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Gerald Mohr Movies

While attending the medical school of Columbia University, Gerald Mohr was offered an opportunity to audition as a radio announcer. The upshot of this was a job at CBS as the network's youngest reporter. He moved to the Broadway stage upon landing a role in The Petrified Forest. Shortly afterward, he became a member of Orson Welles' Mercury Theatre. He was chosen on the basis of his voice alone for his first film role as a heavily disguised phony mystic in Charlie Chan at Treasure Island (1939). Following wartime service, the dark, roguish Mohr was selected to play thief-turned-sleuth the Lone Wolf in Columbia's B-picture series of the same name. His detective activities spilled over into radio, where Mohr starred as Philip Marlowe, and TV, where in 1954 he was cast as Bogart-like café owner Chris Storm on the final season of the syndicated Foreign Intrigue. Gerald Mohr died at the age of 54, shortly after playing a crooked gambler in Funny Girl (1968). ~ Hal Erickson, Rovi
1968  
 
Though the title of this episode refers to the young lady played by Sheila Wells, the emphasis is on George's father, photographer Enos Blessing (Jack Albertson). Hired to provide an alibi for crooked lawyer Cato Troxell (Gerald Mohr), who plans to murder the judge (Fred Clark) responsible for hanging his brother, Blessing takes a group picture of the Ponderosa entourage, then doctors the photo to include Troxell. This little arrangement ultimately proves fatal for both Troxell and Blessing. Featured in the all-star supporting cast are Andy Devine and Patsy Kelly) as Roscoe and Mrs. Neely. Written by William H. Wright, "A Girl Named George" first aired on January 14, 1968. ~ Hal Erickson, Rovi

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Starring:
Lorne GreeneMichael Landon, (more)
 
1968  
 
Entertainer Phil Harris capitalizes on his public image (largely fabricated!) as an amiable boozer in the role of alcoholic cocktail-lounge pianist Phil Stanley. Hoping to help Phil succeed as a composer, Lucy (Lucille Ball) brings him to her apartment to "dry out" while he writeshis newest sing. Unfortunately, Lucy's efforts to sing the ballad are enough to drive a man back into the bottle--and that's just what happens when Phil suffers through our heroine's off-key wailings! ~ Hal Erickson, Rovi

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Starring:
Phil HarrisLew Parker, (more)
 
1968  
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Add Funny Girl to Queue Add Funny Girl to top of Queue  
"Hello, gorgeous!" was Barbra Streisand's first comment to the Oscar statuette which she won for her performance in this biopic of entertainer Fanny Brice. This is also her first line in the film itself, the catalyst for a movie-long flashback. Repeating her Broadway role, Streisand stars as legendary comedienne Brice (1891-1951), whose life until the mid-1920s is romanticized herein. A gawky New Yawker, Brice fast-talks her way into show business, certain that she's destined to be "The Greatest Star." Hired as a "dramatic" singer by impresario Flo Ziegfeld (Walter Pidgeon), Brice defies orders to play it straight, turning a "Beautiful Bride" tableau into a laugh riot by dressing herself up as an extremely pregnant newlywed. The stratagem turns Brice into an overnight star and the toast of Broadway. But all is not roses for Brice, especially in her turbulent private life as the wife of big-time gambler Nicky Arnstein (Omar Sharif). Nicky at first finds it amusing to be referred to as "Mr. Brice," but he begins to resent his wife's fame and fortune and starts taking foolish risks with other people's money. The film was nominated for 8 Oscars, including Best Picture and Kay Medford for her portrayal of Brice's mother, Rose. Funny Girl was produced by Ray Stark, Brice's real-life son-in-law, who had enough material left over for a sequel, 1975's Funny Lady. ~ Hal Erickson, Rovi

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Starring:
Barbra StreisandOmar Sharif, (more)
 
