Lee Montague Movies

Shirley MacLaine is Madame Sousatzka, an aging piano instructor of Russian extraction. Entrenched in a dilapidated London rooming house, the Madame gives lessons only to the most gifted. She does not stop at mere instruction; Sousatzka insists that her pupils conduct their lives in the same genteel, cultured manner in which she was raised. Her prize student at the moment is an East Indian teenage boy (Navin Chowdhry), who forms a strong and loving bond with the old woman. Director John Schlesinger occasionally cuts away from the Madame and her pupil to allow comic space for the other tenants in Ashcroft's building, including an erstwhile songstress (Twiggy) and a gay osteopath (Geoffrey Baydlon). Navim Chowdhry's mother is played by Shabana Azmi, an important star of Indian films. ~ Hal Erickson, Rovi

Filmed in Rome and Austria on a budget of $5 million, the made-for-TV biopic Pope John Paul II stars Albert Finney, making his American TV debut as the Polish-born Pontiff. The film begins in 1938, when teen-aged Karol Wojtyla (Michael Crompton), a would-be actor, decides instead to enter the priesthood. Played from age 26 onward by Finney, Wojtyla spends the war years in the Polish anti-Nazi movement. He continues battling for his beliefs with the Communist-ruled Polish government in the postwar years. In 1978, Wojtyla is elected to succeed Pope John Paul I, thereby becoming the first non-Italian pope in four centuries. Pope John Paul II was written with reverence and intelligence by Christopher Knopf; it was originally telecast April 22, 1984. ~ Hal Erickson, Rovi

Coming in around the middle of the pack, this so-so drama about motorcycle racing features David Essex, the British pop star, as Nick Freeman. Nick's brother has died before he is able to test and race the motorcycle he developed, and now Nick has inherited that responsibility. In spite of a series of tough setbacks, including the loss of his girlfriend, Nick goes into the big race he has been waiting for with all his energy and concentration bent on winning. An underhanded American racer (Beau Bridges) is among the competition, so there may be trouble before the finish line is crossed. ~ Eleanor Mannikka, Rovi

The now-legendary miniseries Holocaust first aired as a presentation in NBC's Big Event series. Written by Gerald Green, the story begins in the Germany of 1935. We are introduced to the family of Jewish doctor Joseph Weiss (Fritz Weaver) his wife Berta (Rosemary Harris), his brother Moses (Sam Wanamaker), his sons Rudi (Joseph Bottoms) and Karl (James Woods), and his daughter Anna (Blanche Baker). We also meet struggling lawyer Erik Dorf (Michael Moriarity), who is urged by his ambitious wife to join the SS. As the Nazis' persecution of the Jews is stepped up, most of the Weiss family is deported to the Polish ghetto--then to Auschwitz, which is overseen by Erik Dorf. Rudi and his Jewish girlfriend Helena (Tovah Feldsuh) witness the 1941 Baba Yar massacre, then join the Russian partisans in their battle against the Nazis. Also appearing in Holocaust is Meryl Streep as Karl Weiss' Christian wife Inga. The winner of eight Emmy awards, Holocaust was originally telecast in four parts on April 16, 17, 18, and 19, 1978. ~ Hal Erickson, Rovi

Richard Marquand directed this second-rate retread of Haunted House Horror, with The Devil added to spice up the proceedings. Katharine Ross and Sam Elliot play Margaret Walsh and Pete Danner, a couple of American architects who are inexplicably summoned to the English countryside for an architectural assignment. They meet a mysterious and reclusive millionaire, Jason Mountolive (John Standing), get one look at him, and head back to town. But when they are forced off the road by a chauffeur-driven limousine, they find themselves back at Mountolive's house of horrors. Trapped in the mansion for the weekend, they get to see Mountolive's guests dispatched in a variety of gruesome ways, before the inevitable demonic possession routine kicks in. ~ Paul Brenner, Rovi

Director Ken Russell made a number of biographical films of composers' lives including The Music Lovers, (about Tchaikovsky) and Lisztomania. Russell embellished the other films with certain characteristic flourishes, which include a focus on the composers' sexual obsessions, poetically telling anachronisms, and scenes which show Richard Wagner in a bad light. The story of Mahler is recounted in a much less complex and flamboyant manner and is a relatively reverent study of the life and work of Austrian composer Gustav Mahler, here played by Robert Powell. The film tackles the touchy dilemma of Mahler's Jewishness in the anti-Semitic atmosphere of 19th-century Vienna. He converts to Christianity, which has no effect on his brilliant musical output but which eats away at his physical and mental well-being. Gustav Mahler (1860-1911) was a conductor and composer of the late Romantic era and specialized in huge symphonic works. Though his works were performed widely during his lifetime, they were less and less-often played until Leonard Bernstein's active campaign on their behalf brought him renewed recognition as a composer of the first rank, every bit the peer of Brahms or Stravinsky. ~ Clarke Fountain, Rovi

