Liliane Montevecchi

"Greed is Good." This is the credo of the aptly named Gordon Gekko (Michael Douglas), the antihero of Oliver Stone's Wall Street. Gekko, a high-rolling corporate raider, is idolized by young-and-hungry broker Bud Fox (Charlie Sheen). Inveigling himself into Gekko's inner circle, Fox quickly learns to rape, murder and bury his sense of ethics. Only when Gekko's wheeling and dealing causes a near-tragedy on a personal level does Fox "reform"-though his means of destroying Gekko are every bit as underhanded as his previous activities on the trading floor. Director Stone, who cowrote Wall Street with Stanley Weiser, has claimed that the film was prompted by the callous treatment afforded his stockbroker father after 50 years in the business; this may be why the film's most compelling scenes are those between Bud Fox and his airline mechanic father (played by Charlie Sheen's real-life dad Martin). Ironically, Wall Street was released just before the October, 1987 stock market crash. ~ Hal Erickson, All Movie Guide

Though several concessions to the censors and the box-office were made in adapting Irwin Shaw's bestseller The Young Lions to the screen, the end result is generally effective and satisfying. Set during World War 2, the film concentrates on three individuals, one German, two American. Marlon Brando (whose accent ebbs and floes from scene to scene) plays an idealistic German whose early fascination with Nazism leads to doubt and disillusionment. American entertainer Dean Martin, on the verge of the Big Time, does his best to dodge the draft but ends up in uniform all the same. And American Jew Montgomery Clift, so sensitive that he's practically breakable, must come to grips with anti-Semitism, not only from the Germans but also from his fellow soldiers. Romance enters the picture in the form of Hope Lange as Clift's gentile girlfrind, Barbara Rush as the socialite who shames Martin into joining up, and May Britt as Brando's vis-a-vis. Screenwriter Edward Anhalt was obliged to shoehorn in a boot-camp sequence indicating that the Brass disapproved of the bigoted behavior of Clift's topkick Lee van Cleef (as if racism was a mere aberration during the 1940s), and to "slightly" alter the ending of the book, in which the embittered but still patriotic Brando character, shouting "Welcome to Germany!," machine-guns the Martin and Clift characters (in the film, it is Brando who bites the dust, symbolically dying for Hitler's sins). Maximillian Schell offers a starmaking turn as Brando's cynical comrade, while an uncredited John Banner, "Sergeant Schultz" on Hogan's Heroes, shows up as a pompous burgomeister who feigns ignorance of the hellish concentration camp in his community. ~ Hal Erickson, All Movie Guide

Elvis Presley delivers one of his finest early performances in King Creole. Elvis plays a teenager named Danny Fisher, who is forced to drop out of school to help support his ineffective father (Dean Jagger). Drawn to trouble like a magnet, Danny is saved from a jail term by New Orleans salloonkeeper Charlie Le Grand (Paul Stewart), who gives the boy a job as a singer. It isn't long, however, before local gang boss Maxie Fields (Walter Matthau), a shadowy figure from Danny's criminal past, puts the muscle on the boy, insisting that Danny sing at his establishment. To lure Danny to his side of the fence, Maxie relies upon the seductive charms of his gun moll Ronnie (Carolyn Jones), while Danny's true love Nellie (Dolores Hart) suffers on the sidelines. In addition to the expected musical numbers (which are cleverly integrated into the storyline), the film's highlight is a brief exchange of fisticuffs between Elvis and Walter Matthau. Together with Jailhouse Rock, King Creole is one of the best filmed examples of the untamed, pre-army Elvis Presley. The picture was adapted from Harold Robbins' novel A Stone for Danny Fisher. ~ Hal Erickson, All Movie Guide

Filmmaker Albert Lewin's fascination with erotic exotica reaches a pinnacle in The Living Idol. James Robertson Justice plays Dr. Alfred Stones, an archeologist working in Mexico. It is Dr. Stones' contention that Indian maiden Juanita (Lilliane Montevecchi) is the reincarnation of an Aztec princess, sacrificed centuries earlier to appease the "jaguar gods". To prove his thesis, the good doctor lets loose a jaguar to see what happens when it sinks its claws into poor Juanita. Coming to the rescue is nominal hero Terry Mathews (Steve Forrest), who, like Juanita, looks as confused as the audience at this point. ~ Hal Erickson, All Movie Guide

Director Fritz Lang was attracted to the British period piece Moonfleet because of the relatively unregenerate nature of its greedy "hero" Stewart Granger. Young Jon Whitely, who is in the legal custody of Granger, learns that he is to inherit a valuable diamond. Hoping to get his own hands on the gem, Granger packs Whitely off to boarding school, but the boy returns to bollix up his guardian's plans. Just when it appears that a cynical ending is on the horizon, Granger does right by Whitely. Adding spice to Moonfleet are George Sanders and Joan Greenwood as a wittily decadent aristocratic couple. Lang's first CinemaScope effort, Moonfleet was based on a novel by J. Meade Falkner. ~ Hal Erickson, All Movie Guide