Belle Mitchell Movies

Wacko Laslo Papas, who doesn't do so well with the ladies, hides the corpse of a young girl in his room. This is disgusting enough, but whenever someone tumbles into Papas' secret, it gets worse. Pretty soon the dead bodies outnumber the live actors. Finally, Papas gets his just desserts in an orgy of mayhem. You probably tumbled to the fact that the R-rated Bloodshed was not an entry on Faerie Tale Theatre. This was filmed in the late '70s but released in 1982, hence the presence of Belle Mitchell, who died in 1979. ~ Hal Erickson, Rovi

"Who are you?" the dwarf Mordecai (Billy Curtis) asks Clint Eastwood's Stranger at the end of Eastwood's 1973 western High Plains Drifter. "You know," he replies, before vanishing into the desert heat waves near California's Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood's second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago's residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper's wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it "Hell," it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter's stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood's antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood's harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood's audience, however, was not so put off, and an exhibitors' poll named Eastwood a top box-office draw for 1973. ~ Lucia Bozzola, Rovi

Every prediction made by a fortune teller to Patricia Kean (Julie Adams) has come true, including her marriage to her wealthy boss Max Armstead (Jesse White). This is why Patricia begins worrying when the seer predicts "You'll wear white. . .then widow's black." Sure enough, Max ends up being fatally poisoned--and as he breathes his last, he accuses Patricia of being his murderer. This place Patricia's lawyer Perry Mason (Raymond Burr) in an uncomfortable position, inasmuch as both he and Lt. Drumm (Richard Anderson) were present when Max spoke his final words! ~ Hal Erickson, Rovi

This standard love story adapted by Leonard Spigelgass from his stage play was acclaimed when it was released for probing into the nature of prejudice. Rosalind Russell plays Mrs. Jacoby, a Jewish widow living in Brooklyn whose daughter Alice (Madlyn Rhue) is married to Jerome (Ray Danton), a U.S. diplomat newly assigned to Japan. Because of Jerome's new post, Mrs. Jacoby decides to visit the land of the rising sun, and once there, she meets Koichi Asano (Alec Guinness). Asano is a suave, sophisticated, and wealthy man with an aesthetically impressive Tokyo home. After the two meet, love starts to blossom. This was one of the rare '60s films geared to the older set but it is significant that even during this period Hollywood still chose to cast a white actor (albeit Alec Guinness!) in the role of Asano. ~ Eleanor Mannikka, Rovi

This second theatrical-feature spin-off of TV's Lone Ranger series stars, as ever, Clayton Moore as the Masked Rider of the Plains and Jay Silverheels as his faithful Indian companion Tonto. This time around, the plot concerns five silver medallions. When placed together, these tiny hunks of silver reveal the location of the titular Lost City of Gold. The owners of three of the medallions have already been killed by the mystery villain; it's up to the Lone Ranger and Tonto to save the other two owners -- Douglas Kennedy and little Noreen Nash -- from harm. Unfortunately, the bloom was (temporarily) off the rose for the Lone Ranger franchise, and Lone Ranger and the Lost City of Gold ended up in the red. ~ Hal Erickson, Rovi

Ginger Rogers ended her 23-year association with RKO Radio with the indifferent musical comedy western The First Travelling Saleslady. Ginger and Broadway favorite Carol Channing (whose only starring film this was) play a pair of corset salespersons who head westward in 1897 to hawk their wares. Finding a limited market for corsets, the ladies switch to selling barbed wire, which rests not at all well with cattle baron James Arness. Rescuing Ginger and Carol from Arness' hired guns are horseless-carriage inventor Barry Nelson and callow young cowpoke Clint Eastwood. Whenever asked about First Travelling Saleslady in later years, Carol Channing would blithely refer to it as "the picture that killed RKO"; she wasn't too far wrong in this assessment. ~ Hal Erickson, Rovi

Produced by Darryl F. Zanuck and directed by Elia Kazan, this film follows the life of Mexican revolutionary leader Emiliano Zapata (Marlon Brando) from his peasant upbringing, through his rise to power in the early 1900s, to his death. The film presents an interesting but fictionalized picture of Zapata. Zapata, the child of tenant-farmers, was joined by Pancho Villa in his rebellion against tyrannical President Porfirio Diaz. The film romanticizes Zapata and in doing so unfortunately distorts the true nature of the wars he waged. Zapata fought, not to conquer Mexico but to free the land for the peasants of Morelos and other southern provinces. The Oscar-nominated screenplay by John Steinbeck ignores some historical details in order to focus on the corruptive influence of power. Marlon Brando won an Academy Award nomination for his work, as did Anthony Quinn, who took home the Best Supporting Actor Oscar for his headstrong, hard-fighting, hard-drinking, intensely romantic character who does not hesitate to die for love. The film also features a beautiful score by Alex North, who also received an Academy Award nomination. ~ Linda Rasmussen, Rovi