1966  
 
Appropriately enough, the 271st and final episode of Perry Mason concerns a murder which takes place during the filming of a TV show. No sooner has Perry (Raymond Burr) been able to establish the innocence of chief suspect Jackson Sidemark (Denver Pyle) than Sidemark himself is knocked off by the real killer (and wait until you see who THAT is!) Several members of the Perry Mason production staff, including executive producer Gail Patrick Jackson, appear in cameo roles, while series creator Erle Stanley Gardner shows up unbilled as a judge. Longtime fans of the series will enjoy the multitude of "inside" jokes in the script (including a barbed reference to the show's NBC competition Bonanza), but the best is reserved for last when Perry and his longtime courtroom adversary Hamilton Burger (William Talman) exchange words for the final time. ~ Hal Erickson, Rovi

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1966  
 
After playing on a strange-looking harp, Dr. Smith (Jonathan Harris) ends up where everybody said he would end up...or so it seems. Transported to what looks like Hell, Smith comes faces to face with the demonic Morbus (Gerald Mohr), who demands the destruction of the aforementioned harp, else Smith will remain "down below." It takes the combined efforts of Don (Mark Goddard) and Judy (Marta Kristen) to rescue Smith and prove that Morbus isn't exactly whom he claims to be. ~ Hal Erickson, Rovi

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1965  
 
Hoss Cartwright rescues a little girl named Lisa (Eileen Baral), who is in a state of speechless shock after surviving a stagecoach holdup in which her parents were killed. In his efforts to snap Lisa out of her trauma, Hoss grows to love the child, and as such is devastated when her uncle, a man named Collins (Gerald Mohr), arrives to take Lisa away with him. As it turns out, Collins is not whom he appears to be, and Hoss is obliged to save Lisa all over again. Written by Frank Cleaver, "Found Child" first aired on October 24, 1965. ~ Hal Erickson, Rovi

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Starring:
Lorne GreeneMichael Landon, (more)
 
1964  
 
In a depature from the usual Perry Mason format, Perry (Raymond Burr) flies to Europe as a personal favor to his old friend Frederic Ralston II. Arriving in Switzerland, Perry is asked to check up on Greta Konig (Susanne Cramer), the German nightclub singer who wants to marry Ralston's son Freddy (Fred Vincent), a lieutenant in the Army Engineer Corps. Instead, the lawyer ends up investigating two mysterious deaths, both linked to a treasure hidden by Nazis at the bottom of a Swiss lake during WW2. Future Hogan's Heroes costar Werner Klemperer appears as the local detective on the case, while Jim Davis, aka "Jock Ewing" on Dallas, is one of the victims. Inasmuch as Perry is literally "flying solo" in this episode, neither Della Street (Barbara Hale) nor Paul Drake (William Hopper) appear. ~ Hal Erickson, Rovi

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1963  
 
Austin Lloyd (Gerald Mohr) is convinced that his business partner Dwight Garrett (Douglas Henderson) is stealing money from their firm--and worse, that Garrett is fooling around with Lloyd's wife Bonnie (Gloria Talbott). To get even, Lloyd first tries to frame Garrett for embezzlement, then fakes an attempt on his life so that both Garrett and Bonnie will be charged with attempted murder. That charge is immediately bumped up to murder in the first degree when Lloyd is killed for real--and Perry Mason (Raymond Burr) has two clients on his hands. ~ Hal Erickson, Rovi

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1961  
 
Jack Kelly plays a dual role in this episode, as frontier gambler Bart Maverick and his exact lookalike, vicious outlaw Red Claxton. Mistaken for Claxton, who has been systematically stealing army payrolls, Bart is arrested and thrown in the stockade. Sentenced to hang, our hero must somehow break out of jail to prove his innocence. Appearing as ingenue Caprice Rambeau is a young Dawn Wells, three years before her starmaking turn as Mary Ann on Gilligan's Island. ~ Hal Erickson, Rovi

