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Beatriz Aguirre Movies

1992  
 
Gustavo may be the only one of Greta's relatives who will put up with her, but to his credit (and despite numerous provocations), he is a loyal nephew to this lively, demanding and uncomfortable woman. At first she is sleeping in her nephew's childrens' room, but her erratic sleeping habits disturb the youngsters and the family moves her into a maid's room near the roof of their house. Greta wants to be helpful; she washes dishes after meals from time to time, but breaks a great many of them. She also tries to pass messages along when she answers the phone but forgets them or messes them up. When she breaks a leg while running for the bus, the amount of care she needs is almost more than the beleaguered family can manage. Luckily, she has an old friend who is better situated who says that she wants to take care of her for the company she can provide. Greta blossoms in her new freedom and even undertakes an autumnal romance with an attractive old man named Pascual. ~ Clarke Fountain, Rovi

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Starring:
Beatriz AguirrePedro Armendariz, Jr., (more)
 
1989  
 
A wealthy industrial family tries to overcome the death of their patriarch in this social melodrama. The eldest son inherits the reigns of the factory but is undermined by his younger brother. The sibling rivalry escalates into kidnapping and blackmail as the residents of town protest against ecological contamination. ~ Dan Pavlides, Rovi

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Starring:
Alejandro ParodiEnrique Hernandez, (more)
 
1965  
 
In this Mexican supernatural drama, a bereaved mother is granted three wishes after she makes a pact with the devil. Her first wish is to bring her son back from the dead. Unfortunately things don't turn out as well as she'd hoped they would. The story is based on The Monkey's Paw. ~ Sandra Brennan, Rovi

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1962  
 
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A favorite era of Mexican cinema returns to the screen in this well-wrought tale of a family and how it copes with the dynamic changes happening all around. The time is the end of the Mexican revolution and Porfirio Diaz is about to lose power. On the ranch known as La Gaviota, the feudal patriarch (Fernando Soler) of a small family and a large group of peasant workers is caught in the contemporary drama. He represents the old, entrenched, often arrogant aristocracy, and his daughter (Maricruz Olivier) more or less carries on in the same tradition. Opposite this holdover from past times is a revolutionary (Antonio Aguilar) who organizes the family's peasant workers, setting up a dichotomy that reflects the events in the country as a whole. ~ Eleanor Mannikka, Rovi

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Starring:
Maricruz OlivierFernando Soler, (more)
 
1962  
 
One of several films produced by a group of Mexico's independent filmmakers, this heart-warming Christmas tale by director Fernando Cortez is oriented toward family viewing. Meant to awaken the spirit of this season, the story centers around a young boy (Emir Angel Dupeyron) who wants to remind his parents and his neighbors what Christmas is really about. His mother (Beatrice Aguirre) and father (Jorge Martínez de Hoyos) are compassionate and understanding parents and so the boy's new-found mission is not exactly a hopeless cause. ~ Eleanor Mannikka, Rovi

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Starring:
Jorge Martinez de HoyosBeatriz Aguirre, (more)
 
1961  
 
One of a series of Red Riding Hood children's fantasies starring María Gracia in the title role, this particular entry by Roberto Rodriguéz also features the three animals that keep her company. There is the tough-guy wolf ("El Loco" Valdez), the crafty fox ("Dwarf" Santanon), and Duce, the dog. The light story is enlivened by the exploits and shenanigans of the animal characters, while Little Red Riding Hood functions to tie everything together into a coherent whole. The English version of the film was released in the U.S. in 1964. ~ Eleanor Mannikka, Rovi

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Starring:
Maria GraciaSantanon, (more)
 
1960  
 
This is a basically entertaining version of the little girl in the red, hooded cape who sets off to her grandmother's house with a basket of goodies and an admonition from her mother. In this instance, young Maria Garcia won out over stiff competition for the moppet lead, and the nasty, vile wolf who thinks he can disguise himself is played by Manuel "El Loco" Valdez. Given his comedic talents, it is apparent from his first scene that this wolf might be fun, and even open to reform. The setting is a small village of woodcutters, and aside from Grandmama and other stock characters, the addition of a Lovelorn Fox acts as a foil to the wolf. ~ Eleanor Mannikka, Rovi

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Starring:
Manuel Valdés
 
1950  
 
Thanks to such films as Three Godfathers and The Pearl, Mexican actor Pedro Armendariz enjoyed a substantial American following. Thus, Armendariz' Madcap of the House did good business when it was released North of the Border. For most of the film, Armendariz takes a back seat to newcomer Susana Freyre, cast as a wide-eyed convent novice. The girl's unorthodox approach to her calling sparks all sorts of nonsensical situations. Comedy gives way to poignancy in the final scenes, wherein Our Heroine must choose between her own impulses and the word of God. ~ Hal Erickson, Rovi

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1949  
 
This 1949 western focuses on Mexican culture and music. ~ John Bush, Rovi

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