Howard Mitchell Movies

Howard M. Mitchell's screen acting career got off to a good start with a pair of silent serials, Beloved Adventurer (1914) and The Road of Strife (1915). Mitchell kept busy as a director in the 1920s, returning to acting in 1935. His roles were confined to bits and walk-ons as guards, storekeepers, judges, and especially police chiefs. Howard M. Mitchell closed out his career playing a train conductor in the classic "B" melodrama The Narrow Margin (1952). ~ Hal Erickson, All Movie Guide
1923  
 
Veteran action hero William Russell starred opposite his offscreen wife Helen Ferguson in this typical Fox oater about a miner who finds himself up against a master swindler (George Webb). Onscreen from 1912, Russell had played Robin Hood (1912) and starred in the serial The Diamond in the Sky (1915) before signing with William Fox. A runner-up to Tom Mix at the studio in the early 1920s, Russell died of pneumonia at the age of 42. ~ Hans J. Wollstein, All Movie Guide

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1923  
 
Estelle Taylor, the off-screen wife of boxer Jack Dempsey, starred in this silent whodunit from newcomer Columbia Pictures. Taylor played Mrs. Cameron, a society matron blackmailed by her lover's roommate (Philo McCullough. When the lover (Vernon Steele) is found murdered, Mr. Cameron (Wyndham Standing becomes the prime suspect, but the real culprit turns out to be the blackmailer, who conveniently confesses before falling to his death. Forgive and Forget was the sixth feature film released by Columbia's parent company, C. B. C., a poverty row organization humorously nicknamed "Corned Beef and Cabbage." ~ Hans J. Wollstein, All Movie Guide

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1922  
 
The Great Night hasn't an original moment in its entire 5 reels, but audiences went home satisfied anyway. William Russell plays Larry Gilmore, a carefree young man who must find a wife or lose an inheritance. To expedite matters, Gilmore's pals place an item in the newspapers about his upcoming legacy. Before long, Our Hero is besieged by hundreds of eligible females of all shapes, sizes and ages. Gilmore escapes the onslaught by disguising himself as a cop, a ruse which leads to even more misadventures. The plot of The Great Night has been utilized dozens of times, never more memorably than in Buster Keaton's Seven Chances and the Three Stooges' Brideless Groom. ~ Hal Erickson, All Movie Guide

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Starring:
William RussellEva Novak, (more)
1921  
 
There have been several films with the title Ever Since Eve -- this one and two in the 1930s -- and none of them are related. This one is a flimsy comedy-drama starring Shirley Mason as a war orphan. Carteret (Herbert Heyes), an artist, decides to adopt a French war orphan and winds up with the very pretty and nearly grown-up Celestine Le Farge (Mason). Naturally he falls in love with her almost immediately, but he isn't the only one. One of his friends also falls for her, and she seems to have a strange suitor who is mysteriously hanging around outside. For the better part of the film, the identity of the person who is contacting Celestine is kept a secret. Only at the end is it revealed that it isn't just a man, it's a couple. One is Lieutenant Gerald O'Connor (Louis King), and the other is a young woman -- the real Celestine. The girl who Carteret thought was Celestine was actually her sister, Marie, who went in her place after she got married. Once everything is cleared up, Carteret doesn't hesitate to take Marie to the altar. ~ Janiss Garza, All Movie Guide

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Starring:
Shirley MasonHerbert Heyes, (more)
1921  
 
Pert -- and very Caucasian -- Shirley Mason does not make a terribly convincing Chinese girl in this drama, but in the end it doesn't really matter because it turns out her character wasn't Asian to begin with. As in many films of the era, all the Chinese roles are taken by white actors. Wing Toy (Mason) has been raised by Wong, an old Chinese laundryman (Edward McWade). When she is 16, he reveals that as an infant she was left in his care by a convict called the Mole (Scott McKee), who claimed her father was Chinese and her mother was white. Because he believes she will have a better home, Wong has promised Wing Toy's hand in marriage to Yen Low (Harry S. Northrup). Yen Low already has a white woman as a wife, White Lily (Betty Schade), but he plans to divorce her so he can wed Wing Toy. Reporter Ben Harris (Raymond McKee) gets wind of the story and his investigation leads to Wing Toy's release. White Lily kills Yen Low and the Mole, released from prison, reveals that Wing Toy is actually the daughter of the district attorney. With no problematic racial barriers to stop them (and racial barriers were very much an issue in 1921), Bob and Wing Toy become engaged. ~ Janiss Garza, All Movie Guide

