Don Beddoe Movies

Young David Bruce plays Young Daniel Boone in this above-average Monogram actioner. Taking time off from hunting and settling, Young Daniel attempts to rescue two white girls from their Indian captors. He also hopes to expose a French spy on behalf of the colonial British government. One of the kidnapped ladies is Rebecca (Kristine Miller), who later becomes Mrs. Daniel Boone. Playing fast and loose with the facts, Young Daniel Boone nonetheless serves its purpose: to thrill and entertain the audience. In addition, the film is lensed in the eye-pleasing Cinecolor process. ~ Hal Erickson, All Movie Guide

Caged, considered the best woman's prison film ever made, represents a union between realistic socially conscious drama and the more stylized world of film noir. Marie, (Eleanor Parker), is sentenced to prison for helping her husband in a small robbery. The prison is run by the sadistic matron Evelyn (Hope Emerson) who is secure in her position due to corrupt political influence. The film shows Marie's slow disillusionment with society and her eventual decision to become a prostitute in order to gain parole after observing her friend and fellow inmate Kitty (Betty Garde) lose her sanity and murder their oppressor Evelyn. With this uncompromisingly pessimistic statement on human nature, John Cromwell reaches his peak as a director. Under his expert direction, Eleanor Parker gives the best performance of her career and creates a convincing metamorphosis from a innocent young girl to a hardened criminal. Her performance is nuanced, low-keyed and emotionally charged. Equally impressive is Cromwell's visual realization of the claustrophobia of prison life, aided by the high-contrast photography of Carl Guthrie. This excellent, grim drama is uncompromising in its refusal to sentimentalize the plight of Marie as a victim or to absolve her of her role in her fate, nor does it absolve society as it shows the results of desperation and brutalization on human dignity. ~ Linda Rasmussen, All Movie Guide

No relation to the 1937 screwball comedy of the same name, Easy Living is a film about the world of professional sports. Victor Mature plays Pete Wilson, star halfback of the New York Chiefs. Well past his prime, Wilson would like to retire to a coaching job, but his rival Tim McCarr (Sonny Tufts) beats him to it. Financially, Wilson is really in no position to retire; unfortunately, he has learned that he suffers from a potentially deadly heart condition. To make matters worse, he's on the outs with his wife Liza (Lizabeth Scott), who has become disillusioned with the status of "team wife." A brief dalliance with team secretary Anne (an excellent performance from Lucille Ball) results in Anne's selfless efforts to help Wilson put his marriage -- and his life -- back together. Though he was ignored by contemporary reviewers, future talk-show host Jack Paar has an amusing supporting role. Most of the football players seen in Easy Living were drawn from the ranks of the real-life L.A. Rams. The film was based on a story by novelist Irwin Shaw. ~ Hal Erickson, All Movie Guide

The definitive Joseph H. Lewis-directed melodrama, Gun Crazy is the "Bonnie and Clyde" story retooled for the disillusioned postwar generation. John Dall plays a timorous, emotionally disturbed World War II veteran who has had a lifelong fixation with guns. He meets a kindred spirit in carnival sharpshooter Peggy Cummins, who is equally disturbed -- but a lot smarter, and hence a lot more dangerous. Beyond their physical attraction to one another, both Dall and Cummins are obsessed with firearms. They embark on a crime spree, with Cummins as the brains and Dall as the trigger man. As sociopathic a duo as are likely to be found in a 1940s film, Dall and Cummins are also perversely fascinating. As they dance their last dance before dying in a hail of police bullets, the audience is half hoping that somehow they'll escape the Inevitable. Some critics have complained that Dall is far too effeminate and Cummins too butch, but Joseph H. Lewis was never known to draw anything in less than broad strokes: recall the climax of Terror in a Texas Town, wherein Sterling Hayden participates in a western showdown armed with a whaler's harpoon. The best and most talked-about scene in Gun Crazy is the bank robbery sequence, shot in "real time" from the back seat of Dall and Cummins' getaway car. Originally slated for Monogram release, Gun Crazy enjoyed a wider exposure when its producers, the enterprising King Brothers, chose United Artists as the distributor. The film was based on a magazine article by MacKinlay Kantor; one of the scenarists was uncredited blacklistee Dalton Trumbo. ~ Hal Erickson, All Movie Guide

After the film-noir melodramatics of Lady in the Lake and Ride the Pink Horse, actor/director Robert Montgomery turned to comedy in Once More, My Darling. Montgomery plays a former movie idol hired by the government to woo a young heiress (Ann Blyth). Someone had previously given the girl some jewelry stolen by the Nazis during the war, and the government wants to find out who that someone was. In the grand tradition, Montgomery pursues Blyth until she finally catches him. Produced by longtime Alfred Hitchcock associate Joan Harrison, Once More, My Darling is more conservatively directed than Montgomery's earlier works, though the director earns at least one laugh by playing a clever editing joke. ~ Hal Erickson, All Movie Guide

After Ray Milland turned down the leading role in Bride of Vengeance, Paramount contractee John Lund stepped into the role of Alfonso D'Este, second husband of the notorious Lucrezia Borgia. The ruthlessly ambitious Lucrezia is played by Paulette Goddard, who seems ill at ease in the role. MacDonald Carey is better suited to his assignment as Cesar Borgia, the real villain of the piece. The plot proper gets under way when Lucrezia seeks revenge for her first husband's murder. The supporting cast is an odd lot, especially Billy Gilbert as Beppo, a wandering minstrel. A far better recreation of the Borgia "regime" was offered in the like-vintage Prince of Foxes. ~ Hal Erickson, All Movie Guide

