D.W. Moffett

Originally titled Palm Springs, the CW teen-angst series Hidden Palms would seem to have been a bid by producer-creator Kevin Williamson to replicate the success and appeal of his earlier TV hit Dawson's Creek. The series also served to reunite two former stars of the similar series The O.C., Taylor Handley and Michael Cassidy. Handley was cast as rebellious high schooler Johnny Miller, who after witnessing his dad's suicide and spending a lot of time in rehab, was relocated by his mother Karen (Gail O'Grady) and his stepdad Bob (D.W. Moffett) to one of the wealthier sections of Palm Springs, California. During an inordinately troublesome period of adjustment, Johnny made the acquaintance of Cliff Wiatt (Handley), a handsome preppie with a pronounced "dark side." Along the way, our hero dallied with Greta Matthews (Amber Heard), whose gorgeousness was counterbalanced by her weirdness, and with Nikki Barnes (Tessa Thompson), another misfit fresh out of rehab. Also carrying a torch for Johnny was the community's resident science nerd Liza Witter (Ellery Porterfield), who spent much of her leisure time mixing strange chemicals. Amidst all the raging hormones and intramural romances and rivalries, the cast members managed to get themselve involved in a murder mystery. And oh yes, all the younger characters paraded around in microscopic swimwear (surprise, surprise). Debuting May 30, 2007, Hidden Palms bounced all over the CW nighttime schedule until its cancellation on July 4 of that year. ~ Hal Erickson, All Movie Guide

Based on a true story, this "Hallmark Hall of Fame" TV movie was produced by Rosie O'Donnell, who also stars as the profoundly mentally challenged Beth Simon. When Beth's father dies, her sister, Rachel (Andie MacDowell), a brittle, self-absorbed fashion photographer, takes charge of Beth -- who, having been allowed to grow up without learning anything of self-discipline and social propriety, is no prize herself. Though she loves her sister, Rachel is embarrassed by Beth's obnoxious, obstreperous behavior, especially when riding the bus, which she does religiously and obsessively every day, much to the dismay of the other passengers. (Be warned: this is not one of those lachrymose "lovable handicapped adult" movies so common to network television.) Also, Beth has been allowed by her overindulgent father to neglect her health and hygiene in a deplorable fashion. Gradually, the two sisters connect and manage to profoundly change one another. Those viewers and critics who condemned Rosie O'Donnell for her abrasive, over-the-top portrayal of Beth were generally those who had had little contact with genuine handicapped people; conversely, those who had such people in their own families, or who had worked extensively with them professionally, applauded O'Donnell for her disturbingly accurate performance. Adapted from the book by the real-life Rachel Simon (actually an English professor and not a photographer), Riding the Bus with My Sister was telecast by CBS on May 1, 2005. ~ Hal Erickson, All Movie Guide

Prolific production designer and art director Catherine Hardwicke makes her directorial debut with the coming-of-age drama Thirteen. Los Angeles teenager and overachiever Tracy (Evan Rachel Wood) is an excellent student in her seventh grade class and gets along well with her mother, Melanie (Holly Hunter). She fears that she's not cool enough to be friends with Evie (Nikki Reed), the most popular girl in school. Fueled with genuine adolescent energy, Tracy follows Evie's lead into the harsh realities of sex, drugs, and hard-edged adventure. Consumed with temptations and conflicting desires, Tracy loses her good-girl identity, greatly affecting her relationship with her mom. Partly autobiographical, Thirteen was co-written by Hardwicke and actual 13-year-old Reed, who are close family friends. Originally intending to write a teen comedy, they ended up creating a hard-hitting drama exposing the contemporary teenage experience. Thirteen was nominated for the Grand Jury Prize at the 2003 Sundance Film Festival, with Catherine Hardwicke taking home the Director's Award. ~ Andrea LeVasseur, All Movie Guide

Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. ~ Michael Hastings, All Movie Guide