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1921  
 
Although Shirley Mason was the star of this feature, she's upstaged by character actor Wilson Hummell, who has a dual role. Queenie (Mason) works as a slavey in a girls' school and wishes for the day when her wealthy aunt, Pansy Pooley (Aggie Herring), will call for her. The day comes, but when Queenie arrives at the mansion she discovers that Pansy is not the owner, but the housekeeper. The real owner, Simon Pepper (Hummell), is a miserly curmudgeon who has been a recluse since the death of his young wife 30 years before. Queenie manages to warm Pepper's heart, along with finding romance with Vivian Van Winkle (George O'Hara), the poetic son of a wealthy manufacturer. One day Pepper mysteriously vanishes and his valet, Abner Quigley, who's a dead ringer for the old man (also Hummell), decides to take his place. He marries Pansy and they enter society. Quigley is about to force Queenie to marry Count Michael (Adolphe Menjou) when the real Pepper, who has been on a voyage, returns. Vivian rounds up both Queenie and the minister and the young couple wed. Quigley and Pansy are once again reduced to servant status. ~ Janiss Garza, All Movie Guide

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Starring:
Shirley MasonGeorge O'Hara, (more)
1921  
 
Although Fox pushed this drama as a vehicle for its new star, Barbara Bedford, far more interesting was another Barbara, playing a featured role -- vamp Barbara LaMarr, then still known as Barbara LaMarr Deely, who was on the precipice of stardom herself. LaMarr plays Kate, an evil young woman who steals Giles Gradley (Tom McGuire) away from his wife. The first Mrs. Gradley becomes unhinged, and her daughter Norris (Bedford) brings her out West to stay near the Gradley ranch. Norris herself goes to at the ranch in an attempt to win back her father. But she has to suffer the cruelty of her wicked stepmother until the arrival of Easterner Claude Wolcott (Carl Miller). Wolcott, a worker on the ranch, falls in love with her and becomes her confidant. Then an old admirer of Kate's, Rodney Bates (Cecil Van Auker), starts coming around. Giles catches his wife with her lover and after an argument, she dashes from the house and falls into a bottomless pit. With the "other wom an" finally out of the way, Giles promises Norris that he will go back to his first wife. ~ Janiss Garza, All Movie Guide

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1921  
 
Shirley Mason generally starred in trite little romances, and this one is basically no different than any dozen other Fox programmers featuring her. Marie Gautier (Mason) is a French peasant who lives with her parents on land belonging to the Marchioness de Sivry (Mathilde Brundage). One day, the Marioness' son, Arthur (Raymond McKee), is painting a landscape when he spies Marie. He is immediately taken with her, and claims to be a struggling artist named Andre Broque, so as not to intimidate her with his title. Arthur's uncle, Count de Beaudine (Wilson Hummell), lusts after Marie and won't leave her alone. Finally, the village priest, Father Lesurges (Charles A. Smiley), suggests that she go to Paris. Marie, who is a talented singer and dancer, joins a troupe of entertainers and Arthur gives her the key to his apartment in Paris so she has a place to stay. The count finds out where she is living and believes she is having an affair with his nephew. When her parents find out about her living arrangements, they believe the same thing. Marie faces disgrace, but Arthur proves he really loves her by making her his wife. ~ Janiss Garza, All Movie Guide

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1921  
 
Emily Graham (Iris Ashton) marries Philip Amory (Philo McCullough), whose father is the lifelong enemy of Emily's father (Edwin Booth Tilton). When Philip accidentally blinds Emily, her father takes her infant and gives it to a sailor, who hands it over to his wife. The baby, Gertie grows up (to be played by Shirley Mason), and is treated like a slave by her adopted mother. When she can't take it anymore, she runs away and is taken in by Trueman, a lamplighter (Albert Knott). He works for Graham, and with his help, Gertie is finally reunited with both her parents. This picture, based on the novel by Maria Susanna Cummins, was far darker than the comedy dramas in which Shirley Mason usually excelled. ~ Janiss Garza, All Movie Guide

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Starring:
Shirley MasonRaymond McKee, (more)
1920  
 