Auteur theorists may have trouble discerning the "signature" of director Phil Karlson in the Columbia costume adventure Mask of the Avenger. John Derek stars as Capt. Renatu Dimorna, the son of an Italian aristocrat, who vows revenge after his father is murdered during the European political upheaval of 1848. To this end, Dimorna becomes a dashing Robin Hood type, swashbuckling his way throughout Italy. His principal rival is a traitorous military leader (Anthony Quinn), who is also Dimorna's rival for the affections of a beautiful woman (Jody Lawrance). Production values are quite good in Mask of the Avenger, belying the picture's modest budget. ~ Hal Erickson, Rovi

Robin Hood (Jon Hall) acosts Sir Allan Claire (Michael Duane) and his sister Lady Marian (Patricia Morison) in Sherwood Forest, only to learn that they are allies of his friend King Richard, who is away fighting in France. He also discovers that Sir Allan was on his way to claim the hand of his betrothed bride, Lady Christabel (Adele Jergens) -- and is forced to tell his new friend that she is, instead, to be married to the nefarious Baron Tristram (avin Muir), all as part of a political maneuver by her father. Robin and Sir Allan vow to prevent the marriage, each for his own reasons, even as the knight's sister -- at first resistant to the bandit's charms -- finds herself falling in love with Robin. But Baron Tristram and his allies aren't so easily thwarted, and the struggle takes heroes and villains alike from the dungeons of Notingham Castle to Robin's stronghold in Sherwood. Among the notable (and, at times, improbable) cast members in this breezy B-movie Robin Hood adventure are Walter Sande as Little John, Alan Mowbray as Friar Tuck, Sid Saylor as Will Scarlet, H. B. Warner as Robin's aging mentor, and comedienne Robin Raymond as a serving girl. ~ Bruce Eder, Rovi

That Lady in Ermine tells two parallel stories, both taking place in the small Mittel-European duchy of Bergamo, but one set in the 19th century and the other in the 16th. In 1861, the Countess Angelina (Betty Grable) and her newlywed husband, Baron Mario, have just entered the bridal chamber when a Hungarian army regiment under the command of Colonel Teglash (Douglas Fairbanks, Jr.) invades. Mario flees the castle, leaving Angelina to face the invaders, just as her 16th --century ancestor Francesca (also Betty Grable) was forced to protect her turf under similar circumstances. Colonel Teglash is struck by a portrait of Francesca (the lady in ermine of the title), and the resemblance between her and Angelina makes it difficult for him to rule with his customary iron fist. Meanwhile, Francesca haunts the dreams of both Angelina and Teglash. She appears to advise Angelina to pretend interest in the colonel and then kill him, much as she herself did so many years ago. At the same time, Teglash dreams that Francesca/Angelina overcomes the desire to kill him and falls in love with him. The 19th-century couple play out their story against the backdrop of Francesca's own tale, but with the twist that Angelina really does find herself caring for Teglash. Although the direction is credited to Ernst Lubitsch, he died after 8 days of filming; the film was completed by Otto Preminger. ~ Craig Butler, Rovi

Band singer Freddie Stewart stars in the pure-'40s frivolity Vacation Days. It's a high-school musical romance, with some of the oldest "teenagers" on record. During summer vacation, Freddie and student June Preisser fall for each other. Their relationship is complicated by romantic rivalries carried over from the regular school year. Vacation Days features a spirited musical number by country-western star Spade Cooley, whose ultimate real-life destiny -- he would die in prison after murdering his wife -- retrospectively casts a slight pall on the proceedings. ~ Hal Erickson, Rovi

Freddy Stewart and June Preisser, Monogram's answer to Donald O'Connor and Peggy Ryan, star in Junior Prom. The plot concerns a high-school election, with a snotty rich kid literally buying his way to the class presidency. The backers of hero Freddy Stewart garner votes by using music, specifically big-band numbers and dancing specialties. Guest stars include bandleaders Abe Lyman and Eddie Heywood, Harry "The Hipster" Gibson and the Airliners. Junior Prom represented one of producer Sam Katzman's final Monogram efforts before moving his base of operations to Columbia. ~ Hal Erickson, Rovi