Julien Mitchell Movies

A "Hobson's Choice," as any slang expert will tell you, is no choice at all. In this 1953 filmization of Harold Brighouse's 1915 play Hobson's Choice, hero John Mills finds after several reels of evidence to the contrary that he does have a choice over how he'll conduct his life after all. Mills is the assistant to domineering boot-shop owner Charles Laughton, who lords it over his employees and three daughters by day, then tumbles through the streets on many a drunken evening. Laughton's "old-maid" daughter Brenda DeBanzie breaks free of her father's tyranny, marries Mills, and together with her new husband sets up a rival boot shop when Laughton refuses her a dowry. Father rants and raves, but finally agrees to a merger with his daughter that will assure Mills a large measure of freedom over managing things. The winner of the British Film Institute "Best Film" award of 1954, Hobson's Choice chalked up another international success for director David Lean. ~ Hal Erickson, All Movie Guide

This gentle Ealing Studios comedy features young William Fox as a mischievous English lad. A goodly portion of the film shows Fox and his companions at play, aimlessly but enjoyably wandering about their neighborhood in search of adventure. Eventually the boy finds a discarded magnet, believing it to be a good-luck token; it turns out to be just that, enabling the boy to become a hero of sorts. The Magnet scores with young and old viewers alike, principally because it is told from the boy's point of view. William Fox would later sprout up to become leading British actor James Fox. ~ Hal Erickson, All Movie Guide

The boy is Sam Walters (Patrick Holt). The girl is Susie Bates (future Avengers star Honor Blackman). The bike is one of several used by a British cycling club. Boy and girl have fun peddling about the countryside until the girl's pretty head is turned by David Howarth (John McCallum), a wealthy young man with a snazzy sportscar. When David joins the cyclers, Susie glows and Sam glowers. Set in Yorkshire, the film is pleasant to look at but difficult to understand (at least for those not accustomed to regional British accents). The presence of sex symbol Diana Dors in the cast enabled A Boy, a Girl and a Bike to secure good bookings in the U.S. ~ Hal Erickson, All Movie Guide

Margaret Lockwood is cast against type as a "black widow" in the British Bedelia. Wealthy but naïve Charlie Carrington (Ian Hunter) is swept off his feet by the beauteous Bedelia (Lockwood), whose three previous husbands, also wealthy, have died ostensibly of natural causes. While on their honeymoon, the Carringtons are pestered by a young artist named Ben Chaney (Barry K. Barnes), who seems to be falling in love with Bedelia. No matter where they go, the Carringtons are pestered by the persistent Ben. On the verge of tossing the interloper out, Charlie reconsiders-and a good thing, too, since Bedelia has been planning all along to poison him at the first opportunity. In the film's operatic climax, Bedelia discovers that this time she has been set up for a fall! Bedelia is based on a novel by Vera Caspary, of Laura fame. ~ Hal Erickson, All Movie Guide

Based on the Eric Ambler novel entitled "Epitaph for a Spy," this is the story of a medical student on the Riviera during the Summer before WWII begins. A refugee from Austria, he has been photographing wildlife. When the film he develops contains secret installations, he must prove that he is not a German spy or be deported. With the police and help from a romantic interest that pops up along the way, he has to try to flush out the real spy to clear himself. Critical reviews were mixed, though Mason did an admirable job on his character. ~ Tana Hobart, All Movie Guide

Filmed in Britain by Czechoslovakian director Karel Lamac, Schweik's New Adventures is a based on a book by Czech humorist Jaroslav Hasek-a pungent piece of anti-Nazi propaganda that managed a widespread European distribution right under the noses of the Gestapo! Lloyd Pearson stars as the "Good Soldier" Schweik, a goodnatured schlemiel who manages to squeak through life by plain dumb luck. The thing of it is, Schweik's stupidity reveals the even greater imbecilities of the Third Reich-much to the dismay of a pompous Gestapo chief (Julian Mitchell). The well chosen supporting cast includes a young Richard Attenborough as a resourceful railway worker. The whimsy of the Hasek original gives way to music-hall slapstick in Con West's screen adaptation. ~ Hal Erickson, All Movie Guide

