Don Beddoe Movies

There's That Woman Again was the second and last entry in Columbia's own spin on MGM's "Thin Man" series. Virginia Bruce and Melvyn Douglas star as Sally and Bill Reardon, husband-and-wife private eyes (Bruce took over from Joan Blondell, who costarred with Douglas in 1938's There's Always a Woman). This time around, the Reardons investigate a series of jewel robberies which lead to a brace of murders. At times the comedy threatens to overwhelm the mystery angle, but rest assured that Bill Reardon will have collared the guilty party (or, in this case, guilty parties) a few minutes before closing. In emulation of MGM's "Thin Man" art direction, the leading characters in There's That Woman Again live in a lavishly furnished apartment roughly the size of Rhode Island. ~ Hal Erickson, All Movie Guide

Director Rouben Mamoulian often claimed that he'd been inspired to make Golden Boy after reading a newspaper clipping about a recently deceased boxer. While Mamoulian may have genuinely believed that he was the true "auteur" of Golden Boy, he probably wouldn't have made the picture at all had not Clifford Odets started the ball rolling by writing the property for the stage in 1936. In his first starring role, William Holden plays Joe Bonaparte, a promising young boxer. While boxing promoter Tom Moody (Adolphe Menjou) and Menjou's mistress Lorna Moon (Barbara Stanwyck) urge Joe to pursue a ring career, Joe's Italian father (played with a surfeit of Chico Marx by 27-year-old Lee J. Cobb) wants his boy to become a famous violinist. Moody tells Lorna to romance the boy to get him into the ring. She does so, but regrets her callous actions when she genuinely falls in love with Joe. Having already broken his father's heart, Joe is further devastated when he accidentally kills a ring opponent. In the original play, both Joe and Lorna pay for their "sins" by dying in an auto accident. This would never do in Hollywood, so at fadeout time the chastened Joe returns to his forgiving father, with a tearful Lorna by his side. Clifford Odets' overrated purple prose seems to flow naturally from the actors, though it is obvious that William Holden had a long way to go. Still, Holden is pretty good in his first bonafide lead, a fact that he would ever after attribute to the patience and encouragement of his co-star Barbara Stanwyck; each year on the anniversary of Golden Boy's Hollywood premiere, Holden would send Stanwyck flowers as a sign of his eternal gratitude. While much of Golden Boy seems like a cliche-ridden museum piece when seen today, the film comes to life during the boxing sequences, helmed in exciting montage fashion by the always innovative Rouben Mamoulien. ~ Hal Erickson, All Movie Guide

In this drama, a the journalist and editor of a prison newspaper is good enough, that he even contributes to outside publications, but still encounters difficulty after he is released. With the help of a prison loan, he buys his own little printing press and begins attacking the crooked politicians who have been dictating what the major dailies can and cannot print. His heated essays result in the firing of the prison warden. Fortunately, the ex-con successfully helps the ousted warden become the next state governor. ~ Sandra Brennan, All Movie Guide

Spunky Joan Blondell is practically the whole show in the diverting comedy Good Girls Go to Paris. Blondell is cast as ambitious college-campus waitress Jenny Swanson, who yearns to see the sights in Gay Paree. She gets her chance by latching onto British exchange professor Ronald Brooke (Melvyn Douglas), who is en route to the City of Light. Once she sets foot on French soil, Jenny proves the veracity of the film's title by straightening out the wayward family of dyspeptic millionaire Olaf Brand (Walter Connolly)-though for a while it looks as though she's a "bad girl", merely out to take the Brands for every penny they've got. In later years, Joan Blondell ruefully recalled that the film's original title was Good Girls Go to Paris Too, but the Hays Office nixed that harmlessly suggestive monicker. ~ Hal Erickson, All Movie Guide

A scientist's greatest invention proves to be his darkest curse in this thriller that was part of Columbia and star Boris Karloff's "mad doctor" series. Karloff stars as Dr. Henryk Savaard, a brilliant heart expert who has created a pump that will allow him to place a patient in a state of death so that vital organs can be replaced with few problems. His first experiment on a human quickly goes awry when his nurse Betty (Ann Doran) sends for the police. The experiment is interrupted leaving the young man dead and Savaard in jail. He is sentenced to hang, but unleashes a bitter diatribe against his executioners promising to avenge his death. After his hanging, Savaard's assistant, Stoddard (Joseph DeStefani), hooks up the corpse to the heart pump and resurrects his boss. Several months pass and a local reporter (Robert Wilcox) discovers that six of the jurors in the case have mysteriously committed suicide -- all by hanging. The newsman's investigation leads him to follow the judge, the prosecutor, nurse Betty, and the surviving jurors to a specially arranged meeting at Savaard's former home. There, they are stunned to discover that Savaard is not only alive, but planning to execute them one by one every 15 minutes. As the bodies quickly begin to pile up, it is through the one person close to Savaard's heart that they can hope to make it out alive. ~ Patrick Legare, All Movie Guide