This was one of a cycle of faith-healing films of the late teens and early '20s. A Scottish teacher (J. Parks Jones) cures those around him with equal parts faith and common sense. His son (Edward Hearn) is in love with the daughter (Peggy Hyland) of the town's richest man. He opposes his daughter's romance until the teacher saves the girl from the brink of death. Although the Christian Science movement strongly supported films of this nature, they weren't overwhelmingly popular with mass audiences, and the trend died out after Harold Lloyd's Dr. Jack. Director Howard Mitchell later became a busy bit player in talkies. ~ Hal Erickson, All Movie Guide

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1919  
 
Once again, Madlaine Traverse plays a long-suffering woman in this drama. Lady Marion Chatham (Traverse) and her husband, Sir Charles (Charles Clary), are happily married except for one thing -- they are childless. This is good news, however, for the dowager Lady St. Aubrey (Elinor Hancock), because if the couple doesn't produce an heir, their estate will go to her son, George Granville (George Hackathorn). Sir Charles' sister, Gertrude (Jeanne Calhoun), is engaged to an American, Stephen Hartley (Wheeler Oakman), and one stormy night they are forced to seek shelter in a deserted tower. Shortly afterwards, Hartley is called away to Russia on a diplomatic mission, and he is not given enough time to marry Gertrude, who discovers she is pregnant. Sir Charles goes on an expedition not long after Hartley leaves, and when Lady Marion discovers Gertrude's condition, she takes her away to have the child. Gertrude dies before Hartley is able to return, so Lady Marion claims the child as her own to save Gertrude's name. Sir Charles is overjoyed to return and discover he is a father, but Lady St. Aubrey starts spreading the word around that the child does not belong to him. Eventually the whole truth comes out and Sir Charles adopts the infant, who becomes heir to the Chatham estate. ~ Janiss Garza, All Movie Guide

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1919  
 
In spite of the protests of her father (Josef Swickard) and her fiancé, Winifred Bryce (Peggy Hyland) wants to be a writer. Her beau is a noted author himself, and he disparages her latest story about life in Greenwich Village, claiming that it is not true to life. In a snit, Winifred writes another story, urges her fiancé to read it, and heads off to the Village herself to gain atmosphere. But things don't go well for Winifred in Bohemia -- she is cheated by the people she befriends there, including an actor who wants to elope with her by using her money. Then she is falsely accused of committing a murder and is put through the third degree by the police. Winifred decides that Bohemia is not all it's cracked up to be... and then the film cuts back to the Bryce home. The whole picture was actually Winifred's story, which is accepted by a publisher. This film was adapted from a play by H. B. Daniel. ~ Janiss Garza, All Movie Guide

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1919  
 
Marguerite Coullard (Madlaine Traverse) is happily married to Emile (Charles Arling), a prominent French diplomat. Late one night, Marguerite is called away to the bedside of De Brionne (Joseph Swickward), an old friend. He bears a deep, dark secret of Marguerite's -- years ago, because of a youthful indiscretion, she bore a son out of wedlock, and ever since De Brionne has been taking care of the boy. Now the old man is dying, and Marguerite must take charge of her son, Fernand (Jack Rollens)...who happens to be in the Apache cafe around the corner. She goes to him, convinces him to stop drinking absinthe and to straighten himself out and gets him a job as secretary to her husband. Emile, meanwhile, has troubles of his own -- Belloc (Frank Leigh), a crooked stockbroker, is trying to get his hands on a manuscript that the diplomat has in his possession. Marguerite recognizes him as her betrayer, and Belloc tries to get Fernand drunk so he can steal the papers. The two men end up in a fight, and Belloc falls out a window to his death. Marguerite is comforting Fernand when her husband walks in on the two of them. She fesses up to the boy's true relationship with her, and Emile -- the true diplomat that he is -- forgives her and accepts her son. ~ Janiss Garza, All Movie Guide

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1916  
 
Brawny Howard Mitchell doubled as director and title character in the Thanhouser production The Traffic Cop. Mitchell plays Officer Casey, the boyfriend of the pretty ward (Gladys Hulette) of a pompous bank president (Ernest Howard). For four full reels, the banker disapproves of the romance between the cop and the girl. But in the fifth reel he changes his mind when Casey saves him from financial ruin. Produced with the full cooperation of New York's Commissioner of Police, The Traffic Cop is festooned with stock shots of "real" cops going about their daily maneuvers. ~ Hal Erickson, All Movie Guide

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