Sal Mineo Movies
Actor Sal Mineo enjoyed great success as a teen idol during the late '50s, shooting to fame opposite James Dean in the perennial Rebel Without a Cause. Born January 10, 1939, in the Bronx, NY, Mineo was an incorrigible youth, tossed out of parochial school and by age eight a member of a street gang. In an attempt to reform her son, his mother enrolled him in dancing school; still, he persisted in running wild until he was arrested for robbery in 1949. Given the choice between juvenile confinement or professional acting school, Mineo chose the latter. Two years later, he appeared on Broadway in Tennessee Williams' The Rose Tattoo, followed by a prominent role in The King and I opposite Yul Brynner. He made his film debut in 1955's Six Bridges to Cross, followed by the Charlton Heston vehicle The Private War of Major Benson. Mineo closed out the year portraying the ill-fated Plato in the Nicholas Ray classic Rebel Without a Cause; diminutive and sad-eyed, his performance perfectly captured the film's themes of youthful desperation, and struck a chord with audiences as well as critics, earning him a Best Supporting Actor Academy Award nomination.For the remainder of the decade, Mineo remained a high-profile screen presence, co-starring in films including 1956's Giant and Somebody up There Likes Me. In 1957, he also attempted to mount a career as a pop singer, scoring a pair of Top 40 hits with "Start Movin' (In My Direction)" and "Lasting Love." In 1959, Mineo starred as the titular jazz drummer in the film biography The Gene Krupa Story, and a year later earned a second Oscar nomination for his work in Exodus. In 1962, he co-starred in The Longest Day, but then the offers stopped coming in. Apart from 1965's The Greatest Story Ever Told, the majority of his subsequent projects were low-budget offerings, and eventually he turned almost exclusively to television. In an attempt to shed his youthful image, Mineo also returned to theater to direct the 1969 drama Fortune and Men's Eyes, which enjoyed successful runs on both coasts. He still continued acting, but by the time of 1971's Escape From the Planet of the Apes, he had literally been reduced to playing a monkey; it was his last major screen appearance. Mineo's life came to a tragic end on the night of February 12, 1976, when he was brutally stabbed on the streets of West Hollywood; he was only 37 years old, and virtually broke at the time of his death. His murderer received a sentence of life imprisonment three years later. ~ Jason Ankeny, All Movie Guide
- 1969
Wayne Newton is the hero of the warm-hearted family feature 80 Steps to Jonah. The piping-voiced Newton is accused of car thievery, but who could doubt the sincerity of that angelic face? On the lam from the cops, he takes a job at a summer camp for blind children. Passing himself off as the new handyman the camp is expecting, the fugitive quickly ingratiates himself with the kids. Soon the cops come calling, but the falsely accused man is rescued by a last-minute confession. Veteran producer/director Gerd Oswald, previously a specialist in taut crime mellers, unexpectedly goes "cute" on 80 Steps to Jonah, though the end result is better than it deserves to be. ~ Hal Erickson, All Movie Guide
- Starring:
- Wayne Newton, Jo Van Fleet, (more)
- 1969
Sharon Farrell stars as blues singer Jesse Boone in the 90-minute, made-for-TV Hard Case of the Blues. Jesse's business manager has just died under mysterious circumstances. He has also swindled Jesse out of $200,000. Thing of it is, Jesse couldn't care less--and Crime magazine editor Dan Farrell (Robert Stack) wants to know the reasons for her apathy. Originally telecast September 26, 1969 as an episode of the TV series Name of the Game, Hard Case of the Blues was one of the series' most highly acclaimed installments. ~ Hal Erickson, All Movie Guide
- 1959
A trio of energetic young men try to put on a good show for their Army camp, in this lightweight comedy by Raoul Walsh. Luigi (Sal Mineo just risen to stardom), Jerry (Berry Coe), and Mike (Gary Crosby) are in boot camp when they are presented with a chance to represent their unit in competition on a national television show. The three guys are up to the challenge, which begins a chain of unusual circumstances that not only have them singing and dancing at the proper times, but also running into a trio of alluring young women (Barbara Eden, Terry Moore, and Christine Carere). Then there is that little mix-up when the Assistant Secretary of War mistakenly marries herself off to a doped-up Private Jerry, all for a good cause. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Sal Mineo, Christine Carère, (more)
