Bill Moor Movies

Detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) investigate when a teenager is wounded. The trail of clues leads to the mysterious death of a young woman. Ultimately, a vicious drug operation enters the picture, at which time the detectives fade into the background and the D.A.'s office, represented by A.D.A.'s McCoy (Sam Waterston) and Carmichael (Angie Harmon), take over. ~ Hal Erickson, Rovi

It's 1958, and the producers of the quiz show 21 have a problem. Their current champ, Herbert Stempel (John Turturro), has a phenomenal memory and a broad range of knowledge. He's also a pudgy loudmouth with a grating personality, so Herbert is encouraged to "take a dive" and allow Charles Van Doren (Ralph Fiennes), a handsome and charming college professor, to become the show's new champion. Audiences like Van Doren, and he's certainly not averse to the money he's winning, but the ethics of the situation begin to trouble him, especially when the show's producers begin to give him the questions in advance. Director Robert Redford and writer Paul Attanasio paint a telling portrait of how the network heads and advertising men who manipulated the quiz shows were also able to manipulate the responsibility for the scandal away from themselves. While on the surface a story about the scandal itself, Quiz Show is just as importantly about a turning point in the 1950s when TV and advertising began to change American character and culture. ~ Mark Deming, Rovi

A wealthy older woman is found murdered in her apartment. By the time the police and the D.A.'s office catch up with the likeliest suspect -- the woman's much-younger lover, Steven Gregg (Richard Cox) -- he is fully prepared to accept a plea bargain. But the case proves to be far from cut-and-dried when further investigation reveals that Gregg was lying about the last time he saw the victim alive. ~ Hal Erickson, Rovi

Robin Williams stars in this oddball comedy about a fast-talking car salesman who is down on his luck and in over his head until an extreme situation forces him to use his sales skills to save lives. Joey O'Brien (Williams) is the stereotypical car salesman: enterprising, aggressive, and desperate to make enough money to spend on his high-maintenance girlfriends. But suddenly the pressure is really on: he owes money to the mob, his ex-wife is nagging him about not spending enough time with their teenage daughter, and if he doesn't sell at least a dozen cars by the time the big sale is over on Saturday, he's going to lose his job. As Joey attempts to placate several potential buyers, his day is interrupted by Larry (Tim Robbins), the insanely jealous husband of dimwitted showroom receptionist Donna (Annabella Sciorra), who's been having an affair with someone who works at the dealership. With the police surrounding the place, his job (and life) on the line, Joey realizes that it's up to him to use his wits to persuade Larry -- who's not even sure what he wants out of the situation -- not to kill anyone. ~ Don Kaye, Rovi

The omnibus film New York Stories is the product of three powerhouse filmmakers. The film is divided into three stories, each exploring a different aspect of life in the Big Apple. Life Lessons, directed by Martin Scorcese, is a Dostoevsky-like tale of the rarefied Art World, with Nick Nolte as a self-indulgent abstractionist who loves Rosanna Arquette, but can't bring himself to lie to her about her negligible artistic talents. Life Without Zoe, directed by Francis Ford Coppola, is more than a little reminiscent of Kay Thompson's Eloise stories, with 12-year-old Zoe (Heather McComb) running amok at the Sherry-Netherland hotel while her parents are embarked upon a world-girdling vacation. The last and is Woody Allen's Oedipus Wrecks, wherein a schnooky lawyer (guess who?) inadvertently "creates" the Jewish Mother From Hell: thanks to a misguided magic trick, Allen's mama (the incomparable Mae Questel) becomes a huge spectral vision on the New York skyline, telling everyone within earshot about her son's inadequacies. The cinematographer lineup on New York Stories includes Nestor Almendros, Vittorio Storaro and Sven Nykvist. ~ Hal Erickson, Rovi

