Bennie Moore Movies

A very special student deals with exams, first love, and national security issues in this teen-oriented romantic comedy-drama. Samantha MacKenzie (Katie Holmes) is a seemingly ordinary college freshman with one important exception -- her father happens to be the President of the United States (Michael Keaton). Samantha, however, would prefer to be as inconspicuous as possible as she begins her studies at Redmond University, so she asks a favor of her father -- remove the two Secret Service agents who follow her everywhere, and allow her to fend for herself at school. The president agrees, but out of concern for her safety, he sends in a young undercover agent, James (Marc Blucas), who will pose as the Resident Advisor at her dorm to keep an eye on her. Samantha and James strike up a fast friendship that grows into a romance, but when Samantha discovers the truth about James, she wonders if his love for her is real or just part of his cover. First Daughter was directed by actor-turned-director Forest Whitaker. ~ Mark Deming, All Movie Guide

Two fathers get a crash course in caring for kids other than their own in this family-friendly comedy. Charlie Hinton (Eddie Murphy) is an advertising executive whose job monopolizes his time, making it difficult for him to stay in touch with his young son, Ben (Khamani Griffin). However, after Charlie and his partner, Phil (Jeff Garlin), are given their pink slips in the wake of a disastrous campaign for a new breakfast cereal, Charlie's wife, Kim (Regina King), goes back to work, and with the family budget tighter than before, Charlie becomes a stay-at-home dad. After pulling Ben out of an expensive and exclusive daycare center run by the humorless Gwyneth Harridan (Anjelica Huston), Charlie comes up with a brainstorm -- since he and Phil watch their own children every day, how much harder could it be to watch a few more kids and open their own day care center? Charlie and Phil discover there's much more to running a daycare center than they ever imagined, but after a very rough start, with the help of likable slacker Marvin (Steve Zahn) their new business becomes a success -- so much so that Harridan finds herself losing customers to the upstart fathers, and she starts searching for a way to shut them down. ~ Mark Deming, All Movie Guide

Robert DeNiro continues to lampoon his tough-guy persona with this spoof of buddy cop movies that teams him with comic co-star Eddie Murphy. DeNiro is L.A.P.D. detective Mitch Preston, a gruff, no-nonsense 28-year veteran whose bust of a drug gang is botched one night by Trey Sellars (Murphy), a bumbling patrolman who's really a frustrated actor at heart. When Mitch's aggravation is captured by a television news crew, he fires his gun in their direction and becomes an instant media celebrity, while earning himself a temporary suspension at work. After his fame draws the attention of network TV producer Chase Renzi (Rene Russo), Mitch is soon informed that the only way he can get back to work is to allow a production crew to trail him on the job for a new cop reality series called "Showtime". In order to make the taciturn lawman more palatable to the viewing public, he's paired with the camera-friendly, fast-talking Trey. The new partners drive each other crazy, but their mismatched sensibilities make for great TV, while their newfound fame has its advantages in getting them back on the trail of those escaped drug dealers, who possess a powerful new weapon. Showtime co-stars Frankie Faison and William Shatner, who sends up his own TV cop role in T.J. Hooker. ~ Karl Williams, All Movie Guide

This documentary offers viewers an in depth look at the world of hip-hop and rap music as it chronicles a diverse group of performers preparing to give a major concert at Philadelphia's Armory. Interspersed amongst the preparations are interviews with rappers past and present, looks at their personal lives, commentary on their significance and upon the music, and plenty of concert footage. Featured acts and performers include, Slick Rick, who has been imprisoned for second-degree murder; Snoop Doggy Dog and Tha Dogg Pound, Russell Simmons, Dr. Dre, B.I.G; Melle Mel, LL Cool J, Run-DMC, Da 5 Footaz, YNN and more. ~ Sandra Brennan, All Movie Guide

