Lynne Moody Movies

After the death of his beloved wife, Helen (Lynne Moody), wealthy African-American suburbanite William Campbell (James Earl Jones) finds that Helen has left behind a "living will" in the form of a videotape. As William watches the video, his late wife urges him to take his huge personal library down to the tough inner-city neighborhood and to establish a reading room. Though confused by this request, William does exactly that, only to find that none of his new neighbors seem inclined to read -- not until he posts a sign reading FREE SODA. Ever so slowly, a few "regulars" trickle into the reading room, among them an idealistic young special-ed teacher (Joanna Cassidy), a high-schooler (Keith Robinson) studying for his SATS, and a little girl (Gabby Soleil) who hopes to get her mother to learn to read. For the most part, however, William's little sanctuary is the target of break-ins and the hangout for local gang members, and with this in mind it isn't surprising that several people encourage him to pack up and get out -- none more adamantly than the Reverend Rashid Rahim (played by George Stanford Brown, the film's director), a self-appointed urban activist who perceives in William a threat to his supremacy. Eventually, whether or not William stays or goes boils down to his attempt at "redeeming" a youthful thief named Javier (Douglas Spain) -- and it is at this point in the narrative that William finally understands why Helen wanted him to open up the reading room in the first place. Filmed with the endorsement of the National Center for Family Literacy, The Reading Room was produced for cable's Hallmark Channel, where it first aired on November 26, 2005. ~ Hal Erickson, Rovi

This made-for-television remake of Disney's popular feature tells the tale of two orphan twins with special powers who go looking for their origins. The two are hindered by an avaricious tycoon who only wants to exploit their abilities. ~ Sandra Brennan, Rovi

Although the scheming Abby Cunningham (Donna Mills) had departed Knots Landing at the end of its tenth season, the series still managed to serve up a full recipe of fascinating intrigues during its eleventh season on the air. Dominating much of the proceedings is a plotline sparked by a pension-fraud scheme involving Oakman Industries, one of several businesses controlled by duplicitous politico Greg Sumner (William Devane). An investigation headed by Sumner's longtime nemesis Mack (Kevin Dobson) is compromised by the actions of Tom Ryan (Joseph Gian), a crooked cop in Oakman's employ. The ramifications of the pension scandal results in the death of Greg's estranged daughter Mary Frances, who turns out to have been an operative for a anti-chemical subversive organization headed by her boyfriend--who in turn gets revenge on Greg by infecting him with a lethal poison. In other developments, Mack's former lover Anne (Michelle Phillips), the mother of his daughter Paige (Nicollette Sheridan), hatches an elaborate scheme to rob Paige of her inheritance. After a season's absence, Steve Shaw briefly returns to the role of Eric, the son of Knots Landing Motors head (and Mack's wife) Karen (Michele Lee)--though he is now divorced from wife Linda (Lar-Park Lincoln), who begins a relationship with Eric's brother Michael (Pat Petersen), sparking a great deal of sibling hostility. Karen herself lands a job hosting the popular local TV series "Open Mike", produced by Dianne Kirkwood (Robin Strasser) and Jeff Cameron (Chris Lemmon). However, it soon develops that Dianne covets Karen's job, and will stop at nothing to get it. Thus, it comes as no surprise that the "crazed fan" who stalks Karen through most of the season is actually Dianne's co-conspirator Jeff. Also: The eternally unlucky-in-love Val (Joan Van Ark) falls for an outwardly charming chap named Danny Waleska (Sam Behrens), whom Val's ex Gary (Ted Shackelford) has good reason to distrust. It soon develops that Danny is a serial rapist and all-around psycho, who not only terrorizes Val's twin daughters but also attempts to kill Gary and makes an effort to assault Julie Williams (Kent-Masters King). Though Danny fails in this attempt, he succeeds in fatally injuring Julie's mother Patricia (Lynne Moody)--while in another of the many developments comprising the season's cliffhanger finale, Paige is jilted at the altar by her newest beau, "dirty" cop Tom Ryan. ~ Hal Erickson, Rovi

Jerry Orbach makes a return appearance as Boston P.I. Harry McGraw, who in this episode has given up sleuthing to enter the world of professional boxing. No, Harry hasn't donned the gloves himself, but he is a suspect in the murder of a crooked boxing manager. Enter Jessica (Angela Lansbury), who has inherited a percentage of the dead man's prize boxer, and who of course is convinced that her old friend Harry is innocent. ~ Hal Erickson, Rovi

In this drama an interracial couple in the South tries to build a new life despite the racial discrimination they face. They are hindered by the bride's ex-husband who has filed a custody suit. ~ Sandra Brennan, Rovi

