Liza Minnelli Movies

A princess from an obscure kingdom (Liza Minnelli) must undergo an unusual test to prove her royal origins in this lively episode from Shelley Duvall's popular, family-oriented cable television series. ~ Sandra Brennan, All Movie Guide

The ads for Arthur suggested that this was an obnoxious film about an obnoxious man, an eternally drunken millionaire indulging his every whim. Instead, Arthur (Dudley Moore) is a sweet, somewhat pathetic character whose millions have left him lonely and with no motivation in life. When the film opens, Arthur is on the threshold of an arranged marriage with simpering socialite Susan (Jill Eikenberry), whom he does not love. Everyone expects Arthur to behave himself, but nobody truly cares for his well-being, with the exception of father-figure butler Mr. Hobson (John Gielgud, who won an Oscar for his performance) and blue-collar shoplifter Linda (Liza Minnelli). Arthur would prefer to marry the lowly Linda, but his iron-willed grandmother (Geraldine Fitzgerald) threatens to pull the plug on his huge inheritance if he doesn't honor his position in life and go through with his marriage to Susan. A sequel, Arthur 2: On the Rocks, followed in 1988. ~ Hal Erickson, All Movie Guide

Each installment of An Evening With presents a performer, band, group, or other public figure in a setting aimed to please fans looking for a representative sampling of what a particular person or group of people does best. In this tape, Liza Minnelli delivers the vocal stylings that have made her famous. Performing on-stage at the New Orleans Theater of the Performing Arts, Minnelli runs the gamut of song from blues to ballads. Also included are several selections from Cabaret. ~ Rob Ferrier, All Movie Guide

Martin Scorsese combined the splashy atmosphere of the old studio musical with an unromanticized marriage story in his valentine to Hollywood and the Big Band era. On V-J Day 1945, newly minted civilian saxophonist Jimmy Doyle (Robert De Niro) meets USO singer Francine Evans (Liza Minnelli) at a dance, but she rebuffs every advance that he makes. A day and a hotel lobby meeting later, Jimmy finally wins Francine over after she uses her pop instincts to save his too-jazzy audition at a nightclub. When she goes on tour with Frankie Harte (Georgie Auld) and his Orchestra, Jimmy tracks her down, taking a job with the orchestra to be with her. Together on stage, they make beautiful music; off stage they marry, but the struggle between two artists begins to take its toll. Unable to understand that Francine's needs and talents are just as important as his, and unwilling to compromise his music for security, Jimmy abandons Francine after their baby is born. Separately, the two succeed even more, as Francine becomes a music and movie star, while Jimmy has a top hit and opens a jazz club. When they are reunited several years later, the pair must decide if their relationship is worth another try. ~ Lucia Bozzola, All Movie Guide

Singer and actress Liza Minnelli teamed up with her father, legendary director Vincente Minnelli, to make this evocative drama. Nina (Liza Minnelli) is a popular film star who, in the midst of a press conference, finds herself remembering her life before her big break, when she worked as a chambermaid at an Italian hotel which had seen better days. In the course of her duties, Nina meets Countessa Sanziani (Ingrid Bergman), an aging and eccentric woman who regales Nina with tales of her glamorous younger days. As the Countessa tells her more stories of her days of wealth and adventure, Nina imagines herself living out the same exciting stories, and soon the Countessa encourages her to find the courage to live out her own dreams. A Matter Of Time also featured another family team-up; Ingrid Bergman's daughter Isabella Rossellini has a small part as a nun attending to the ailing Countessa. ~ Mark Deming, All Movie Guide

It's ironic that MGM, in such dire financial straits in 1974 that it was selling its fabled back lot and auctioning off artifacts from past movie triumphs, enjoyed one of its biggest box-office hits with That's Entertainment, a compilation of musical highlights from the studio's golden days. Onscreen hosts Fred Astaire, Bing Crosby, Gene Kelly, Peter Lawford, Liza Minnelli, Donald O'Connor, Debbie Reynolds, Mickey Rooney, James Stewart, and Elizabeth Taylor introduce the various film clips while standing on what was left of the MGM lot (Rooney delivers his comments from the Andy Hardy street). The vignettes, in both color and black-and-white, include generous slices of such classic MGM songfests as The Wizard of Oz, Meet Me in St. Louis, An American in Paris, Singin' in the Rain, and Gigi. The film includes the montage of Mickey Rooney's "Let's put on a show!" speeches, Clark Gable hoofing to "Puttin' on the Ritz" in Idiot's Delight, and James Stewart (!) serenading Eleanor Powell from Easy to Love. Assembled by Jack Haley Jr., That's Entertainment proved such a hit that the 1976 sequel, That's Entertainment II, was a foregone conclusion. ~ Hal Erickson, All Movie Guide

Recorded in the wake of the phenomenal success with the screen adaptation of Cabaret, Liza with a Z features Liza Minnelli performing over a dozen songs under the direction of Bob Fosse. This special originally aired on network television. The setlist includes renditions of "God Bless the Child," "Son of a Preacher Man," "Bye Bye Blackbird," and a medley of songs from Cabaret. ~ Perry Seibert, All Movie Guide