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1961  
 
Wealthy Walter Frazer (Torin Thatcher) has always held his daughter-in-law Sue Ellen (Diana Millay), a former nightclub singer, responsible for the failures of his son Gregson (Bryan Grant), now working as a parking attendant. Hoping to get rid of Sue Ellen, Frazer offers her a huge sum to divorce Gregson, but she angrily turns him down. Not long afterward, Gregson is murdered--whereupon Frazer does an about-face, insisting that Sue Ellen is a wonderful girl and his son was a no-good wastrel. In his efforts to defend Sue Ellen on a murder charge, Perry Mason (Raymond Burr) tries to uncover the real reason behind Frazer's highly unconvincing change of heart. Watch for future TV icons Alan Hale Jr. (Gilligan's Island) and DeForest Kelley (Star Trek) in supporting roles. ~ Hal Erickson, Rovi

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1960  
 
In New Orleans during Mardi Gras, Bart (Jack Kelly) witnesses the murder (or more accurately, the execution) of a wine merchant named Agostino (Joe Garcio). But when he tries to report the crime, Bart is accused of being the murderer himself. It soon develops that the killing was ordered by the local branch of the sinister "Black Hand" (a 1960s TV code-word for the Mafia), whose minions are determined to shut Bart up permanently before he can persuade someone to believe in his innocence. This episode was cowritten by actor Leo Gordon, who'd appeared in previous Maverick installments in the recurring role of Big Mike McComb. ~ Hal Erickson, Rovi

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1960  
 
Race hatred and drug trafficking threaten to tear apart a California high school in this teen drama. Frank White (Mark Damon) and Don Walters (Doug Hume) are a pair of undercover police officers who are sent to a high school dominated by three gangs. Don, who is white, tries to infiltrate the Anglo gang the Royals, led by Buck (Richard Rust), while Frank, who is of Hispanic and African-American heritage, is to make his way into the school's black gang, the Ebonys, while also keeping his eye on a Mexican-American club, the Caballeros. Frank soon finds he's not welcomed by the Black or Mexican gangs, and when he strikes up a friendship with Lola (Rita Moreno), a pretty Mexican-American girl, he gains a fierce enemy in her brother Manuel (Richard Laurier), one of the leaders of the Caballeros. Meanwhile, Buck and the Royals have started dealing dope as a way to make money, and he's pressuring Manuel and his gang to do the same, something Manuel fiercely opposes. Manuel is also not happy about rumors that Lola is secretly dating one of the Royals, while the Ebonys have it in for Buck when they find out the secret hidden by his sexy girlfriend, Wiggles (Dyan Cannon, then still spelling her first name "Diane"). This Rebel Breed was first released in 1960; five years later, producer William Rowland added some incongruous inserts filled with nudity and re-released the film to grindhouses and drive-ins under the titles Black Rebels, Lola's Mistake, and Three Shades of Love. ~ Mark Deming, Rovi

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Starring:
Rita MorenoMark Damon, (more)
 
1960  
 
While attending a gaudy carnival with their girlfriends, Joe and Hoss Cartwright are plunged into a baffling mystery when Joe's sweetheart (Jackie Russell) disappears. Determined to locate the missing girl, Joe is forced to venture into the very special and secret world of the "carnies", who resent his intrusion and do everything they can to throw roadblocks in his path. Gerald Mohr guest-stars as the carnival's sinister owner; also on hand is another reliable TV-series heavy, Theo Marcuse. First telecast on October 29, 1960, "The Abduction" was written by Herman Groves. ~ Hal Erickson, Rovi

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Starring:
Lorne GreenePernell Roberts, (more)
 
1959  
 
In the town of Arroyo, Bart (Jack Kelly) is hired to protect gambling-hall proprietor Dave Lindell (Gerald Mohr) from a vengeful cowpoke named Brazos (Ray Daley). But it is Brazos who ends up being killed, whereupon Bart chases after the killer--unaware that he is a pawn in a sinister scheme that will culminate in his own demise. This prime example of "western noir" was written and directed by 77 Sunset Strip stalwart George WaGGner, who invariably billed himself in this curious fashion. ~ Hal Erickson, Rovi

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1959  
 
A transient finds the corpse of a murdered policeman and decides to steal his clothing and his identity to find the killers and bring them to justice. What makes this routine crime drama out of the ordinary is that it was shot in "Psychorama" a process in which subliminal messages were inserted to heighten the suspense. Used once before in director Harold Daniels' Terror in the Haunted House, it wasn't all that effective. ~ Sandra Brennan, Rovi