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, Rovi

There was once a time within living memory when people eagerly awaited a TV-movie starring Mister T. The Toughest Man in the World casts the former Laurence Turand as nightclub bouncer "Bruise" Brubaker. Marshmallow-soft on the inside, Bruise befriends a group of underprivileged kids at a youth center. The film bears a marked resemblance to Mister T's Saturday-morning cartoon series; whether it is better or worse is left to the viewer. I pity the fool who missed The Toughest Man in the World when it was first telecast on November 7, 1984. ~ Hal Erickson, Rovi

When his wife becomes the new family breadwinner, a football coach must learn the ins and outs of child care and housecleaning. ~ Iotis Erlewine, Rovi

A little-seen film, suppressed by Paramount studio executives and never released theatrically in the U.S., this drama is a powerful saga about racism. Julie Sawyer (Kristy McNichol) hits a handsome white dog with her car one night and then nurses it back to health. One day, the theretofore mild-mannered dog saves her life by viciously attacking and killing a rapist who breaks into her home. Lucy discovers that the dog has been trained to attack black skin. She consults an animal trainer, Carruthers (Burl Ives), who urges her to have the dog exterminated. But a maverick black trainer, Keys (Paul Winfield), who has tried before to break the training of such dogs but never succeeded, steps in. Director Sam Fuller had made other controversial films, but this one frightened studio executives, who deep-sixed it. It was hailed by critics when it was released in Europe. ~ Michael Betzold, Rovi

Thoroughly disillusioned by a lack of support, financial and otherwise, Louise (Isabel Sanford) and Helen (Roxie Roker) are on the verge of giving up the neighborhood Help Center that they have so lovingly nurtured. So far as the ladies are concerned, all their efforts have come to naught, so why not close up shop? But salvation is on the way, in the unlikely form of a young and seemingly unregenerate prostitute. ~ Hal Erickson, Rovi

This 1981 sequel to the 1979 made-for-TVer Goldie and the Boxer once again stars O.J. Simpson and Melissa Michaelsen as, respectively, boxer Joe Gallegher and Joe's 10-year-old manager Goldie Kellog. When Joe incurs the wrath of an evil promoter, he and Goldie high-tail it to Hollywood. They take refuge in the home of Babe (Stubby Kaye) and Cuddles (Sheila MacRae) a pair of Tinseltown "fringies" distantly related to Joe's trainer Wally (Jack Gilford, taking over for the first film's Phil Silvers). Produced by Orenthal Productions (guess who ran that company?), Goldie and the Boxer Go to Hollywood first aired February 19, 1981. It has been rerun incessantly since June of 1994, thanks to the latter-day notoriety of star O. J. Simpson. ~ Hal Erickson, Rovi

This fact-based made-for-television drama tells the story of nurse Joy Ufemal and her invaluable work with those dying of incurable diseases. ~ Sandra Brennan, Rovi

When Soap arrived at its cliffhanging season-two finale, Jessica Tate (Katherine Helmond) was trying to choose between her husband Chester (Robert Mandan) and a detective named Donahue; Jessica's son Billy (Jimmy Baio) was in the clutches of a religious cult called the "Sunnies"; and Jodie's step-father (and Jessica's brother-in-law) Burt Campbell (Richard Mulligan) had been abducted by space aliens. Season Three finds Billy being rescued from the Sunnies by Jessica's butler Benson (Robert Guillaume), while an alien clone of Burt moves into the Campbell home undetected -- much to the delight of Burt's spouse Mary (Cathryn Damon), who immensely enjoys the vast improvement in her sex life! In other developments, Jessica's daughter Eunice (Jennifer Salt) is getting tired of life on the run with her escaped-con husband Dutch (Donnelly Rhodes); Eunice's sister Corrine (Diana Canova) is just about fed up with her do-nothing husband, ex-priest Father Tim; Jodie's gangster brother Danny (Ted Wass) is saved from mob retribution by a girl named Millie (Candy Azzara), but ultimately forges a new romance with a black girl named Polly Dawson (Lynne Moody); Jessica decides to forgive Chester, only to have him cheat on her again; "Alien Burt" impregnates Mary, and later "Real Burt" runs for sheriff; Mary's gay son Jodie (Billy Crystal) launches a few more "straight" relationships; and Benson leaves the employment of the Tate family (a move necessitated by actor Robert Guillaume's defection to his own sitcom titled -- what else? -- Benson). This season's 60-minute cliffhanger finale finds Danny proposing to Polly, Jodie fighting for custody of the son born to him by Carol David, and Mary trying to figure out how to tell Burt that her baby is not his; and, after a lengthy illness, Jessica Tate dies. ~ Hal Erickson, Rovi