Mary Mitchell Movies

Prepski Morris wants to be Peter Pan personified and refuses to act like an adult and make adult commitments--especially romantic ones. This lightweight drama chronicles his exploits. He is first seen as a teenager experience first love, which is overshadowed by an exciting job at an amusement park, Dreamland. As an adult in his thirties, he is involved with several women, most of them sexual stereotypes. Actually they are more interested in him than he is in them. As nice as they are, he would rather sit alone in his apartment and talk to his dream girl, a figment of his imagination. ~ Sandra Brennan, Rovi

In this rock music parody of the life of Elvis, Pelvis (Luther "Bud" Whaney), a young country-music singer, is taken on a roller-coaster ride of popularity, is made into a star "glitter-rock" performer, and becomes disillusioned with the whole music business. Most of the movie's satire is to be found in the music itself, and in the song lyrics. ~ Clarke Fountain, Rovi

Comic actor Cliff Norton plays it straight as Captain Kurtz, Klink's new, no-nonsense adjutant. Kurtz' arrival complicates Hogan's efforts to destroy a German munitions train. Adding to the dilemma is the fact that Kurtz gets wind of Hogan's espionage operation and poses as a potential defector. "Everyone Has a Brother-in-Law" is one of several second-season episodes written by Laurence Marks; it was first broadcast on February 17, 1967. ~ Hal Erickson, Rovi

Featuring plenty of rock & roll, such artists as Gary Lewis and the Playboys, The Righteous Brothers and the Rip Chords, this fun-filled bit of fluff tells the story of a trio of teens who try to scare up summer cash by running a dance pavilion at a lakeside resort. Raquel Welch made her acting and singing debut in this film. ~ Sandra Brennan, Rovi

Exploitation titan Jack Hill, who went on to make such cult favorites as Switchblade Sisters, The Swinging Cheerleaders, and Foxy Brown, made his solo directorial debut with this fascinating, offbeat shocker. The three surviving children of Titus W. Merrye, who represent the end of his family's line, live in a dilapidated mansion where patient servant Bruno (Lon Chaney, Jr.) watches over the increasingly eccentric Virginia (Jill Banner), Ralph (Sid Haig), and Elizabeth (Beverly Washburn). All three Merrye siblings suffer from the same rare disease that felled their father and the other members of his family -- "Merrye Syndrome," a neurological ailment that begins to manifest itself at the age of ten, causing the brain to slowly decay and sending its victims into an alternately violent and infantile state. Bald, inarticulate Ralph is supposed to be a vegetarian, but "can eat anything he can catch," while Virginia, who seems to be in a perpetual dream state, imagines herself as a human spider and catches people in her "web" (a large net) and then kills them. While it might seem best to let nature to take its course and allow the family's sad legacy to die out, the Merrye siblings have two distant cousins, Emily Howe (Carol Ohmart) and Peter Howe (Quinn K. Redeker), who are interested in laying claim to the family mansion and any money remaining in the Merrye Estate. But not long after they pay a visit to Bruno, they start to have serious regrets about their decision to see the family. Shot in 1964, Spider Baby sat on the shelf until 1968, when it was briefly released as the second half of a horror double-bill on the drive-in circuit. But after it appeared on home video in the early '80s and was the subject of an enthusiastic essay in the book RE/Search: Incredibly Strange Films, the film began to develop a potent cult following and is now regarded as a minor classic of '60s horror. The film has also appeared under the misleading titles Cannibal Orgy and The Liver Eaters, as well as Spider Baby, or the Maddest Story Ever Told. ~ Mark Deming, Rovi

Ray Milland both starred in and directed the morose, minimalist sci-fier Panic in the Year Zero! (original title: Panic in Year Zero!). En route from Los Angeles to a vacation in the mountains, Harry Baldwin (Milland), his wife, Ann (Jean Hagen), and his teen-aged children, Rick (Frankie Avalon) and Karen (Mary Mitchell), are appalled to see a mushroom cloud forming over the L.A. skyline. With the highways clogged by panicking motorists, Milland and his family decide to head to the shelter of their fishing spot, there to wait until more news about the nuclear disaster is available. Everywhere they drive, however, the family is confronted by rampaging looters, heavily armed survivalists, and doped-up motorcycle punks. Attempting to remain calm and collected in the face of Armageddon, Milland ends up as violent and animalistic as everyone else. Though it avoids proselytizing for the most part, Panic in the Year Zero! does fall back on the old reliable "The Beginning" fadeout title. The most powerful aspect of the film is the "normalcy" of Milland's family: we are made to feel throughout that what happens to them could very well happen to us, and how then would we react? ~ Hal Erickson, Rovi