- 1958
Sal Mineo plays the title role in this made-for-TV musical based on the famous folk tale, with music and lyrics by Cole Porter. Starring alongside Mineo are Basil Rathbone as the Emperor, Cyril Ritchard as the Magician, Anna Maria Alberghetti as the Princess, and Geoffrey Holder as the Genie. Songs include "No Wonder Taxes Are High," "I Am Loved," "Ridin' High," "Opportunity Knocks but Once," and "Wouldn't It Be Fun." ~ Mark Deming, All Movie Guide
John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Carroll Baker, (more)
- 1966
Lt. Hanley (Rick Jason) is fed up with the insubordination of streetwise punk Private Vinnick (Sal Mineo), and with Vinnick's constant ragging of fellow GI Private Burke (Tom Skerritt). Accused by Vinnick of being a coward, the resentful Burke is determined to prove his courage under fire, thus placing everyone else's life in jeopardy. Further complicating the storyline is the fact that one of the two warring privates is wanted for murder in the States! ~ Hal Erickson, All Movie Guide
Assigned to a reconnaisance mission, Hanley (Rick Jason) is aided by veteran Resistance fighter Leon Poulon (Fernando Lama), who agrees to cooperate only if the squad takes his younger brother Marcel (Sal Mineo) along. Though Marcel has an all-consuming fear of death, Leon pretends not to notice, certain that the boy will perform heroically when the going really gets tough. But Leon's good intentions may prove fatal when he and Marcel are captured for interrogation by a cruel SS officer (played in deadly earnest by The Mary Tyler Moore Show's future "Ted Baxter"!) ~ Hal Erickson, All Movie Guide
- 1964
Sal Mineo guest stars as Private Larry Kogan, who bears witness when Sgt. Saunders (Vic Morrow) is trapped under a fallen beam during an enemy attack. Though he has plenty of time to pull Saunders out, Kogan panics and runs away--then reports to Lt. Hanley (Rick Jason) that the sergeant has been killed. By episode's end, however, Kogan has experienced an epiphany, risking his own life by heading back into occupied territory to rescue Saunders. ~ Hal Erickson, All Movie Guide
- 1956
Frankie Dane (John Cassavetes) is the leader of the hornets, a local street gang that has had its share of rumbles and other trouble with the police. When one of his members is fingered to the police by a neighbor (Malcolm Atterbury) for having a gun, Frankie vows revenge, and when the same man humiliates him in public, he decides it's got to be murder. But only two members of the Hornets, mentally unstable Lou Macklin (Mark Rydell) and would-be full-fledged member "Baby" (Sal Mineo), are willing to go along, and even one of them is shaky -- the rest of the gang draws a line at killing. Social worker Ben Wagner (James Whitmore), who runs the local youth center, has been trying to reach out to the members of the Hornets and sees that something is splitting Frankie and a couple of the others off from the main gang, and is concerned enough to find out what it might be -- especially when Frankie's younger brother, a really nice kid named Richie (Peter J. Votrian), tells him that he thinks Frankie's planning to kill someone. He tries getting help from Frankie's mother (Virginia Gregg), who's too tired from her job to do much more than keep Richie from becoming like his brother, and Mr. Gioia (Will Kuluva), "Baby"'s father, who doesn't understand what went wrong between him and his son. A three-way battle of wills ensues as Frankie tries to hold his plan together and resist Wagner's efforts to intercede -- in the end, several lives are at risk, as Frankie ends up with his knife at the throat of his own brother, fully ready to use it. ~ Bruce Eder, All Movie Guide
- Starring:
- James Whitmore, John Cassavetes, (more)
- 1957
Adapted from his own TV play by Reginald Rose, Dino stars Sal Mineo (who also appeared in the TV version) in the title role. Sent to reform school for his complicity in a gang killing, Dino is released in the custody of kindly settlement worker Sheridan (Brian Keith). Despite the efforts by Sheridan and parole officer Mandel (Frank Faylen) to set the boy on the right path, sullen Dino intends to rejoin his old gang at the first opportunity. Only when he realizes that his younger brother Tony (Pat DeSimone) is in danger of becoming an irredeemable juvenile delinquent does Dino gets wise to himself. It also helps when he falls in love with Shirley (Susan Kohner), a "plain-Jane" girl he meets at Sheridan's settlement house. Rarely seen today, Dino is one of the better "j.d." films of its era. ~ Hal Erickson, All Movie Guide