The Best Pair of Legs in the Business was also released as The Best Pair of Legs in Town. Both titles succinctly encapsulate the film's seedy showbiz ambience. The story is set at a British holiday camp, where a troupe of third-rate entertainers do their best to keep the patrons happy, staging musical revues, beauty contests and the like. Essentially a comedy, the film has an inner lining of pathos: like Archie Rice in The Entertainer, the main characters are losers but won't admit it. Reg Varney and Diane Coupland top the cast. ~ Hal Erickson, Rovi

A police investigator is forced to rely on the man he's been instructed to apprehend in this cold war thriller. Sir James Quentin (Christopher Plummer) is a high level negotiator with the British government who is approached by Scobie Malone (Rod Taylor), an Australian detective who has been instructed to arrest Quentin in connection with the murder of his first wife 25 years earlier. Quentin calmly asks Malone if he could wait until he completes his work at a diplomatic conference, and Malone agrees; Quentin even allows Malone to stay at his home with his second wife Shelia (Lilli Palmer). Malone's assignment soon proves to be more complicated (and dangerous) than he expected when he has to save Quentin from an assassination attempt. Quentin must protect a fellow diplomat also targeted by gunmen, and Malone learns that Shelia has a deadly secret. The High Commissioner was also released under the title Nobody Runs Forever. ~ Mark Deming, Rovi

Among the first of the late 60s anti-war films that reflected growing concern over the Vietnam War, How I Won the War takes a cold, dark look at the Good War, World War II. In adapting Patrick Ryan's 1963 novel, screenwriter Charles Wood and director Richard Lester offered a narrative fractured by characters making side comments to the camera, stylized cinematography, inserts of newsreel war footage, and plenty of absurdist humor and slapstick. Ernest Goodbody (Michael Crawford) is a bumbling British officer who manages to get most of his small company of musketeers killed while on a mission in North Africa to set up a cricket pitch behind enemy lines for officers of the advancing British army. The rest of the company dies in an ensuing campaign in Europe near the war's end, but all of the men continue to march along, appearing as monochromatic ghosts. (Original prints of the film intercut real battle footage tinted to match the color of the soon-to-be ghost soldier. Some prints of the film, including one shown on Turner Classic Movies, present the newsreel shots in black and white, undercutting the stylized touch.) The story is framed as a flashback, with Goodbody relating his version of events to a German officer (Karl Michael Vogler), while the real version of events, demonstrating Goodbody's ineptitude, plays out on screen. Among the supporting players are John Lennon, who had worked with Lester on A Hard Day's Night and Help; Roy Kinnear, a Lester regular, as a fat soldier who is certain his wife is cheating on him; Jack MacGowran as the troop's designated fool, and Michael Hordern as a general almost as oblivious to his suffering men as Goodbody. ~ Tom Wiener, Rovi

You Must be Joking? draws its laughs from an Army endurance test. Over a 48-hour period, five officers in the British army-including American transplant Michael Callan-must wend their way through a maze, retrieve a hood ornament from a Rolls Royce and steal a lock of hair from beauteous pop singer Gabriella Licudi. There's a big prize in store for the officer who finishes the test first, and since the other contestant include such middle-aged huffers and puffers as Lionel Jeffries and Denholm Elliot, it doesn't take a Rhodes scholar to figure out who the victor will be. Director Michael Winner was still in his "mad mod" period when he lensed the wacky goings-on of You Must Be Joking? His Death Wish pictures of the 1970s were in 1965 as remote as another galaxy. ~ Hal Erickson, Rovi

A British officer must save the Barbary apes on Gibralter at all costs in this WW II farce. He does this, because it is believed that if the apes leave the rock, Britain will fall. The trouble begins when the only male ape dies. To save the rest, the officer and his side-kick sneak in to Zurich and steal an ape from a German circus. This results in a promotion for the officer, and now he and his partner are assigned to protect the ravens in the Tower of London. ~ Sandra Brennan, Rovi