scheme, which threatens to turns disastrous but which ends up solving everyone's problems. Harry Davenport adds a touch of gentle pathos as a blind horseplayer. Jimmy Savo's pantomime turns and musical numbers were not up to his usual standard (at least that's what the critics said), but they play rather well when seen today, even though Savo's patented streak of healthy vulgarity had to be soft-pedalled for the screen. ~ Hal Erickson, All Movie Guide

James Whale's Wives Under Suspicion is remake of Whale's own 1933 production A Kiss Before the Mirror, with a few noticeable concessions for the more militant censors of 1938. District attorney Jim Stowell (Warren William) is convinced that every murder should be sentenced to the electric chair, regardless of motive or circumstances. He remains steadfast in this belief as he prosecutes an elderly professor (Ralph Morgan) for murdering his wife in a fit of jealous rage. But while relaxing at home one evening in the company of his lovely but somewhat neglected young wife Lucy (Gail Patrick), Stowell's own jealousy is aroused by Lucy's response to the innocent attentions of young family friend Phil (William Lundigan). As the days pass, Stowell cannot suppress his own urge to kill his wife and her supposed lover. An eleventh-hour plot twist prevents him from making the same mistake as the old professor-and also gives him a new perspective on the quality of mercy. ~ Hal Erickson, All Movie Guide

Universal's newest singing cowboy Bob Baker heads the cast of Border Wolves. The film starts off like gangbusters, with an outlaw attack on a covered wagon (largely culled from Universal's stock-footage vault). Falsely accused of masterminding the attack, young Rusty Reynolds (Baker) vows to track down the genuine culprit. So predominant is the film's musical angle that, at one point, even the bad guys lift their voices in a campfire song! Like many of Bob Baker's westerns, Border Wolves was directed by Joseph H. Lewis, who had a happy knack of bringing artistry and nuance to the cliched proceedings. ~ Hal Erickson, All Movie Guide

This medical melodrama, set in the moist Sumatran jungles, centers around bacteria research. To find a cure for red fever, a dreaded disease, a young doctor with a healthy Park Avenue clientele, leaves his practice and ventures into the jungle. The native doctors do not welcome his to Sumatra as they are already researching for a cure. The New York doctor is given only small, meaningless tasks. Still he continues his research independently in a small jungle clearing. He finally succeeds and finds a cure. Unfortunately, he himself is infected by the disease. The other doctors inject him with their cure which has no effect. The doctor dies. Afterwards his rivals find his notes. They feel badly about their treatment of him and they decide to continue his research. To pay for it, they forge $4,000 worth of his travelers checks. They hire a new assistant, and she falls in love with one of them. Later, the late doctor's wife appears. She is angry and accuses the researcher of fraud and murder. Then she gets sick. Using the new cure, they heal her. The new cure is a success. ~ Sandra Brennan, All Movie Guide

Following up their successful film Love Affair, Charles Boyer and Irene Dunne team up again for the romantic melodrama When Tomorrow Comes, based on a story by James M. Cain. Philip (Boyer) is a concert pianist who stops into a restaurant for lunch and meets waitress Helen Lawrence (Dunne). He follows her to a rally where she is planning a strike. The two fall in love despite the fact that Philip is married to Madeline (Barbara O'Neil), who suffers from psychotic spells after a miscarriage has brought her to madness. Helen goes on strike and Philip wants to take her to Long Island on his sailboat, but they are stranded by a hurricane. Taking refuge in a destroyed church, Helen learns about his wife and is forced to make a difficult decision. When Tomorrow Comes won an Academy award in 1939 for Best Sound, mostly due to the novel hurricane scene. This is one of three films by director John M. Stahl to be remade by Douglas Sirk in the late '50s and early '60s. ~ Andrea LeVasseur, All Movie Guide