- Starring:
- Sal Mineo, Brian Keith, (more)
- 1962
Essentially a chase film from beginning to end, this standard adventure yarn by director Ronald Neame is set in "Zahrain," a barely-disguised Middle Eastern nation. Sharif (Yul Brynner) is a rebel who has taken up arms against the country's corrupt government and the forces of Western imperialism. Now he and a small party of supporters (one a kidnapped woman about to become a supporter) take off across the desert with soldiers in hot pursuit. As the group flees through untamed country, there are brief moments of respite but no immediate escape in sight. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Yul Brynner, Sal Mineo, (more)
- 1971
- G
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Escape From the Planet of the Apes is the third in the series of films based upon the Planet of the Apes characters created by novelist Pierre Boulle. At the end of the second film, the centuries-in-the-future world colonized by simians was destroyed, but apes Cornelius (Roddy McDowall) and Zira (Kim Hunter) were able to escape in the space vessel left behind by 20th century astronaut George Taylor (Charlton Heston). Cornelius and Zira pass through another time warp, finding themselves in the Earth of the 1970s. When they reveal their ability to speak, the apes are first treated as curiosities, then as threats when the government, believing the story that the Earth will eventually be inherited by monkeys, tries to prevent the birth of Zira's baby. They are ultimately given shelter by sympathetic circus owner Armando (Ricardo Montalban). This film was followed by the fourth "Apes" entry, 1972's Conquest of the Planet of the Apes. ~ Hal Erickson, All Movie Guide
- Starring:
- Roddy McDowall, Kim Hunter, (more)
Produced and directed by Otto Preminger, Exodus is a 212-minute screen adaptation of the best-selling novel by Leon Uris. The film is concerned with the emergence of Israel as an independent nation in 1947. Its first half focuses on the efforts of 611 holocaust survivors to defy the blockade of the occupying British government and sail to Palestine on the sea vessel Exodus. Paul Newman, a leader of the Hagannah (the Jewish underground), is willing to sacrifice his own life and the lives of the refugees rather than be turned back to war-ravaged Europe, but the British finally relent and allow the Exodus safe passage. Once this victory is assured, 30,000 more Jews, previously interned by the British, flood into the Holy Land. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Eva Marie Saint, (more)
George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland, where Texas rancher Jordan "Bick" Benedict (Rock Hudson) has arrived to buy a stallion called War Winds from its owner, Dr. Horace Lynnton (Paul Fix). But much as Bick loves and knows horses, he finds himself even more transfixed by the doctor's daughter, Leslie Lynnton (Elizabeth Taylor), and after some awkward moments, she has to admit that she's equally drawn to the shy, laconic Texan. They get married and Leslie spends her honeymoon traveling with Jordan to his ranch, Reata, which covers nearly a million acres of Texas. Once there, however, she finds that she has to push her way into her rightful role as mistress of the house, past Bick's sister, Luz (Mercedes McCambridge), who can't accept her brother's marriage or the changes it means in the home they share. Also working around Reata is the laconic ranch hand Jett Rink (James Dean) -- from a family as rooted in Texas as the Benedicts but not nearly as lucky (or "foxy"), Jett is dirt-poor and barely educated at all, and he fairly oozes resentment at Bick for his arrogance, although Luz likes him and for that reason alone Bick is obliged to keep him on. One thing Jett does have in common with his employer is that he is in awe of Leslie's beauty; another is his nearly total contempt for the Mexican-Americans who work for them -- Jett and Bick may have contempt for each other, but either one is just as likely to dismiss the Mexican-Americans around them as a bunch of shiftless "wetbacks." Luz feels so threatened with a loss of power and control that she decides to assert herself with War Winds, yet another "prize" that Bick brought back from Maryland that resists her authority -- then decides to ride the stallion despite being warned that no one but Leslie is wholly safe on him, and spurs him brutally in an effort to break him, which ends up destroying them both in the battle of wills she starts.
