Cameron Mitchell Movies

Filmed in some tropical country or other, Killer Commandos is purportedly set in Africa. A couple of soldiers of fortune are hired by a group of insurgents to get rid of a white supremacist despot. The possibility exists, however, that the dictator will be able to make a better deal than the rebels. Action, violence, double crosses and last-minute surprises: all the ingredients are there, even if they don't always jell. Journeymen actors Cameron Mitchell and Anthony Eisley once again pick up a few tax-free bucks as they do their usual in Killer Commandoes. ~ Hal Erickson, All Movie Guide

This follow-up to the 1944 hit See Here, Private Hargrove suffers from that common movie malady known as Sequelitis, meaning that it's not quite as good as its predecessor. U.S. artillery corporal Marion Hargrove (Robert Walker) finds himself at large in wartime France -- or at least the MGM backlot version of France -- with wheeler-dealer pal Pvt. Thomas Mulvehill (Keenan Wynn). Inadvertently detached from their outfit, Hargrove and Mulvehill wander into a French village, where they're lauded as conquering heroes by the populace. Later on, our two heroes bumble their way into Paris. Finally, Hargrove and his principal foe Sergeant Cramp (Chill Wills) unexpectedly join forces to rescue Mulvehill from a desertion charge. Like the first "Hargrove" film, What Next, Corporal Hargrove? is based on characters created by the real-life Marion Hargrove, who later became one of Hollywood's most prolific screenwriters. ~ Hal Erickson, All Movie Guide

It's The Champ all over again, with Wallace Beery as a down-and-out prizefighter and Dean Stockwell as the small boy whom he adopts. Mighty McGurk also borrows from Beery's earlier The Bowery (33) by placing its story in that New York neighborhood in 1900. The final echo from Wally Beery's movie past is Aline McMahon, who costarred with Beery in Ah, Wilderness (35). The plot of Mighty McGurk involves Beery's rescuing of the orphaned Stockwell, an English lad, from the clutches of his evil guardian Edward Arnold. The boy in turn inspires Beery to return to the boxing ring after several years of boozy grub work as a Bowery waiter. ~ Hal Erickson, All Movie Guide

In this war movie, set during WW II, a pilot must crash land in the Pacific after he is shot down. As he floats upon the waves, he begins remembering the mythical island of Barbaree that his grandfather used to tell him about. To keep his wounded companion alive, he begins telling his life story. Via flashback, his youth, his love affairs, and his naval enlistment are chronicled. It is one of his lovers that talks her father into organizing a search party to find him. Meanwhile his companion dies. The pilot too, is half-dead by the time they find him. ~ Sandra Brennan, All Movie Guide

Command Decision is a stagebound but consummately acted adaptation of William Wister Haines' Broadway play. Clark Gable, starring in the role essayed on Broadway by Paul Kelly, plays Air Force Brigadier General "Casey" Dennis. With time at a premium, Dennis sends waves of bomber squadrons into Germany to knock out the enemy's jet plane factories. Though Dennis seems utterly unconcerned about the fate of his pilots (even his superior officer Walter Pidgeon is appalled by the heavy losses), the audience knows that his duty is exacting a severe emotional toll on him. Thanks to pressure from a misguided US senator, "butcher" Dennis is replaced by the supposedly more humane Brian Donlevy. But Donlevy realizes that Gable's decisions were the correct ones, and he vows to continue his predecessor's "suicide missions". ~ Hal Erickson, All Movie Guide

In this drama, a wanderer is put on a fight card after promising the promoter that he will take a dive. He soon falls in love with a woman, but later discovers that she is in love with his opponent. He then attempts to scare his rival away from prizefighting by beating him up. He then hits the road and resumes his vagabond life. The lives of those he left behind are forever changed. ~ Sandra Brennan, All Movie Guide

It was considered a serious coup at Columbia Pictures when producer Stanley Kramer landed the rights to Arthur Miller's Pulitzer Prize-winning play, and got most of the key members of the Broadway cast for the movie, plus Kevin McCarthy from the original London cast. The one exception was Lee J. Cobb, who'd done the part of Willy Loman on Broadway but, because of his alleged past left-wing political associations, couldn't do the movie -- so Kramer and Columbia went with a proven box office star, Fredric March. He plays Willy Loman, who has spent a lifetime pursuing success, only to find himself a failure at age 60, a victim of poor choices, lost opportunities, and unreasonable expectations, especially for his two sons, and in particular the older one, Biff (Kevin McCarthy). Despite the support of his loving, patient wife Linda (Mildred Dunnock, in the performance of a lifetime), Willy's life comes apart along with his hold on reality, as he increasingly slips between the present and the past, reliving incidents in a desperate search for what went wrong. March brings a good deal of dignity to the role, and McCarthy and Cameron Mitchell are superb as his two sons, but the movie was a failure at the time of its release, partly owing to its difficult subject matter -- the failure of the American dream was not the first item on every moviegoer's list in 1951, no matter how successful the play had been on Broadway or how many awards it won -- and also to March's performance, which was just as likely the fault of director Laslo Benedek; he's sympathetic but too externalized, without Cobb's seething energy (represented in the 1960's television portrayal), and in the second half is too over-the-top in his madness. ~ Bruce Eder, All Movie Guide

