Brian Bedford Movies

Differentiating this TV-movie version of Charles Dickens' A Christmas Carol from the hundreds of other adaptations of the same Yuletide classic is its tongue-in-cheek ambience and a bundle of memorable tunes by perennial Disney composer Alan Menken and former Schoolhouse Rock lyricist Lynn Ahrens. Inspired by a stage musical which used to be presented annually at New York's Madison Square Garden, this Christmas Carol stars Kelsey Grammer as tight-fisted Ebenezer Scrooge, who sees the errors of his ways just in time to oversee the "best Christmas ever" for his long-suffering clerk Bob Cratchit (Edward Gower) and "God Bless Us Everyone" Tiny Tim (Jacob Moriarty). On this occasion, the spirits materializing for Scrooge's benefit include Jason Alexander as a neurotic Jacob Marley, Jesse L. Martin as a laid-back Ghost of Christmas Present, Jane Krakowski as a sexy Ghost of Christmas Past, and Geraldine Chaplin as a spooky Ghost of Christmas Future (in Wizard of Oz tradition, three of these four actors also appear as "real" people in Scrooge's everyday life). Highlights include the song "Link by Link," wherein the ghostly Marley and a chorus of wraiths perform a lively ball-and-chain dance number, and the outsized Christmas celebration in the home of Scrooge's first boss, Mr. Fezziwig (Brian Bedford), which features among other things a "pole dance" by the Ghost of Christmas Past! Filmed on-location in Budapest (which sort of looks like Dickensian London if you squint real hard), A Christmas Carol: The Musical won an Emmy award for musical director Michael Kosarin -- and, alas, tanked in the ratings when first telecast by NBC on November 28, 2004. ~ Hal Erickson, Rovi

Kelsey Grammer stars as Nick St. Nicholas, a Miami-based playboy philanthropist who is about to make his life complete by wedding the girl of his dreams, gorgeous TV weathercaster Heidi Gardelle (Elaine Hendrix). Not known to the general public is that the profligate St. Nicholas is really the son of none other than Santa Claus (Charles Durning)--or, as the jolly old elf is known in this story, Nicholas XXX. Expected to take over the "family business" at the North Pole before his father's power fades, Nick balks, choosing instead to remain in Miami, where he is about to launch his latest charity at the behest of his fiancee Heidi. By the time he realizes that his "dream girl" is actually a mercenary nightmare, Nick finds himself besieged by a vindictive INS agent (Colin Cunningham)--and racked with guilt over the gloomy fate awaiting his father and the North Pole toy factory. It is up to Santa's head elf Jasper (Brian Bedford) and Nick's lovely Latino cook Lorena (Ana Ortiz) to come to the rescue. Armed with a surprising number of sexually suggestive jokes for an ostensible family film, Meet St. Nick was coproduced by Disney Films and Hallmark Entertainment, and was first broadcast as an episode of ABC's Wonderful World of Disney anthology on November 17, 2002. ~ Hal Erickson, Rovi

Armistead Maupin calls the three-story wooden house at 28 Barbary Lane in San Francisco "my homestead, my Tara." He began his portrait of Barbary Lane life during the '70s in a daily newspaper serial, expanding the material into a series of six novels. PBS aired the original TV miniseries in 1994, but threats and pressures prompted PBS to drop their plans for a follow-up, leaving an unresolved cliffhanger for four years. Several members of the original PBS cast were reunited for this six-part Showtime sequel (adapted from Maupin's second novel in the series), set in San Francisco of 1977. It picks up the threads of the story six weeks after the point where the PBS miniseries ended. When Mary Ann Singleton (Laura Linney), hoping for romance, and her cynical gay friend Michael (Paul Hopkins) take a Mexican cruise, Mary Ann meets amnesia victim Burke Andrew (Colin Ferguson) and Michael runs into his former lover, Dr. Jon Fielding (William Campbell). Michael's roommate Mona Ramsey (Nina Siemaszko), in a purple haze of pot and angel dust, answers phones at a Reno brothel owned by Mother Mucca (Jackie Burroughs). Mona learns about her lineage and also about Anna Madrigal (Olympia Dukakis), the former Mr. Madrigal. Rich widow Frannie (Diana LeBlanc) finds a cure for her depression at the rural resort Pinus, where society ladies celebrate their 60th birthdays with youthful houseboys. Beauchamp Day (Thomas Gibson) is married to Frannie's pregnant daughter DeDe (Barbara Garrick), but Beauchamp isn't the father. Locations include San Francisco, Montreal (substituting for some areas of San Francisco), and Zihuatanejo, Mexico. Premiered June 7, 1998 on Showtime. ~ Bhob Stewart, Rovi

Terminally ill Bernadette Peters develops a deep friendship with psychologist Mary Tyler Moore in this drama. ~ Rovi

It is said that the infamous Revolutionary War traitor Bendedict Arnold once stayed in a now-dilapidated Cabot Cove house. When the house's owner dies, Jessica (Angela Lansbury) is named executor of the will. This proves to be a formidable task when rumors begin spreading that a valuable treasure--so valuable that someone is willing to commit murder--has been hidden somewhere in the house. ~ Hal Erickson, Rovi

There's a few million dollars' worth of star power and a nickel's worth of plot in the lavish race-car melodrama Grand Prix. Among the participants in this annual cross-continent competition are characters played by James Garner, Yves Montand, Brian Bedford, and Antonio Sabato. Interested parties include Toshiro Mifune (his voice dubbed by Paul Frees), Adolfo Celi, and Claude Dauphin, while the women who agonize on the sidelines include Eva Marie Saint, Jessica Walter, and Françoise Hardy. The racing sequences are top-rank, cleverly utilizing those 1960s devices of helicopter angles and multiple screens. Oscars went to editor Frederic Steinkamp (among others) and the sound-effects supervisor Franklin E. Milton. Filmed on location, Grand Prix made back its cost about half a week into its run. ~ Hal Erickson, Rovi

Tony Hancock, as big a comedy star as it was possible to be in the Britain of 1963, decided to pull a "Charlie Chaplin" with The Punch and Judy Man. He plays an end-of-pier seashore entertainer who is loved by children but reviled by adults. Hancock's efforts to establish himself as a man of importance invariably end in disappointment and despair. Not even Tony Hancock's legion of fans could be persuaded to drink up the bathos ladled out in The Punch and Judy Man. Ironically, Hancock in real life ended up committing suicide in 1968. ~ Hal Erickson, Rovi

Richard Attenborough stars in this British drama as Tom Curtis, an ordinary man with a job in a factory. A new employee, Travers (Alfred Burke), begins complaining about conditions at the plant and stirs up disharmony among his fellow workers. Tom thinks that there's something fishy about Travers and his methods, and when Travers decides to call a wildcat strike, Tom refuses to participate and makes a point of standing his ground. However, Travers and his ideas have attracted a groundswell of support in the factory, and Tom soon finds himself on the outs with his fellow employees as Travers drifts off to make trouble at another factory. Tom, however, still has to deal with the angry reprisals of the men, and his wife Anna (Pier Angeli) doesn't understand why he continues to hold so unpopular an opinion at the expense of his safety and well-being. ~ Mark Deming, Rovi