After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.
The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.
Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, All Movie Guide
After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.
The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.
Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, All Movie Guide
- Starring:
- Elizabeth Taylor, Rock Hudson, (more)
- 1971
The alternate title for this TV pilot film is the more appropriate The Scavengers. Peter Deuel and Clintin Greyn play two soldiers of fortune who work outside the law in order to reclaim stolen goods for their rightful owners. The stolen item in this case is a jet plane, swiped by a Latin American dictator. This plotline resulted in a second alternate title, How to Steal an Airplane. Only One Day Left Before Tomorrow was scheduled to premiere over NBC on December 10, 1972, but was preempted by a Bing Crosby special and thus went straight to syndication. ~ Hal Erickson, All Movie Guide
The producers of In Search of America never declared outright that the made-for-TV film was intended as a series pilot, but there sure are plenty of loose plot ends. Carl Betz and Vera Miles play the parents of shaggy-haired college dropout Jeff Bridges. At the boy's suggestion, Betz and Miles pack their family--including grandma Ruth McDevitt--into a 1928 Greyhound bus and hit the road, in search of you-know-where. The picaresque plotline brings the family in contact with a variety of colorful characters. Written by Lewis John Carlino, a name that would mean a lot more to filmgoers after The Sailor Who Fell from Grace with the Sea (1976), In Search of America was first telecast March 23, 1971. ~ Hal Erickson, All Movie Guide
- Starring:
- Vera Miles, Carl Betz, (more)
- 1975
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In this documentary, narrated by Stacy Keach, the tragic screen-icon James Dean is remembered. Footage from early television appearances, stills from his life, and clips from his three Warner Brothers films are interwoven with interviews with his co-workers. The soundtrack includes music from Elton John, David Bowie, and the Eagles. ~ Clarke Fountain, All Movie Guide
- 1954
This 1950s medical drama focused on the life of Janet Dean, a registered private duty nurse who seeks the facts behind her patients' problems. The two episodes shown on this compilation tape are "The Apple Case" and "The Garcia Case." ~ Brian Gusse, All Movie Guide
Volcano is the reissue title of the muddled disaster flick Krakatoa: East of Java. The name change was reportedly put into effect after thousands of filmgoers noted publicly that Krakatoa is west of Java. As might be expected, the story takes place in 1883, when the long-dormant volcano at Krakatoa erupted with A-bomb force. Since everyone knows what's coming, the filmmakers try to stir up suspense with a gratuitous subplot involving ship's-captain Maximilian Schell and his mutinous crew (a similar plot device had been used in a previous dramatization of the Krakatoa incident, 1953's Fair Wind to Java). The climactic special effects are spectacular enough to make the script, and the all-star cast (including Diane Baker, Brian Keith, Rossano Brazzi, and Sal Mineo), seem utterly superfluous. ~ Hal Erickson, All Movie Guide
- Starring:
- Maximilian Schell, Diane Baker, (more)
- 1973
A detective guards rich homes after a series of robberies. ~ All Movie Guide
- 1970
In order to smash an international drug cartel, the IMF must stop the three men involving in an intricate smuggling route. Sal Mineo plays Mel Bracken, the Los Angeles distributor of the illicit drugs; Dana Elcaris seen as C.W. Cameron, the midwestern drug manufacturer; and Robert Alda rounds out the guest-star roster as the cartel's middleman, Maximillian. To break up this triumvirate, the IMF organizes an incredibly complex counter-conspiracy. Written by Jackson Gillis, "Flip Side" was orginally broadcast on September 26, 1970. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Graves, Leonard Nimoy, (more)
This landmark juvenile-delinquent drama scrupulously follows the classic theatrical disciplines, telling all within a 24-hour period. Teenager Jimmy Stark (James Dean) can't help but get into trouble, a problem that has forced his appearance-conscious parents (Jim Backus and Ann Doran) to move from one town to another. The film's tormented central characters are all introduced during a single night-court session, presided over by well-meaning social worker Ray (Edward Platt). Jimmy, arrested on a drunk-and-disorderly charge, screams "You're tearing me apart!" as his blind-sided parents bicker with one another over how best to handle the situation. Judy (Natalie Wood) is basically a good kid but behaves wildly out of frustration over her inability to communicate with her deliberately distant father (William Hopper). (The incestuous subtext of this relationship is discreetly handled, but the audience knows what's going on in the minds of Judy and her dad at all times.) And Plato (Sal Mineo), who is so sensitive that he threatens to break apart like porcelain, has taken to killing puppies as a desperate bid for attention from his wealthy, always absent parents.