Elisabeth Shue stars in this drama as Molly McKay, a mentally challenged woman who has suffered from autism since childhood. Institutionalized since the age of three, Molly is released at age 28 into the custody of her brother Buck (Aaron Eckhart), whom she hasn't seen since childhood. While Buck cares for his sister, she is in many ways a stranger to him, and he's having enough problems in his life at the moment. When Buck is told by doctors of a risky experimental surgery that could cure Molly, he gives his consent. The operation is a success, and Molly emerges with the emotional walls of autism removed, revealing her to be a genius. But the autistic personality's intense concentration remains, and Buck finds the new Molly nearly as challenging as the old one. Molly's supporting cast includes D.W. Moffett, Jill Hennessy, and Thomas Jane; it was the first credit for screenwriter Dick Christie. ~ Mark Deming, All Movie Guide

This beautiful if ponderous soufflé of a film from director Bernardo Bertolucci serves more as an Italian travelogue than a drama. Liv Tyler stars as Lucy Harmon, an American teenager arriving in the lush Tuscan countryside to visit family friends residing there. Lucy visited four years earlier and exchanged a kiss with a handsome boy with whom she hopes to become reacquainted. Lucy's mother has committed suicide since then, and the teenager also hopes to discover the identity of her father, whom her mother hinted was a resident of the villa. Once she arrives, Lucy meets a variety of eccentric visitors, including a dying gay playwright (Jeremy Irons), a sculptor (Donal McCann), an entertainment lawyer (D.W. Moffet), and several others. Lucy has decided to lose her virginity and becomes an object of intense interest to the men of the household, but the suitor she finally selects is not the initial object of her affection. Stealing Beauty boasted an intriguing parallel between actress Tyler's role and her real life. The daughter of a famed rock and roll star, she was brought up believing that her father was someone else, a fact that Bertolucci may have had in mind when writing the story. ~ Karl Williams, All Movie Guide

In this thriller, a penniless musician starts looking into the mysterious death of his father and discovers that the killer is now after him. ~ Sandra Brennan, All Movie Guide

Director Clare Peploe (wife of Bernardo Bertolucci) adapted this blend of noir mystery and magical realism from the story Miss Shumway Waves a Wand by James Hadley Chase. Bridget Fonda stars as Myra Shumway, an apprentice to a magician (Kenneth Mars) in 1952 Los Angeles. Myra is unhappily engaged to Cliff Wyatt (D.W. Moffett), a sleazy, Howard Hughes-like uranium heir who wants to run for president. After her fiancée accidentally kills her boss, Myra flees to Mexico in search of a renowned female shaman who may be able to teach her the secrets of magic. Wyatt sends an investigator, Alex Ross (Russell Crowe), to find Myra and bring her back. A former photojournalist traumatized by the atomic bombing of Nagasaki, Ross finds Myra but falls for her and joins her on the quest to find the medicine woman, as does Doc Ansell (Jim Broadbent), an eccentric patent medicine salesman seeking an ancient Mayan cure for constipation. During the journey, a series of mystical events occur, including levitation during sex, a dog with the power of speech, a human being laying a blue egg, and the transformation of an assailant into a sausage. ~ Karl Williams, All Movie Guide

When a rebellious young woman's cocaine habit results in an addicted premature baby, authorities whisk the infant away. Devastated, the young mother realizes that she will have to prove herself worthy and capable of motherhood and so sets out to clean up her act. Unfortunately, it may be too little too late as far as the courts are concerned. ~ Sandra Brennan, All Movie Guide

It's just not William Foster's (Michael Douglas) day. Laid off from his defense job, Foster gets stuck in the middle of the mother of all traffic jams. Desirous of attending his daughter's birthday party at the home of his ex-wife (Barbara Hershey), Foster abandons his car and begins walking, encountering one urban humiliation after another (the Korean shopkeeper who obstinately refuses to give change is the worst of the batch). He also slowly unravels mentally, finally snapping at a fast-food restaurant that refuses to serve him breakfast because it's "too late." Running amok with an arsenal of weapons at the ready, Foster -- also known as "D-FENS" because of his vanity license plate -- rapidly becomes a source of terror to some, a folk hero to others. It's up to reluctant cop Prendergast (Robert Duvall), on the eve of his retirement, to bring D-FENS down. ~ Hal Erickson, All Movie Guide