Don Beddoe Movies

Widow Ida Blythe (Beatrice Straight) insists upon spending the weekend alone in her remote cabin, despite news that an escaped lunatic is somewhere in vicinity. Ida's tranquility is shattered by a visit from a strange young woman named Madeleine (Fay Spain), who not only appears to be obsessed with violence, but is also a compulsive liar. Suspecting that Madeleine is the fugitive lunatic, Ida knocks her down and makes her escape -- seeking assistance from another stranger, a soft-spoken gentleman (Donald Buka) with a few problems of his own. ~ Hal Erickson, All Movie Guide

Another Part Of The Forest begins some twenty years before the events of Lillian Hellman's play and movie The Little Foxes and shows how that film's Hubbard family became the ruthless, greedy lot they were. It's fifteen years after the Civil War, and the Hubbards dominate their small Southern town financially, if not socially; The patriarch of the family (Fredric March) sold salt for $8 a pound to the Confederate Army at a time when they needed it most. Edmond O'Brien and Dan Duryea play his sons, the former as mean as his father, the latter and younger one a weakling. When the elder child finds out that his father was responsible for the death of Southern troops during the war, he threatens to expose the truth unless the family fortune is placed in his hands. In the end, only Hubbard's wife (Florence Eldridge) stands by her husband during his inevitable fall, and she banishes her own children from their house. Brilliant acting by all, especially March, Duryea, and O'Brien, plus a sharp script, make this unrelentingly grim melodrama fascinating to watch. ~ Don Kaye, All Movie Guide

Condemned to death for a mercy killing, Dr. John Garth (Karloff) continues to experiment in prison to develop a serum that will put at end to the ageing process. On the eve of his execution, he offers himself as guinea pig for his youth serum, which has recently been mixed with the blood of an executed psychopath. Miraculously, Garth does grow younger before the astonished eyes of kindly prison physician Ralph Howard (Edward Van Sloan). Alas, the serum has murderous side effects, which Howard discovers only as Garth strangles him to death. Pardoned from Death Row thanks to a script contrivance, Garth spends the rest of the film trying to carry on his humanitarian work despite embarrassing lapses into homicidal mania. Many observers regard Before I Hang as the best of Karloff's "Mad Doctor" series for Columbia. ~ Hal Erickson, All Movie Guide

Behind the High Wall is a remake of the 1937 Jackie Cooper-Victor McLaglen film The Big Guy. Tom Tully plays prison warden Frank Carmichael, who is kidnapped during a jail break in which a policeman is killed. In an ensuing car crash, all the escapees are killed except young Johnny Hutchins (John Gavin). Though he knows that Hutchins had nothing to do with the cop's murder, Carmichael refuses to intervene when Johnny is condemned to death. It seems that the escaping convicts had been carrying $100,000 in stolen money with them, which Carmichael has hidden away for his own use. By eliminating Hutchins, the warden is also getting rid of the only potential witness to his own perfidy. Sylvia Sidney is pure venom as Carmichael's crippled, greedy wife, while Betty Lynn (who later played Thelma Lou on The Andy Griffith Show) also registers well as Johnny's agonizing fiancee. ~ Hal Erickson, All Movie Guide

Gene Autry and his horse Champion play "themselves" in Columbia's Beyond the Purple Hills. This one finds Autry serving as a cattle-town sheriff. When his best friend is accused of murder, Gene does his duty and arrests the man--then conducts his own investigation to prove that his pal is innocent. Pat Buttram goes through his usual sidekick paces, while young Autry protégé Don Reynolds does some impressive horse-riding stunts. Of interest to TV-western fans is the actor playing Autry's wrongly accused buddy: it's none other than Hugh O'Brian, later to gain fame as television's Wyatt Earp. ~ Hal Erickson, All Movie Guide

Worthless from a historical aspect, Black Bart is nonetheless an enjoyable fabrication about the fabled Western outlaw. Rescued from a "necktie party," outlaws Charles E. Boles (Dan Duryea) and Lance Hardeen (Jeffrey Lynn) decide that it would be best to part as friends and go their separate ways. When next seen, Boles is a prosperous rancher who supplements his income by robbing the Wells Fargo gold shipments under the alias of Black Bart. Upon learning this, Hardeen rides back into Boles' life demanding a piece of the action. Both of the hero-villains are foiled when they succumb to the charms of the bewitching international courtesan Lola Montez (Yvonne DeCarlo). The story is related in flashback-from a jail cell by the outlaws' erstwhile partner Jersey Brady (Percy Kilbride). Obviously forgotten or ignored by the screenwriters was the fact that the actual Black Bart was really black, an ex-slave who "made bad" in the Wild West . Black Bart was remade in 1967 as Ride to Hangman's Tree. ~ Hal Erickson, All Movie Guide