The next morning, Jimmy tries to start clean at a new high school, only to run afoul of local gang leader Buzz (Corey Allen), who happens to be Judy's boyfriend. Anxious to fit in, Jimmy agrees to settle his differences with a nocturnal "Chickie Run": he and Buzz are to hop into separate stolen cars, then race toward the edge of a cliff; whoever jumps out of the car first is the "chickie." When asked if he's done this sort of thing before, Jimmy lies, "That's all I ever do." This wins him the undying devotion of fellow misfit Plato. At the appointed hour, the Chickie Run takes place, inaugurated by a wave of the arms from Judy. The cars roar toward the cliff; Jimmy is able to jump clear, but Buzz, trapped in the driver's set when his coat gets caught on the door handle, plummets to his death. In the convoluted logic of Buzz' gang, Jimmy is held responsible for the boy's death. For the rest of the evening, he is mercilessly tormented by Buzz' pals, even at his own doorstep. After unsuccessfully trying to sort things out with his weak-willed father, Jimmy runs off into the night. He links up with fellow "lost souls" Judy and Plato, hiding out in an abandoned palatial home and enacting the roles of father, mother, and son. For the first time, these three have found kindred spirits -- but the adults and kids who have made their lives miserable haven't given up yet, leading to tragedy. Out of the bleakness of the finale comes a ray of hope that, at last, Jimmy will be truly understood.
Rebel Without a Cause began as a case history, written in 1944 by Dr. Robert Lindner. Originally intended as a vehicle for Marlon Brando, the property was shelved until Brando's The Wild One (1953) opened floodgates for films about crazy mixed-up teens. Director Nicholas Ray, then working on a similar project, was brought in to helm the film version. His star was James Dean, fresh from Warners' East of Eden. Ray's low budget dictated that the new film be lensed in black-and-white, but when East of Eden really took off at the box office, the existing footage was scrapped and reshot in color. This was great, so far as Ray was concerned, inasmuch as he had a predilection for symbolic color schemes. James Dean's hot red jacket, for example, indicated rebellion, while his very blue blue jeans created a near luminescent effect (Ray had previously used the same vivid color combination on Joan Crawford in Johnny Guitar). As part of an overall bid for authenticity, real-life gang member Frank Mazzola was hired as technical advisor for the fight scenes. To extract as natural a performance as possible from Dean, Ray redesigned the Stark family's living room set to resemble Ray's own home, where Dean did most of his rehearsing. Speaking of interior sets, the mansion where the three troubled teens hide out had previously been seen as the home of Norma Desmond in Sunset Boulevard. Of the reams of on-set trivia concerning Rebel, one of the more amusing tidbits involves Dean's quickie in-joke impression of cartoon character Mr. Magoo -- whose voice was, of course, supplied by Jim Backus, who played Jimmy's father. Viewing the rushes of this improvisation, a clueless Warner Bros. executive took Dean to task, saying in effect that if he must imitate an animated character, why not Warners' own Bugs Bunny? Released right after James Dean's untimely death, Rebel Without a Cause netted an enormous profit. The film almost seems like a eulogy when seen today, since so many of its cast members -- James Dean, Natalie Wood, Sal Mineo, Nick Adams -- died young. ~ Hal Erickson, All Movie Guide
The next morning, Jimmy tries to start clean at a new high school, only to run afoul of local gang leader Buzz (Corey Allen), who happens to be Judy's boyfriend. Anxious to fit in, Jimmy agrees to settle his differences with a nocturnal "Chickie Run": he and Buzz are to hop into separate stolen cars, then race toward the edge of a cliff; whoever jumps out of the car first is the "chickie." When asked if he's done this sort of thing before, Jimmy lies, "That's all I ever do." This wins him the undying devotion of fellow misfit Plato. At the appointed hour, the Chickie Run takes place, inaugurated by a wave of the arms from Judy. The cars roar toward the cliff; Jimmy is able to jump clear, but Buzz, trapped in the driver's set when his coat gets caught on the door handle, plummets to his death. In the convoluted logic of Buzz' gang, Jimmy is held responsible for the boy's death. For the rest of the evening, he is mercilessly tormented by Buzz' pals, even at his own doorstep. After unsuccessfully trying to sort things out with his weak-willed father, Jimmy runs off into the night. He links up with fellow "lost souls" Judy and Plato, hiding out in an abandoned palatial home and enacting the roles of father, mother, and son. For the first time, these three have found kindred spirits -- but the adults and kids who have made their lives miserable haven't given up yet, leading to tragedy. Out of the bleakness of the finale comes a ray of hope that, at last, Jimmy will be truly understood.