Yes, there are commies under the bed. But are there Nazis there too? Emily Crane (Kelly McGillis) is a modestly successful Life photo editor living in 1950s New York, until she is called before the Senate Un-American Activities Committee to testify about her "communist" associations. When she refuses to divulge the names of friends in her civil liberties group, she loses her employment and her friends. In desperation, she takes a job reading books for Miss Venable, a somewhat crotchety lady (Jessica Tandy) who lives in a quiet residential neighborhood. Then, while taking a break in Miss Venable's back yard, Emily overhears something from the house behind that compels her to investigate and leads her eventually to conclude that it is the headquarters of a group smuggling in ex-Nazi scientists for some mysterious purpose. Meanwhile, she is being harassed by two FBI men, on behalf of the Senate Committee, as well as by a sinister, McCarthyite, Senate investigator named Salwen (Mandy Patinkin). One of the FBI men, Cochran (Jeff Daniels), takes a liking to Emily and humors her by agreeing to investigate her suspicions. This quiet mystery is a nostalgia piece. It's '50s backgrounds are authentic and the plot device -- an innocent becoming entangled in an unbelievable conspiracy -- is closer to one of Hitchcock's masterpieces of that period (e.g., North by Northwest) than to Reservoir Dogs or Speed. The people seem to be from a simpler time, too, when the distinction between good and evil was clearer. Emily shines with idealistic integrity and the naive Cochran is so honest that he finds it impossible to deceive the target of his investigation. There is even a terrifying, "acrophobe's nightmare" scene played out in a dome high above Grand Central Station. For those tired of endless shoot-em-ups and car chases, this is the mystery to choose. ~ Michael P. Rogers, Rovi

Gene Wilder stars as Michael Jordon, an architect on the run from false murder charges, who hooks up with Kate Hellman (Gilda Radner), the sister of a recent suicide victim. ~ Jason Ankeny, Rovi

Robert Benton's Oscar-winning adaptation of Avery Corman's bestseller takes on contemporary problems of divorce and shifting gender roles, as a jilted husband learns how to be a nurturing father. Manhattan housewife Joanna Kramer (Meryl Streep) walks out on her workaholic ad man husband Ted (Dustin Hoffman), leaving their young son Billy (Justin Henry) in Ted's less than capable hands. Through trial and error, Ted learns how to take care of Billy, devoting more energy to his family than to his work, and finally losing his high-powered job because of his new priorities. When Joanna returns with her own lucrative job and the intent to take custody of Billy, Ted finds employment that won't interfere with his paternal duties. Even though he proves that he can do it all, Joanna still wins in court. Joanna, however, rethinks her desires when she finally grasps how close father and son have become. Addressing the male side of the self-actualization question, previously explored from the female perspective in such 1970s movies as An Unmarried Woman (1978), Alice Doesn't Live Here Anymore (1974), and The Turning Point (1977), Kramer focuses on Ted's evolution from absent parent to ideal father, as he learns to balance domestic and professional lives in the shifting late-1970s social landscape. Joanna's attempt to achieve the same, however, gets buried; only Streep's sensitive performance prevents Joanna from seeming an unsympathetic harridan. Critics praised the film's realistic depiction of Ted's travails, as well as the three lead actors' work; and audiences, perhaps facing the same questions of divorce and self-realization, turned it into a box-office smash. It went on to win five Oscars, including Best Picture, Best Actor, and Best Supporting Actress. ~ Lucia Bozzola, Rovi

In the conclusion of a two-part story (originally telecast as a single two-hour episode), Kojak (Telly Savalas) steps up his efforts to help Karen Foster (Marybeth Hurt), whom he believes has been falsely charged with murdering her mother. At the same time, powerful politician Edna Morrison (Geraldine Page) continues pulling strings and calling in favors to prevent Kojak from uncovering the whole truth about the murder. Ultimately, Kojak is framed for another crime to shut him up. ~ Hal Erickson, Rovi

Set in the pre-Civil War South, this western adventure follows three escaped Virginia slaves on their journey into the West. The already arduous journey is made worse by the dogged bounty hunter who pursues them. Along the way the fugitive trio add others to their group, doing good wherever they go. A sequel The Soul of Nigger Charley followed this blaxploitation western. ~ Sandra Brennan, Rovi