Dallas Mitchell Movies

With great reluctance, Quincy (Jack Klugman) sets out to prove that wealthy Powell Dixon (George Gaynes) was murdered by his wife Jeannina (Ina Balin), who has a history of mental problems. What makes this particular case so difficult is that Jeannina and Quincy had been lovers back in their medical-school days. Things takes a wild and unexpected turn when Jeannina herself is apparently murdered--the first of several baffling events which culminate in a startling climactic twist. ~ Hal Erickson, All Movie Guide

The sixth season of Quincy M.E. begins as pugnacious, compassionate medical examiner Quincy (Jack Klugman) shows up in a small mill town to lend a helping hand to his colleague Charles Volmer (William Daniels. No sooner has he arrived than Quincy finds himself waist-deep in a brace of ethical challenges. For starters, the father (Phillip Abbott) of a boy who has OD'ed on drugs is pressuring Volmer to alter the results of the autopsy so that the boy's mother will believe that her son has accidentally drowned. And in another part of town, a powerful industrialist (Warren Stevens) is arranging a coverup of his own to hide the fact that the safety standards in his textile mill aren't up to code--with tragic results. ~ Hal Erickson, All Movie Guide

Mixing humor and melodrama, this curiosity has a husband-and-wife detective duo investigating Satanic goings on in an American suburb, all the while bickering about their in-laws and other domestic problems. ~ Mark Hockley, All Movie Guide

Ronald Loper (Robert F. Lyons) heads a gang of kidnappers who are secure in the belief that they've pulled off the perfect crime by snatching the ne'er-do-well son (Tom Lowell) of a prominent contractor (Larry Gates). Inspector Erskine (Efrem Zimbalist Jr.) hopes to catch the crooks without causing harm to the victim, a task which may prove more difficult than usual because of the personalities--and the temperaments--involved. This last episode of The F.B.I.'s eighth season also marks the final appearance of William Reynoldsas Special Agent Colby. ~ Hal Erickson, All Movie Guide

Scheduled to give evidence in a Federal trial, Chief Ironside (Raymond Burr) is all too aware that there are those who hope to silence him before he can appear in court. In fact, the Chief gets word from the grapevine that a professional assassin has been hired to shut him up permanently. What makes this episode unique is that the coldblooded, super-efficient contract killer (James Olson) is depicted in his "off-hours" as a warm and loving family man (whose wife, incidentally, is played by future Happy Days costar Marion Ross). ~ Hal Erickson, All Movie Guide

Perennial TV villain Monte Markham is up to his old tricks as James Devlin, a ski instructor who moonlights as a bank robber. Planning to pull off his biggest heist thus far, Devlin must first head East to link up with former girlfriend--and potential accomplice--Gilliam Norbury (Jessica Walter). Dogging Devlin's trail is, as always, Inspector Erskine (Efrem Zimbalist Jr.) of the FBI. ~ Hal Erickson, All Movie Guide

Airport had enough plot and enough star power in its cast for three feature films, and it only encompassed about half of the complexity or characters found in Arthur Hailey's best-selling potboiler. Essentially built around 12 harrowing hours at a major Midwestern airport, the film had everything an audience of the period could have wanted -- suspense, romance, drama, and comedy -- all spread across a vast canvas. Mel Bakersfeld (Burt Lancaster) is the manager of Lincoln Airport, facing a night beset by the worst blizzard in a decade, a wife (Dana Wynter) who announces she wants a divorce, a primary runway blocked by an airliner stuck in a snowdrift, and a governing board ready to fire him. Bakersfeld's cynical, smooth-talking brother-in-law, Vernon Demerest (Dean Martin), won't let up on his criticism of the management at Lincoln, but he has his own problems as well, mostly in the form of a young stewardess, Gwen Meighen (Jacqueline Bisset), who is pregnant by him and whom he finds he genuinely loves. Add to that the presence of an old lady stowaway (Helen Hayes) and a mentally disturbed passenger (Van Heflin) carrying a bomb, and there's more than enough plot to keep viewers engrossed for two hours plus. Airport became one of the top-grossing movies of its era, racking up seven-digit box-office numbers and spawning an entire film genre -- the disaster movie. With Jean Seberg, George Kennedy, Lloyd Nolan, Barry Nelson, and Maureen Stapleton filling out the rest of the leading roles, there was something for almost everyone in this film. The movie still has a lot to offer if only as a prime example of Hollywood at its most successfully glitzy, but, if possible, viewers should try and see the letterboxed version of Airport on DVD (released May 2001). ~ Bruce Eder, All Movie Guide

It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, All Movie Guide

Inspector Erskine (Efrem Zimbalist Jr.) is on the hunt for Red spy major Jan Anka, who has assumed the identity of deceased American Albert Robinson. Having thus far successfully eluded the Feds, Anka is confronted with an unexpected threat to his safety with the arrival of a girl named Janet (Julie Sommars), who is convinced that "Robinson" is her long-lost father. With one murder charge already hanging over his head, Anka may be forced to kill again to rid himself of the "inconvenient" Janet. ~ Hal Erickson, All Movie Guide

With the series' premise (a wheelchair-bound detective) already established in a two-hour TV pilot film, Ironside launches its first season with a minimum of exposition and a maximum of fast action. Now living in his third-floor office at police headquarters, former San Francisco police chief Robert T. Ironside (Raymond Burr) doggedly disregards his semi-invalid status and continues to solve crimes with an elite three-person staff, consisting of Det. Sgt. Ed Brown (Don Galloway), policewoman Eve Whitfield (Barbara Anderson) and Ironside's bodyguard-general factotum Mark Sanger (Don Mitchell). In this episode, Ironside and company try to solve a racetrack robbery that occurred virtually under their noses. With only one firm clue (a crashed car) to go on, Ironside detemines that the robbery was an inside job...but who was the inside man? ~ Hal Erickson, All Movie Guide

Erskine (Efrem Zimbalist Jr.) and Rhodes (Stephen Brooks) head to the Florida Keys, where Gloria Burnett is hiding in an abandoned house. Gloria is the only person who can identify her husband Charles (James Franciscus) and his accomplice Allen Cole (Hunt Powers) as the masterminds behind a thwarted kidnap attempt, and Charles is not about to let her tell anyone what she knows. Ratcheting up the melodrama is an oncoming hurricane that threatens to wipe out all of the principal characters in one fell swoop. Glen Campbell shows up as a philosophical guitar player. ~ Hal Erickson, All Movie Guide

Guest star Ken Curtis serves up a dry run for his "Festus" character on Gunsmoke as a grungy, highly eccentric Oregon cattle rustler named Monk. Attaching himself to Paladin (Richard Boone), Monk hopes that the gunslinger will protect him from Rook (Robert J. Wilke), a sadistic trail boss. Notorious for his trick shooting, Monk tries to goad Paladin into a showdown--but Paladin is not so easily goaded, at least not until the final scene. Stuntman and future film director Hal Needham appears in a small role. ~ Hal Erickson, All Movie Guide