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1959  
 
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The United States space program reports that its missing, overdue manned Mars probe has returned to Earth orbit, but that they haven't been able to make radio contact with it. When it is brought down by remote control, they find three of the four crewmembers aboard: one of them, Professor Gettell (Les Tremayne), is dead; another, mission commander Colonel Tom O'Bannion (Gerald Mohr), is in a coma and suffering from some kind of alien infection; and the third, exo-biologist Iris Ryan (Nora Hayden), is in a state of shock. The ship's tape library seems to have been wiped clean of any record of what took place on the mission, and the doctors can't begin to save O'Bannion until they know what happened. In desperation, they decide to put Iris Ryan into a state of hypnosis, forcing her to recall the events of the mission. The bulk of the film is an un-narrated flashback in which we see the voyage to Mars and the quartet of explorers -- rounded out by technician Sam Jacobs (Jack Kruschen) -- proceeding successfully to a landing. As they draw closer to signs of intelligent life, however, the group also encounters increasingly dangerous creatures, including a man-eating plant, a giant bat-rat-spider, and a huge amoeba-like creature that consumes anything in its path. Sam is killed in an encounter with one of these menaces and O'Bannion is infected with an alien microbe, even as the ship is held fast by a powerful magnetic force. Gettell figures out a way to launch, at the cost of his own life, and Iris is left alone with the stricken O'Bannion on the journey back to Earth. The film concludes as the scientists find the one piece of information left on the ship's tapes, a warning from the Martians that the primitive, war-like people from Earth may not visit the planet again, except at risk to their lives. One of a relative handful of 1950s sci-fi films done in color, The Angry Red Planet did its rivals one better with the use of a special effects process called "Cinemagic," which gave the entire screen a deep red tint but also created the illusion of dimensionality (i.e. 3-D, sort of), and made the monsters look particularly eerie. The mixture of better-than-usual special effects, coupled with more than competent acting (Mohr, Tremayne, and Kruschen were veterans of mainstream films and television) helps make this one of the more entertaining space-flight stories of its period, though not quite in a league with It! The Terror From Beyond Space for sheer suspense. ~ Bruce Eder, Rovi

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Starring:
Gerald MohrLes Tremayne, (more)
 
1958  
 
Add My World Dies Screaming to Queue Add My World Dies Screaming to top of Queue  
The "psycho"-logical melodrama My World Dies Screaming was appropriately released on a double bill with Lost, Lonely and Vicious, which also featured a profoundly disturbed protagonist. In My World, Gerald Mohr plays Philip Tierney, who hopes to expunge the inner demons plaguing his wife Sheila (Cathy O'Donnell). He persuades her to return to the crumbling old mansion where, as a child, she witnessed a brutal axe murder. Incredibly, the killers do not return to finish the job; instead, the audience is treated to all manner of pseudo-Freudian symbolism as Sheila subconsciously battles her way towards normalcy. My World Dies Screaming isn't bad: it's just that the films substitutes style for substance. ~ Hal Erickson, Rovi

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1958  
 
This generically-titled crime caper stars Mamie Van Doren as Vegas nightclub singer Vi Victor and Lee Van Cleef as her gangster husband Mike Bennett. While Mike is stuck in prison, Vi has an affair with his former cellmate Chuck Wheeler (Gerald Mohr), who masterminds a $2 million armored car heist. Mike busts out of jail and claims the ill-gotten gains for himself. He also reclaims Vi, whose fidelity can be easily bought. Practically every member of the cast is dead by the final fade-out; it wouldn't be sporting to reveal here who survives. ~ Hal Erickson, Rovi

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Starring:
Mamie van DorenGerald Mohr, (more)
 