In this aerial melodrama, four brothers working as stunt pilots for a flying circus leave their jobs to become mail pilots. Because their job requires that they constantly travel, they are advised to not settle down with wives and kids. Still, one pilot falls in love and marries. Unfortunately, the woman dislikes his brothers and constantly worries that he will be killed during a flight. Her fears are not unfounded and much tragedy ensues as the story unfolds. ~ Sandra Brennan, All Movie Guide

This is the celebrated Blondie episode that costars Rita Hayworth, who in 1940 was still just another Columbia contract actress. Hayworth plays an old flame of Dagwood Bumstead's (Arthur Lake), who moves into the Bumstead household when wife Blondie (Penny Singleton) advertises for a boarder. Blondie (Penny Singleton) tries to be civil when she meets Rita, but her true feelings are manifested in a superimposed montage of explosions and gunshots. Innocently caught in a compromising position with Hayworth at a local movie house, Dagwood is shown the door by the heartbroken Blondie. All misunderstandings are swept away by fadeout time in this fifth installment in Columbia's Blondie series. ~ Hal Erickson, All Movie Guide

In this children's movie, an adorable newsboy, his dog, and his friend the hobo accidently stumble across a briefcase containing $100,000. It belongs to a desperate thief who definitely wants it back. The honest child, not knowing the loot is stolen, looks for its owner. Fortunately the police save the day. ~ Sandra Brennan, All Movie Guide

After serving with a notable lack of distinction in WW2, Corporal Slicker Smith (Bud Abbott) and Private Herbie Brown (Lou Costello) return to the US. Unbeknownst to their sourpussed sergeant Collins (Nat Pendleton), Slicker and Herbie have smuggled cute little war orphan Evie (Beverly Simmons) past the immigration authorities. In their efforts to find a decent home for Evie, our heroes return to the prewar "jobs" as sidewalk salesmen, then make a disastrous attempt to collect their GI bonus money. They also struggle to save Evie from deportation, hiding her from the prying eyes of the ubiquitous Collins, who has likewise returned to his civilian job as a police officer. The climax finds Herbie participating in a big-money midget-car race, feverishly dodging pedestrians and motorists as he tries to escape the authorities. The film also includes a romantic subplot involving Tom Brown and Joan Fulton (later known as Joan Shawlee). ~ Hal Erickson, All Movie Guide

Caged, considered the best woman's prison film ever made, represents a union between realistic socially conscious drama and the more stylized world of film noir. Marie, (Eleanor Parker), is sentenced to prison for helping her husband in a small robbery. The prison is run by the sadistic matron Evelyn (Hope Emerson) who is secure in her position due to corrupt political influence. The film shows Marie's slow disillusionment with society and her eventual decision to become a prostitute in order to gain parole after observing her friend and fellow inmate Kitty (Betty Garde) lose her sanity and murder their oppressor Evelyn. With this uncompromisingly pessimistic statement on human nature, John Cromwell reaches his peak as a director. Under his expert direction, Eleanor Parker gives the best performance of her career and creates a convincing metamorphosis from a innocent young girl to a hardened criminal. Her performance is nuanced, low-keyed and emotionally charged. Equally impressive is Cromwell's visual realization of the claustrophobia of prison life, aided by the high-contrast photography of Carl Guthrie. This excellent, grim drama is uncompromising in its refusal to sentimentalize the plight of Marie as a victim or to absolve her of her role in her fate, nor does it absolve society as it shows the results of desperation and brutalization on human dignity. ~ Linda Rasmussen, All Movie Guide

California began life as a remake of Paramount's silent western epic The Covered Wagon, but by the time it emerged on-screen in 1946, the project had metamorphosed into a standard Technicolor frontier "spectacular", concentrating more on star power than anything else. Set during the 1848 mass migration to California, the film stars Ray Milland as Army deserter Jonathan Trumbo and Barbara Stanwyck as "shady lady" Lily Bishop. Since it is clear from the outside that the purportedly disreputable Trumbo and Lily will emerge as the film's true hero and heroine, it is easy to ignore the melodramatic plot convolutions and concentrate on the outsized, well-directed wagon train sequences. George Coulouris has a few ripe moments as a sagebrush Hitler who intends to set up his own despotic empire in California, while Barry Fitzgerald does his usual Irish-blarney routine as an itinerant farmer. As a bonus, Barbara Stanwyck sings a couple of newly-minted "cowboy" songs. ~ Hal Erickson, All Movie Guide