Donald Moffat Movies

In Philip Kaufman's surprisingly successful film adaptation of Czech author Milan Kundera's demanding 1984 bestseller, Daniel Day-Lewis stars as Tomas, an overly amorous Prague surgeon, while Juliette Binoche plays Tereza, the waiflike beauty whom he marries. Even though he's supposedly committed, Tomas continues his wanton womanizing, notably with his silken mistress Sabina (Lena Olin). Escaping the 1968 Russian invasion of Prague by heading for Geneva, Sabina takes up with another man and unexpectedly develops a friendship with Tereza. Meanwhile, Tomas, who previously was interested only in sex, becomes politicized by the collapse of Czechoslovakia's Dubcek regime. The Unbearable Lightness of Being may be too leisurely for some viewers, but other viewers may feel the same warm sense of inner satisfaction that is felt after finishing a good, long novel. ~ Hal Erickson, All Movie Guide

Writer/director Sam Shepard's jaundiced view of "Lake Woebegone" territory is essentially a vehicle for his lady fair Jessica Lange. Far North is set in rural Minnesota, at the home of a dour, curmudgeonly farm family. Only Kate (Lange) has been able to escape this repressive environment, but she comes home when dad Bertram (Charles Durning) is laid up in the hospital. Despite her city-bred sophistication, Kate almost instantly reverts to childhood, trying desperately to "prove herself" to her misogynistic papa. To do this, she vows to kill the poor old horse that caused her father's injury. Considering its bleak surroundings and vituperative characters, Far North contains very funny dialogue; in terms of the film's cinematic value, however, Shepard's idea of directing seems to be to yell "Action!" and hope for the best. ~ Hal Erickson, All Movie Guide

Desperado was the first of several made-for-TV movies revolving around the exploits of itinerant cowboy Duell McCall (Alex McArthur). This time around, McCall finds himself in the middle of a deadly feud in a small mining town. As the only honest man in the territory (comparatively speaking), our hero is ripe for a double-cross. Framed for the murder of Sheriff Whaley (Robert Vaughn), McCall is forced to wander the wild frontier in search of the one man who can clear him. Written by Elmore Leonard, this sagebrush Fugitive first aired April 27, 1987. Designed as the pilot for a weekly series, Desperado instead spawned a cluster of feature-length sequels, produced between 1987 and 1989. ~ Hal Erickson, All Movie Guide

Small-town banker Robin Williams has never been able to live down the fact that he dropped an important pass during a crucial high-school football game. Likewise tainted for life is the team's star quarterback Kurt Russell, now a garage owner. Fed up with living his life under a cloud, Williams hits upon a brilliant idea: he will stage a rematch-13 years after the fact--with the members of the rival team. Trouble beckons when Williams' father-in-law announces that he's rooting for the opposition. Williams is determined to win, and in pursuit of that goal he pushes his former teammates to hitherto untapped brilliance. Directed by Roger Spottiswood, The Best of Times was written by Ron Shelton, future writer/director of such delightful sports films as Bull Durham, White Men Can't Jump and Tin Cup; it was Shelton, in fact, who directed most of Best of Times' climactic football game. ~ Hal Erickson, All Movie Guide

A humorous and skilful parody of the cliches and plot contrivances of 50's horror films, this monster movie is set in California, where closets can be large and quite important. The monster (Kevin Peter Hall) is straight out of Alien, if not quite as gruesome. It hides out in closets and wait for victims to unsuspectingly grab a shirt or slacks. After several closet deaths, a San Francisco obituary writer (Donald Grant) is sent to cover the story. He soon teams up with a science teacher (Denise DuBarry) and her son, a super-smart child prodigy, and they set out to solve the murders. The plot thickens when the gruff, brash Gen. Turnbull (Donald Moffat) enters the picture. It seems the monster is bullet-proof, laser-proof and bomb-proof -- a challenge to capture, kill, or subdue. ~ Eleanor Mannikka, All Movie Guide