Gerald Mayer proved once more that he had talent above and beyond being the nephew of MGM-head Louis B. Mayer with his direction of The Sellout. The story begins with a bang, as big-city newspaper editor Haven Allridge (Walter Pidgeon) falls victim to the small-town tyranny of corrupt sheriff Kellwin C. Burke (Thomas Gomez). Poised to launch an investigation of Burke's underhanded activities, Allridge is suddenly intimidated into silence. Crusading state's attorney Chick Johnson (John Hodiak) discovers that Burke is keeping Allridge quiet by threatening to reveal the criminal activities of Allridge's son-in-law Randy Stanton (Cameron Mitchell). The final reels illustrate the thesis of Edmund Burke that evil will triumph so long as good men do nothing -- except that this time, they do something. Though hardly a big-budget effort, The Sellout boasts an unusually strong cast, including the aforementioned actors, as well as Karl Malden and Everett Sloane. ~ Hal Erickson, All Movie Guide

This last of several movie adaptations of Bret Harte's The Outcasts of Poker Flat stars Cameron Mitchell as a murderous western outlaw, Anne Baxter as his wife, Dale Robertson as a disgraced gambler and Miriam Hopkins as a faded dance hall floozie. All these characters (with a few other socially undesirable types) are trapped in a snowbound mountain cabin. As the chances for rescue fade, the true natures of the cabin's occupants rise to the surface. It is the gambler, outwardly the most cowardly of the bunch, who takes on the outlaw when he threatens the survival of the others. Outcasts of Poker Flat is less downbeat than earlier versions of the story...and, accordingly, less memorable. ~ Hal Erickson, All Movie Guide

Running an action-packed 67 minutes, Okinawa is an expert combo of wartime newsreel footage and studio re-enactments. The plot concerns the gun crew of a destroyer, engaged in the torturous allied invasion of Okinawa, which cost more American and Japanese lives than any previous Pacific-Theater battle. Pat O'Brien does his usual as the ship's commander, while other stock types are essayed by Cameron Mitchell, Richard Denning, Rhys Williams, Richard Benedict and James Dobson. Curiously, Okinawa was co-written by Leonard Stern, a man more closely associated with TV comedy than two-fisted war epics, and directed by Leigh Jason, who generally piloted musical shorts and features. Actor-producer Alvy Moore (who later played county agent Hank Kimball on TV's Green Acres) shows up in a bit role. ~ Hal Erickson, All Movie Guide

Filmmaker King Vidor does wonders with the unpromising material at hand in Japanese War Bride. Don Taylor stars as Jim Sterling, a Korean war officer who is wounded and hospitalized in Japan. Sterling falls in love with his Japanese nurse Tae Shimizu (Shirley Yamaguchi), eventually marrying her. Upon his return to the U.S., Sterling and his new bride face hostility, bigotry and uncertainty from all sides. Particularly venomous is his sister-in-law Fran (Marie Windsor), who conducts a vicious letter-writing campaign aimed at convincing Sterling that his wife is unfaithful. Produced independently by Joseph Bernhard, Japanese War Bride was released by 20th Century-Fox. ~ Hal Erickson, All Movie Guide

A remake of 1933's The Greeks Had a Word for Them, as well as a retread of 20th Century-Fox's favorite plotline, How to Marry a Millionaire was the first Hollywood comedy to be lensed in Cinemascope. Lauren Bacall, Betty Grable and Marilyn Monroe play three models of modest means who rent an expensive Manhattan penthouse apartment and pose as women of wealth. It's all part of a scheme hatched by Bacall to snare rich husbands for herself and her roommates. The near-sighted Monroe is wooed by an international playboy, but ends up settling for the tax-dodging fugitive (David Wayne) who owns the girls' apartment. The knuckle-headed Grable goes off on an illicit weekend in the mountains with a grouchy married executive (Fred Clark), but falls instead for a comparatively poor--but very handsome--forest ranger (Rory Calhoun). And Bacall very nearly lands an aging millionaire (William Powell), but has a sudden attack of conscience and opts instead for the supposedly poverty-stricken chap (Cameron Mitchell) who has been pursuing her since reel one. It turns out that she has actually landed one of the richest men in New York--and upon learning this, our three luscious heroines faint dead away. Before the opening credits roll in How to Marry a Millionaire, we are treated to a "live" orchestral rendition of Alfred Newman's "Street Scene" overture, conducted by Newman himself. In addition to its being the first wide-screen comedy, Millionaire was also the first-ever presentation of the weekly NBC series Saturday Night at the Movies, premiering on the small screen on September 23, 1961. ~ Hal Erickson, All Movie Guide

Elia Kazan directed this drama inspired by a true story. Karel Cernik (Fredric March) is the leader of a troupe of Czechoslovakian circus performers who have been plying their trade in Eastern Europe for years. When Czechoslovakia falls under Communist rule, the proud and independent Cernik finds that he is no longer free to operate his circus as he sees fit. Many of his performers are conscripted into military service, and his equipment and possessions are declared government property, though the state fails to maintain it properly, or even to give him access to the material to fix it himself. Finally, when Cernik's remaining performers are ordered to insert pro-Communist messages into their acts, he decides that he can take no more and begins making plans to escape to Bavaria during an upcoming tour. Cernik's plans hit a snag, however, when he learns that one of his performers is a spy for the Czech communists, working in collusion with government factotum Fesker (Adolphe Menjou). While politics are making a mess of his professional life, his daughter Tereza (Terry Moore) is complicating matters at home because of her romance with the handsome but unreliable lion tamer Joe Vosdek (Cameron Mitchell), much to the chagrin of both Karel and his wife Zama (Gloria Grahame). The Birnbach Circus troupe, along with a variety of other European carnival performers, appear as themselves in this film, lending the performances a keen authenticity. ~ Mark Deming, All Movie Guide