Ralph Monaco Movies

Ghostbusters
Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, All Movie Guide

Ghostbusters 2
Ivan Reitman's sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading "Five Years Later" and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children's' birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called "The World of the Psychic." Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum -- and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana's little child. Vigo has enlisted Dana's boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil. ~ Paul Brenner, All Movie Guide

Martin Scorsese's satirical comedy/drama caustically explores the lengths to which a nobody will go to be as famous as his idol. Practicing his patter in his basement with cardboard cut-outs of his favorite celebrities, mediocre aspiring comedian Rupert Pupkin (Robert De Niro) believes that one appearance on the evening talk show of the Johnny Carson-esque Jerry Langford (Jerry Lewis) will be his ticket to stardom. After he helps Jerry escape the advances of amorous fan Masha (Sandra Bernhard), Rupert takes Jerry's patronizing brush-off as a true promise for an audition and begins haunting Jerry's office. Provoked by Masha's needling and a rejection from Jerry's smooth production exec Cathy Long (Shelley Hack), Rupert makes a disastrous trip to Jerry's country house with embarrassed date Rita (Diahnne Abbott), then hatches an even more outlandish scheme to get ahead. With Masha's help, Rupert kidnaps Jerry and demands as ransom the TV appearance that he believes will turn his fantasy into reality. ~ Lucia Bozzola, All Movie Guide

Michael Winner ups the ante once again in Death Wish 3. Any pretense of Paul Kersey (Charles Bronson) having a career in architecture is completely gone. Kersey's new career appears to be as a professional vigilante, blowing away muggers, rapists and thieves off the mean streets -- or as he terms it "thinning the herd." Back in New York City, Kersey, with his usual luck, arrives just in time to find an old friend dying after a vicious beating by a multi-cultural gang of thugs. The cops arrest Kersey, but it just so happens that police chief Richard S. Shriker (Ed Lauter) is like Kersey with a badge: "I'm the law, and that means I get to violate your civil rights." He makes a deal with Kersey: he can go free as long as he keeps the cops informed of his death counts. Kersey grunts in agreement and proceeds to move into a decaying tenement building in the middle of a bombed out gang war zone. The building is populated by a group of elderly tenants who are terrified by the neighborhood gang warfare. Kersey declares his own personal war on the neighborhood gang, led by a frenzied leader named Fraker (Gavan O'Herilhy), who wears a reverse Mohawk hair-style. As Kersey devises booby traps and trip-wire bombs to confound the gang, the senior citizens gleefully take pot shots at the wounded gang members from their windows. ~ Paul Brenner, All Movie Guide

Directed by Susan Seidelman and written by Alice Arlen and Nora Ephron, Cookie comes across as an inconsequential piece of fluff, bolstered by a quirky performance by Emily Lloyd. Lloyd is Cookie Capisco, the daughter of mobster Dino Capisco (Peter Falk), who has just finished thirteen years in prison. Dino wants to get out of jail, settle some old scores, and make up for lost time with his daughter. His illegitimate daughter, that is -- since Cookie's mother, Lenore (Dianne Wiest), has been Dino's longtime mistress. Dino's actual wife Bunny (Brenda Vaccaro) has, he thinks, been kept in the dark about Dino's mistress and his daughter. Dino decides that the best way to get to know Cookie is to hire her as his chauffeur. With her ears attuned to the conspiracies floating around Dino, she quickly discovers that her father's old crony, Carmine (Michael V. Gazzo), has been swindling him and that Dino's life is in jeopardy. ~ Paul Brenner, All Movie Guide

When an archaeologist uncovers an ancient Norse power stone, he returns with it to his New York City home. Too bad for the relic-digger, because it's not long before an evil spirit is projected from the stone into the archaeologist, turning him into a hairy beast. And too bad for the people of NYC, because this hairy beast goes on a vicious marauding spree that befuddles the local police. ~ All Movie Guide

In this tech-thriller from director Phil Alden Robinson, a group of five renegade computer hackers, led by Martin Bishop (Robert Redford), are hired by the government to steal a black box, containing a code-breaking machine, from the mathematician who invented the device. The government is able to persuade Martin to take the job by convincing him that they will drop a decades-old federal warrant for his involvement in computer fraud. Martin agrees and he takes his team on the mission, eventually taking the box. Shortly after the hackers have stolen the device, the mathematician turns up dead. Before long, the quintet realize that they've gotten themselves into more than they'd originally bargained for, as Bishop's old rival Cosmo (Ben Kingsley) enters into the fold. The eclectic ensemble also includes River Phoenix, Sidney Poitier, Dan Aykroyd, David Strathairn, Mary McDonnell, and James Earl Jones. ~ Matthew Tobey, All Movie Guide

Following a terrible auto wreck, a woman reawakens but can remember nothing about herself or the events leading up to the tragedy. This makes it all the more painful when she discovers that a man and his little boy were killed in the crash, one that she may have caused. ~ Sandra Brennan, All Movie Guide

Facing corruption charges because of past Mob ties, the father of officer Janice Licalsi (Amy Brenneman) takes drastic action. Confined to a desk while recovering from his wounds, Sipowicz (Dennis Franz) demands that Fancy (James McDaniel) return him to street duty. While helping Martinez (Nicholas Turturro) investigate a murder involving a pair of career-criminal brothers, Kelly (David Caruso) moonlights as a security guard for Susan Wagner (Wendie Malick), who is being abused by her wealthy husband. And Goldstein (David Schwimmer) wants to recover the gun he used to shoot his assailant. This was the first NYPD Blue episode to carry the "viewer discretion" warning in the pages of TV Guide. ~ Hal Erickson, All Movie Guide

Hollywood visionary Tim Burton pays homage to another Hollywood visionary, albeit a less successful one, in this unusual fictionalized biography. The film follows Wood (Johnny Depp) in his quest for film greatness as he writes and directs turkey after turkey, cross-dresses, and surrounds himself with a motley crew of Hollywood misfits, outcasts, has-beens, and never-weres. The real story, however, is his friendship with aging, morphine-addicted Bela Lugosi (Martin Landau), whom he tries to help stage a comeback. Landau's unforgettable Oscar-winning performance must be seen to be believed, as must Rick Baker's Oscar-winning makeup. While it would have been easy to make a film simply ridiculing the bumbling director, Burton instead focuses on his driving passion for filmmaking and his unwavering persistence in the face of ridicule and failure. Possibly the most surprising aspect of the film is the genuine sentiment with which Burton treats the relationship between Wood and Lugosi; his devotion to Lugosi is touching, as is Lugosi's final soliloquy -- an inane bit of dialogue from the hilariously bad Bride of the Monster that grows into a poignant metaphor for the actor's life and ultimate triumph of his spirit. Even the look of the film is right; it manages to preserve the air of one of Wood's own films while retaining a sense of artistry in much of the composition on screen (note the scene at the drug rehab where Lugosi endures a horrifying night of detox). In all, Ed Wood is a unique film -- at times side-splittingly funny; at others, tragic or even frightening -- and a heartfelt tribute to the love of movies, good and bad alike. ~ Jeremy Beday, All Movie Guide