Monte Montague Movies

Anne Rice's best-selling romantic horror tale about the origins of a centuries-old vampire inspired this popular, atmospheric chiller. One of director Neil Jordan's major Hollywood productions, the film stays close to its source material, retaining the frame of a young reporter (Christian Slater) interviewing a man who claims to be a 200-year-old vampire. The man, Louis (Brad Pitt), shares his story, beginning in 18th-century New Orleans with his first encounters with the charismatic and decadent vampire Lestat (Tom Cruise). Lestat converts Louis to blood-sucking and immortality, but Louis fails to adopt Lestat's cavalier attitude, instead tormenting himself with guilt over his new nature. The two vampires remain deeply, if reluctantly, connected over the years, while becoming intimately involved with others of their kind, including Claudia (Kirsten Dunst), a mature immortal in a young child's body. Fans of the novel raised numerous objections, particularly after Rice initially spoke out against the casting of Cruise as Lestat; further casting difficulties followed the death of River Phoenix, whose role as the interviewer was assumed by Christian Slater. Rice later recanted her objections, and the combination of thrills and gothic romance proved popular with audiences. ~ Judd Blaise, All Movie Guide

Set in the years following the Civil War, Horizons West stars Robert Ryan as Dan Hammond, one of three Texans who decide to return home after the cessation of hostilities. While his brother Neal (Rock Hudson) and his friend Tiny (James Arness) decide to become ranchers, Dan opts for a more adventurous life out West. Through means both fair and foul (mostly foul), he builds up a veritable empire, defending his turf with legions of hired gunmen. Eventually, the honest Neal is forced to face down his brother Dan, whose megalomania has reached dictatorial dimensions. Julie Adams, still billed as "Julia," plays a self-reliant widow who sets her cap for Dan, who in an earlier scene had gunned down the woman's husband (Raymond Burr)--a characteristically ironic grace-note from director Budd Boetticher. ~ Hal Erickson, All Movie Guide

The old "Cain and Abel" plot device is redefined within Western terms in MGM's Vengeance Valley. Burt Lancaster stars as ranch-hand Owen Daybright, who has been raised as a son by rancher Arch Stroble (Ray Collins). Stroble's natural son Lee (Robert Walker) has always been envious of Owen, who in turn has spent most of his life pulling Lee out of trouble and keeping the boy's misdeeds a secret from the elder Stroble. When Lee fathers an illegitimate child, he tries to shift the responsibility on Owen, leading to a life-threatening confrontation with the vengeance-seeking brothers of the baby's mother (Sally Forrest). There's plenty more plot twists before virtue finally triumphs. Joanne Dru co-stars as Lee's long-suffering wife Jen, who harbors a secret yen for Owen. Since lapsing into public domain, Vengeance Valley has shown up with increasing frequency on cable television; it has also been made available in a narrated version for the visually impaired. ~ Hal Erickson, All Movie Guide

Another of RKO's profitable Tim Holt western series, Rustlers costars Holt with his popular sidekick Richard Martin (as Chico Rafferty). Holt and Martin are arrested by sheriff Harry Shannon, who accuses them of being members of a vicious rustling gang. Actually Shannon is the head of the operation; he hopes to throw suspicion off himself by framing Our Heroes for the crime. Holt and Martin bust out of jail, prove their innocence, and fix Shannon's wagon. Rustlers was one of a handful of Holt westerns directed by Lesley Selander, later a minor favorite of auteur critics. ~ Hal Erickson, All Movie Guide

Feudin', Fussin' and A-Fightin' starts off on a tense note as a struggling man is led through the streets of a western town, presumably headed for his own execution. Within a few minutes, however, we discover that the "victim" is a reluctant trainee for an upcoming foot-race between the feuding towns of Rim Rock and Big Bend. With an appalling lack of local talent in Rim Rock, it looks as though Big Bend is once again going to win the annual event. Into this melancholy situation walks travelling salesman Wilbur McMurtry (Donald O'Connor). When he proves to be very light on his feet, Wilbur is kidnapped by the townsfolk and ordered to run on behalf of Rim Rock -- with the understanding that if he loses, he really loses. Musical highlights include Donald O'Connor's duet with Penny Edwards (a western ingenue who seldom got a chance to demonstrate her dancing skills), a vocal contribution by the Sportsman Quartet of Jack Benny Show fame, and the byplay between Rimrock mayor Maribel Mathews and stableman Billy Caswell, played by Ma and Pa Kettle co-stars Marjorie Main and Percy Kilbride. ~ Hal Erickson, All Movie Guide

All of his life, Danny Hawkins (Dane Clark) has been taunted and mistreated by most of the people around him, enduring innumerable beatings and other humiliations as a boy because his father was a murderer who died on the gallows. He finds it not much better as an adult, living with his aunt in the small Virginia town of Woodville -- especially when he is contending for the attentions of young schoolteacher Gilly Johnson (Gail Russell) with his boyhood tormentor Jerry Sykes (Lloyd Bridges), whose bullying and arrogance are made worse (and more galling) by the fact that he's the son of the town banker (and its richest man). Sykes picks a fight with Danny and loses for the first time, but he dies in the process. Knowing how the town thinks of him because of his father, Danny tries to hide the body. But for all of his bitterness over how he's been treated, he can't truly escape the feelings of guilt over what he's done -- nor can he escape his fear of what people will probably think. For a time, his new romance with Gilly distracts him, but he's unable to put it out of his mind for long, especially when he's forced to join his good friend Mose (Rex Ingram) on a raccoon hunt that takes them right to the pond where the body is hidden. Soon the sheriff (Allyn Joslyn) is investigating, and he can't help but confer with the one man in town whose judgment he respects nearly as much as his own -- Danny. And when Danny's deaf-mute friend, Billy (Harry Morgan), unknowingly uncovers a key piece of evidence, Danny is pushed almost to the breaking point. He's driven by his own instincts to run away, and invite almost certain capture or death, but Gilly and the sheriff see this as a chance for Danny not only to free himself of the torment over what he's done but from the past that has haunted him and blighted his life -- if only they can reach him and make him understand. ~ Bruce Eder, All Movie Guide