In the 1580s, the Sea Hawks -- the name given to the bold privateers who prowl the oceans taking ships and treasure on behalf the British crown -- are the most dedicated defenders of British interests in the face of the expanding power of Philip of Spain. And Captain Geoffrey Thorpe (Errol Flynn) is the boldest of the Sea Hawks, responsible for capturing and destroying more than 50 Spanish ships and ten Spanish cities. His capture of a Spanish galleon, however, leads to more than he bargained for, in a romance with the ambassador's niece (Brenda Marshall) and the first whiff of a plan to put Spanish spies into the court of Elizabeth I (Flora Robson). Thorpe's boldness leads him to a daring raid on a treasure caravan in Panama which, thanks to treachery within Elizabeth's court, gets him captured and, with his crew, sentenced to the life of a slave aboard a Spanish ship. Meanwhile, Philip of Spain decides to wipe the threat posed by Elizabeth's independence from the sea by conquering the island nation with his armada. Thorpe, though chained to an oar, knows who the traitor at court is and plans to expose him and Philip's plans, but can he and his men break their bonds and get back to England alive in time to thwart the plans for conquest?

The Sea Hawk was the last and most mature of Flynn's swashbuckling adventure films, played with brilliant stylistic flourishes by the star at his most charismatic, and most serious and studied when working with Flora Robson, whom he apparently genuinely respected. Boasting the handsomest, most opulent production values of a Warner Bros. period film to date, The Sea Hawk was made possible in part by a huge new floodable soundstage. Another highlight was the best adventure film score ever written by Erich Wolfgang Korngold; and the script's seriousness was nailed down by various not-so-veiled references not to 16th century Spain but 20th century Nazi Germany. The movie was cut by over 20 minutes for a reissue with The Sea Wolf, and the complete version was lost until a preservation-quality source was found at the British Film Institute. Since then, that 128-minute version -- which actually contains a one-minute patriotic speech by Robson as Elizabeth that was originally left out of U.S. prints, as well as amber tinting in all of the Panamanian sequences -- has become standard. ~ Bruce Eder, All Movie Guide

A dedicated nurse in a British hospital takes a nervous rookie under her wing. When the new nurse messes up and causes a patient's death, she protects her and loses her job. She eventually finds work at another bigger and more rundown hospital and there falls in love with a handsome young doctor. Trouble comes in the form of a lustful chief of staff who makes a play for the nurse. When she spurns him, he arranges to have her fired. Still determined to practice her profession the nurse and her fledgling assistant start their own service. Later a terrible epidemic strikes and she and her helper suddenly find themselves in demand at the hospital. There, the younger nurse redeems herself by making a great sacrifice and her mentor's own selfless devotion is finally recognized. ~ Sandra Brennan, All Movie Guide

The Drum is an opulent Technicolor "British India" epic, based on a story by A.E.W. Mason (of Four Feathers fame). Teenaged actor Sabu stars as a young East Indian prince educated in England. By rights, his loyalties should lie with his countrymen, but in typical "Sun Never Sets" fashion most of the other Indian characters are as evil and untrustworthy as Prince Guhl (Raymond Massey). Guhl plans a revolt against the British, intending to wipe out the Royal troops as the English officers enjoy the hospitality of Guhl's spacious palace. It's up to Sabu to warn the troops of Guhl's treachery by means of tapping out a message on the drum of the title. In the US, The Drum was released as Drums, on the theory (according to film historian Alan Barbour) that Americans must have more of everything. ~ Hal Erickson, All Movie Guide

An industrialist's secretary is guilty of fatally shooting a crooked lawyer as proven by a photograph taken by an unemployed, foolish reporter. ~ All Movie Guide

Max Miller, seller of horse racing information, begins a new job as a trainer for a new horse stable owner. His good fortune continues when he bets on the wrong horse and wins big. ~ All Movie Guide