Edward J. Olmos made his directorial bow with the powerhouse crime saga American Me. Olmos stars as street-gang leader Santana, who during his 18 years in Folsom Prison rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits. The omniprescene of the "Mexican Mafia" in the southwest is sufficient to make this film a daunting, demoralizing experience. Upon its release, American Me received a lot of press play due to the fact that Olmos shot his Folsom sequences on location, using actual prisoners as extras and bit players. ~ Hal Erickson, All Movie Guide

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, All Movie Guide

This teen thriller by Richard Tuggle involves an innocent young man being mistaken for a drug dealer and thief by both the good and the bad guys. Daryl Cage (Anthony Michael Hall) sets off to visit his brother and sister-in-law in L.A. but picks up the wrong bag at the airport baggage claim -- one loaded with 10 kilos of heroin. Before Daryl has a chance to find out what's inside, murder and mayhem are unleashed and even the police take potshots at him. So he teams up with Dizz (Jenny Wright), a fellow passenger on his flight, and disguises himself as a street-wise but slick operator. Cage then dodges death at the hands of the sadistic Roy Gaddis (Jeff Kober) and tries to convince the police of his innocence. ~ Eleanor Mannikka, All Movie Guide

This undistinguished horror film by Buddy Cooper focuses in some detail on the blood and gore surrounding the gradual massacre of a group of teens but does not endow the storyline with the same careful attention. The premise is that a father becomes homicidal a good decade after his son accidentally kills his mother while cleaning a gun -- and what happened during those 10+ years or why insanity comes as a rather delayed reaction are not explained. When the son (Matt Mitler) is away at college, he decides to bring along several friends to spend their fall break (the alternate title of this film) taking care of his father's condo at the seashore. Little does the son know that his deranged father is lying in wait to wreak vengeance for the long-ago death of his wife. ~ Eleanor Mannikka, All Movie Guide

This is an unusual entry in the knights-in-armor genre. Set in medieval England, the film follows the exploits of a young swordsman, Talon (Lee Horsley). Working as a mercenary knight, Talon possesses a unique three-bladed sword which fires its two extra blades when he touches a button. By chance, Talon learns that he is a prince who has forgotten his royal heritage. Using his sword and his wiles, he attempts to regain control of his kingdom, which has been taken over by a sadistic tyrannical knight and an evil sorcerer. In doing so, he can save a princess who has been taken hostage by the usurpers. Comedy is interspersed with gory and licentious drama throughout the film, which was directed and written by Albert Pyun. ~ Michael Betzold, All Movie Guide

Heroes is an old-fashioned social problem movie concerning a troubled Vietnam veteran and the loving woman who helps him to work out his problems. Henry Winkler plays Jack Dunne, a veteran who has a history of mental problems. Jack fools the hospital doctor Elias (Hector Elias) and escapes from the hospital with the intention of starting a worm farm with money collected from his fellow inmates. Jack hops aboard a bus, where he meets up with Carol Bell (Sally Field), who, invites Jack to join up with her on a trip to California. ~ Paul Brenner, All Movie Guide

Cult filmmaker Herschell Gordon Lewis (Blood Feast) directed this surprisingly tame exploitation film about the then-hot topic of suburban wife-swapping. A couple moves into their new house and are soon turned on to the swingers' lifestyle by their naughty neighbors. Their daring fling culminates in a party in which bed partners are chosen by the spin of a roulette wheel. As in most adults-only features of the time, not to mention studio ventures such as Bob & Carol & Ted & Alice (1969), straying from traditional morals only gets everyone in trouble as tempers and jealousies flare. At the end, everyone goes back to their original partners and decency is restored. The generally prudish outlook of the "swinger" films finally reached its nihilistic culmination in David Cronenberg's vehement Shivers (1975). ~ Robert Firsching, All Movie Guide

Grim and gory, this trashy drama chronicles the exploits of a sexually frustrated psycho killer who terrorizes a backwoods Carolina community and butchers the girl friend of a country western singer after she refuses to service. Just before the wacko is about to blow up an entire town, he is felled by the axe of an angry retarded woman who never forgot the night he raped her. Ugh. ~ Sandra Brennan, All Movie Guide