Upon completing Tell Me That You Love Me, Junie Moon, a tearful Liza Minnelli declared publicly that she would never, ever work with tyrannical director Otto Preminger again. Worse luck for her: Junie Moon contains what may well be Minnelli's best non-musical performance. Based on the novel by Marjorie Kellogg, the film surprisingly manages to evoke humor and pathos from some of the least promising material in movie history. Minnelli plays an emotionally imbalanced young girl whose face is horribly disfigured by her psycho boy friend Ben Piazza. Ken Howard is cast as an epileptic who has wrongly been diagnosed as mentally retarded. And Robert Moore (future director of such films as The Cheap Detective and Murder by Death) portrays a homosexual, confined to a wheelchair after a hunting accident. After meeting one another in a hospital, these three social outcasts decide to move in together, forming a united front against a cold, judgmental world. The devastating events that follow might have lapsed into the grotesque and exploitational, but director Preminger is extremely careful to depict his protagonists as three-dimensional human beings rather than "freaks." Unfortunately, some filmgoers, assuming that any film with a title like Tell Me That You Love Me, Junie Moon just had to be a campy laff riot, were turned off by the repellant aspects of the early scenes and refused to give the rest of this fascinating film a chance. ~ Hal Erickson, All Movie Guide

Albert Finney both directs and stars in the "alienation" comedy-drama Charlie Bubbles. The eponymous Bubbles (Finney) is a trendy and fabulously wealthy novelist. Indulged at every turn, and able to indulge in his wildest fancies, Charlie is bored by his privileged existence. He staves off ennui by drinking and carousing with best-buddy Smokey Pickles (Colin Blakely) and by having a fling with his secretary Eliza (Liza Minnelli, in her screen debut). Billie Whitelaw delivers the film's best performance as Charlie's vitriolic wife. Directed in the "mod" fashion popular at the time, Charlie Bubbles sometimes resembles a music video without the music. ~ Hal Erickson, All Movie Guide

In this 1963 holiday episode of The Judy Garland Show, a large crop of guest stars, including Judy Garland's three children, joins the singer for a bevy of classic and contemporary songs, most of them Christmas-themed. Opening with one of her signature tunes, "Have Yourself a Merry Little Christmas" from Meet Me in St. Louis, Garland makes her way through "Consider Yourself" (from Oliver), "Little Drops of Rain" (from Gay Purr-ee), and, of course, "Over the Rainbow" (from The Wizard of Oz). Jazz singers Jack Jones and Mel Torme also turn up; Jones solos on "Wouldn't It Be Loverly" and "Lollipops and Roses", while Torme duets with Garland on one of his own classics, "The Christmas Song" (also known as "Chestnuts Roasting on an Open Fire"). Joey Luft and Lorna Luft, Garland's two school-age children by third husband Sidney Luft, get their chance to shine, as does eldest daughter and future superstar Liza Minnelli. The entire program is staged as a mock Christmas party, complete with dancing Santas, visiting carolers, and a couple of medleys featuring the entire ensemble. Garland begins the show by inviting viewers into her "home" -- actually a split-level set dressed to resemble a palatial living room. Episode 15 of Garland's short-lived CBS television show, The Judy Garland Christmas Show was taped on December 6, 1963, and broadcast a few weeks later on December 22. Astute viewers will note that Garland flubs a line from Torme's The Christmas Song, earning a chuckle from its composer, and then deliberately substitutes the word "rainbow" for "reindeer" in the next line -- an allusion to her own signature tune. Torme served as a consultant for almost the entire run of Garland's show and their sometimes contentious relationship has been documented in numerous books, including Torme's own The Other Side of the Rainbow. ~ Brian J. Dillard, All Movie Guide

On November 16, 1964, Judy Garland stepped onto the stage of the famed London Palladium for a concert that became historic on two counts -- it marked the first time Garland would share the stage with her daughter Liza Minnelli, and would prove to be Garland's final performance at the venue. The concert was filmed for television, and Judy Garland: Live At The London Palladium captures the musical magic of that evening. Songs performed include "The Man That Got Away", "Hello Dolly", "It's Just A Matter Of Time", "Over The Rainbow", and more. ~ Mark Deming, All Movie Guide

In the Good Old Summertime is a musical remake of the 1940 Ernst Lubitsch comedy The Shop Around the Corner, which in turn was based on a play by Miklos Laszlo. The locale has been changed from Hungary to Chicago, but the turn-of-century time frame and the plot remain the same. Van Johnson and Judy Garland play a couple of clerks in a sheet-music store who detest each other on sight. Both reserve their words of affection for their respective pen pals, whom they've never met. The audience, of course, is aware that Johnson is Garland's pen pal, and she his, but it's fun to anticipate the fireworks when the characters on screen make this discovery. Buster Keaton, then employed by MGM as a "comedy consultant," is provided with one of his best parts in years as the bumbling nephew of shop owner S.Z. Sakall. The songs sung in Summertime consist of period numbers like "I Don't Care", "Wait Till the Sun Shines, Nellie", and the title tune. This is the film in which 18-month-old Liza Minnelli (Garland's daughter) toddles into the closing number, though it is not her film debut, as has often been claimed: an even younger Minnelli popped up briefly in Garland's previous MGM musical Easter Parade. ~ Hal Erickson, All Movie Guide