Donald Moffat Movies

Noted baseball fan Billy Crystal directed this made-for-cable drama set in the summer of 1961, as two of the strongest hitters in the major leagues, Mickey Mantle (Thomas Jane) and Roger Maris (Barry Pepper), find themselves neck and neck in a battle to break Babe Ruth's long-standing record for most home runs in a season. Both men were playing for the New York Yankees at the time, and as the two men came within grasping distance of Ruth's record, their loyalty as friends and teammates was put to the ultimate test. 61 also features Richard Masur, Bruce McGill, Anthony Michael Hall, and Renee Taylor; the scenes set in Yankee Stadium were filmed at Michigan's Tiger Stadium, shortly after the Detroit Tigers shuttered the venerable playing field and relocated to a newer facility. ~ Mark Deming, Rovi

Robert Altman directed this bittersweet ensemble piece about an eccentric and entangled group of family and friends living in the Deep South. Jewel Mae "Cookie" Orcutt (Patricia Neal) is the widowed matriarch of a small-town Mississippi family, which includes her nieces Camille (Glenn Close), a pretentious would-be artist staging an amateur production of Salome at a local church, and Cora Julianne Moore), her less than enthusiastic leading lady. Willis (Charles S. Dutton), the caretaker of Cookie's rambling mansion, tries to persuade her sweet but aimless grand-niece, Emma (Liv Tyler), to move in with her, but she's more interested in her on-again, off-again romance with local cop Jason (Chris O'Donnell). Typical of Altman's work, Cookie's Fortune weaves together a number of different plot lines with relaxed grace, and features an impressive cast, including Ned Beatty, Lyle Lovett, and Courtney B. Vance. ~ Mark Deming, Rovi

This romantic comedy from the John Hughes school of domestic farce stars Greg Kinnear and Lauren Holly as Danny Robertson, an elevator installer, and his wife Jennifer, the owner of an aroma therapy products store. They have a great marriage until Jennifer, who desperately wants a child, secretly stops taking her birth control pills. When she fails to become pregnant, she covertly delivers a sample of Danny's sperm to a fertility clinic, which discovers a biological problem. Danny is furious and embarrassed, but he reluctantly joins the effort to conceive. The crusade to have a baby becomes a humiliating spectacle for both Robertsons, and, as their marriage begins to fracture from the stress, Danny contemplates the charms of a sexy architect (Jill Hennessy) while Jennifer eyes a charming business executive (Christopher McDonald). A Smile Like Yours was the directorial debut of Keith Samples, producer of Big Night (1996) and Two Days in the Valley (1996). ~ Karl Williams, Rovi

Three brothers who are inept criminals butcher one last attempt to pull off a big heist in this caper comedy. Bill Firpo (Nicolas Cage) is sick of thievery and has retired from crime to run an upscale restaurant in New York. But when his two brothers, Alvin (Dana Carvey) and Dave (Jon Lovitz), get out of prison, Bill is sucked back into their world of crime. The three end up on the run and hide out in the small town of Paradise, PA. The friendly townspeople include a bank president (Clifford Moffat) whose trust in people has left his bank an easy target. The brothers can't resist lifting $275,000 from the vault. Unfortunately, Alvin drives their getaway car in circles and they end up back in town and get in an accident. ~ Michael Betzold, Rovi

A woman's greed wreaks havoc on those in her life in this made-for-cable movie. Madchen Amick stars as Lauren Harrington, the seemingly perfect and beautiful wife of Paul (John Lithgow). What Paul doesn't know is that Lauren set up a former boyfriend (Eric Roberts) and sent him to jail as part of a million-dollar scheme -- and he's ready for some payback. ~ Bernadette McCallion, Rovi

Author Armistead Maupin's serialized tale of sexual infidelity and identity in 1970s San Francisco becomes a sprawling comic melodrama in this much-acclaimed miniseries. Produced by PBS and Britain's Channel 4, Tales of the City covers in its five hours the interlocking stories of more than a dozen main characters, many of whom reside at 28 Barbary Lane, a quaint multi-apartment house overseen by the open-minded but enigmatic Mrs. Madrigal (Olympia Dukakis). Among her stable of residents are the acerbic, unlucky-in-love Mona Ramsey (Chloe Webb) and her occasional roommate Michael Tolliver (Marcus D'Amico), who's her constant companion -- that is, when he's not shacked up with one of an endless series of short-term boyfriends. Mrs. Madrigal's newest charge is the apple-cheeked Mary Ann Singleton (Laura Linney), a naïve young woman from the Midwest who's come to San Francisco to visit her friend Connie (Parker Posey), but ends up staying, in search of both a career and a husband. It isn't long before she finds the former; unfortunately, along with it comes the unwanted advances of her boss Beauchamp Day (Thomas Gibson), a philandering executive unhappily married to his boss Edgar's daughter, DeDe (Barbara Garrick). Meanwhile, the regal Edgar (Donald Moffat) happens to be conducting an affair of his own with none other than Mrs. Madrigal. Also starring Bill Campbell and Paul Gross, Tales of the City was first aired on Channel 4 in the spring of 1993 and made its PBS premiere in the winter of 1994, when it garnered some of the network's highest ratings ever, amidst vocal protest of the show's risqué content. ~ Michael Hastings, Rovi