The first of Tim Holt's 1943 quota of RKO westerns was Fighting Frontier. This time, Holt appears to be cast as a double-dyed villain. Actually, it's all a ruse, cooked up by the Governor to find out the identity of a clever bandit chieftan. It wouldn't be fair to reveal the name of the bad guy, but it's safe enough to report that Ann Summers is the heroine and Cliff "Ukelele Ike" Edwards provides comedy relief. Amidst the shooting and fisticuffs, music fans are treated to two songs, "On the Outlaw Trail" and "The Edwards and the Drews", the latter performed with relish by Cliff Edwards. ~ Hal Erickson, All Movie Guide

Not quite as exciting as it should be, Stardust on the Sage is still a serviceable Gene Autry vehicle. This time, Gene is teamed up with young Jeff Drew (Bill Henry), who tries to sell mining stock to the local cattlemen. Meanwhile, villain Pearson (Emmet Vogan) plots to steal the mine from Gene and Jeff, using a veritable battalion of muscular hooligans. The finale is a kaleidescope of fistfights, gunfire and dynamite blasts-and none too soon, given the slow-moving passages which preceded it. The female contingent in Stardust on the Sage is handled by former child star Edith Fellows and serial heroine Louise Currie. ~ Hal Erickson, All Movie Guide

Republic's The Phantom Plainsman is another in the long-running "Three Mesquiteers" western series. The heroic triumverate are herein portrayed by Bob Steele (as Tucson Smith), Tom Tyler (Stony Brooke) and Rufe Davis (Lullaby Joslin). In keeping with a trend then prevalent in "B" westerns, the Mesquiteers are pitted against a Nazi agent, one Colonel Hartwig (Robert O. Davis, aka Rudolph Anders). Ranch owner Cap Marvin (Charles Miller) is forced by Hartwig to turn his horses over to the Third Reich, lest harm befall Marvin's son, currently held behind bars by the Gestapo. Though jailed themselves on an assault-and-battery charge, the Mesquiteers manage to escape in time to clean Hartwig's clock and make the west safe for Democracy-and more Three Mesquiteers films. ~ Hal Erickson, All Movie Guide

The time-honored "homesteaders vs. cattlemen" plot device is given another go-round in the Republic western The Cyclone Kid. John James plays Dr. Dawson, a young phsyician who tries to rally the local settlers against the despotic cattle barons. Alas, the good doctor finds himself pitted against his own brother Johnny (Don "Red" Barry), who'd sent him through medical school. At first firmly on the side of the cattlemen, Johnny eventually sees the light and joins his brother in defying his former bosses. Lynn Merrick, as much a fixture of the Don "Red" Barry westerns as Barry himself, is the heroine. ~ Hal Erickson, All Movie Guide

Tim Holt is, of course, a true red-blooded cowboy in this overly tuneful RKO Western and only pretends to be the title character in order to locate a kidnapped engraver. The latter (Byron Foulger) is forced by a crooked dude ranch owner (Eddie Kane) to print counterfeit money but a couple of bills find their way to the government offices in Reno. Tim isn't the only ranch guest operating under a disguise, however, the engraver's pretty daughter (Marjorie Reynolds) is also present and manages to get herself into plenty of trouble. As always, Holt is joined by sidekicks Lee "Lasses" White and Ray Whitley, the latter performing his own and Fred Rose's title tune as well as "Silver Rio," "End of the Canyon Trail," and "Echo Singing in the Wild Wind." ~ Hans J. Wollstein, All Movie Guide

MGM tried to recapture the magic of the Wallace Beery/Marie Dressler films of the 1930s with Barnacle Bill. Beery is teamed with Marjorie Main, a Dressler "type" who had a roughneck style all her own. In the film, grumbly old fisherman Beery spends most of his screen time avoiding Main, who intends to trap him into matrimony. The rest of the time, Beery must contend with a daughter he never knew he had and with landlubbers who want to rob him of his seagoing livelihood. Barnacle Bill was one of six MGM films costarring Wallace Beery and Marjorie Main, an experience neither star enjoyed very much. ~ Hal Erickson, All Movie Guide

Tim Holt and sidekicks Ray Whitley and Emmett Lynn join an outlaw gang in this RKO Western filmed on-location at Victorville, CA, and at the Walker and Jauregui movie ranches. When their friend Pop Edwards is shot (in the back, no less) by Doc Randall (Robert Fiske) and his crew, Jeff (Holt), Smokey (Whitley), and Whopper (Lynn) take it upon themselves to avenge him. They do so by infiltrating the gang, and, in time, are awarded assistance by the sheriff (Hal Taliaferro) and café singer Mary Loring (Betty Jane Rhodes). The latter sings "My Grand Pap" and "Old Monterey Moon," both by Whitley and Fred Rose. ~ Hans J. Wollstein, All Movie Guide