While working in a doctor's office, the Three Stooges are mistaken for psychiatrists Ziller, Zeller, and Zoller. Hired by millionaire Don Beddoe to cure his giddy wife, Lorna Gray, the Stooges proceed only to wreck a fancy dinner party as only they can. Their antics, however, cure the wife and they are rewarded for their good work. One of the team's better two-reelers, this riotous farce was written by the veteran Clyde Bruckman and directed by producer Jules White. ~ Hans J. Wollstein, All Movie Guide

Cowboy star Bill Elliot makes his first appearance in his familiar guise of "Wild Bill" in Columbia's Taming of the West. When a gang of cattle rustlers knocks off several sheriffs in quick succession, it's up to Wild Bill to get to the bottom of things. The moment he pins on his marshal's badge, our hero is marked for extermination by head villain Rawhide (Dick Curtis). Fortunately, the usually eagle-eyed villains are lousy shots when t comes to bumping off Wild Bill, and justice prevails. Iris Meredith takes a break from Columbia's Charles Starrett series to play Elliot's leading lady, while Dub "Cannonball" Taylor provides dubious comedy relief. ~ Hal Erickson, All Movie Guide

A rancher and the farmer who fences in precious grasslands battle it out in this drama. The fight begins as the rancher's horses continually breach the farmer's fence and destroy his wheat fields. The irate farmer then begins shooting the rancher's horses including the rancher's beloved wild stallion, Konga. The rancher then shoots the farmer to get revenge. The feud is eventually settled when the rancher's son falls in love with the farmer's daughter. ~ Sandra Brennan, All Movie Guide

In this entry in the long-running series, the reformed master jewel thief rushes to help a lovely heiress whose pearl necklace has been stolen by other thieves. Using his consummate skill, the Wolf pulls a deft switcheroo and substitutes the real ones for fakes. He then brings the real necklace back to the socialite. The crooks are soon arrested by the cops. ~ Sandra Brennan, All Movie Guide

Few studios churned out prison pictures with as much frequency as Columbia Pictures. In Men Without Souls, young Johnny Adams (Glenn Ford) deliberately gets himself thrown in prison to accumultate incriminating evidence against Capt. White (Cy Kendall), the sadistic guard responsible for death of Johnny's father. Unfortunately Johnny is swept up in a prison break engineered by cell-block boss Blackie Drew (Barton MacLane), which culminates in the murder of White. Our hero is saved from the electric chair through the intervention of obligatory prison chaplain Reverend Storm (John Litel). Meanwhile, Johnny's true-blue girlfriend Susan Leonard (Rochelle Hudson) awaits the outcome of events on "the outside". ~ Hal Erickson, All Movie Guide

In this crime drama, an ex-crook uses his skills as a forensic scientist to solve crimes. He forms a secret society of forensic scientists. Their main mission is convince skeptical police departments that modern science has a lot to offer them. To prove their point, the scientists randomly choose one large American city. There they enlist the aid of the police chief's daughter and using chemistry, solve a series of puzzling murders. ~ Sandra Brennan, All Movie Guide

Texas Stagecoach was one of a group of 1940 Charles Starrett westerns directed by cult favorite Joseph H. Lewis. Outside of this, there's very little new herein. Starrett once more plays a frontier do-gooder who champions the cause of heroine Iris Meredith-but only after he and Miss Meredith spend a few awkward reels on opposite sides of the fence. The villain, as ever, is Dick Curtis, who hopes to gain control of a stagecoach line by forcing the operation into bankruptcy. Also as ever, the plot is resolved when Starrett and Curtis duke it out in the final scene (reviewers at the time complained that the climactic set-to wasn't anywhere near as violent as previous Starrett-Curtis donnybrooks). Bob Nolan and the Sons of the Pioneers provide the musical interludes, just as they'd done in so many earlier Starrett starrers. ~ Hal Erickson, All Movie Guide