In this romantic comedy from director Frank Oz, Steve Martin plays Boston architect Newton Davis, an impulsive dreamer who builds a bucolic dream home for his girlfriend (Dana Delany) as a means of proposing to her -- only she turns him down. Three months later, the depressed Davis meets a waitress who calls herself Gwen (Goldie Hawn), though pretending to be Hungarian proves to be only the first of her many deceptions. Davis has a one-night stand with Gwen during which he tells her the sad story of the house, which remains unoccupied just outside the city in his hometown of Dobbs Mills, because he can't bear to sell it. Following what seems to be a familiar path for this con artist, Gwen locates the house, figuring she can take up residence without anyone noticing. During a trip to the local grocery, she ends up telling the proprietor she's Davis' wife while trying to charge her purchases to his account. When she offers the same story to a local furniture dealer (Donald Moffat), unaware he's Davis' father, it triggers a string of fabrications in which the shocked Davis unwittingly becomes a co-conspirator. Seeing an opportunity of his own, Davis allows Gwen to stay in the house and agrees to go along with her story in hopes of winning back his jealous ex. Of course, this also necessitates outlandish lie upon outlandish lie, leaving the whole enterprise forever on the verge of collapse. ~ Derek Armstrong, Rovi

Teamster Boss: The Jackie Presser Story is a made-for-cable adaptation of James Neff's Mobbed Up, a real-life account about Teamster president Jackie Presser. Brian Dennehy plays Presser, who was Jimmy Hoffa's successor as president of the Teamsters. Like Hoffa, Presser was caught between the Mafia, the FBI, and his own ambitions, and the film follows his rise to power, as well as all the trials and tribulations that arose while he was president of the Teamsters. ~ Stephen Thomas Erlewine, Rovi

Babe Ruth is a made-for-TV biopic about the titular baseball legend, here played by Stephen Lang. The film covers the events of Babe's life from his orphanage childhood to his retirement from baseball in 1935. Recounted are Babe's two marriages, the first to the benighted Helen Woodford (Yvonne Suhor) and the second to down-to-earth showgirl Claire Hodgson (Lisa Zane); Babe's frequent tiltings with Col. Ruppert (Donald Moffat), autocratic owner of the New York Yankees; Babe's periodic slumps and suspensions; his "wine, women, and more women" lifestyle; his unrealized dream of becoming a team manager; his record-breaking 60th home run in 1927; and his last-stand "three-homer" game for the Boston Braves in his valedictory 1935 season. Too rushed and surfacy to be totally successful, Babe Ruth is nonetheless closer to truth than the sentimentalized John Goodman feature film The Babe (1992), and infinitely superior to William Bendix's atrocious The Babe Ruth Story (1948). As a bonus, real-life baseball great Pete Rose shows up in a one-minute cameo as Ty Cobb. ~ Hal Erickson, Rovi

A pair of lawyers must balance their professional principles (such as they are) against family loyalties in this courtroom drama. Jedediah Ward (Gene Hackman) is a leftist lawyer who has based his career on helping people avoid being taken for a ride by the rich and powerful; he's pursued principle at the expense of profit, though he has a bad habit of not following up on his clients after their cases are settled. Jed's daughter, Maggie (Mary Elizabeth Mastrantonio), has had a bad relationship with her father ever since she discovered that he was cheating on her mother, and while she also has made a career in law, she has taken a very different professional route by working for a high-powered corporate law firm and has adopted a conservative political agenda. Jed is hired to help field a lawsuit against a major auto manufacturer whose station wagons have a dangerous propensity to explode on impact, but while his research indicates he has an all but airtight case against them, the case becomes more complicated for him when he discovers that Maggie is representing the firm he's suing. ~ Mark Deming, Rovi

Flowers for Matty was one of a smattering of 2-hour Kojak TV dramas presented on the 1989-90 series The ABC Saturday Mystery Movie. Theo Kojak, now a police inspector, takes on the case of a murdered author. The dead man was just about to publish an inflammatory book about mob activities. There's an overabundance of suspects, chief among them guest star Angie Dickinson. Dickinson plays a TV talk show hostess and the wife of the murdered man. She also happens to be the former love of Theo Kojak. ~ Hal Erickson, Rovi

Brian De Palma's Hollywood sanitization of Tom Wolfe's scabrous satire stars Tom Hanks as Sherman McCoy, the "master of the universe," a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria's apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman's car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow. ~ Paul Brenner, Rovi

The two-part TV movie Cross of Fire is set in the 1920s, when the Ku Klux Klan was at the height of its political power in Indiana. Part One, originally telecast November 5, 1989, details the resurgence of the Klan (which had been created during the Reconstruction era) under the leadership of David "Steve" Stephenson (John Heard). Cloaking himself in the twin veils of patriotism and morality, Stephenson rails against such "deviates" as blacks, Jews and Catholics, gaining political clout and financial kickbacks as his "invisible empire" grows. Part two of Cross of Fire, telecast November 6, traces the fall of Stephenson -- not because his followers have wised up, but because of a 1925 rape and murder charge. ~ Hal Erickson, Rovi