Linda Beckett Movies

In this early film, award-winning director Mike Leigh uses a loose, open-ended narrative structure to unsettle cinematic expectations and create a truly inventive and very honest film. High Hopes opens with the arrival of Wayne, a small-town lad in his twenties, in the London metropolis. Completely lost in the hustle and bustle, Wayne asks for directions from a cyclist named Cyril. Unable to assist him, Cyril brings Wayne to his house to examine a map and meet his long-time girlfriend, Shirley, also a working-class intellectual. After the opening credits roll, Wayne, equipped with directions, leaves and turns to wave goodbye to the helpful couple. Completely unexpectedly the camera stays with Cyril and Shirley, Wayne exits the film as a minor character, and the viewer's notions of what to expect from a narrative drama are completely shaken. Throughout, High Hopes' seemingly innocuous events turn out to be crucial incidents in the characters' lives. After this abrupt change of direction, Cyril and Shirley pay a visit to Cyril's aging mother, Mrs. Bender, and meet her neighbors, the vapid Boothe-Braines. In a parallel story, we meet Cyril's high-strung sister, Valerie, who perpetually neglects her mother as she herself is neglected by her wandering husband, Martin. The remainder of the film explores the dull, unfulfilled lives of the middle class and the wasteful and purposeless lives of the upper-middle class (the Boothe-Braines), and Cyril and Shirley's struggle to decide if they should bring a child into this mess of a world. As with his other films, Leigh did not work from a script in filming High Hopes, relying instead on the actors' improvisations which contribute to the lyrical, open-ended quality of the narrative. ~ Brian Whitener, Rovi

Mike Leigh began his career as one of Britain's most interesting directors with this realistic drama about a woman looking for respite from an unsatisfying life. Sylvia (Anne Raitt) is a slightly overweight woman who works as a secretary and hasn't had much luck in romance. She shares her home with her retarded sister, whom she looks after, and has been dating Peter (Eric Allen), a schoolteacher whom she hopes will ask her to marry him. However, one evening they have a date that doesn't go especially well, and Sylvia discovers that Peter is impotent; he breaks up with her shortly afterward. The only other interesting relationship in her life is with Norman (Mike Bradwell), a hippie who rents out Sylvia's garage as a workspace for his underground newspaper and plays songs on his guitar for her sister. Bleak Moments was adapted from a play written by Leigh; as is his habit, the story was created in collaboration with the actors who originated the roles. ~ Mark Deming, Rovi