Aleta Mitchell Movies

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, Rovi

The third adaptation of Choderlos de Laclos' classic novel Les Liasons Dangereuses, Milos Forman's Valmont was released one year after Stephen Frears' more famous version of the de Laclos original, Dangerous Liaisons. The plot remains the same: two debauched, depraved 18th century French aristocrats, the Vicomte de Valmont (Colin Firth) and the Marquise de Merteuil (Annette Bening), conspire to destroy several innocent lives, just for the fun of it. But whereas Stephen Frears concentrated on the machinations of the marquise, Forman, per his film's title, devotes most of his screen space to Valmont (played in the Frears version by John Malkovich). In fact, Forman's film concludes with Valmont's conscience-stricken renunciation of his past sins, and his duel to the death, rather than de Meurteil's well-deserved comeuppance. Forman has chosen to set the story back some 50 years, de-emphasizing the opulence that was vital to Frears' vision; he has also utilized a younger cast. ~ Hal Erickson, Rovi

High-powered gangsters move this crime drama along at a fast pace. When two cops, Eddie Jillette (Richard Gere) and Joe Collins (Gary Basaraba), hear about a contract out on local crime boss Losado (Jeroen Krabbe), they go undercover posing as hitmen, and the result is murder. Collins and the man who hired them, Paul Deveneux (Terry Kinney) are killed, and Jillette goes looking for the assassin. He ends up in New Orleans where he locates Michel Duval (Kim Basinger), the girlfriend of Deveneux now virtually held a prisoner by Losado. Jillette has his work cut out for him. ~ Eleanor Mannikka, Rovi