1958  
 
Bret (James Garner) is offered $6000 by the American authorities to bring back accused murderer Steve Corbett (Gerald Mohr), who has hightailed it to Mexico. Heading South of the Border, himself, Bret ends up in the wide-open town of Tampico, where Corbett now runs a tourist camp, the "Cantina Americana." The task at hand for our hero is to devise a strategy to lure Corbett back to the U.S.A. Somewhere along the line, the story evolves into a western variation of Casablanca--not surprisingly, since the Cantina Americana is actually the redressed set of "Rick's Café Americain" from that 1942 film classic. ~ Hal Erickson, Rovi

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1958  
 
Bart (Jack Kelly) is one of several stagecoach passengers who are attacked by the Apaches. With their coach destroyed, the hapless passengers are left stranding in the desert, under a blazing sun. The others insists that Bart strike out on his own and seek out help--an assignment that borders on the suicidal. The supporting cast includes Whitney Blake, the mother of actress Meredith Baxter and later the cocreator (with husband Alan Manings) of the popular CBS sitcom One Day at a Time. ~ Hal Erickson, Rovi

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1958  
 
Riding into a small town, Bret (James Garner) and Bart (Jack Kelly) are amused when the locals mistake them for the notorious gunfighters Wyatt Earp and Doc Holliday. But it's a bit less amusing when gorgeous Doll Hayes (Joi Lansing) begins cozying up to the local sheriff (Frank Ferguson) as a diversion so that her cohorts can rob the town bank. To prevent this, the Mavericks decide to exploit their resemblance to Earp and Holliday to the hilt, A cute closing gag tops this final episode of Maverick's first season. ~ Hal Erickson, Rovi

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1957  
 
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Patricia Medina plays the title character in The Buckskin Lady. Medina is cast as female gambler Angela Medley, who is forced by circumstances to align herself with outlaw Slinger (Gerald Mohr). But Angela has never gotten over her love for honest frontier doctor Bruce Merritt (Richard Denning), and at the first opportunity she redeems herself by catching a bullet intended for the doc. Henry Hull delivers the film's most memorable performance as Angela's drunken wretch of a father. Per the title, Buckskin Lady affords the viewer ample opportunity to see Patricia Medina in form-fitting western garb. ~ Hal Erickson, Rovi

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Starring:
Patricia MedinaRichard Denning, (more)
 
1957  
 
When Bret (James Garner) is accused of robbery, he seeks out John Stacey (John Vivyan), the only man who can clear him. Alas, John may not live long enough to provide testimony for Bret's defense: he is slated for a showdown with notorious gunslinger Doc Holliday (Gerald Mohr), who isn't inclined to Bret talk him out of adding another notch to his handle. Film noir icon Marie Windsor has a plum role in this episode. ~ Hal Erickson, Rovi

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1954  
 
Dragonfly Squadron is set in 1950 in the months before the beginning of the Korean War. John Hodiak stars as Major Mathew Brady, assigned to the base at Kongju to train South Korean troops for possible combat. These troops are to be used to protect civilians in the event of an evacuation, thus Brady is obliged to run them ragged in order to transform them into a lean, mean fighting machine. Despite the gravity of his job, Brady manages to find time to romance Donna Cottrell (Barbara Britton), the wife of an American doctor (Bruce Bennett). The Casablanca aspects of this triangle are the only forgettable aspects of this taut and timely adventure yarn. ~ Hal Erickson, Rovi

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Starring:
John HodiakBarbara Britton, (more)
 
1953  
 
Lucy (Lucille Ball) develops an inferiority complex when she can't get anyone to laugh at her jokes -- in fact, the harder she tries to be funny, the worse things get. Plunging into a deep blue funk, Lucy becomes incapable of performing even the simplest task, whereupon she tearfully decides to remain in bed for the rest of her life. Hoping to snap his wife out of her doldrums, Ricky (Desi Arnaz) hires a "physio-chiatrist" named Dr. Molin (Gerald Mohr), who prescribes a few doses of flattery to cheer Lucy up. Unfortunately, Molin's treatment also includes an elaborate charade in which he poses as a handsome bachelor intent upon wooing Lucy away from Ricky. ~ Rovi

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Starring:
Gerald Mohr