Rebel Without a Cause began as a case history, written in 1944 by Dr. Robert Lindner. Originally intended as a vehicle for Marlon Brando, the property was shelved until Brando's The Wild One (1953) opened floodgates for films about crazy mixed-up teens. Director Nicholas Ray, then working on a similar project, was brought in to helm the film version. His star was James Dean, fresh from Warners' East of Eden. Ray's low budget dictated that the new film be lensed in black-and-white, but when East of Eden really took off at the box office, the existing footage was scrapped and reshot in color. This was great, so far as Ray was concerned, inasmuch as he had a predilection for symbolic color schemes. James Dean's hot red jacket, for example, indicated rebellion, while his very blue blue jeans created a near luminescent effect (Ray had previously used the same vivid color combination on Joan Crawford in Johnny Guitar). As part of an overall bid for authenticity, real-life gang member Frank Mazzola was hired as technical advisor for the fight scenes. To extract as natural a performance as possible from Dean, Ray redesigned the Stark family's living room set to resemble Ray's own home, where Dean did most of his rehearsing. Speaking of interior sets, the mansion where the three troubled teens hide out had previously been seen as the home of Norma Desmond in Sunset Boulevard. Of the reams of on-set trivia concerning Rebel, one of the more amusing tidbits involves Dean's quickie in-joke impression of cartoon character Mr. Magoo -- whose voice was, of course, supplied by Jim Backus, who played Jimmy's father. Viewing the rushes of this improvisation, a clueless Warner Bros. executive took Dean to task, saying in effect that if he must imitate an animated character, why not Warners' own Bugs Bunny? Released right after James Dean's untimely death, Rebel Without a Cause netted an enormous profit. The film almost seems like a eulogy when seen today, since so many of its cast members -- James Dean, Natalie Wood, Sal Mineo, Nick Adams -- died young. ~ Hal Erickson, All Movie Guide
- Starring:
- James Dean, Natalie Wood, (more)
- 1956
A must-see for students of 1950s pop culture, Rock, Pretty Baby was Universal-International's earliest acknowledgement of the rock 'n' roll craze. John Saxon plays 18-year-old high schooler Jimmy Daley, who intends to pursue a musical career despite the objections of his physician father (Edward C. Platt). Daley organizes a student band, then tries his best to obtain bookings. One of Jimmy's musical cohorts is none other than Rod McKuen, cast as one "Ox Bentley". Inevitably, the film comes to a noissome conclusion during a televised "bandstand" show, hosted by LA deejay Johnny Grant. The supporting cast of Rock, Pretty Baby runs the age gamut from teenaged Sal Mineo to veteran film favorite Fay Wray. ~ Hal Erickson, All Movie Guide
- Starring:
- Sal Mineo, John Saxon, (more)
- 1975
Sal Mineo guest stars as Joey Hopper, the Manson-like head of a Satanist cult known as the Butcher Brigade. Escaping from a prison hospital ward with the help of his "family," Hopper swears vengeance against all the jury members that found him guilty of murder. The SWAT team's efforts to track down Hopper are stymied by obstreperous underground-newspaper publisher Ross Collins (William Windom), who might not be so sympathetic toward Hopper if he knew that his own daughter Judy (Belinda Balaski) aided in the cult leader's bloody escape. ~ Hal Erickson, All Movie Guide
- Starring:
- Steve Forrest, Rod Perry, (more)