Laugh it Off was one of two Johnny Downs vehicles released within the same week in December of 1939 (the other was Bad Boy). Downs plays Stephen Hannis, a Broadway bandleader who aspires to become a lawyer. He gets his big break when he champions the cause of a group of elderly ex-chorus dancers who've been booted out of their retirement home. The thorn in the hero's side is gangster Phil Ferranti (Horace McMahon), who wants to take over operation of the home for his own nefarious purposes. Among the venerable damsels appearing in Laugh it Off are Marjorie Rambeau, Cecil Cunningham and Hedda Hopper, the latter already well established as a Hollywood columnist. For romantic purposes, Johnny Downs is teamed up with a somewhat younger showgirl, played by Constance Moore. ~ Hal Erickson, All Movie Guide

In his starring film for Universal Pictures, W.C. Fields plays circus manager and all-around flim flam man Larson E. Whipsnade. When he's not trying to fleece the customers or elude the sheriff, Whipsnade busys himself trying to break up the romance between his daughter Vicky (Constance Moore) and carnival ventriloquist Edgar Bergen (playing himself). He also carries on a running feud with Bergen's nattily attired dummy Charlie McCarthy ("I'll slash you into venetian blinds!"). Bergen's other dummy is Mortimer Snerd, who occasionally comments upon the action in his own thickheaded fashion. Anxious to arrange a marriage between Vicki and the wealthy Roger Bel-Goodie III (James Bush), Whipsnade disposes of Bergen and his dummies by sending them aloft in a hot-air baloon. Attending a party at the Bel-Goodie mansion, Whipsnade makes a pest of himself by constantly referring to snakes, a subject that invariably causes Mrs. Bel-Goodie (Mary Forbes) to swoon. He also engages in a zany ping-pong tournament with socialite Ronnie (Ivan Lebedeff). But it is Vicki, and not Whipsnade, who breaks up the engagement by telling off her pompous fiance. At that very instant, Bergen, having escaped from the balloon, arrives to claim Vicki and to help Whipsnade escape the sheriff once more. A partial remake of the W.C. Fields silent Two Flaming Youths, You Can't Cheat an Honest Man was scripted by Fields under the pseudonym "Charles Bogle." As published in the 1973 compendium W.C. Fields by Himself, the original screenplay was to have had dramatic overtones, including the death of Fields' trapeze-artist wife and a climactic soul-baring scene wherein Fields expresses his genuine love for his daughter. All this was jettisoned when it was decided to capitalize on the Fields-Charlie McCarthy "feud" then blazing on radio's Chase and Sanborn Show. While nowhere near as funny as Fields' subsequent Universal feature The Bank Dick, You Can't Cheat an Honest Man still contains a generous supply of laughs. Our favorite line: "Somebody's taken the cork out of my lunch." ~ Hal Erickson, All Movie Guide

One part high-seas adventure and one part western, Mutiny on the Blackhawk opens as a pair of heroes take a stand against mutineers and a ship load of freed slaves. Eventually the ship docks off the California coast and the twosome disembark. While traveling the land, they end up trying to prevent Mexican soldiers from destroying a village. ~ Sandra Brennan, All Movie Guide

In this low-budget musical, two sets of politically ambitious parents attempt to pair up their youngsters who unfortunately despise each other and only pretend to like each other to please their parents. On the nights they are to go out, they sneak out with their respective true loves. It all works well until the unwilling couple find themselves falling in love for real. songs include: "I'm Nobody's Sweetheart Now", and "Got Romance". ~ Sandra Brennan, All Movie Guide

In this musical, a sharp witted press agent teams up with an unemployed chorine and dubs her "Miss Manhattan" to promote a cheap line of clothing. To escort her about town, the agent invents a "Mr. Manhattan." He then has them fake a marriage. When he realizes that he is in love with his creation, the agent promptly fires "Mr. M" and takes her to the altar personally. Songs include: "Ma, He's Making Eyes At Me," "Unfair To Love," and "A Lemon In The Garden Of Love." ~ Sandra Brennan, All Movie Guide