So far as the rest of the world is concerned, Deborah Chandler Clark (Ida Lupino) is dead, killed in a freak auto accident. But Deborah is alive, if not too well. Having discovered a horrible truth about her new husband (Stephen McNally), Deborah had intended to commit suicide. Now she is the "woman in hiding" of the title, living in mortal fear that someday her husband will catch up with her again. Howard Duff, Ida Lupino's husband-to-be, co-stars as a returning GI who turns out to be the hero of the piece. One particularly suspenseful sequence takes place during a noisy convention, with Joe Besser scoring as an obnoxious reveller. Woman in Hiding would make an interesting companion piece to Julia Roberts' Sleeping with the Enemy. ~ Hal Erickson, All Movie Guide

In this provocative drama, a stern hard-liner judge commits euthanasia to save his terminally ill wife from further suffering. He decides to kill her by driving the both of them off a cliff. He succeeds in ending her pain, but unfortunately he survives and ends up turning himself in with a full confession. Now it is up to his brilliant lawyer to defend him. He not only justifies the old judge's actions, he also proves that the wife took a fatal dose of poison before getting in the car; therefore she committed suicide. The judge is freed and returns to his courtroom where he oversees his cases with considerably more sympathy and understanding than he did before. ~ Sandra Brennan, All Movie Guide

Another Part Of The Forest begins some twenty years before the events of Lillian Hellman's play and movie The Little Foxes and shows how that film's Hubbard family became the ruthless, greedy lot they were. It's fifteen years after the Civil War, and the Hubbards dominate their small Southern town financially, if not socially; The patriarch of the family (Fredric March) sold salt for $8 a pound to the Confederate Army at a time when they needed it most. Edmond O'Brien and Dan Duryea play his sons, the former as mean as his father, the latter and younger one a weakling. When the elder child finds out that his father was responsible for the death of Southern troops during the war, he threatens to expose the truth unless the family fortune is placed in his hands. In the end, only Hubbard's wife (Florence Eldridge) stands by her husband during his inevitable fall, and she banishes her own children from their house. Brilliant acting by all, especially March, Duryea, and O'Brien, plus a sharp script, make this unrelentingly grim melodrama fascinating to watch. ~ Don Kaye, All Movie Guide

In this aerial melodrama, four brothers working as stunt pilots for a flying circus leave their jobs to become mail pilots. Because their job requires that they constantly travel, they are advised to not settle down with wives and kids. Still, one pilot falls in love and marries. Unfortunately, the woman dislikes his brothers and constantly worries that he will be killed during a flight. Her fears are not unfounded and much tragedy ensues as the story unfolds. ~ Sandra Brennan, All Movie Guide

Judge Myrna Loy decides that the best way to curb the excesses of playboyish art teacher Cary Grant is to force him to do what he does best--romance a willing young lady. In this instance, the girl is Loy's own sister, played by a blossoming Shirley Temple. Aware that Temple has a serious crush on Grant, Loy orders him to date the teen-aged Temple until the girl gets him out of her system; he is also ordered to keep his hands to himself lest he wind up in the pokey. Grant finds the irrepressible Temple rather wearisome, but he throws himself into his sentence full-force, donning teenaged clothes, speaking in nonsense slang ("Voodoo! Who Do? You Do!" etc.) and participating in the athletic events at a high school picnic. Grant eventually divests himself of Temple by arranging for her to fall for a boy her own age; meanwhile, Loy realizes what we've realized all along--that it is she who is truly smitten by Grant. Adding to the frothy fun of Bachelor and the Bobby-Soxer are the supporting performances of Ray Collins as a sagacious psychologist and Rudy Vallee as a stuffy district attorney. The film's screenplay won an Academy Award for Sidney Sheldon, who went on to create I Dream of Jeannie and to matriculate into a best-selling novelist. ~ Hal Erickson, All Movie Guide

When Loretta Young stepped up to accept her Academy Award for The Farmer's Daughter, the ever-youthful leading lady, who'd been in films since 1928, sighed "At long last!" Young is cast as Katie Holstrum, an independently-minded Swedish girl who leaves her family's Minnesota farm to take a domestic job at the Washington DC home of congressman Glenn Morley Joseph Cotten. Katie's outspokeness and Scandanavian common sense immediately endears her to Morley, his mother Ethel Barrymore, and the family's crusty-but-kindly butler Clancy Charles Bickford. Sensing that the political machine backing Morley isn't thoroughly honest, Katie takes an active hand in Washington politics, leading to her own nomination for a congressional seat. The machine-boss villains (depicted rather provocatively as right-wing reactionaries) try to discredit Katie on the eve of the election, but she is rescued by Morley, who of course has fallen in love with her. Adapted from Juurakon Hulda (Hulda, Daughter of Parliament), a Finnish play written by Hella Wuolijoki (using the pen name Juhani Tervapää), which had originally been optioned as a potential vehicle for Ingrid Bergman, The Farmer's Daughter later matriculated into a weekly TV series, with Inger Stevens as Katie and William Windom as Morley. ~ Hal Erickson, All Movie Guide

A curmudgeonly small-town doctor resents the presence of a new younger physician and his newfangled ways. He is especially dismayed by the new doctor's tendency to sing, a behavior the older fellow deems inappropriate. When the new doc meets a pretty young school teacher, romantic sparks fly. Unfortunately, she is engaged to the town pharmacist. This coupled with the older doctor's disapproval convinces the new fellow to leave town. The elder physician's maid intervenes and changes the young ones mind. It's a good thing too, for he saves the older one from a near fatal attack of appendicitis and earns both the veteran medic's gratitude and respect. Later the two take on a snooty new surgeon whose ambition has blinded him to simple common sense. ~ Sandra Brennan, All Movie Guide