Director Louis Malle scrutinizes modern-day racism in Alamo Bay. The scene is the Texas coast, where local fishermen resent the "intrusion" of Vietnam refugees. Fair-minded shrimp supplier Wally (Donald Moffat) hires several Vietnamese workers, which serves to further infuriate the locals. The most vociferous of Moffat's opponents is a fisherman, Shang (Ed Harris), who faces bankruptcy due to loss of business. A town meeting designed to settle the issue erupts into violence when Vietnamese emigre Dinh (Ho Nguyen) accuses some of the locals of bending the law for their own purposes. A desperate Shang asks his former lover Glory (Amy Madigan) for financial aid, a delicate situation in that she is Wally's daughter. When the Ku Klux Klan arrives on the scene to drive the Vietnamese out, Glory sides with the refugees, resulting in strong friendship between herself and Dinh. ~ Hal Erickson, All Movie Guide

Ann-Margret is beyond praise in her TV movie debut as the real-life Lucile Frey. A poor, minimally educated rural Iowa mother, Lucile learns on the occasion of the birth of her tenth child in 1952 that she is dying of cancer. Reasoning that her husband (Frederic Forest) is not responsible enough to take care of her children on his own, Lucile takes upon herself the task of finding suitable foster parents for her soon-to-be motherless brood. Not as depressing as it might have been, Who Will Love My Children? closes with the implication that Lucile's children were able to retain their family ties even after being separated for 29 years. The real-life Frey children were showcased the same evening that Who Will Love My Children premiered (February 15, 1983) on an installment of the ABC TV series That's Incredible. ~ Hal Erickson, All Movie Guide

John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves. ~ Anthony Reed, All Movie Guide

Jaclyn Smith trades the flimsy costumes of Charlie's Angels for the pink pillbox hat and white gloves of the former First Lady of the Land in the made-for-TV Jacqueline Bouvier Kennedy. The daughter of socialites "Black Jack" Bouvier (Rod Taylor) and Janet Lee (Claudette Nevins), Jackie spends her early adulthood at the posh Newport estate of her stepfather, Louis Auchincloss (Donald Moffat). In 1953, 24-year-old Jackie marries Senator John F. Kennedy (James Franciscus), himself a child of privilege. The film follows the King and Queen of "Camelot" through Kennedy's 1960 election as President, the tragedy of Jackie's highly publicized miscarriage in the summer of 1963, and the JFK assassination in the fall of that year. All things considered, Jaclyn Smith does a pretty creditable job capturing the "public" Jackie Kennedy, even if the "private" Jackie remains as elusive as she was in real life. (Sidebar: Though "Camelot" is heard on the soundtrack, the real Jackie Kennedy would later note that it was not her husband's favorite song, never mind the legend-weavers in the Kennedy camp). Jacqueline Bouvier Kennedy was first broadcast October 14, 1981. ~ Hal Erickson, All Movie Guide

A popular television animal trainer finds himself forced to rely on his furred and feathered friends after his private plane crash lands in a snow-covered Utah mountain wilderness. ~ Sandra Brennan, All Movie Guide

Based on the long-running comic strip created by E.C. Segar (and less on the animated cartoons created by Max Fleischer, which were decidedly different in tone and approach), Popeye follows the sailor man with the mighty arms (played by Robin Williams in his first major film role) as he arrives in the seaside community of Sweethaven in search of his long-lost father. Popeye meets and quickly falls for the slender Olive Oyl (Shelley Duvall, in the role she was born to play), but Olive's hand has already been promised to the hulking Bluto (Paul Smith), of whom Olive can say little except, well, he's large. Eventually, Popeye and Olive are brought together by Swee' Pea (Wesley Ivan Hurt), an adorable foundling, and Popeye finally meets his dad, Poopdeck Pappy (Ray Walston). Director Robert Altman in no way tempered his trademark style for this big-budget family opus, crowding the screen with a variety of characters and allowing his cast to overlap as much dialogue as they want. ~ Mark Deming, All Movie Guide

An angry mother (Cloris Leachman) fights an ineffective judicial system to bring justice to her daughter's rapist. The film was based on a true story and made for television in 1979. ~ John Bush, All Movie Guide