D.W. Moffett Movies

First-time feature filmmaker Jared Drake makes his directorial debut with this quirky black comedy set in the near future, and concerning a curious spike in cases of spontaneous human combustion. The Jeffers Corporation is the largest business in the history of humankind, and they got that way thanks to their strict philosophy of happiness through mindless productivity. But when people begin literally exploding due to unhappiness, Jeffers Corporation Level Three Visioneer George Washington Winsterhammerman (Zach Galifianakis) begins to fear that his time will come sooner rather than later. George lives a comfortable yet completely uneventful life, and when he starts having dreams in which he's the first President of the United States, his doctor informs him that they could be signs of impending explosion. Later, as the dreams become more frequent and his co-workers continue to detonate, George is prompted to reevaluate his mundane existence. Judy Greer, Missi Pyle, and James LeGros co-star in an existential black comedy featuring music by Tim DeLaughter of the Polyphonic Spree. ~ Jason Buchanan, Rovi

In the first episode of a two-part story, Addison (Kate Walsh) heads to LA for a reunion old medical-school friends, blissfully unprepared for what it is in store for her. Meredith's stepmom Susan (Mare Winningham) is brought in with a truly bad case of hiccups, just as Meredith (Ellen Pompeo) thinks she has come to terms with their relationship. "Jane Doe" (Elizabeth Reaser) has been identified as "Ava", and Alex (Justin Chambers) is happy with her by any name. And Cristina (Sandra Oh) prepares for her wedding with the dubious input of her own mother (Tsai Chin) and Burke's mom (Diahann Carroll). This episode serves to introduce the future costars of the Grey's Anatomy spinoff Private Practice: Tim Daly (Pete), Amy Brennerman (Violet), Taye Diggs (Sam), Chris Lowell (Dell) and Paul Adelstein (Cooper) (the character of Naomi, here played by Merrin Dungey, would be taken over by Audra McDonald in Private Practice). ~ Hal Erickson, Rovi

Based on a true story, this "Hallmark Hall of Fame" TV movie was produced by Rosie O'Donnell, who also stars as the profoundly mentally challenged Beth Simon. When Beth's father dies, her sister, Rachel (Andie MacDowell), a brittle, self-absorbed fashion photographer, takes charge of Beth -- who, having been allowed to grow up without learning anything of self-discipline and social propriety, is no prize herself. Though she loves her sister, Rachel is embarrassed by Beth's obnoxious, obstreperous behavior, especially when riding the bus, which she does religiously and obsessively every day, much to the dismay of the other passengers. (Be warned: this is not one of those lachrymose "lovable handicapped adult" movies so common to network television.) Also, Beth has been allowed by her overindulgent father to neglect her health and hygiene in a deplorable fashion. Gradually, the two sisters connect and manage to profoundly change one another. Those viewers and critics who condemned Rosie O'Donnell for her abrasive, over-the-top portrayal of Beth were generally those who had had little contact with genuine handicapped people; conversely, those who had such people in their own families, or who had worked extensively with them professionally, applauded O'Donnell for her disturbingly accurate performance. Adapted from the book by the real-life Rachel Simon (actually an English professor and not a photographer), Riding the Bus with My Sister was telecast by CBS on May 1, 2005. ~ Hal Erickson, Rovi

Philip Kaufman directs the detective thriller Twisted (originally to be titled The Blackout Murders), with a script by up-and-coming filmmaker Sarah Thorp. Ashley Judd plays troubled police detective Jessica Shepard, who works under the jurisdiction of the man who raised her as his daughter, police Commissioner Mills (Samuel L. Jackson). While investigating a serial murder case, Jessica -- who is has a proclivity for dangerous, drunken one-night-stands -- discovers that all of the victims are men whom she's recently bedded. Complicating matters are her bitter ex-boyfriend (Mark Pellegrino), her very curious therapist (David Strathairn), and her odd-behaving new partner Mike Delmarco (Andy Garcia). ~ Andrea LeVasseur, Rovi

Prolific production designer and art director Catherine Hardwicke makes her directorial debut with the coming-of-age drama Thirteen. Los Angeles teenager and overachiever Tracy (Evan Rachel Wood) is an excellent student in her seventh grade class and gets along well with her mother, Melanie (Holly Hunter). She fears that she's not cool enough to be friends with Evie (Nikki Reed), the most popular girl in school. Fueled with genuine adolescent energy, Tracy follows Evie's lead into the harsh realities of sex, drugs, and hard-edged adventure. Consumed with temptations and conflicting desires, Tracy loses her good-girl identity, greatly affecting her relationship with her mom. Partly autobiographical, Thirteen was co-written by Hardwicke and actual 13-year-old Reed, who are close family friends. Originally intending to write a teen comedy, they ended up creating a hard-hitting drama exposing the contemporary teenage experience. Thirteen was nominated for the Grand Jury Prize at the 2003 Sundance Film Festival, with Catherine Hardwicke taking home the Director's Award. ~ Andrea LeVasseur, Rovi

Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. ~ Michael Hastings, Rovi

In her TV-movie acting debut, singer Amy Grant is cast as Maryann Lowery, a blind music teacher. When her conservatory classroom is presumptively taken over by arrogant New Age pianist Gregory Pavan (D.W. Moffett), Maryann, unimpressed by the man's celebrity, is outraged -- until Pavan enthusiastically declares that Maryann has what it takes to become a world-renowned concert cellist. As the two temperamental musicians become romantically involved, Maryann's sensitive widowed neighbor Oliver Comstock (Keith Carradine), who has always worshipped her from afar, quietly despairs. It will take a sight-restoring operation before Maryann's eyes are (literally) opened to her true and lasting love. Also known as Music From the Heart, A Song From the Heart premiered September 26, 1999 on CBS. ~ Hal Erickson, Rovi

Retired from rock 'n roll, ex-musician Joe is busy preparing for his upcoming wedding to the conservative daughter of a wealthy demolitions expert, in the full expectation of being trained in the family business. His dreams are shattered when he is kidnapped by a leather-clad performance artist who is upset that the boy's soon-to-be father-in-law is evicting her from her groovy loft apartment. She chains him to a huge metal ball, claiming that it is a mine, and holds him hostage. Since she is a "performance artist," it's difficult at first to determine whether she is serious or not. In time, it becomes clear that, demented or not, she is a more suitable spouse for the hapless musician than his fiancee. ~ Clarke Fountain, Rovi

This beautiful if ponderous soufflé of a film from director Bernardo Bertolucci serves more as an Italian travelogue than a drama. Liv Tyler stars as Lucy Harmon, an American teenager arriving in the lush Tuscan countryside to visit family friends residing there. Lucy visited four years earlier and exchanged a kiss with a handsome boy with whom she hopes to become reacquainted. Lucy's mother has committed suicide since then, and the teenager also hopes to discover the identity of her father, whom her mother hinted was a resident of the villa. Once she arrives, Lucy meets a variety of eccentric visitors, including a dying gay playwright (Jeremy Irons), a sculptor (Donal McCann), an entertainment lawyer (D.W. Moffet), and several others. Lucy has decided to lose her virginity and becomes an object of intense interest to the men of the household, but the suitor she finally selects is not the initial object of her affection. Stealing Beauty boasted an intriguing parallel between actress Tyler's role and her real life. The daughter of a famed rock and roll star, she was brought up believing that her father was someone else, a fact that Bertolucci may have had in mind when writing the story. ~ Karl Williams, Rovi

Director Clare Peploe (wife of Bernardo Bertolucci) adapted this blend of noir mystery and magical realism from the story Miss Shumway Waves a Wand by James Hadley Chase. Bridget Fonda stars as Myra Shumway, an apprentice to a magician (Kenneth Mars) in 1952 Los Angeles. Myra is unhappily engaged to Cliff Wyatt (D.W. Moffett), a sleazy, Howard Hughes-like uranium heir who wants to run for president. After her fiancée accidentally kills her boss, Myra flees to Mexico in search of a renowned female shaman who may be able to teach her the secrets of magic. Wyatt sends an investigator, Alex Ross (Russell Crowe), to find Myra and bring her back. A former photojournalist traumatized by the atomic bombing of Nagasaki, Ross finds Myra but falls for her and joins her on the quest to find the medicine woman, as does Doc Ansell (Jim Broadbent), an eccentric patent medicine salesman seeking an ancient Mayan cure for constipation. During the journey, a series of mystical events occur, including levitation during sex, a dog with the power of speech, a human being laying a blue egg, and the transformation of an assailant into a sausage. ~ Karl Williams, Rovi

It's just not William Foster's (Michael Douglas) day. Laid off from his defense job, Foster gets stuck in the middle of the mother of all traffic jams. Desirous of attending his daughter's birthday party at the home of his ex-wife (Barbara Hershey), Foster abandons his car and begins walking, encountering one urban humiliation after another (the Korean shopkeeper who obstinately refuses to give change is the worst of the batch). He also slowly unravels mentally, finally snapping at a fast-food restaurant that refuses to serve him breakfast because it's "too late." Running amok with an arsenal of weapons at the ready, Foster -- also known as "D-FENS" because of his vanity license plate -- rapidly becomes a source of terror to some, a folk hero to others. It's up to reluctant cop Prendergast (Robert Duvall), on the eve of his retirement, to bring D-FENS down. ~ Hal Erickson, Rovi